Connect with us

Comic Con 2017: Amazon Prime Video / Comic-Con International in San Diego Schedule of Events

Published

on

Announcing  Amazon Prime Video’s lineup for Comic-Con International in San Diego, featuring the Amazon Original Series The Tick and kids series Danger & Eggs and Niko and the Sword of Light.

In addition to cast and creator panels, autograph signings and sneak peeks at all three series (complete schedule below), Amazon is creating an immersive Tick experience for Con attendees.

“Citizens” will have the opportunity to immerse themselves in world of The Tick at Amazon Prime Video’s Tick Takeover, a movie set level design experience positioned directly across from the San Diego Convention Center on MLK Promenade (on the corner of 1st and J streets). With fully built out buildings from “The City,” a twenty-foot tall animatronic Tick head, and “Easter eggs” harkening back to the show, The Tick Takeover is poised to give fans the journey of a lifetime. Additional details include a unique queueing experience, challenge-based scavenger hunt and the Amazon Prime Member Lounge.

In addition to the activation, Con attendees will be able to call upon the #TeamTick street team for help when they are in a bind. Need help with that selfie? Have a painful blister? Have no fear… Team Tick is here! In true Tick form, Team Tick will be taking to the streets of San Diego helping the helpless and defending the defenseless. Citizens seeking assistance from the street team need only flag down a member of Team Tick, adorned with blue antenna, to get help.

Amazon Prime Video Comic-Con Schedule

 

– Amazon Prime Presents: The Tick Takeover

 

Thursday, July 20: 9:00am – 6:00pm

Friday, July 21: 9:00am – 6:00pm

Saturday, July 22: 9:00am – 6:00pm

Sunday, July 23: 9:00am – 5:00pm

MLK Promenade (corner of 1st and J streets).

 

 

– The Tick Autograph Signing

(limited signing – drawing for line tickets to be held Friday 9:00am – 10:00am in the autograph area)

Friday, July 21, 3:00pm – 4:00pm

San Diego Convention Center, Sails Pavilion Booth AA07

 

– The Tick Panel

Friday, July 21, 4:45pm – 5:45pm

San Diego Convention Center, Room 6A

Moderator: Ralph Garman

Panelists: Executive Producer Barry Josephson, David Fury, Executive Producer Ben Edlund, cast members Peter Serafinowicz, Griffin Newman, Jackie Earle Haley, Valorie Curry, Yara Martinez, Brendan Hines, Scott Speiser and Michael Cerveris

Panelists subject to change

 

– Danger & Eggs Panel

Sunday, July 23, 1:00pm – 2:00pm

San Diego Convention Center, Room 24ABC

Moderator: Chris Hardwick (Executive Producer)

Panelists: Creator and Executive Producer Shadi Petosky, Creator and Executive Producer Mike Owens, cast members Aidy Bryant, Eric Knobel, Jasika Nicole, Charlyne Yi and Stephanie Beatriz

Panelists subject to change

 

– Niko and the Sword of Light Panel

Sunday, July 23, 2:00pm – 3:00pm

San Diego Convention Center, Room 24ABC

Moderator: Tom Kenny

Panelists: Executive Producer Rob Hoegee, Executive Producer Jim Bryson, Executive Producer Bobby Chiu, cast members Kari Wahlgren, Dee Bradley Baker and Jim Cummings

 

– Danger & Eggs and Niko and the Sword of Light Autograph Signing

limited signing – drawing for line tickets to be held Sunday 9:00am – 10:00am in the autograph area)

Sunday, July 23, 3:00pm – 4:00pm

San Diego Convention Center, Sails Pavilion Booth AA05

 

The Tick

The Tick, a new Amazon Original, centers on an underdog accountant, Arthur Everest, with zero powers who comes to realize his city is owned by a global super villain long-thought dead. As he struggles to uncover this conspiracy, he falls in league with a strange blue superhero…The Tick! Join cast members Peter Serafinowicz (Guardians of the Galaxy, Parks and Recreation), Griffin Newman (Search Party), Jackie Earle Haley (Preacher), Valorie Curry (The Following), Yara Martinez (Jane the Virgin, True Detective), Brendan Hines (Suits, Scorpion), Scott Speiser (The Young and the Restless), Michael Cerveris (The Good Wife), and moderator Ralph Garman (Kevin and Bean Morning Show, Family Guy), and executive producers Ben Edlund (the creator of The Tick), Barry Josephson (Bones), and David Fury (Buffy the Vampire Slayer) for an exclusive world premiere screening of the second episode of The Tick followed by an audience Q&A. The Tick premieres on August 25 on Amazon Prime Video. The series is a co-production with Sony Pictures Television.

