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‘M3GAN’: That’s No Child’s Toy!

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A robotics engineer at a toy company creates a too-life-like doll for her recently orphaned niece, that takes on a life of its own!

So, M3GAN wastes no time diving right into the story, and neither will we! Cady’s beleaguered parents were trying to get her into some kind of snow vacation up in the mountains whilst lessening her fixation on screen time, especially the goofy Furby-like Purr-fect Pet that’s the latest rage in kiddie toys. And in the first of many predictable scenes, while Cady’s tired parents argue in their chain-less stopped in the middle of the road car, a gigantic set of semi-lights come barreling right at them, causing everything to irrevocably change.

Cady (Violet McGraw) is the lone survivor, and though her aunt Gemma (Allison Williams) insists she wants to take Cady in for at least the time being, it’s quite clear that while Gemma is an engineering genius, she has no idea what to do with Cady at all. Sadly throughout the entire film, we actually learn very little about Gemma personally, how she fell from highbrow robotics engineering all the way down to toy manufacturing, for a profit-obsessed boss at that, what her personal life might have been like before this tragedy, we get none of that. Gemma mentions that she and her sister weren’t terribly close when taking custody of Cady, which of course adds to her already mountainous guilt, but that’s about it. What we do know about Gemma is that she loves to create things, robotic things specifically, and while it’s a wild coincidence that Gemma happens to be the main creator of those dumbass Purr-Fect Pets, what she’s really passionate about is the robotic doll she and her coworkers have been working on in secret.

It really seems like Gemma leads a very closed life, her house is practically empty and barren of decoration, she has/had no significant other, younglings, or pets that we can tell, and she’s simply obsessed with things like computer codes and synthetic skins and adaptive AI, but in order to make what? A too-life-like doll that can basically replace the need for a nanny or babysitter, yes, but also eventually supplant teachers, other peers in the appropriate age bracket, and even the parents themselves! Apparently, while Gemma can indeed code freaking adaptive Artificial Intelligence into her secret project, she doesn’t bother with things like Grandfathered Sci-Fi tropes, Asimov’s Laws of Robotics, or even the very real need for basic human connection. After all, Cady’s a child, and frankly, Gemma has absolutely no idea how to deal with her, and whether she realizes it or not, Gemma oozes awkwardness in trying to interact with the tiny human. I just want to take this opportunity to point out the irony in someone like Gemma making kiddie toys.

The stuff going on around Gemma is somewhat more interesting – the nosy Karen-like neighbor Celia (Lori Dungey) who absolutely refuses to leash her damned dog that always escapes through the hole in the fence between their properties, is absolutely asking for her comeuppance; coworkers Tess (Jen Van Epps) and Cole (Brian Jordan Alvarez) are all-in on the secret M3GAN Doll project, even helping Gemma to convince money-hungry boss David (Ronny Chieng) and his corporate thief of an assistant Kurt (Stephane Garneau-Monten) of the projects viability over those stupid Purr-fect Pets. The state-appointed therapist Lydia (Amu Usherwood) isn’t helping Cady at all, seemingly more concerned with the viability of Gemma as a caretaker, and as is the case more often than not with situations like these, demands Cady conform to her new reality without delay or protest.

After a night of awkward attempts at bonding over Gemma’s collectibles (“They’re not toys, you don’t take ‘em out of the box or play with ‘em”), the previous incarnation of M3GAN that Gemma called Bruce and capitalism made on youngling greed, Gemma is convinced the best solution is to finish the M3GAN Doll project and use Cady as her first test subject. Because of family, right?

And after all, M3GAN really is a synthetic-sheathed miracle of human engineering and genius, at least in the beginning. She’s funny, kind and caring, adaptive to damn near any situation, constantly upgrading and applying everything helpful possible to her first Imprinted child Cady, and more overprotective than a rabid mama bear. Thus far all the adults in Cady’s current life are either ignoring her, fobbing her off on someone else who can potentially “deal” with poor Cady better, or insisting she acts some kind of counter-intuitive way, usually adult-ish. Cady herself represents a problem that needs dealing with, instead of a miniature human that needs time and space to grieve for farks sake. It doesn’t help at all that Gemma tried to instruct M3GAN not to mention death or anything relating to it, to Cady. So when M3GAN and Cady Imprint each other, the newborn unfettered AI with the strength of several fully grown men and the desperately lonely orphaned girl, it’s a recipe for impending disaster!

