Streaming
Charlie Covell Brings us into a World of KAOS!
Gods, monsters, tongues being removed, women turned into bees, and is that Billie Piper?!?
Netflix’s KAOS, created by Charlie Covell, is a veritable mezze platter of Greek mythology, contentious issues, and a fantastic soundtrack. Jeff Goldblum was a bold choice for the King of Gods; Zeus, but it works. And the man is treated like a god anyway.
Goldblum treats us to a fantastic performance of a ‘man’ drunk on power who inevitably devolves into paranoia and cruelty. The rest of the cast is fantastic despite not being as instantly recognizable as Goldblum. I particularly liked Janet McTeer’s portrayal of the Queen of the Gods; Hera. She’s a straight-talking, conniving, and all-around badass bitch (if you forgive the phrasing). Zeus’s son, the demigod Dionysus (Nabhaan Rizwan) has quite the arc, going from a spoiled child to an emotionally vulnerable master of his own fate. Special mention goes to his sweet, sweet style.
But how does one take a mishmash of Greek myths and make them palatable for the modern world?
Well, for starters you have Prometheus (Stephen Dillane) as the story’s narrator, chained to his rock wearing only tight red undies. As some may know Prometheus famously suffered an immortal punishment meted out by Zeus. For giving fire to the humans Prometheus was chained to a mountain where Zeus sent an eagle to eat his replenishing liver for evermore. In KAOS Zeus describes Prometheus as his “best friend” whom he summons magically from Prometheus’s torture spot to have frequent tête-à-tête with the commander and chief. Guess that’s the way Zeus treats his friends.
My personal knowledge of Greek myths is mostly drawn from the Disney Hercules movie and Eddie Izzard’s sketches. This is fitting as comedienne Eddie Izzard plays one of ‘The Fates’. The Fates in Greek mythology traditionally; spin, measure, and cut human life like a thread. Izzard’s character; Lachesis who cuts the thread, oozes her trademark wit and charisma. In mythology, the entrance of the Underworld is a cave. In KAOS ‘The Cave’ is a dive bar inhabited by the pool playing Fates and instead of a cyclops guarding the entrance, an eyepatch-wearing bartender.
You don’t have to be Greek Mythology scholar to understand KAOS (though it would maybe help). There is plenty of Easter Eggs hidden for the more eagle-eyed viewer. The prominent placement of a pomegranate in episode one and episode eight (finale). In Greek mythology one of the symbols of a pomegranate is the life and death cycle, which is very fitting for this particular narrative. Some viewers have noticed that Billie Piper’s role as downtrodden prophet Cassandra (she’s looked better) hints at one of the show’s many big twists in episode one. It is clear KAOS will benefit from multiple viewings.
The best thing about KAOS is that it does stand as its own story. As a modern retelling, it fits nicely into current sociopolitical conversations. For example; Zeus and his family want the myths to be maintained in order to provide distraction to what the gods are actually doing.
When Zeus sees that the human’s fear of him is waning he summons natural disasters (fire, plagues, floods…y’know the usual stuff) to scare the humans into submission and pleading worship. As he explains to Dionysus: “And it can start as something real, real small. Like the rape of one woman, the death of one child. Because if you get it right, it can set families and continents ablaze.”
Sound familiar at all?
There is also a sad familiarity with the way the refugees of the destroyed city of Troy are marginalized and segregated in Krete. They appear to be ghettoized in ‘Troytown’ and victimized by the local police force.
Covell’s writing also gives the female characters more agency than their mythological counterparts. Eurydice ‘Riddy’ (Aurora Perrineau) is not just Orpheus’s (Killian Scott) doomed wife but a plucky main character with her own desires and failings. Even Hera is elevated from Zeus’s scorned wife to a major player.
I liked how the figures who traditionally had been screwed over by the gods such as Eurydice; left to languish in the Underworld courtesy of Hades. Medusa was punished for being assaulted by a man in a sacred temple. We already know Prometheus’s story. Daedalus (father of Icarus) was locked in the labyrinth with his son. All these characters are tasked with bringing down the gods in a truly spectacular fashion! Revenge is divine!
