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The Wrong Way to Use Healing Magic: Not like that!
The unneeded third wheel in the classic isekai trope, Ken Usato is stunned to discover that while he may not be the Hero the Kingdom of Llinger summoned, he can be heroic with his newfound ultra-rare healing magic!
So, the classic eternal battle between the human Kingdom of whomever, against the current Demon Lord and his multitude of minions, features a whole cast of well-known characters – the King of course, his family with at least one Crown Prince/ess, his Royals and Nobles, usually a whole bunch of badass Knights, Mercenaries, Magic-users of every color of the rainbow, archers and expendable foot-soldiers and the like. What most adventuring isekai actually tries to veer away from, is the realities of the battlefield, the stench and the horror, the dead and dying everywhere, and the very real danger any good healer has to face in order to do their duty as a healer.
And this is where Wrong Way to Use Healing Magic absolutely shines, somehow mixing the reality of the battlefield healer’s situation with the almost innocent adventurous joy of your favorite isekai. So, let’s dive headfirst into this!
The head kids of the Student Council back on Earth, Suzune Inukami and Kazuki Ryuusen, along with the ride-hitching Ken Usato, are transported to the Kingdom of Llinger by summoning a circle, to fight the inevitable demon lord attacking the kingdom. And while the Kingdom, even willing to use forbidden magic to summon these new Heroes as they are, is thrilled at the enthusiasm of Inukami and perhaps even the reluctance of Kazuki, they are absolutely terrified at Usato’s advent of healing magic. It’s all suddenly and rather violently explained with the introduction of Rose, a healer herself, head of the Rescue Team battlefield healers, and known to be an exceptionally brutal and eccentric trainer. Much to his chagrin, Rose gleefully scoops Usato up and deposits him into the most grueling training regimen of his entire young life!
And thus the training from hell, because that is quite possibly literally what it is, begins in earnest. Usato groans about the severe physical aspect of the training, as there is almost no magical training involved at all; he gets tossed into the Darkness of Llinger, a forest known for killing monsters and carnivorous plants, only to come out of it boasting a new blue grizzly companion; Blurin, as the large grizzly cub is named, instantly becomes a very large part of Usato’s running and training regimen.
All of this is effectively useless without actual battlefield experience, and monsters are fleeing the forest because the demon lord and his kin are encroaching, so we the Rescue Team really have to hustle! Rose has every intention of training a “subordinate who will never die”, haunted as she is by underlings she couldn’t save in her head of the Kingdom of Llinger’s army Knight past, and she dubs Usato eventually fit for the job, informing the King of such herself.
But what happens when the war, or at least the first major skirmish, begins in brutal violence, and the Rescue Team has no choice but to wade in? As it turns out, not only is Usato blessed with super strong healing magic and the training to now use it pretty well, he begins to use these powers in ways no one’s ever thought of before, offensively even. Imagine, using healing magic to create such things as what Usato unimaginatively names the Ultimate Healing Punch, but to save the Black Knight, an enemy combatant who Usato firmly believes is actually worth saving and converting.
And who’s to say Usato’s wrong? Rose, despite never coming up with such a thing on her own, is nevertheless extremely proud and considers her trust and faith in Usato and his wrong ways of using healing magic completely well-placed.
Find out what other wrong ways Usato and pals will use his healing magic, on Crunchyroll now!
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Presence: A Horror Movie For People That Don’t Like Horror Movies

In these uncertain times, you can’t beat a good old-fashioned horror movie. Unfortunately, Presence is not an old-fashioned horror movie. Yet, as I discovered, this is a good thing!
When I heard about the premise of this movie, I was intrigued. The stylishly subtle trailer was, appropriately, haunting. And was that Lucy Liu? A haunted house movie from the perspective of the ghost? As a seasoned horror movie buff, I was all in!
Like the majority of people I missed the films brief theatrical release. Luckily I was able to catch it on streaming. Visually the film is easy to enjoy from your own home, as it’s rather cosy looking. I never thought I’d be describing a horror movie as ‘cosy’ looking but it’s true! This is not a James Wan type creepy, dusty, decrepit house harbouring a haunting. No, this is a 100 year old jewel toned, oak finished colonial style home.
