We’re one episode away from Season 5 finale of The Americans, FX’s critically acclaimed drama about a family of deep cover Russian spies living in Virginia during the height of the Cold War. And from there, we’re only one season away from the show wrapping up for good, an ending that producers Joe Weisberg and Joel Fields have supposedly had in mind since starting the show in 2013. The fact that they’ve been guiding the show’s twisty narrative toward a set resolution for five years of betrayals, character deaths and spy craft that would make even John le Carré ‘s head spin is impressive, though I can’t imagine that there’s anything like closure or contentment in the 11 episodes to come. The Americans‘ take on historical drama has always been too sober and clear-eyed to offer any of its main players an easy out or peaceful ride into the sunset. And this season, arguably one of the its best, has set up the show’s multiple story lines to meet varying degrees of conflict, resistance, and potentially catastrophic failure.
Over and over again The Americans has asked what cause is worth devoting your life to, killing for, sacrificing your family’s happiness for? Is it country? Wealth? Religion? Season 5 has been about the toppling of those idols, how doubt and disillusionment can lead to a loss of faith. For Phil and Elizabeth, both lifelong loyal soldiers for the Soviet cause, it’s gotten harder to pretend like the things they’re asked to do for their country are justifiable. For their teenage daughter, Paige, her belief that religion would save her is being replaced by her new knowledge about her family’s identity and her understanding of how that makes them strong and noble. But even that faith is being built on the lies they tell her, the same lies they were told to be recruited. And so ultimately there is no one to trust, nothing to believe in. The imperfect authorities and institutions at the head of both sides of the Cold War are laid bare by the end of this season, as the show exposes both the crumbling and corrupt Soviet bureaucracy and the vapid materialism consuming the United States. Against that backdrop we see Phil, Elizabeth and everyone around them struggle to make choices about who to be and how to move forward in a world with so little certainty.
Except for Henry. Henry’s gonna be alright I think.
These days, when we throw around the word “dark” about a show or movie, we’re usually talking about a propensity for some really gruesome violence, an anti-hero with a particular edge, and/or an impressively high body count. And The Americans certainly has its share of “holy hell – are they really going to do that” moments – Phil and Elizabeth, our Soviet spy couple extraordinaire – take out plenty of people (enemies and bystanders) in the course of their “work,” not to mention that their collection of bad wigs is truly trauma inducing. But The Americans is dark in another way too, a way that’s fundamental to the show’s perspective on the world. It’s the idea that all of us, Soviet peasants standing in line for flour, middle class American kids playing video games after schools, spies and FBI agents covertly plotting each other’s deaths as they wave hello from neighboring houses in the suburbs – is lost and alone in this postmodern world, and that nothing can save us from that. It’s an existential horror that makes the thought of seeing another head bashed in pale in comparison.
The final episode of Season 5 of The Americans air this Tuesday, May 30th on FX
On July 13, 2025, Indian cinema lost one of its most enduring lights—Kota Srinivasa Rao, a name that has been woven into the very fabric of Telugu cinema and Indian film history for nearly five decades. He was 77.
To speak of Kota garu is to speak of a man who embodied the soul of acting, not merely performance, but lived truth on screen. As a journalist who has spent years documenting the landscape of Indian entertainment, and more importantly, as a lifelong admirer of its emotional and artistic depth, I find it nearly impossible to separate the arc of my love for Telugu cinema from the face, voice, and commanding presence of Kota Srinivasa Rao.
Born on July 10, 1948, in Kankipadu, Andhra Pradesh, Kota Srinivasa Rao was the son of freedom fighter and dramatist Kota Seetha Rama Anjaneyulu. The stage called to him early, long before the silver screen embraced him. His transition from theater to cinema in the late 1970s was seamless, natural, and even. His debut in K. Viswanath’s Pranam Khareedu (1978) may have seemed modest at the time, but in hindsight, it was the quiet ignition of a force that would later dominate the craft of acting across genres and generations.
Kota Garu was never a man of one shade. He could play a corrupt politician one moment and a hapless, loving father the next—with equal gravitas and complete immersion. Who could forget his roles in Gaayam, Shiva, Aha Naa Pellanta, Pratighatana, Money, Anaganaga Oka Roju, Leader, and Tagore? These weren’t just performances; they were living case studies in human contradiction and nuance.