 

Danger & Eggs

Danger & Eggs, a new Amazon Original for kids, follows the endless adventures of a fearless, teal-haired girl named D.D. Danger (Aidy Bryant) and her ever cautious best friend, a giant talking egg named Phillip (Eric Knobel). D.D. is always chasing her next big thrill and luckily for her, Phillip is always there by her side with jerry-rigged safety mechanisms to make her thrill-seeking dreams come true. Join moderator Chris Hardwick (Talking Dead, @midnight) as he talks with the show’s voice talent Aidy Bryant (Saturday Night Live) and Eric Knobel (Huge Theater), along with guest voice talent Charlyne Yi (Knocked Up), Jasika Nicole (Fringe), Stephanie Beatriz (Brooklyn Nine-Nine) and the show’s creators Shadi Petosky (Yo Gabba Gabba!, Mad) and Mike Owens (Yo Gabba Gabba!, Animaniacs), for a screening of an episode of Danger & Eggs and an audience Q&A. Danger & Eggs is available to stream now on Amazon Prime Video.

 

Niko and the Sword of Light

Niko and the Sword of Light is based on the motion graphic comic by Imaginism Studios, Inc., the studio behind character and concept designs for Tim Burton’s Alice in Wonderland and Men in Black 3, and Studio NX (The Carrot and Rabbit Show, Tree Fu Tom). Executive produced by Rob Hoegee (Generator Rex, League of Super Evil, Storm Hawks, Teen Titans) and animated by Titmouse (Motorcity, Metalocalpyse, Turbo FAST, Randy Cunningham: 9th Grade Ninja), Niko and the Sword of Light follows ten-year-old Niko who is the last of his kind in a strange, fantastical world. He must embark on an epic quest to defeat the darkness and bring the light back to his land. Armed with his magic sword, brave Niko journeys to the Cursed Volcano, making new friends and powerful foes along the way, all while uncovering secrets about his mysterious past. Moderated by Tom Kenny (SpongeBob SquarePants), join the show’s additional voice talent Kari Wahlgren (Kung Fu Panda: Legends of Awesomeness), Dee Bradley Baker (American Dad!) and Jim Cummings (Shrek), along with Rob Hoegee, Imaginism’s Bobby Chiu, and Studio NX’s Jim Bryson for a sneak peek and an audience Q&A.

Continue Reading

Streaming

Cobweb Fan Theories

Published

on

Cobweb had limited theatrical release in July 2023 where it was immediately swallowed up by the cultural juggernaut that was the summer of ‘Barbenheimer’. Released onto Netflix in September 2024, presumably in preparation for spooky season. It is an interesting watch. 

Cobweb weaves its creepy tale around Peter (Woody Norman) a reserved eight year old boy. Peter lives with his mum; Carol (Lizzy Caplan), and his dad; Mark (Antony Starr), in a decrepit house. Peter is kept awake by strange knockings on his bedroom wall during the night. Both his parents dismiss this as Peter’s overactive imagination yet Mark enlists Peter’s help to put down poison for suspected rats. 

Peter is quiet at school with no friends which inevitably attracts bullies. We see that Peter’s problems fitting in at school could be attributed to the odd behaviour of his parents. Despite being set in the modern era their house lacks a TV or seemingly any technology bar a landline phone in the kitchen. 

The knocking on Peter’s bedroom wall turns into a female child’s voice asking for help then claiming to be his sister whom his parents have locked away, her name is Sarah. The disembodied voice claims the parents are “evil”. The parents bizarre behaviour turns to abusive when they lock Peter in the basement for drawing the attention of his teacher to their home. 