Despite this the story follows the beats we are all familiar with: troubled family of four move into a new house. The big deviation from the trope is we, the audience, are seeing events unfold from the POV of the ghost or presence.
Director Steven Soderbergh (Ocean’s Eleven) chose to film the entire piece using a small (14mm) hand-held digital camera. Soderbergh himself acted as the ‘presence’ following the actors around. From the audiences perspective it is like watching the family through a barrier or pane of glass. Cleverly, windows and mirrors are hugely prominent and integral throughout.
The presence mainly follows and tries to interact with the daughter of the family, Chloe (Callina Liang), who has recently suffered the trauma of her best friend dying suddenly. Through Soderbergh’s experimental filming, we feel the dysphoria and frustration the ‘ghost’ is feeling at trying to affect the world around it, particularly during the anxiety-inducing final scene!
However, in what could be yet another mismarketing of a film, the trailer promised to be the ‘scariest movie you will see this year’ and ‘terrifying’; instead, they delivered this subversive, character-driven, family drama. If you are expecting jump scares and dramatic music stings, this is not your movie. I could understand if someone was disappointed that the only seemingly scary thing is the mother’s and son’s relationship, right up until the gut-punch of the final scene.
Presence is definitely a slow burn, tension building until the final scene, and the unveiling of the ‘presence’ giving us a new understanding of the whole story. The ending is disturbing and stays with you as you re-analyse earlier scenes.
My one complaint is that the character Ryan (West Mulholland) with his Chesney Hawkes hair, perhaps needed more subtlety. The rest of the cast was completely solid and believable as a family with so many unspoken issues.
I wouldn’t recommend this film for everybody but maybe be as so bold to say it’s a horror movie for people that don’t like horror movies. It’s well-lit and cerebral with realistically flawed characters.
Presence is available to stream.
Three and a half stars.
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Anime Review: Fog Hill of the Five Elements (Wu Shan Wu Xing)

Genre: Action, Fantasy, Martial Arts, Historical
Runtime: Each episode runs approximately 20-30 minutes
Director: Lin Hun (also the Creator)
Studio: Samsara Animation Studio
Main Voice Actors (Chinese Cast):Liu Zhi Shi as Wen Ren Yu Xuan Zhou Qi as Shen Nong Fang Yuan as Xuan
Overview
Fog Hill of the Five Elements is a breathtaking Chinese anime (donghua) that merges traditional Chinese ink-painting aesthetics with high-intensity martial arts action. Created and directed by Lin Hun, this series delivers a spellbinding visual experience that rivals, and in many ways surpasses, mainstream Japanese anime. Produced by Samsara Animation Studio, the anime is a labor of love, known for its hand-drawn animation and meticulous detail.
Set in a mythological world where elemental beasts roam free, the series follows the Five Elemental Envoys tasked with protecting humanity. The story focuses on Wen Ren Yu Xuan, the Fire Envoy, whose actions set off a chain of events threatening the delicate balance between humans and beasts. The tale is steeped in Chinese folklore and myth, weaving a complex narrative of duty, power, and sacrifice.
Without question, Fog Hill of the Five Elements is one of the most visually stunning animated series in recent memory. The blend of traditional Chinese ink wash painting with modern dynamic action scenes is masterful. Every frame looks like a moving scroll painting, with fluid character movements and kinetic fight choreography that puts many mainstream series to shame.
The characters are deeply tied to traditional archetypes found in Chinese legends but are fleshed out with emotional depth and conflict. Voice acting by Liu Zhi Shi, Zhou Qi, and Fang Yuan brings authenticity and gravitas to their respective roles. The dialogue is steeped in poetic language, enhancing the mythic feel of the story.
The soundtrack complements the epic visuals with traditional Chinese instrumentation mixed with modern elements. The sound design heightens the impact of every battle and emotional moment.
Rating: 9/10
Fog Hill of the Five Elements earns a 9 out of 10 for its groundbreaking animation style, deep mythological storytelling, and heart-pounding action. The only downside is its limited number of episodes and slow release schedule, which leaves fans craving more.