In Aa Naluguru, his portrayal of a morally grey newspaper editor offered a sobering mirror to society. In comedies like Hello Brother, his deadpan wit was so precise that it could make audiences erupt with laughter on a single line delivery. Every filmmaker—from K. Viswanath to Ram Gopal Varma, Krishna Vamsi to Sekhar Kammula—sought him out, not just for his craft, but for his wisdom. Watching him act was never passive; it was an education.
Kota Srinivasa Rao did not rely on grand gestures. He mastered silence, pauses, and subtle shifts of the eye or lip. His voice—a deep, gravelly cadence seasoned with satire and command—could either be a thunderclap or a whisper that echoed.
To those of us in the audience, especially those who grew up in Andhra Pradesh and Telangana, his voice became part of our lives. We knew it like we knew the changing winds before the monsoon. Even when he wasn’t on screen, you could feel his influence in the rhythm of dialogue and the texture of storytelling.
Despite his towering fame, Kota garu remained rooted. His brief but meaningful stint in politics—elected as MLA from Vijayawada East in 1999—reflected his desire to contribute beyond the screen. But he soon returned to his first love: the cinema.
His accolades are many, including the Padma Shri (2015) and multiple Nandi Awards, but what truly set him apart was how loved and respected he was by peers and audiences alike. For young actors and directors, working with Kota garu was a rite of passage.
Jr NTR once said in an interview, “You don’t act with Kota garu. You surrender. And in doing so, you become better without even realizing it.”
As the film industry and fans across India mourn his passing, one thing becomes clear: Kota Srinivasa Rao was not just part of Indian cinema—he was one of its pillars. He leaves behind a legacy that transcends language and time. He proved, over and over again, that you don’t need to be the lead to lead a scene. That character is not just something you play—it’s something you embody.
For those of us who grew up seeing him on VHS tapes, in dusty cinema halls, on cable TV reruns, and later streaming platforms, Kota garu’s presence was a constant. He was a reminder of what cinema was, and what it could be—pure, affecting, transformative.
As I write this not just as a journalist, but as someone whose very identity has been shaped by Indian films, I say: thank you, Kota garu. For the laughter. For the fear. For the wisdom. For the truth. Your performances were never just “roles.” They were lessons in being human.
In Gaayam, you once delivered the haunting line:
“Nijam cheppadam easy kaadu… adhi cheppataniki guts kavali.”
(“Telling the truth is not easy… It takes courage to speak it.”)
You spoke the truth through every role, and we heard you—loud and clear.
Your absence leaves a void, but your art remains. And in that, you are eternal.
Rest in peace, Kota Srinivasa Rao garu. Your voice may have fallen silent, but your cinema will echo forever.
Events
FX’s Alien: Earth Makes Impact at San Diego Comic-Con 2025 With World Premiere, Epic Hall H Panel, and Immersive Activation
Get ready to scream, San Diego.
FX is going full-throttle at San Diego Comic-Con 2025, transporting fans into the spine-chilling world of Alien: Earth — the brand-new television series from visionary creator Noah Hawley (Fargo, Legion), inspired by the legendary sci-fi horror film franchise. Between a can’t-miss world premiere in Hall H and an atmospheric, interactive activation titled “The Wreckage,” this year’s FX slate will leave fans trembling in anticipation ahead of the show’s official premiere on Tuesday, August 12 on FX and Hulu.
👽 Enter the Wreckage: FX’s Alien: Earth Immersive Experience
Located on the Hilton Bayfront Lawn, “The Wreckage” lets fans step foot inside the ominous remains of the USCSS Maginot, a ship torn from deep space and crash-landed on Earth. This thrilling, two-part activation features daytime exploration and an after-dark survival horror mission dubbed Code Red — a terrifying twist perfect for the brave.
