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Aquaman and the Lost Kingdom

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Aquaman’s nemesis Manta returns possessed by an ancient evil, with plans to take down both the human world and the Kingdom of Atlantis! 

We launch right into a game of catch-up just as soon as the film begins, taking off at breathless speeds as Arthur Curry aka Aquaman, balances being married to Atlantean royalty Mera (Amber Heard) with their new baby inevitably Arthur Jr. and all that entails a life lived on the land, plus oh yeah, being the reluctant King of Atlantis and all the political stonewalling from the Royal Council, responsibility for the lives and safety of the aquatic denizens of Atlantis, and all the problems and headaches there. This is a hard act to juggle, and Arthur is eternally grateful to his adoptive father Tom (Temuera Morrison) for always being willing to help out watching his grandson, giving Aquaman sage advice when he’s struggling, forever quietly proud of his Polynesian ancestry and the family he made for himself here, where the land meets the sea under his lighthouse. 

The flip side of this idyllic if tiring life is Aquaman’s old nemesis David Kane aka Black Manta (Yahya Abdul-Mateen II), armed with the genius of the entirely naïve Dr. Stephen Shin (Randall Park), a determined lieutenant called Stingray (Jani Zhao) and whatever old Atlantean tech he can get his hands on, is on the hunt for more Atlantean tech to fix his busted Manta suit. Because we’re still, on about getting revenge for Aquaman killing Kane’s father, in the previous movie. Kane does hunt down a lost artifact far more powerful than his blasted suit, the legendary but lost for good reason Black Trident. 

See the thing about artifacts in superhero movies especially, is that the things used to belong to someone, and most likely that someone was powerful, likely magical, and inclined to either great good or horrific evil. Guess which one the Black Trident is? 

Time passes and the whole planet is starting to be affected by the bad things – greenhouse gases, extreme weather, oceanic modifications, the culmination of all of that – and Arthur thinks his best option is to go break his brother Orm (Patrick Wilson) out of aquatic prison to help him fight off Kane and his plans for worldwide destruction! Everyone has to give their opinion on this rather crazed plan of action, especially Arthur’s mother Atlanna (Nicole Kidman), and Orm’s dad King Nereus (Dolph Lungren), though they do come willingly to aid when Arthur gets inevitably in the clutch. 

Things are all coming to a head for a showdown between Kane and the forces of evil behind the real owner of the Black Trident, and Aquaman and all the forces of good, both land and sea, he can muster to fight with him! 

It’s a good movie, fun and light-hearted and full of jokes at the leads’ expense, never taking things too terribly seriously despite the purported world-ending scenario. The CGI for the floating hair of the denizens of Atlantis is better done than in the previous film, though it still strikes me as highly improbable for aquatic humanoids to have long hair in anything other than braids. The version of the film I saw was in IMAX 3D and that was entirely unnecessary, the transition of 3D between scene shifts needed a bit of work. Jason Momoa steers the film with the cheerful recklessness and obstinacy of a surfer against a taller-than-you breaker, always on the verge of a smirk turned into a charming smile, breathlessly whisking the audience along on the adventures of Aquaman and pals. Rumor says this second installment of Aquaman will be the last film in what is known as the DCEU, the slate of DC superhero movies before James Gunn and Peter Safran reboot the whole thing in 2025, and if that’s the case, Aquaman and the Lost Kingdom is a perfectly fun movie to go out on. 

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Review of “Good Bad Ugly”

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Director: Adhik Ravichandran 

Starring: Ajith Kumar, Arjun Das, Trisha, Simran

Genre: Action / Crime Drama

Rating: 4.5/5


“Good Bad Ugly” centers on Red Dragon (Ajith Kumar), a notorious gangster who chooses to surrender himself in the hopes of turning over a new leaf and reuniting with his estranged son. However, when unforeseen threats emerge, Red Dragon is forced to step back into the dangerous underworld to protect the only family he has left.

“Good Bad Ugly” plays to the strengths of Ajith Kumar, delivering a fan-pleasing portrayal of both his vintage villainy and his matured emotional depth. Ajith’s powerful screen presence, coupled with his iconic voice, shines against Arjun Das’s brooding and intense new-age antagonist, creating an electric old-school versus new-school dynamic. The nostalgic return of Simran is a clever nod to longtime fans, bringing heart and familiarity. Trisha brings a strong, grounded performance as the moral compass in Red Dragon’s life, helping move the emotional threads of the story. The film smartly balances action, comedy, and sentimental fan-service moments.

While the film delivers on fan expectations, its narrative could have benefited from tighter pacing and deeper character development for its supporting cast. Some plot conveniences and an overreliance on nostalgia may limit broader audience appeal beyond the fanbase. Certain dramatic beats felt rushed, leaving little time for emotional resonance to fully land.

The ambition to blend high-octane action with heavy emotional stakes sometimes leads to tonal inconsistencies. At moments, the shift from gritty underworld drama to lighter fan moments feels abrupt. Additionally, though Ajith Kumar’s effort to showcase his dancing skills is commendable and welcomed by fans, it slightly disrupts the otherwise darker tone the film establishes.

“Good Bad Ugly” is a tribute to Ajith Kumar’s enduring legacy, offering vintage thrills while teasing new dimensions to his craft. It’s a solid entertainer that successfully taps into fan nostalgia while hinting at an exciting evolution for AK. While not without its flaws, the film’s heart, energy, and performances make it a must-watch for fans and a compelling action-drama for broader audiences.