Pros
- Unparalleled hand-drawn animation
- Unique art direction inspired by traditional Chinese painting
- Rich mythological lore
- Epic fight choreography
Cons
- Sparse episode release
- Story pacing can be uneven at times
Final Verdict 9/10
If you’re an anime enthusiast or a fan of animation artistry, Fog Hill of the Five Elements is a must-watch. Its fusion of stunning visuals, martial arts action, and mythological storytelling makes it one of the standout titles in modern animation. Whether you’re into Japanese anime or Chinese donghua, this series deserves a spot on your watchlist.
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Dammu (2012) Movie Review: NTR Jr. Delivers a Thunderous Mass Action Performance

Genre: Action, Drama
Language: Telugu
Director: Boyapati Srinu
Writer: Boyapati Srinu
Producer: Alexander Vallabha
Studio: Creative Commercials
Runtime: 158 minutes
Main Cast:
Nandamuri Taraka Rama Rao Jr. (NTR Jr.) as Rama Chandra / Chinna
Trisha Krishnan as Sathya
Karthika Nair as Neelaveni
Kota Srinivasa Rao, Nassar, and Venu Thottempudi in pivotal roles.
Where to Watch: Currently available for streaming on Sun NXT and Amazon Prime Video (check regional availability).
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Dammu, directed by Boyapati Srinu, is a high-octane Telugu action drama that delivers exactly what it promises: mass entertainment, powerful dialogues, and larger-than-life action sequences. This film stands tall in NTR Jr.’s filmography, showcasing his unmatched screen presence, powerful dialogue delivery, and action hero persona.
The story follows Rama Chandra (NTR Jr.), an orphan raised in a loving environment. His peaceful life takes a turn when he learns about his royal lineage and is chosen to bring back honor to a powerful but fallen royal family. The narrative pits him against a ruthless rival family, setting the stage for intense confrontations, emotional dilemmas, and a classic good-versus-evil showdown.
This is NTR Jr.’s film through and through. His charismatic screen presence, intense emotional range, and commanding action sequences are the highlights of Dammu. Whether it’s delivering punchy mass dialogues or executing gravity-defying stunts, NTR Jr. proves why he’s one of the top mass heroes of Tollywood. His transformation from a soft-spoken man to a ferocious warrior fighting for justice is executed with nuance and raw energy.
As a lover of NTR Jr. movies, Dammu is a treat. His power-packed performance holds the film together even when the narrative feels familiar. Fans of his previous films like Simhadri and Yamadonga will appreciate the high-voltage drama and emotional depth he brings to the role of Rama Chandra.
Trisha Krishnan and Karthika Nair add grace and charm, though their roles are secondary to the male-centric narrative. Veteran actors like Kota Srinivasa Rao and Nassar lend strong support. Director Boyapati Srinu, known for mass entertainers (Legend, Sarrainodu), stays true to his brand with larger-than-life storytelling, heavy on action and sentiment.
The film is loaded with action sequences, choreographed to satisfy die-hard mass film lovers. The fight scenes are over-the-top yet entertaining, with NTR Jr.’s agility and intensity making them believable. MM Keeravani’s music and background score elevate key emotional and action moments. “Ruler” and “Dammu Dammu” are foot-tapping numbers that resonate with the film’s tone.
C. Ramprasad’s cinematography captures the grandeur and the rustic locations beautifully. Editing by Kotagiri Venkateswara Rao keeps the film’s pace brisk, although the second half could have been tighter.
NTR Jr.’s electrifying performance, Mass appeal with high-voltage action sequences, Powerful dialogues that will thrill fans, Strong emotional undertone in the storyline, Well-composed background score and songs, Weaknesses Predictable plotline with familiar trope,s Over-the-top violence and melodrama may not appeal to all Secondary characters are underdeveloped
Dammu is a full-on mass action entertainer, tailor-made for NTR Jr. fans and lovers of Telugu commercial cinema. His performance is the soul of the film, making it a must-watch for anyone who enjoys powerful hero-centric storytelling. Despite its predictability, Dammu delivers what it promises: high-voltage action, emotional drama, and a powerful lead performance.
Rating: 7.5/10 (An action-packed entertainer elevated by NTR Jr.’s magnetic presence and energy.)
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