The design of the Underworld was initially quite disappointing after it was teased at the end of episode one. I assumed that the Underworld would be some fantastical gothic landscape complete with demons and the shambling, engorged souls of the damned. However, I appreciate Covell’s decision to go in the opposite direction. The Underworld is simply a bureaucratic hub run by a mild-mannered paper-pushing, middle-aged couple; Hades (David Thewlis) and Persephone (Rakie Ayola). This change makes the dark humor all the more poignant. Though still disappointed there was no James Woods. The Cerberus sniffer dogs were particularly cute.
I am excited to see what season two brings. More imaginings of Greek heroes? I’d be intrigued to see how the show would interpret Hercules. Please, bring on more dark humor, mythological remixes, and too much divine intervention. Vero! Three-and-a-half stars
Directed by: Rajesh Kumar | Written by: Rajesh Kumar | Starring: Vijay Sethupathi, Nayanthara, and Pasupathi
Genre: Drama, Thriller | Runtime: 2 hours 45 minutes
Available on: Netflix | Studio: Red Studios
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Thandel is a gripping drama-thriller that examines the deep-rooted social and political issues prevalent in rural India. Directed and written by Rajesh Kumar, the film brings to light the stark realities of human suffering, class divides, and systemic oppression while weaving a powerful narrative of hope and resistance. With stellar performances by Vijay Sethupathi, Nayanthara, and Pasupathi, this film offers more than just entertainment – it’s a powerful commentary on society.
The story centers around Karthik (Vijay Sethupathi), an idealistic young man who returns to his village after years of studying in the city. He quickly realizes that his community is being threatened by a corrupt political system that is destroying the very fabric of rural life. His attempts to restore justice and bring about change lead him into a whirlwind of tension, deceit, and violence. As Karthik allies with Anjali (Nayanthara), a strong-willed social activist, the two face constant opposition from powerful forces.
The narrative is slow-burning at first but quickly accelerates, with each twist revealing more about the characters’ motivations, fears, and hopes. The layered storytelling keeps you hooked until the very end.
Vijay Sethupathi delivers yet another powerful performance, effortlessly transitioning between the earnestness of his character and the complex moral dilemmas he faces. Nayanthara, as always, excels in portraying the fiery yet vulnerable activist, and her chemistry with Sethupathi elevates the emotional depth of the story.
Pasupathi, in a key supporting role, steals the show with his nuanced portrayal of a villain who is more human than one might expect, further adding complexity to the story.
Rajesh Kumar’s direction is both poignant and precise. His attention to detail in capturing the rural landscape of India creates a sense of place that is both beautiful and haunting. The cinematography is immersive, with sweeping shots of the village contrasted by intimate close-ups that highlight the emotional turmoil of the characters. The direction adds weight to the social commentary while never sacrificing the entertainment value of the plot.
The soundtrack, composed by Anirudh Ravichander, is another standout element of Thandel. The haunting score perfectly complements the film’s dark themes, while songs like “Thamizh Puthu” bring an uplifting energy to the narrative at the right moments. The sound design plays a crucial role in amplifying the tension in key scenes, immersing the viewer further into the tense atmosphere.
At its core, Thandel is a powerful examination of social inequality, the exploitation of rural communities, and the complex relationship between political power and the people. The film touches on corruption, justice, and the role of activism in driving societal change. Through its nuanced portrayal of its characters and their personal struggles, it urges viewers to think about the impact of systemic oppression and the importance of standing up for what is right.
Thandel is a thought-provoking, emotionally charged film that blends drama with thriller elements. Its intelligent screenplay, solid performances, and striking visuals make it an essential watch for anyone interested in socially relevant cinema. While the pacing may be slow for some viewers, the emotional payoff and the film’s profound message make it well worth the wait.
