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‘Z Nation’ Season Four: Follow the Black Rainbow

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Welcome back to that post-apocalyptic world of Z Nation still on-going with brand new and even revitalized former ways to screw up what’s left of the world! Spoilers will eat your flesh!

When we last left our dubious heroes, well never-mind that, the point is, Roberta Warren (Kellita Smith) just woke in a stark laboratory-like setup, to learn she’s been out for damn near two years, and it comes with costs. I actually like the white-blonde hair Warren sports throughout the entirety of Season Four, it makes her seem more affected by the end of the world.

So while Warren’s been cooling her heels in stasis, Murphy’s (Keith Allen) been hanging like a King in a Stepford Wives-like community called ZONA. While ZONA might seem idyllic, or at least be Murphy’s version of what he thinks is perfect, Dr. Teller (Frank Boyd) and the all-important Founder (Michael Berryman) of ZONA himself are hatching plans for the ultimate end-game, that giant action they call the Reset, which is exactly what it sounds like.

After figuring out that, y’know, perhaps ZONA isn’t actually a place they want to hang around, Warren takes her vision-besotted self and a reluctant Murphy, off to find the rest of the scattered team and figure out what the hell to do now! Some of the gang want to head to Numerica, that’s where Addie’s purported to be, along with perchance others who want to find out why and how ZONA’s forces are hunting them down, and a few want to follow Warren’s devastating visions of the black rainbow and the flesh eating rain, hopefully to try and stop it.

Meanwhile elsewhere, Kaya in the Sky-a (Ramona Young) has already had Citizen Z’s (DJ Qualls) son and of course named him JZ, cuz he’s Junior Z after all, and is trying to fight off ZONA stealth forces come to raid the base of Northern Light. What could evil world-changing ZONA want from Northern Light that is so important and pivotal to the Reset? It would have to be something vital, that was gathered before the apocalypse and managed to survive the zom-pocalypse too.

It’s from these worrisome thoughts and Warren’s scary visions, we get the brand new tone of Z Nation season four, all washed out and faded, raging fire forever in the distance but always edging closer, a very real sense that, holy shit, not only did the world already actually end when the dead rose, but that someone is now trying to Reset the world, once again. The very different light filters and faded colors when Z Nation had been known for exactly the opposite beforehand, is a bold risk but it actually seems to have paid off. Most of the season rather reminded me of the excellent zombie Horror flick 28 Days Later,  and that film is a damn legend at this point. (If you haven’t seen 28 Days Later already, do.)

The world of two-years-later and ZONA ascendant is a much more somber and quiet thing, here in Z Nation, and the tension mounts in every episode. Even the cheesy SyFy special effects used for Warren’s visions – it was so well acted on Warren’s part, we believed right along with her. That’s something Z Nation has surprisingly managed to do, across three seasons of goofy nonsense zombie trope wacky-world ‘Merica funnery, is make us believe, right along with the characters. It’s usually believing in Murphy, that beleaguered half-zombie half-hero Luthor wannabe, so Warren taking a turn at messiah-hood in Season Four is cool beans, man.

I did enjoy the addition of Henry Rollins as Lieutenant Mueller for several episodes, and of course he got a badass death at the hands of his overly-trained sergeant called inevitably Sarge, and y’know, also his daughter named Lilley (Gracie Gillam). The inevitable death of Lucy, Murphy’s blue zombie daughter, was at least set to a good purpose this season, and will likely serve as a goad for Murphy to pull off some other grand scheme in Season Five. Everyone’s favorite stoner Doc (Russell Hodgkinson) and 10K (Nat Zang) were rather overshadowed this season, though no-one is really surprised by this and 10K did get his own little storyline with a missing Red and 5K showing up to aid him in crisis time.

Z Nation is, of course, already approved for season five, and we can’t wait! What about the Man with the Plan, and why did his canister turn Murphy freaking red? By the way, this means Murphy has literally been red, white, and blue over the course of the show! Is it truly the reset-ted end of the world? Will the Black Rainbow and the delivery drones dispense death, or life, or both in some stupefying combination that only the wacky writers at ‘Z Nation’ could come up with! What will Warren, the ultimate soldier whose mission was perverted at the hands of ZONA, do now that she’s at least partially foiled their plans? Gird your loins, grab your modified highway-sign-turned-zombie-shield, have some of that z-weed, follow the signs to Numerica and keep score of zombie kills along the way, because we’re all in Z Nation now!

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The electric state

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“The Electric State,” now streaming on Netflix, is a science fiction adventure directed by Anthony and Joe Russo. The screenplay, crafted by Christopher Markus and Stephen McFeely, is loosely based on Simon Stålenhag’s 2018 illustrated novel of the same name. The film boasts a star-studded cast, including Millie Bobby Brown as Michelle, Chris Pratt as Keats, and features voices from Anthony Mackie and Woody Harrelson. With a runtime of 128 minutes, the movie transports viewers to a retro-futuristic 1990s America, where a teenage girl embarks on a quest to find her missing brother amidst a landscape populated by sentient robots.

Despite its ambitious premise and substantial $320 million budget, “The Electric State” has garnered predominantly negative reviews from critics. Many have pointed out the film’s lack of emotional depth and coherence. For instance, The Guardian described it as a “bogglingly expensive dud,” criticizing its soulless storytelling and lack of artistic merit. Similarly, Vulture labeled the film a “$320 million piece of junk,” highlighting issues with direction, character development, and overall execution. 

