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The Light Between Oceans

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Release Date: January 24, 2017
Directed by: Derek Cianfrance
Written by: Derek Cianfrance (Screenplay), M.L. Stedmen (Novel)
Production Co: Heyday Films, LBO Productions (II), Dreamworks SKG
MPAA Rating: PG-13 for thematic material and some sexual content
Stars: Michael Fassbender, Alicia Vikander, Rachel Weisz

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Where to begin…
I didn’t know that the film was based on a novel. The consensus I received was mediocre.
The film (and the novel, I imagine) was set in the early 1900s. About 1918 (and some change), more post WWI, if that gives you an idea.
Tom (a WWI veteran) travels to Janus, an island near Stanley, Australia, to become the lighthouse keeper (temporarily). You can see that Tom is internally tormented with himself from the war. While the locals serve him up some delicious dinner party fun, he meets Isabel. She is also tormented by the loss of her brothers in the war. Match made in heaven, right?

Well, the correspond with one another after Tom goes to Janus to assume his duties as the lighthouse keeper. Eventually, nuptials happen (HOW?). After they are married and return to Janus, Tom and Isabel life a life of solitude. So, what happens when you live a life a solitude (and still getting to know your spouse?)? Several attempts, and 2 miscarriages later, a gift washes upon the shore of Janus.

Isabel, lonely and saddened by her recent loss, convinces Tom to go against the rules. Who is going to know, right?
Four years later, their world is turned upside down. Tom, after seeing Hannah at the cemetery (and learning about her story: husband and baby were lost at sea), he clearly put it together that their Lucy was actually Grace. Because Tom could not live with the torment of lies, he left Hannah assurance of her daughter’s well being.

At the 20th anniversary of the Lighthouse, everything starts toward a downward spiral.
Let’s just say, from a mother’s prospective, it could have been handled differently, but again think of the time frame. So, Tom is jailed and Isabel turns her back on him. That is common today, but then? Can you imagine?

My thoughts:
I don’t think this was a love story. At least not between Tom and Isabel. It was more the love of a mother and what she would do for her child. Second, the love between someone who is not the child’s mother and the child is prevalent. I feel that Tom loved Isabel a lot more than Isabel did him. Her love for him grew, later, but not initially. I also feel that Isabel’s love for Lucy stemmed from the loss of hers. I have never lost a child, but I do love 4 wonderful children (one who is mine biologically).

So, when you go watch this movie, whether you see it in the theater or on iTunes or Netflix in a few months, go in with a clear mind. Understand from all points of view: Tom went from Torment to protector, Isabel went for tormented to devout mother, Hannah went from lost to found.

The HOPE is there for all of them.

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The rise of Japanese anime in India

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In recent years, the Indian entertainment landscape has witnessed a remarkable surge in the popularity of Japanese anime, leading to an increasing demand for localized content. Recognizing this trend, several platforms have begun offering anime dubbed in regional Indian languages such as Hindi, Tamil, and Telugu, making these captivating stories more accessible to a broader audience.

Streaming services have played a pivotal role in this cultural integration. For instance, Animedub.pro provides a vast collection of anime dubbed in languages including Hindi, Telugu, Tamil, Malayalam, and Bengali. Popular series like “Naruto,” “My Hero Academia,” and “Jujutsu Kaisen” are available in these regional languages, allowing fans to enjoy content in their preferred dialects. 

Similarly, Crunchyroll, a leading anime streaming platform, announced a slate of Hindi, Tamil, and Telugu dubs for series such as “Dr. STONE,” “BLUE LOCK,” and “Haikyu!!” between May and June 2024, further catering to the diverse linguistic demographics of India. 

The success of dubbed anime is significantly attributed to the talented Indian voice artists who bring these characters to life. Notable examples include:

Prasad Barve: Renowned for voicing Ash Ketchum in the Hindi version of “Pokémon” during the early 2000s, Barve’s portrayal became iconic among Indian audiences. 

Sonal Kaushal: Known as ‘The Motor Mouth,’ Kaushal has been the Hindi voice of Doraemon since 2005, endearing herself to a generation of viewers. 

Ankur Javeri: Celebrated for his portrayal of Goku in the Hindi dub of “Dragon Ball Z,” Javeri’s performance has electrified fans at events like Zee Cafe’s Anime Fest. 

Javed Jaffrey: While not an anime series, Jaffrey’s humorous narration of the Japanese game show “Takeshi’s Castle” in Hindi showcased his versatility and contributed to the show’s cult status in India. 

The localization of anime through regional dubbing has not only broadened the genre’s appeal but has also fostered a deeper cultural exchange between India and Japan. By experiencing stories that blend universal themes with distinct cultural nuances, Indian audiences have developed a greater appreciation for Japanese storytelling. This trend has also opened new avenues for Indian voice artists, providing them with opportunities to showcase their talent and connect with audiences nationwide.

In conclusion, the dubbing of Japanese anime into Indian languages like Hindi, Tamil, and Telugu signifies a harmonious blend of cultures, enriching the entertainment experiences of audiences and paving the way for a more inclusive media landscape.