🔥 Highlights Include:
Alien: Earth: Code Red – A nighttime horror maze experience you won’t forget
Interactive Prodigy Corp Drop Site – Sign up as an FX Insider and unlock VR exclusives and giveaways
Exclusive Merch & Collabs – Enjoy in-world beverages from Chain, the cult-favorite pop-cuisine creators
Podcast Studio – Live interviews with talent, influencers, and creatives all weekend long
🗓️ Activation Dates & Times:
Date Daytime Hours Code Red Hours
Thu, July 24 11am–4pm 4:30pm–8pm
Fri, July 25 10am–4pm 4:30pm–10pm
Sat, July 26 10am–4pm 4:30pm–10pm
Sun, July 27 11am–3pm —
📍 Location: Hilton Bayfront Lawn, 1 Park Blvd, San Diego, CA 92101
🎟️ Admission is free. Ages 18+. Press can skip the line by RSVPing to madison.welsh@civic-us.com
🎬 Hall H World Premiere: Alien Lands at Comic-Con
The hype doesn’t end on the lawn. On Friday, July 25 from 1:25pm–2:50pm, FX takes over Hall H for the world premiere of Alien: Earth, screening the pilot episode before its global release.
Fans in Hall H will be the first on Earth to witness the terrifying new story, starring Sydney Chandler as a young woman who must lead a squad of soldiers through a world where extraterrestrial nightmares have arrived — and they’re not alone.
Following the screening, creator Noah Hawley, executive producer David W. Zucker, and the cast will participate in a Q&A, diving deep into the making of this bold, horrifying new chapter in the Alien universe.
🧬 About Alien: Earth
When a derelict alien spacecraft crash-lands on Earth, a dark and deadly mystery begins to unravel. As humanity faces the planet’s greatest threat yet, survival may rest in the hands of those least expected. Packed with dread, awe, and action, Alien: Earth builds on decades of cinematic legacy while exploring timely themes and fresh characters.
The series premieres August 12 on FX, and will stream on Hulu (and Hulu on Disney+ for bundle subscribers). Internationally, it will stream on Disney+.
🌌 Stay Connected:
🌐 Visit FXSDCC.com for updates and schedules
📱 Sign up to become an FX Insider: fx.tv/alien-earth-insider
📸 Follow @FXNetworks on socials for behind-the-scenes exclusives
Viral SEO Tags:
Hulu, the go-to streaming destination for adult animation, is back at San Diego Comic-Con 2025! This year, they are bringing Arlen, Texas, from the iconic King of the Hill franchise to life right outside the Convention Center. Guests will step inside Hank Hill’s Backyard for a big ole cookout, complete with BBQ bites served up throughout the day, classic lawn games, themed photo ops, and a cold can of Alamo (water) to beat the heat.
Located next to the Convention Center on the Bayfront’s Parking Lot (Fifth Ave Landing – Lot A1) – 600 Convention Way, San Diego, CA 92101 – Hank Hill’s Backyard will allow fans to experience what life is like in Arlen, Texas. Starting July 24 at 11:30 am – 7 pm, July 25-26 from 9:30 am-7 pm daily, and July 27 from 9:30 am–5 pm, Hank Hill’s Backyard will transport fans into the world of Arlen, where they can interact with legendary moments from the show.
The Life and Times of Kota Srinivasa Rao: A Pillar of Indian Cinema Bids Farewell
FX’s Alien: Earth Makes Impact at San Diego Comic-Con 2025 With World Premiere, Epic Hall H Panel, and Immersive Activation
Hank Hill’s Backyard Takes Over SDCC 2025 – Propane and All
Comic-Con® International Welcomes George Lucas,Guillermo del Toro, and Doug Chiang for a Conversation Moderated by Queen Latifah
Dan Aykroyd + Blues Brothers Graphic Novel Creative Team Appearing At San Diego Comic Con For Panel On Thursday, July 24
Why Reboots (Sometimes) Don’t Work
Anime Review: The Beginning After the End
Justice has a new Daddy. Watch the new trailer for NakedGun,
Top 5 Romantic Movie Couples Who Are Not So Rommantic
Rana Naidu (Netflix) – Complete Series Review
WonderCon 2025: A Faith Full Dickens Tale & The King of Kings Animated Movie
WonderCon 2025: Fade to Black Interviews
Comic-Con 2024: Arthur C Clarke’s Venus Prime TV series
Comic-Con 2024: Max Collins’s TRUE NOIR
Comic-Con 2024: Will Wight’s Cradle