The narrative follows Michelle, portrayed by Millie Bobby Brown, as she ventures into a dystopian version of the late 1990s, accompanied by Keats, a smuggler played by Chris Pratt. Their mission leads them into an exclusion zone inhabited by defeated robots, all in search of Michelle’s younger brother, Christopher. While the film’s special effects have been acknowledged for their quality, these visual achievements are overshadowed by a storyline that many found lacking in engagement and originality. 

Audience reactions have been mixed, with some viewers appreciating the visual spectacle and performances, while others echo the critics’ sentiments regarding the film’s shortcomings. On Rotten Tomatoes, the film holds a critic score of 17%, reflecting the overall negative critical reception. 

In conclusion, “The Electric State” presents a visually impressive but narratively deficient experience. Despite the high-profile cast and substantial investment, the film struggles to deliver a compelling and cohesive story. Based on the critical consensus and audience feedback, I would rate this film a 4 out of 10.

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Renfield; A Fangtastic Time

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Nicholas Cage is not the Dracula we deserve, but the Dracula we need!

With Nosferatu dominating the box offices with all its gothic, avant-garde glory you may need something a little more light-hearted to cleanse the palette. 2023’s Renfield is a fantastic recipe of dark comedy, satire, and not a small amount of heart (beating or otherwise). Renfield has recently been added to Netflix UK’s menu; for us all to feast upon! 

Both Nick (Hoult and Cage respectively) give fantastic performances as master and long-suffering servant, proving that toxic relationships take many forms. Renfield (Nicholas Hoult) has been in the service of Dracula (Nicolas Cage) for ninety years. Renfield does everything short of cleaning the count’s iconic cape (it’s dry-clean only apparently) and he’s quite frankly sick of it. 

After ninety years the duo’s options, and bank account, have become quite limited. This is why they are holed in an abandoned hospital in New Orleans. Renfield leaves most evenings to supply the ancient vampire with victims to drain blood, preferably of the pure variety. Hoult’s Renfield is a charming soft boy, a 6 ft 2 soft boy, who has some reservations about killing innocent people. He cleverly gets around this moral quandary by joining a support group for the victims of narcissistic abuse held in a local church and eh…dispatching the group members’ abusers to bring to his master. This works well until one night he gets tangled up with the criminal underworld on a ‘routine’ dispatching.

Awkwafina plays the pint-sized police officer with a foul mouth and a strict(ish) moral compass; Rebecca Quincy. Rebecca and Renfield cross paths and it’s up to them to save the city from both criminal and supernatural corruption. This results in many impressively choreographed fight scenes and not a small amount of blood, gore, and sarcasm! It’s strangely heartwarming to watch Renfield try to break the cycle of Dracula’s narcissistic abuse and create a place for himself in the world. As Rebecca states: sometimes you just fall under the thrall of a vampire for a few decades!

Nicholas Cage is every bit as fabulous and camp as you’d expect of a truly iconic Dracula performance. His delivery is as cutting and precise as his debonair velvet suits. One of the best things about the film is you can tell the cast is having fun with their characters, particularly Cage, I would bet my own soul that a lot of his lines were ad-libbed. Special shout-out goes to Brandon Scott Jones who played the painfully sincere narcissistic survivor group leader. Jones proves there is no part too small to make an impact!

Renfield takes the usual Dracula tropes and puts a hilarious spin on them. Asking the real questions like; do vampires need a verbal invite or will a ‘welcome’ mat suffice to enter a home? Quick someone page Buffy! 

Even with the gratuitous gore and violence Renfield manages to be touching at times and ironically breathes fresh life into the reanimated corpses of both Dracula and Renfield.

Three and a half stars.

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Nandamuri Kalyan Ram’s Upcoming Film Builds Massive Hype

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The much-anticipated film Arjun S/O Vyjayanthi, produced by NTR Arts and Ashoka Creations, is all set to unveil its official teaser on March 17, 2025. Featuring Nandamuri Kalyan Ram in the lead role and veteran actress Vijayashanthi making a powerful comeback, the film is expected to deliver a gripping action-packed family drama.

The Arjun S/O Vyjayanthi teaser launch event is scheduled for:

Date: March 17, 2025

Time: 10:00 AM IST

Venue: AAA Cinemas (Screen 1), Hyderabad, India

Fans who cannot attend in person can watch the teaser across YouTube, Twitter (X), and other social media platforms, as it will be released online simultaneously.

Pre-Teaser Hints at High-Octane Action

Ahead of the teaser launch, the makers released a gripping pre-teaser, which showcased Kalyan Ram in an intense look—seated on a boat, shirt bloodied, signaling an impending storm of action. Complemented by Ajaneesh Loknath’s electrifying background score, the clip has already generated significant buzz online.

Directed by Pradeep Chilukuri, Arjun S/O Vyjayanthi promises to blend action, family drama, and strong emotional elements, making it a highly awaited release for Telugu cinema fans. With Vijayashanthi portraying a powerful IPS officer, the film is expected to bring a strong narrative backed by stellar performances.

Nandamuri Kalyan Ram’s New Action Avatar Vijayashanthi’s Comeback in a Fierce Role High-Quality Production Backed by NTR Arts Intense Pre-Teaser That Has Raised Expectations

Stay Updated on Arjun S/O Vyjayanthi For the latest updates, teasers, trailers, and exclusive insights into Arjun S/O Vyjayanthi, follow NTR Arts’ official pages and stay tuned for March 17!

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