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Allu Arjun: The Stylish Star Who Redefined Telugu Cinema

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In the ever-evolving world of Indian cinema, few stars have managed to carve a niche as effortlessly as Allu Arjun. Known for his electrifying screen presence, unparalleled dance moves, and ability to adapt to any role, Arjun has become a phenomenon, transcending regional cinema to gain pan-Indian appeal. Whether it’s intense action dramas, heartwarming family entertainers, or stylish romantic films, he has done it all.

Take Pushpa: The Rise (2021), for instance. With a rugged new look and a raw, earthy performance, Allu Arjun transformed into Pushpa Raj, a smuggler who refuses to bow down to power. His signature swagger, powerful dialogue delivery (“Thaggede Le” became a cultural mantra), and intense action sequences made the film a box-office juggernaut. The film’s massive success on Amazon Prime Video only extended its reach beyond Indian borders, turning Arjun into a global icon.

But the star’s magic isn’t just limited to mass action spectacles. In Ala Vaikunthapurramuloo (2020), Arjun showcased his flair for comedy and family drama, delivering one of the most charming performances of his career. His character, Bantu, a middle-class man who discovers his true lineage, resonated with audiences, and his impeccable dance moves in songs like Butta Bomma took the internet by storm. The film’s presence on Netflix made it one of the most-watched Indian films on the platform.

However, Arjun’s journey to superstardom wasn’t built on commercial cinema alone. Films like Arya (2004) showcased his ability to bring depth and sincerity to romantic dramas. Playing the role of a selfless lover who believes in destiny, he delivered a performance that remains iconic to this day. His natural charm and emotional depth made Arya a cult classic, solidifying his reputation as Tollywood’s next big thing.

Even when he steps into full-fledged action mode, he never loses his distinct style and charisma. Sarrainodu (2016) was a high-octane actioner where he played an ex-military man fighting corruption. With power-packed fight sequences, catchy dialogues, and foot-tapping songs like Blockbuster, the film became a true crowd-puller.

But one of Arjun’s most underrated performances came in Vedam (2010), a film that explored multiple narratives and showcased him in a never-before-seen role. Playing Cable Raju, a slum dweller pretending to be rich, he brought a rare vulnerability to the character, proving his ability to balance mass appeal with meaningful cinema.

From ruling the box office to winning six Filmfare Awards South, Allu Arjun’s journey is a testament to his unmatched versatility. Whether he’s setting the dance floor on fire, delivering powerful monologues, or simply owning the screen with his presence, he continues to redefine what it means to be a pan-Indian superstar.

For those who haven’t yet experienced the magic of Allu Arjun, now is the perfect time to dive into his cinematic universe. His films are available on Netflix, Amazon Prime Video, Disney+ Hotstar, and ZEE5, ensuring that no matter where you are, you can witness the rise of the Stylish Star firsthand.

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Empuraan (2025) Movie Review – A Thrilling, High-Octane Malayalam Sequel That Delivers Big

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Genre: Action Thriller

Runtime: 2 hours 45 minutes

Director: Prithviraj Sukumaran

Writer: Murali Gopy

Starring: Mohanlal, Prithviraj Sukumaran, Indrajith Sukumaran, Manju Warrier, Tovino Thomas

Studio: Aashirvad Cinemas, Lyca Productions


The Good: What Empuraan Gets Right

Mohanlal’s Magnetic Screen Presence: As Stephen/Khurēshi Ab’raam, Mohanlal owns every scene. His silence speaks louder than words, and his layered performance adds emotional gravity to the action.

Prithviraj’s Direction Shines: Seamlessly balancing intense set pieces with political intrigue, Prithviraj proves again he’s one of the most visionary directors in Indian cinema today.

Murali Gopy’s Sharp Screenplay: The film is packed with political subtext, philosophical dialogue, and thrilling twists that reward patient viewers.

Stunning Cinematography and Score: The visuals, spanning locations from India to the Middle East, are breathtaking. Deepak Dev’s music elevates every sequence, especially the high-stakes confrontations.

Strong Supporting Cast: With Indrajith Sukumaran, Manju Warrier, and Tovino Thomas in key roles, the ensemble delivers solid performances that complement Mohanlal.

The Bad: Where Empuraan Falters

Pacing in the First Half: The film takes its time building the narrative, which may test the patience of action-seeking audiences early on.

Complexity Might Alienate Casual Viewers: With deep political allegories and global criminal dynamics, it’s not exactly light fare — viewers unfamiliar with Lucifer might feel lost.

A Bit Too Long: At 2 hours and 45 minutes, some scenes — particularly flashbacks — could’ve been trimmed without losing impact.

Empuraan Is a Gripping and Ambitious Sequel That Raises the Stakes After the massive success of Lucifer (2019), fans have waited with bated breath for the sequel — and Empuraan does not disappoint. Directed with confidence by Prithviraj Sukumaran, this 2025 Malayalam action thriller expands the universe of Lucifer, diving deeper into the underworld empire of Stephen Nedumpally (Mohanlal) and the origins of the mysterious Khureshi-Ab’raam.

Empuraan is a masterfully executed Malayalam action thriller that expands its cinematic universe with flair. Mohanlal delivers another iconic performance, and Prithviraj continues to evolve as a bold director who knows how to handle scale and subtlety alike. While the film’s pacing and complexity may not appeal to everyone, for fans of intelligent, stylish Indian cinema, Empuraan is a must-watch.

Final Rating: 8.5/10

Recommended for:

Fans of Lucifer, Indian political thrillers, Mohanlal admirers, Malayalam cinema lovers, and viewers who appreciate layered storytelling and high-stakes action.

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