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Aquaman and the Lost Kingdom

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Aquaman’s nemesis Manta returns possessed by an ancient evil, with plans to take down both the human world and the Kingdom of Atlantis! 

We launch right into a game of catch-up just as soon as the film begins, taking off at breathless speeds as Arthur Curry aka Aquaman, balances being married to Atlantean royalty Mera (Amber Heard) with their new baby inevitably Arthur Jr. and all that entails a life lived on the land, plus oh yeah, being the reluctant King of Atlantis and all the political stonewalling from the Royal Council, responsibility for the lives and safety of the aquatic denizens of Atlantis, and all the problems and headaches there. This is a hard act to juggle, and Arthur is eternally grateful to his adoptive father Tom (Temuera Morrison) for always being willing to help out watching his grandson, giving Aquaman sage advice when he’s struggling, forever quietly proud of his Polynesian ancestry and the family he made for himself here, where the land meets the sea under his lighthouse. 

The flip side of this idyllic if tiring life is Aquaman’s old nemesis David Kane aka Black Manta (Yahya Abdul-Mateen II), armed with the genius of the entirely naïve Dr. Stephen Shin (Randall Park), a determined lieutenant called Stingray (Jani Zhao) and whatever old Atlantean tech he can get his hands on, is on the hunt for more Atlantean tech to fix his busted Manta suit. Because we’re still, on about getting revenge for Aquaman killing Kane’s father, in the previous movie. Kane does hunt down a lost artifact far more powerful than his blasted suit, the legendary but lost for good reason Black Trident. 

See the thing about artifacts in superhero movies especially, is that the things used to belong to someone, and most likely that someone was powerful, likely magical, and inclined to either great good or horrific evil. Guess which one the Black Trident is? 

Time passes and the whole planet is starting to be affected by the bad things – greenhouse gases, extreme weather, oceanic modifications, the culmination of all of that – and Arthur thinks his best option is to go break his brother Orm (Patrick Wilson) out of aquatic prison to help him fight off Kane and his plans for worldwide destruction! Everyone has to give their opinion on this rather crazed plan of action, especially Arthur’s mother Atlanna (Nicole Kidman), and Orm’s dad King Nereus (Dolph Lungren), though they do come willingly to aid when Arthur gets inevitably in the clutch. 

Things are all coming to a head for a showdown between Kane and the forces of evil behind the real owner of the Black Trident, and Aquaman and all the forces of good, both land and sea, he can muster to fight with him! 

It’s a good movie, fun and light-hearted and full of jokes at the leads’ expense, never taking things too terribly seriously despite the purported world-ending scenario. The CGI for the floating hair of the denizens of Atlantis is better done than in the previous film, though it still strikes me as highly improbable for aquatic humanoids to have long hair in anything other than braids. The version of the film I saw was in IMAX 3D and that was entirely unnecessary, the transition of 3D between scene shifts needed a bit of work. Jason Momoa steers the film with the cheerful recklessness and obstinacy of a surfer against a taller-than-you breaker, always on the verge of a smirk turned into a charming smile, breathlessly whisking the audience along on the adventures of Aquaman and pals. Rumor says this second installment of Aquaman will be the last film in what is known as the DCEU, the slate of DC superhero movies before James Gunn and Peter Safran reboot the whole thing in 2025, and if that’s the case, Aquaman and the Lost Kingdom is a perfectly fun movie to go out on. 

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Movie Review: Katamarayudu

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Directed by: Kishore Kumar Pardasani

Written by: Siva

Studio: North Star Entertainment

Runtime: 149 minutes

Genre: Action, Drama

Cast:

Pawan Kalyan as Katamarayudu

Shruti Haasan as Avanthika

Siva Balaji as Katamarayudu’s younger brother

Ajay, Kamal Kamaraju, Chaitanya Krishna in supporting roles


Katamarayudu is a Telugu-language remake of the Tamil film Veeram. This movie blends family drama with high-octane action sequences, delivering a narrative that is quintessentially rooted in southern Indian cinema’s flair for heroism and larger-than-life characters.

The story revolves around Katamarayudu, a righteous and fiercely protective elder brother who has dedicated his life to looking after his younger siblings. Known for his aversion to marriage, his life takes a turn when Avanthika, a poised and graceful woman, enters his life. The movie skillfully combines lighthearted romance, brotherly camaraderie, and intense action sequences, creating an engaging watch for the masses.

Kishore Kumar Pardasani delivers a visually grand spectacle while staying true to the essence of its Tamil original. While the screenplay lacks novelty, it compensates with fast-paced action and emotional beats. The dialogues, although simple, hit the right chords when it comes to showcasing family bonds and love.

Pawan Kalyan is the heart of the film. His screen presence and charismatic portrayal of Katamarayudu dominate every frame. Shruti Haasan offers a refreshing on-screen presence, and her chemistry with Pawan Kalyan adds charm to the narrative. The supporting cast, especially the actors playing the brothers, do justice to their roles, adding depth to the storyline.

The film boasts meticulously choreographed fight scenes, which are a visual treat for action lovers. Anup Rubens’ background score and songs elevate the emotional and action-packed moments. His mass appeal and command over action and emotion anchor the movie effectively.

The film adheres to a conventional template, leaving little room for surprises. At 149 minutes, the film feels stretched, especially in the second half.

Katamarayudu is a feast for fans of Pawan Kalyan and action-packed family dramas. It carries the essence of mass entertainment but doesn’t break new ground. While it caters to the sensibilities of Telugu cinema audiences, others might find its predictability a drawback.