Peter’s sister in the wall eventually tricks Peter into poisoning his parents with the rat poison and setting her free. Sarah turns out to be an evil spider-like monstrous being. She gleefully rips through people with her elongated nails while taunting Peter. Peter is eventually rescued by his teacher Ms Devine (clearly from the Charles Dickens school of character naming) and Sarah is locked back into her cage in the basement. Sarah warns Peter that the night will haunt him forever and that they are “family”.

But is all as it seems with this twisted tale? The outlandish ending left many scratching their  heads at what began as a pretty grounded movie. Fans and critics alike took to social media to share their theories and thoughts on this underrated horror. 

I enjoyed the story. The acting was superb, particularly Norman who sold his role as an anxious child who slowly begins to understand his own strength and resilience. Special mention of course goes to Antony Starr. His wide smile and Patrick Bateman-esque eyes upped the creepy factor significantly. When Sarah crawled out of her prison behind the wall while talking to Peter in her death rattle,  I had to mute the film because I was so creeped out! 

Many viewers commented that the third act is vastly different from the rest of the movie. Was this simply a rushed production deadline or COVID related problems? Or was the film alluding to something different altogether? There are many fan theories scurrying around the interweb regarding the origin and meaning behind Peter’s, apparently, demonic sibling. 

Here are a few of my favourites:

Sarah is Just a Figment

Throughout the narrative we are reminded that Peter has a big imagination. He’s also lonely,  he has no friends at school and spends recess helping the teacher. It also becomes clear that Peter is being abused by his parents, their behaviour becoming increasingly more erratic. Seeing a young child being locked in a basement is far more terrifying to me than any ghost or ghoul. When he’s finally allowed out of the basement his mum brings him a tray of cupcakes to celebrate his freedom and bathes him. In typical abuser fashion Peter is made to apologise for his behaviour. Is it any wonder this little boy conjured himself an imaginary friend? Maybe even one with a familial bond? He would at least have one family member who doesn’t abuse him.

The majority of the story takes place at the family home. Its very noticeable that the outside of the house doesn’t exactly match the layout of the interior (and not just because one is a sound stage). Every shot is so beautiful that we have to believe this was deliberate. Despite the house being colonial in design, the inside is spacious with the use of wide shots. Everything feels so big, is this because we are seeing through a small child’s eyes? In this large, sometimes scary house maybe Peter’s damaged mind build up a fantasy around the sounds of actual rats scratching the walls. Imagining a sister he could run away with and start a new life.

This theory is supported by the almost nonchalant way Peter’s parents treat the whole situation. They have sealed their daughter in the walls of their house, did they not ever think she would maybe try to communicate with their son? Carol doesn’t even seem particularly alarmed when Peter starts talking about hearing sounds coming from inside the walls. 

Maybe an abused little boy would fantasise about his magical imaginary sister tearing his bullies limb from limb. Not only that but his favourite teacher arrives in time to rescue him from the massacre. 

Did Peter invent a fantastical scenario to escape his abusive parents?

Sarah is Peter’s Subconscious 

This is related to the first theory. A Redditor pointed out that in the style of Jungian psychology there are many dream-like ‘hooks’ in the movie. A hook in a dream is something non-sensical to let the dreamer know they are dreaming. There are many of these in Cobweb. The family inexplicably have a beautiful pumpkin patch in their backyard. Very atmospheric but why? Are they selling these pumpkins? They don’t like Halloween. Some viewers think the soup the family ate (every night) was pumpkin soup but looked to me to be the wrong color. Not just the patch but there is a child’s swing hanging from a tree right in the middle. Why would you encourage a child to play in the middle of delicate fruit he could tread on? Or if we lean into the dream theory; the swing in the pumpkin patch could represent Peter’s life from his perspective. Trying to play and be a normal child but with one wrong move he could destroy everything and anger his parents.

Keeping with the narrative Sarah becomes Peter’s subconscious or shadow self, all the repressed thoughts and feelings that are not acknowledged in daylight. The walls of Peter’s bedroom are covered in pictures and drawings except the wall through which he talks to Sarah, which is completely bare. 