Rating: 9/10
Language: Telugu
Genre: Action | Drama | Masala
Director: S. S. Rajamouli
Producer: V. Doraswamy Raju
Studio: VMC Productions
Runtime: 171 minutes
Release Year: 2003
Lead Cast:
Jr. NTR as Simhadri
Bhumika Chawla as Indu
Ankitha as Kasturi
Mukesh Rishi as Bhai Saab
Nassar as Ram Bhupal Varma
Simhadri is a landmark Telugu masala action film directed by the now-legendary S. S. Rajamouli in his sophomore effort. It was a turning point for Jr. NTR, catapulting him from rising star to full-fledged mass action hero.
The film follows Simhadri, an orphan adopted by a wealthy family who leads a dual life—loyal servant by day, ruthless protector of justice by night. The story blends traditional Telugu family sentiment with high-octane action and melodrama, perfectly aligned with the masala genre.
S. S. Rajamouli’s direction is explosive and ambitious. Even in his early career, Rajamouli had a knack for balancing mass appeal with emotional resonance. He crafts action set pieces with remarkable intensity and paces the film to maintain constant engagement, especially for fans of dramatic twists and adrenaline-pumping sequences.
Jr. NTR’s performance is nothing short of a powerhouse. He balances the fiery, vengeance-fueled action hero with tender vulnerability, particularly in scenes with Bhumika Chawla’s Indu. His screen presence is magnetic, commanding during action scenes and soulful in emotionally heavy moments. Simhadri became a benchmark role that showcased his physical agility, command of dialogue, and capacity for deep emotional expression.
The supporting cast adds weight, especially Mukesh Rishi, who delivers a memorable performance as the antagonist. Bhumika Chawla brings sensitivity to her role, though her character remains more reactive than proactive in the plot. The music by M. M. Keeravani bolsters the emotional arcs and gives Jr. NTR some memorable songs to dance and emote to.
Visually, the film carries the early 2000s aesthetic—slightly exaggerated but vibrantly stylized. The fight choreography is brutal and kinetic, and even two decades later, it retains a raw energy that many modern films lack.
Simhadri is a quintessential Telugu action-drama that delivers on spectacle, sentiment, and star power. It cemented Jr. NTR’s place in the pantheon of Telugu cinema and hinted at the grandeur Rajamouli would later bring to Indian cinema globally.
Rating: 8.5/10 A must-watch for fans of Jr. NTR, Rajamouli, or Indian mass entertainers.
Genre: Animated Comedy, Adventure, Family
Runtime: 78 minutes
Director: Philippe Grimond
Writer: Pierre Tchernia (screenplay), based on the comic book by René Goscinny and Albert Uderzo
Studio: Gaumont Film Company
Language: French (available with English subtitles and dubbing)
Voice Cast: Roger Carel (Asterix), Pierre Tornade (Obelix), Henri Labussière (Panoramix), Roger Lumont (Caesar)
Now streaming on Netflix, Asterix and Obelix: The Big Fight is a whimsical and witty animated adaptation of the beloved French comic series. Originally released in 1989, this classic cartoon still delivers laughs and adventure as Asterix and Obelix defend their tiny Gaulish village against Roman invaders—this time without their trusty magic potion.
The story centers on Panoramix (Getafix), the village druid, who loses his memory after being hit by a flying menhir—leaving the secret recipe for the strength-giving potion forgotten. With Caesar and the Romans plotting to defeat the now vulnerable Gauls, it’s up to Asterix, Obelix, and their fellow villagers to outwit the invaders through sheer cleverness and courage.
Director Philippe Grimond maintains the visual flair of the original comics, infusing the film with vibrant colors and playful animation. The writing by Pierre Tchernia balances slapstick humor with subtle satire, making it enjoyable for both kids and nostalgic adults. The film moves at a quick pace, keeping its 78-minute runtime engaging from start to finish.
Voice performances are energetic and full of personality—especially Roger Carel as the sharp and spunky Asterix, and Pierre Tornade as the lovable and literal-minded Obelix. While the animation is old-school by today’s standards, its charm remains undeniable.
Asterix and Obelix: The Big Fight is a charming animated classic that still packs a comedic punch. It’s an essential watch for fans of European comics, vintage animation, or anyone looking for a light-hearted family movie night.
Rating: 7.5/10 – A funny, fast-moving cartoon that stays true to its comic book roots while delivering timeless fun.
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