[divider]Jordan Peele’s debut film Get Out works not only as a timely bit of horror but a fantastic throwback to the slow burn psychological thrillers of the 1970s. The premise is simple enough, Chris is nervous about meeting his girlfriend’s parents at their lake house in upstate New York because he isn’t sure how they will react to their daughter being in an interracial relationship.
Chris (Daniel Kaluuya) is a bit of a blank slate when we first meet him. He is undoubtedly nice but all of his actions seem calculated to avoid conflict. In many instances he remains silent in the face of blatant racism always complying and choosing the path of least resistance.
That becomes impossible when his girlfriend Rose (Allison Williams) invites him out to her parent’s house for the weekend. Rose is a mid-20s liberal who seems to understand what Chris is going through. She forewarns him that her father is going to try and be ultra-cool in front of him and assures him that he would have voted for Obama for a third term if he could.
Yet the closer they get to the house the more his sense of paranoia seems to go up. A sense of isolation permeates the film as the audience feels, like Chris, very alone even among a crowd of people. Peele is clearly an expert in horror films as you can see his homages to classics throughout the film. But the movie only tips its hat to movies like The Stepford Wives and Night of the Living Dead, it isn’t afraid to enter new territory.
Peele’s decision to hire mostly character actors instead of A-listers seriously helps the story. Not only are cast members like Bradley Whitford and Stephen Root at the top of their game but because they aren’t as well known it is easier for the audience to let them carry the story forward. Kaluuya is as powerful as he is because he’s still relatively new. That gives him an everyman quality that might have taken away from the overall message of the story had it been played by someone like Denzel Washington.
The only flaw in the film is Peele’s insistence on making the movie comedic. A light touch isn’t a bad thing in comedy, look at Cabin in the Woods, but when the laughs to do come they feel very out of place with the overall mood of the rest of the film. Thankfully he places his comic relief far away from the main action to the point where it almost feels like a totally different movie.
The movie itself is a slow but that, despite being labelled as a horror, isn’t that violent. Peele knows he doesn’t have to shock to get his point across and that more often what isn’t said is just as powerful. Considering this is Peele’s first film it is quite an impressive display. As he begins to spread his wings and become more comfortable in the medium who knows what else he is capable of producing.
If you were born in the ’80s, ’90s, or literally ANY decade after those, you know about Super Mario. A cultural phenomenon was brought to life on the big screen this last weekend. One that has not only stood the test of time but reinvented itself time and time again. This wasn’t even the first time it’s been made into a movie but, well, let’s be honest.. some of us choose not to acknowledge the LIVE action adaptation of the beloved game from 30 years ago.
It was pretty bad… But this was animation. ILLUMINATION animation at that. The Universal company that brought us Gru and his Minions, showed us the Secret Life of Pets, and gave us a reason to SING! Still, I had my reservations and even some concerns, especially when the casting was announced.
Eyebrows were raised. As big of stars as they were on paper, could they really deliver on voicing characters from a staple of our childhood? They did.
Chris Pratt and Charlie Day may not be Italian, and Jack Black may not be a King or Turtle creature from the Mushroom Kingdom, but they make the characters their own all while paying homage to the lore of a video game.
From the jump, the story reintroduces us to the brothers that just want to save Brooklyn one clogged sink at a time. We feel an instant connection and relate to these “underdogs of the plumbing world”. The movie is riddled with easter eggs, each of which tugs on the heartstrings of every generation of Mario fandom. And the soundtrack was beautifully put together to not only make us feel like we’re taking a walkthrough of the game but like an experience all its own with some familiar favorites thrown in.
Every word in the movie is pure eye candy for both those that are casual fans, and those analyzing every frame to see what they’ll catch next. Bowser’s ship, the Mushroom Kingdom, Kong’s arena, and the Rainbow Road.. They’re all meant to give us just enough of a “new” look at these amazing worlds, but stay true to how we remember them.
The movie itself moves along at the perfect pace. Although, if you don’t really know ANYTHING about the Super Mario Bros, you may have gotten a little lost and felt left behind in the green tunnel. But that’s ok! It’s an adventure of the imagination and a classic story of a boy that meets a girl and tries to save the world from a monster that wants to destroy it.