Sarah encourages Peter to stand up for himself against his bullies and the next day he pushes one down the stairs injuring the bully. Sarah eventually convinces Peter to poison his parents, she warns him they want to kill him. Even Sarah’s appearance; starts off initially creepy with Sadako’s spiderlike movements, long matted hair filled with spiders, and long lethal nails. When we finally see her face the CGI is admittedly awful. The rest of the film has seemed so deliberate with every shot is the CGI deliberately phony looking? Sarah has a too-wide mouth with sharp teeth and shining eyes, basically how a child would draw a ‘scary face’. Sarah taunts Peter, Evil Dead style, from beneath the grate in the basement saying he is just like her. So are they one in the same? Peter seemingly rejects his shadow self,  leaving her to rot in her cell. But is that enough after he killed his parents? Is cute little Peter a burgeoning psychopath and this is his origin story?

And They Were Demons!

This is a fun one. While Sarah is locked in her cell she pleads with Peter saying that “it is in our blood”. What exactly does that mean? Sarah is not a normal girl if the walking up walls didn’t give you a clue. How could these outwardly normal-looking parents have birthed such a monster? Unless they are monsters too. It would explain Mark’s sinister attributes. During Peter’s nightmare, his mother has shining white eyes just like his sister. 

So is Peter some kind of demonic being? During the movie, Peter shows no outward supernatural abilities. Some have argued he shows super strength when pulling Sarah by her hair or it may just be plot convenience. However, eight-year-old Peter thinks to use the rat poison to poison his parent’s dinner. He even thinks about cutting the phone line so they can’t call 911. That’s extremely evil behaviour to put it mildly. Is this Peter’s demonic genes?

This theory also explains why Peter’s parents are so strict with him. Why did they overreact when Peter pushed the bully down the stairs? They knew what happened with Sarah, she almost got them found out.

Will Peter start to mutate like his sister? Ideas for a sequel maybe?

Even without these theories, Cobweb was a fun ride while it lasted. For an hour-and-a-half film, I personally fell into a virtual world of critiques and fan theories. Perhaps it is best to think of it like a modern fairytale, certainly more Grimm than Hitchcock!

Continue Reading

Streaming

His Three Daughters (Netflix) – A Heartfelt Family Drama

Published

on

His Three Daughters, Netflix’s emotional family drama, explores the strained relationships between three estranged sisters who are reunited by their father’s terminal illness. Set in a small, intimate family home, the film follows Katie, the eldest daughter and caretaker, Christina, the rebellious middle child, and Laura, the youngest, who carries the weight of family expectations. As they come together to care for their ailing father, old wounds resurface, leading to intense confrontations, moments of reconciliation, and ultimately, the rediscovery of familial bonds.

The narrative is a slow burn, focusing on the sisters’ personal journeys as they grapple with their father’s decline, unresolved issues from the past, and the impending loss of their patriarch. Director Azazel Jacobs captures these emotionally charged moments with precision, delivering a raw, honest portrayal of sibling dynamics, grief, and love. The performances are gripping, with each actress bringing depth and vulnerability to their roles, making the audience feel the weight of their complicated relationship.

The house, almost a character itself, is filled with memories, secrets, and tension. As the sisters sort through their father’s belongings, they also untangle their own emotional baggage, confronting their fears, regrets, and hopes for the future.

His Three Daughters is a powerful character-driven story that captures the complexities of family ties and the inevitability of loss. The film shines with its strong performances, subtle direction, and poignant dialogue. While its pacing may feel slow for some viewers, those who appreciate emotional depth and character development will find this drama deeply moving. The film’s realistic portrayal of sibling rivalry, grief, and reconciliation makes it relatable and impactful.

Rating: 4/5 – A deeply affecting family drama that hits all the right emotional notes.

Continue Reading

TV

Top 5 Korean TV Horror

Published

on

Kingdom 

What could be better than a beautifully realized Joseon-period K-Drama, starring the excellent actor Doona Bae, fresh off her grand success in Netflix’s ‘Sense8’? All of that, but with zombies! 

Oh this is a great one ya’ll. Adapted from a webcomic known as The Kingdom of the Gods, the show addresses the huge gap between the high and low classes plaguing (sorry) our Kingdom and of course has several engaging mysteries running throughout, but also happens to be a monster mash in the fantastic new zombie way reminiscent of Train to Busan! The show got not one but two well deserved seasons and even spawned (very sorry) a Netflix special, Kingdom: Ashin of the North, that yes, spoilers, features a zombie tiger. And it is absolutely amazingly rendered too. 