First, the damned dog needs to be dealt with, permanently. We all knew the second the dog’s teeth met any part of Cady’s skin, that the doggy, and likely his owner too, were going to get disappeared, and soon. The film made a point of glossing over the actual death of the poor doggy and turned Celia’s death into a Chucky-like farce, so it was still fine for a PG-13 rating. (Sigh.) Then for some reason, Gemma thinks it’s a good idea to send a more recalcitrant Cady to an outdoorsy camp kind of deal, ostensibly just a campground program for fosters and troubles, but the place seems a lot more like a juvenile offender detention center wrapped up in postcard-scenery. Especially when the mini mass murderer in training the son of one of the camp counselors Brandon (Jack Cassidy) decides that Cady and her big-size dolly are the perfect next targets for his adolescent wrath – the scene where M3GAN contorts in a fury and chases the boy down like a rabid animal, showcasing M3GAN’s otherness and complete lack of restraint, is particularly well-done.

Time is starting to run out, Cady and M3GAN are far too close and the killer bot is starting to ice out anyone else in Cady’s life, at first socially and now quite literally. Gemma’s demonstration of M3GAN to the investors as the next big toy requires Cady’s participation, and the poor girl is unraveling under the ignorance of adults and the smothering care of her best friend-bot. Gemma is finally realizing, a little too freaking late for my taste, the potential wickedness of the thing she created, embodying the old adage, “Just because you can do a thing, doesn’t mean you should.” And now that Cady finally has the attention of the adults she’s been so desperately seeking, it’s not a moment too soon, because stopping M3GAN is going to require some creative thinking!

The physical acting of M3GAN by Amie Donald for any scenes that the animatronic puppet itself could not do, full of Ring-like contortions and demanding presence from such a small body, is truly impressive in its terrible beauty. Donald wore a static silicone M3GAN mask made by Morot FX, to be later replaced by a CGI version of M3GAN’s face to match the animatronic, and the adult voice of Jenna Davis coming out of that tiny frame gives M3GAN another stamp of wrongness. The overall effect is a bit like a murderous crazed Anime version of Alice from Alice in Wonderland.

Catch the killer adventures of a jealous best-friend-bot in M3GAN, on Amazon Prime now!

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Movie Review: Jailer

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Director: Nelson Dilipkumar
Starring: Rajinikanth, Mohanlal, Jackie Shroff, Ramya Krishnan, Shiva Rajkumar
Genre: Action/Drama
Release Date: August 10, 2023
Rating: ★★★★☆ (4/5)


Rajinikanth is Back with a Bang in Jailer: A High-Octane Blend of Style and Emotion When Rajinikanth takes center stage, audiences expect grandeur, charisma, and larger-than-life storytelling. Jailer does not disappoint. Directed by Nelson Dilipkumar, this action-packed entertainer delivers a well-crafted narrative that combines thrilling action sequences with moments of emotional depth. The film also benefits from a strong supporting cast, stylish direction, and a standout performance from the Superstar himself.

Jailer follows the story of Muthuvel Pandian (Rajinikanth), a retired prison warden who lives a quiet life with his family until a tragic event forces him to confront his past. When his son, an upright police officer, is killed while investigating a powerful criminal syndicate, Pandian embarks on a quest for justice. What sets this story apart is its layered exploration of a father’s grief, his thirst for vengeance, and the moral dilemmas he faces.

The narrative is a fine balance of emotional stakes and action-driven storytelling. Nelson’s direction ensures the pace rarely dips, keeping audiences hooked with unexpected twists and a perfect dose of humor.