What’s funny is that you could easily say this is a story about two characters who couldn’t be more opposite if they tried, battling to win the heart of a princess. Who would’ve thought that the King of the Koopas was just trying to impress his crush?
And that song? Ohhh THAT song! It’s my new ringtone and deserves the Oscar for Best Original Song.
Back to the movie.
Universal and Illumination clearly understood the assignment. Is it missing some things or could things have been done differently or even better? Absolutely! We’re the worst critics of the things we hold nearest and dearest to our hearts. But if you’re up for going on a 90-minute adventure through amazing worlds, with awesome music, and characters that’ll make you smile and laugh, then this is the perfect movie to spring you into that warm summer feeling.
Plus there’s the whole part with karts and shells, and banana peels and oh my goodness how amazing was that?? It’s enough to make you want to stand up and cheer, then go home and destroy your friends and family on your favorite track haha.
The bottom line, it pays homage in all the right ways to the little guy with the mustache, while giving us something new and exciting. Take the kids and go see Super Mario Bros. You’ll be glad you did!
Justice League x RWBY: Superheroes & Hunters Opening Act Saturday, March 25 at 1:30 p.m. on North 200A. Talent confirmed so far to participate in the post-screening panel is Natalie Alyn Lind (Big Sky, The Goldbergs, Gotham) as Wonder Woman/Diana Prince and longtime RWBY cast member Lindsay Jones (Camp Camp) as Ruby, Kara Eberle ( RWBY: Ice Queendom) as Weiss, Arryn Zech (Detective Now Dead) as Blake and Barbara Dunkelman (Blood Fest) as Yang – along with Jeannie Tirado (Soul, Saints Row) as Green Lantern and Tru Valentino (The Rookie, The Cuphead Show!) as a cyborg. Also attending the panel will be producer/director Kerry Shawcross (series RWBY) and writer Meghan Fitzmartin (Supernatural, Justice Society: World War II).
Warner Bros. Discovery Home Entertainment returns to WonderCon 2023 with the big screen debut from DC Animated Films: highlights this year include the world premieres of the highly anticipated Batman: The Doom That Came To Gotham and Justice League x RWBY: Superheroes & Hunters Part One the weekend of March 24-26 in Anaheim, California. Both screenings will be followed by panel discussions with actors and creators. Batman: The Doom That Came To Gotham premieres at The Arena on Friday, March 24 at 6 p.m. Tati Gabrielle (Kaleidoscope, Chilling Adventures of Sabrina, Uncharted) as Kai Li Cain, Christopher Gorham (The Lincoln Lawyer, Insatiable) as Oliver Queen, David Dastmalchian (Dune, Suicide Squad, Ant-Man) as Grendon, producer/co-director Sam Liu (The Death and the Return of Superman), co-director Christopher Berkeley (Young Justice) and screenwriter Jase Ricci (Teen Titans Go! and DC Super Hero Girls: Mayhem Across the Multiverse).
Both films will have encore screenings in the Arena on Sunday, March 26. Justice League x RWBY: Super Heroes & Huntsmen, Part One will screen at 12:15pm, followed by Batman: The Doom That Came To Gotham at 2:00pm
No Question Mark Box Here; Super Mario Delivers a 1-Up in Theaters
Warner Bros. Discovery Home Entertainment returns to WonderCon 2023
Marvel Studios’ Guardians of the Galaxy Vol. 3
Crunnchyroll presents ‘BOFURI: I don’t want to get hurt so I’ll max out my defense’: You’re not twinking!
‘Knock at the Cabin’: Puttin on your boogie shoes!
No Question Mark Box Here; Super Mario Delivers a 1-Up in Theaters
Marvel Studios’ Guardians of the Galaxy Vol. 3
Black Panther: Wakanda Forever
Illinois’ financial crisis could bring the state to a halt
The final 6 ‘Game of Thrones’ episodes might feel like a full season
No Question Mark Box Here; Super Mario Delivers a 1-Up in Theaters
Warner Bros. Discovery Home Entertainment returns to WonderCon 2023