Kingdom on Netflix gives us a breathtakingly possible story from long ago, both lovely and terrifying in equal measure, that should get a view from everyone! 

Goblin: The Lonely and Great God 

Whatever other great supernatural romance KDrama you think is awesome, Goblin did it first. Also known as Guardian: The Lonely and Great God, the show graces us with outstanding performances from Gong Yoo as our Lead and Lee Dong-wook as the Grim Reaper, and is a romance with a supernatural twist for the ages. Like, literal ages. So Ji Eun-tak (Kim Go-eun), a bubbly high school student despite her tragic family history and her ability to see ghosts, who knows diddly about fate and the machinations of destiny, is skeptical in the beginning. But as the supernatural of the Goblin and the Grim Reapers and the search for a destined bride across space and time catches everyone in its clutches, love in all its messy, gloriously alive splendor may just save the souls of everyone involved! 

Catch Goblin or Guardian whatever you want to call it, on Amazon Prime now!  

Squid Game 

This choice is obvious, though honestly it’s kind of sad at the same time. The main reason most of us enjoyed Squid Game quite that much, was because it was entirely possible, for pretty much all of it, to happen tomorrow. The show was so engaging in its many different portrayals of the lowest, pettiest, and darkest parts of humanity that were given to us by these actors like it was pulled out of their very souls and offered up to us the audience on a platter, and we ate, we consumed, with relish. Hell, we demanded a sequel series, which should be coming out soonish. 

It says a fair bit about us as a species as we watch these poor, both literally and figuratively if you think about it, people participate in what are actual Games of Death. The show launched another wave of interest in large-stakes games, Korean culinary culture (ask me about the dalgona crack!), and became iconic with the jumpsuit and the blank mask with a shape on it. Have you seen the tinies who wear the jumpsuit and shape-mask to go trick-or-treating? They’re five years old. Did you let them watch the show?! Wow. 

We all know Squid Game is a Netflix show, right? Right. 

Tale of the 9 Tailed 

Plenty has been said about the kitsune, the magical Japanese 9-tailed fox, while the Korean version is known as a gumiho, and is similar-ish in nature and magical powers. Like their other Asian counterparts, the gumiho is known to be otherworldly and long-lived, snarky and arrogant when it comes to humans, unless the prospective human love interest happens to come entangled in the threads of fate and destiny. … Well, guess what! 

Celebrated lead Lee Dong-wook is our Korean fox main character Lee Yeon, former mountain spirit and guardian who now spends his earthly time carrying out missions from the Afterlife Immigrations Office while looking for the reincarnation of his former love, the exiled 7th daughter of the former King of Joseon, she who carries the fox bead, Yi Ah-eum, or Nam Ji-ah (Jo Bo-ah) as she’s known here in the modern era. 

We’ve got Spirits of Darkness, shamans and Dragon Kings, shapeshifters and turning-humans-into-trees type curses, long-standing grudges and the binding if not choking ties of fate and destiny, all bound together with great love that spans lifetimes! Chase those nine tails of the gumiho on Netflix! 

Bulgasal Immortal Souls  

This is a hard one ya’ll – featuring pretty constant violent death-and-rebirth, a craptastic ton of guilt everywhere, actual physical and emotional abuse from trusted authority figures and family, no sexual abuse but it sure is strongly threatened and implied, and the equivalent of a vampire crossed with a demon for the supernatural element to tie it all together, Bulgasal Immortal Souls is not for the faint of heart, or stomach. 

However, the show is a gorgeous read and wonderfully shot, finding beauty in the (eventual) redemption of its characters, but boy do they take awhile to get there. And the constant, if unintentional, betrayal can start to get on your nerves. And they do, the characters do manage to find their way across fate and lifetimes to be together for a few precious moments, which is great. Be warned though, Bulgasal believes in playing things out to the final, often very bitter but in theory deserved, very end. Treasure those few precious moments, the show says, they will be gone before you know it. Not only a great horror, the show also works as an anti-valentine’s day Bulgasal Immortal Souls on Netflix now! 

Continue Reading

Trending

Copyright © 2012 - 2024 That's My Entertainment