Rajinikanth proves once again why he’s revered as one of India’s most iconic actors. His portrayal of Muthuvel Pandian is nuanced, blending vulnerability with raw intensity. At 73, Rajinikanth shows no signs of slowing down, delivering electrifying fight scenes, commanding screen presence, and a performance laced with his trademark style.

In quieter moments, Rajinikanth brings emotional weight to the character, making the audience empathize with Pandian’s pain and determination. This balance of action hero and grieving father reminds us of his versatility as an actor.

While Rajinikanth is undoubtedly the centerpiece, Jailer benefits from a strong ensemble cast:

Mohanlal (special appearance): Mohanlal’s cameo is brief but impactful, adding gravitas to the film. His scenes with Rajinikanth are a treat for fans of both legends.

Jackie Shroff: Playing a calculating antagonist, Shroff brings his trademark menace to the role. His dynamic with Rajinikanth adds tension and drama to the story.

Shiva Rajkumar: His performance as a pivotal character is intense and memorable, showcasing his ability to match Rajinikanth’s screen presence.

Ramya Krishnan: As Pandian’s wife, Ramya delivers a grounded and heartfelt performance, adding emotional depth to the narrative.

Nelson Dilipkumar crafts a tightly woven script with moments of dark humor, intense action, and emotional resonance. The film’s pacing is a strength, as it rarely allows for a dull moment. Nelson’s direction ensures that each character, even those with limited screen time, leaves a lasting impression.

The screenplay does falter slightly in the second half, with a few predictable turns. However, the action sequences and Rajinikanth’s performance more than compensate for these minor shortcomings.

Cinematography: Vijay Kartik Kannan captures the film’s action and emotional moments with flair. The dynamic framing of fight sequences enhances their impact, while the quieter moments are shot with subtlety.

Music: Anirudh Ravichander’s pulsating score elevates the film’s intensity, while the songs complement the narrative without feeling forced. Tracks like “Hukum” have already become chartbusters.

Editing: R. Nirmal ensures crisp editing, particularly during the action scenes, maintaining a high level of engagement throughout the runtime.

At its core, Jailer is more than just an action film. It explores themes of justice, family, and the consequences of revenge. Muthuvel Pandian’s journey is not only about defeating his enemies but also confronting his own vulnerabilities and responsibilities as a father and husband.

The film also delves into the psychological toll of violence, making it more layered than the average revenge drama.

Rajinikanth’s Performance: Charismatic, powerful, and deeply emotional.

Action Sequences: Well-choreographed and exhilarating, with Rajinikanth at his best.

Supporting Cast: Exceptional performances from Mohanlal, Jackie Shroff, and Shiva Rajkumar.

Direction: Nelson Dilipkumar’s deft handling of the narrative keeps it engaging.

While Jailer delivers on most fronts, the second half occasionally leans on familiar tropes. Some supporting characters, despite strong performances, could have been given more depth.

Jailer is a fitting showcase for Rajinikanth’s enduring star power and Nelson Dilipkumar’s storytelling finesse. With its blend of action, emotion, and style, the film is a worthy addition to the Superstar’s illustrious career. Fans of Rajinikanth will leave the theater satisfied, and newcomers will understand why he’s a legend.

Final Rating: ★★★★☆ (4/5) Jailer is a must-watch for action lovers and Rajinikanth fans alike.

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Kill on Amazon Prime – A Heart-Stopping Tale of Love and Heroism

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Indian cinema often delivers stories that resonate on both emotional and visceral levels. Kill, a gripping action-romance now streaming on Amazon Prime, is no exception. Directed by Nikhil Nagesh Bhat, this high-octane thriller blends heart-wrenching emotion with relentless action, leaving viewers at the edge of their seats.

Set aboard a speeding train, Kill tells the story of Amrit (Lakshya), a loyal soldier returning home with a promise to reunite with his childhood love, Tulika (Tanya Maniktala). The couple’s tender, budding romance is the heart of the narrative, with scenes of their innocent exchanges juxtaposed against the chaos that soon engulfs them.