Rating: 8/10 Fans of Pawan Kalyan and high-energy action films will undoubtedly enjoy this one, but those looking for a novel story might find it wanting.

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You Are Not Ready for ‘Marcel the Shell with Shoes On’

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“Do you want to watch a film with me? It’s called Marcel the Shell with Shoes On”

“What?”

“It’s about a little shell named Marcel who wears shoes.”

“…”

And that about sums it up! It’s the blob of a week between Christmas and New Year so it was the optimum time to watch a very surreal film recently added to UK Netflix. 

Released in 2021 (a blob of a year) Marcel the Shell with Shoes On is about a one-inch-tall shell called Marcel who lives with his grandmother, Connie, in an Airbnb. Marcel usually stays out the way of the house’s various guests as he utilizes his only means of fast transportation (a tennis ball) and walks his pet lint on a string (Alan). This is until a documentary filmmaker named Dean, who is staying at the Airbnb, discovers Marcel and his unique lifestyle.

As filmmakers are wont to do Dean begins to film interviews with Marcel, consequently we get an insight into Marcel’s world both inside and out. Yes, Marcel is a stop-motion hermit crab shell with surprisingly expressive googly eyes but he feels very human. I was unsure about Marcel’s age and gender because he sounds a lot like Lisa Simpson, I did even check that Marcel wasn’t voiced by Yeardly Smith. But Marcel is voiced superbly by Jenny Slate. Marcel comes off as quite childlike with his wide-eyed optimism and naivety (he is a shell I suppose). Yet, like many children, Marcel will utter something so profound he will seem more of a fossil than a shell. When Dean uploads Marcel’s interviews onto YouTube Marcel of course becomes a viral sensation. Marcel reads the comments on his videos, using his tiny shoes to activate the laptop touchpad, which is just adorable! Despite his obvious popularity, Marcel remarks; “It’s an audience. It’s not a community.” Which just drives a stake into the heart of social media.

No, Marcel does not become a teeny-tiny-TikToker, he in fact uses the internet to find his lost community. The house used to be full of anthropomorphic objects including Marcel’s own shell family. They had been living in the house for generations, Connie herself came from the garage travelling by coat pocket to the main house; it’s why she has an accent. Among the community there are anthropomorphic pieces of cereal and because the internet notices this stuff; a tampon! An unfortunate event occurred and the community were accidentally removed from their home one tragic night, leaving Marcel and Connie on their own. 

Being an A24 film I knew it would get deep. Marcel’s journey gives the audience a unique perspective of life, death, and community. In a modern world where we are more connected than ever but loneliness has been recognized as a universal health crisis. We could all learn something from this talented little shell and his grandmother. Be like Marcel and don’t get sanded down by life, stay connected to your community and know you are not just rattling around on your own!

It’s a beautifully poignant and quirky film. Despite its metaphysical and existential content, the film doesn’t take itself too seriously. Whether it’s Marcel making rope by winding together the pubic hairs he finds in the drain (he calls them ‘hardy hairs’) or sleeping on slices of bread referring to them as his ‘breadroom’. The film is painstakingly detailed and you can see its roots in a short film. It’s a delightful adventure that has something far bigger to say than its minuscule protagonist.

Five stars. 

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Mechanic Rocky

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“Mechanic Rocky” is a 2024 Indian Telugu-language action comedy film that marks the directorial debut of Ravi Teja Mullapudi, who also penned the script. Produced by Ram Talluri under SRT Entertainments, the film features Vishwak Sen in the titular role, with Meenakshi Chaudhary and Shraddha Srinath as the female leads. The technical crew includes Manojh Reddy Katasani handling cinematography, Anwar Ali in charge of editing, and Jakes Bejoy composing the music. 

The narrative centers on Rakesh, affectionately known as Rocky, a cheerful mechanic who operates his family’s auto repair shop. His life takes a tumultuous turn when he becomes entangled with two women, Apsara and Priya, both of whom develop romantic interests in him. Complications escalate as Ranki Reddy, a ruthless land grabber portrayed by Sunil, sets his sights on Rocky’s garage, leading to a series of confrontations that blend action, drama, and elements of comedy. 

Vishwak Sen delivers a commendable performance, embodying Rocky with a blend of charm and intensity that resonates well with the audience. Meenakshi Chaudhary and Shraddha Srinath provide solid support, each bringing depth to their respective roles. Sunil’s portrayal of the antagonist adds a compelling layer to the film, enhancing the overall narrative.

The film’s music, composed by Jakes Bejoy, complements the storyline effectively, with tracks like “Gulledu Gulledu” and “Oo Pillo” standing out for their catchy tunes and engaging choreography. 

Critically, “Mechanic Rocky” has received mixed reviews. The Times of India describes it as “an underdog tale blending drama, action, and redemption,” highlighting its genre-blending approach.  Great Andhra notes that the film “feels like two different films,” with a tedious first half and a more engaging second half.  123telugu.com echoes this sentiment, stating that while the second half is gripping, the first half is dull, ultimately calling it a “decent watch.” 

In conclusion, “Mechanic Rocky” offers a blend of action, comedy, and drama, with strong performances and engaging music. However, its uneven pacing and predictable plot developments may detract from the overall experience for some viewers. As an entertainment journalist and Indian cinema enthusiast, I would rate “Mechanic Rocky” a 6 out of 10, acknowledging its strengths while noting areas where it could have delivered more effectively.

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