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Thandel: A Riveting Journey Through Social Inequities and Human Struggles

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Directed by: Rajesh Kumar | Written by: Rajesh Kumar | Starring: Vijay Sethupathi, Nayanthara, and Pasupathi

Genre: Drama, Thriller | Runtime: 2 hours 45 minutes

Available on: Netflix | Studio: Red Studios

Thandel is a gripping drama-thriller that examines the deep-rooted social and political issues prevalent in rural India. Directed and written by Rajesh Kumar, the film brings to light the stark realities of human suffering, class divides, and systemic oppression while weaving a powerful narrative of hope and resistance. With stellar performances by Vijay Sethupathi, Nayanthara, and Pasupathi, this film offers more than just entertainment – it’s a powerful commentary on society.

The story centers around Karthik (Vijay Sethupathi), an idealistic young man who returns to his village after years of studying in the city. He quickly realizes that his community is being threatened by a corrupt political system that is destroying the very fabric of rural life. His attempts to restore justice and bring about change lead him into a whirlwind of tension, deceit, and violence. As Karthik allies with Anjali (Nayanthara), a strong-willed social activist, the two face constant opposition from powerful forces.

The narrative is slow-burning at first but quickly accelerates, with each twist revealing more about the characters’ motivations, fears, and hopes. The layered storytelling keeps you hooked until the very end.

Vijay Sethupathi delivers yet another powerful performance, effortlessly transitioning between the earnestness of his character and the complex moral dilemmas he faces. Nayanthara, as always, excels in portraying the fiery yet vulnerable activist, and her chemistry with Sethupathi elevates the emotional depth of the story.

Pasupathi, in a key supporting role, steals the show with his nuanced portrayal of a villain who is more human than one might expect, further adding complexity to the story.

Rajesh Kumar’s direction is both poignant and precise. His attention to detail in capturing the rural landscape of India creates a sense of place that is both beautiful and haunting. The cinematography is immersive, with sweeping shots of the village contrasted by intimate close-ups that highlight the emotional turmoil of the characters. The direction adds weight to the social commentary while never sacrificing the entertainment value of the plot.

The soundtrack, composed by Anirudh Ravichander, is another standout element of Thandel. The haunting score perfectly complements the film’s dark themes, while songs like “Thamizh Puthu” bring an uplifting energy to the narrative at the right moments. The sound design plays a crucial role in amplifying the tension in key scenes, immersing the viewer further into the tense atmosphere.

At its core, Thandel is a powerful examination of social inequality, the exploitation of rural communities, and the complex relationship between political power and the people. The film touches on corruption, justice, and the role of activism in driving societal change. Through its nuanced portrayal of its characters and their personal struggles, it urges viewers to think about the impact of systemic oppression and the importance of standing up for what is right.

Thandel is a thought-provoking, emotionally charged film that blends drama with thriller elements. Its intelligent screenplay, solid performances, and striking visuals make it an essential watch for anyone interested in socially relevant cinema. While the pacing may be slow for some viewers, the emotional payoff and the film’s profound message make it well worth the wait.

Rating: 9/10

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Jaat (2024) – A Gritty and Pulse-Pounding Ride Through Rural JusticeJaat

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Runtime: 2h 17min

Genre: Action, Drama, Crime

Director: Manoj Rathi

Writer: Veerendra Pal Singh

Studio: Rathi Films India

Cast:

Gavie Chahal as Veeru

Aarushi Sharma as Meera

Karamveer Choudhary as Chaudhary Saab

Manjit Singh as Inspector Malik

Rajendra Bhatia as MLA Dhillon

Jaat comes galloping in with the firepower of a rural action epic and the emotional core of a revenge drama. Directed by Manoj Rathi, this gritty North Indian action film pulls no punches, delivering a hard-hitting tale about honor, family, and retribution.

Gavie Chahal commands the screen as Veeru, a former army man turned vigilante who returns to his village only to find it ravaged by corruption and political thuggery. Chahal brings stoic intensity to the role, capturing both the silent rage and explosive force required of a righteous hero. Aarushi Sharma as Meera provides warmth and emotional grounding, while Karamveer Choudhary adds gravitas in his portrayal of an old patriarch trying to hold on to fading traditions.

The film’s biggest strength lies in its raw action sequences, beautifully choreographed and grounded in realism. Hand-to-hand combat, shootouts in mustard fields, and gripping chase scenes through narrow village lanes are highlights that keep you on the edge of your seat.

What Worked:

Authentic setting: The dusty lanes, village politics, and vibrant Haryanvi culture feel lived-in and immersive.

Powerful soundtrack: Folk-infused music enhances key moments, especially during confrontations.

Action choreography: Brutal, believable, and satisfying for fans of grounded action.

Strong lead performance: Gavie Chahal delivers a breakout role with screen presence and emotional depth.

Pacing issues: The second act lingers due to subplots that could have been trimmed. Predictable plot points: The revenge arc follows a familiar path and would benefit from more unexpected twists. Underdeveloped antagonist: Although the villain is effective, they lack depth and backstory, which would make the rivalry more engaging..

Rating: 7.5/10

Verdict: Jaat is a must-watch for fans of desi action with heart. It wears its rustic flair with pride and delivers a satisfying punch of drama, action, and cultural resonance. While it doesn’t reinvent the genre, it revs up the rural revenge saga with style and sincerity.

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