Their journey takes a dark turn when a gang of ruthless dacoits hijacks the train, intent on robbing and killing its passengers. What unfolds is a gripping battle for survival as Amrit transforms from a man in love to a one-man army, determined to protect Tulika and the innocent lives aboard.

The romance in Kill is as compelling as its action sequences. Amrit and Tulika’s relationship is characterized by a delicate vulnerability. Lakshya and Tanya Maniktala’s chemistry brings authenticity to their roles, making their love story feel real and raw. Their shared dreams of a future together contrast painfully with the brutal violence surrounding them, intensifying the emotional stakes.

The heartbreak lies in Amrit’s constant struggle to protect Tulika while confronting the fragility of their dreams in the face of overwhelming odds. The film poignantly captures how love can endure, even amidst devastation.

Lakshya delivers a career-defining performance as Amrit. Initially portrayed as a soft-spoken and unassuming soldier, his transformation into a relentless protector is both believable and inspiring. The action sequences are brutal and stylized, reminiscent of martial arts thrillers, but with a distinctly Indian flair. Amrit’s fight scenes are raw and unrelenting, embodying the desperation of a man with everything to lose.

The narrative subtly highlights themes of duty, sacrifice, and the lengths to which love can push a person. Amrit’s journey from a lover to a savior is as emotional as it is exhilarating, making him a hero worth rooting for.

The confined setting of a train amplifies the film’s tension, with claustrophobic corridors and dimly lit compartments serving as the perfect backdrop for the story’s chaos. Nikhil Nagesh Bhat’s direction ensures that every shot is purposeful, oscillating between tender romantic moments and pulse-pounding action. The cinematography and sound design heighten the stakes, immersing viewers in the characters’ perilous journey.

Kill masterfully balances romance and action, offering a visceral experience that tugs at the heartstrings while delivering adrenaline-pumping sequences. Lakshya’s standout performance and the film’s emotional depth make it a must-watch for fans of Indian cinema and action-thrillers alike.

Kill is more than just an action movie; it’s a testament to the power of love and the resilience of the human spirit. While its unflinching violence might not be for everyone, those willing to embrace its intensity will find a story that stays with them long after the credits roll. This film firmly establishes Nikhil Nagesh Bhat as a director to watch and leaves audiences eagerly anticipating what’s next for its talented cast.

Rating: 4.5/5 If you’re looking for a film that combines action, romance, and heart-pounding thrills, Kill is the perfect pick.

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Holiday Movie Review: A Charlie Brown Christmas

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First aired in 1965, A Charlie Brown Christmas remains a timeless holiday classic that has captured the hearts of generations. Directed by Bill Melendez and based on Charles Schulz’s iconic Peanuts comic strip, this special blends simplicity, humor, and heartfelt messages in a way that few holiday films can match.

The story follows Charlie Brown, who feels disillusioned by the commercialism of Christmas. With encouragement from his friends (and a bit of sass from Lucy), he takes on the task of directing a Christmas play. Along the way, he discovers the true meaning of the holiday, culminating in Linus’s moving recitation of the Nativity story.

The film’s charm lies in its authenticity. The hand-drawn animation is modest yet endearing, the child voice actors bring an innocence that feels genuine, and Vince Guaraldi’s jazzy score—featuring “Linus and Lucy” and “Christmas Time is Here”—is nothing short of iconic. Its themes of community, humility, and spirituality resonate just as strongly today as they did nearly 60 years ago.

While its pacing may feel slow to modern audiences, this is part of its charm; it’s a gentle reminder to pause, reflect, and appreciate the quieter joys of the season.

This timeless special is a must-watch every holiday season. Its enduring message and heartwarming simplicity remind us that Christmas isn’t about materialism but about love, kindness, and togetherness.

Rating: 10/10: A perfect blend of nostalgia, heart, and holiday spirit. A Charlie Brown Christmas is not just a holiday classic but a cinematic treasure that embodies the true meaning of Christmas.

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