It’s April and for every wrestling fan, that means only one thing and that is Wrestlemania. The long storied tradition has been the mainstay and the biggest showcase of the immortals for the last 34 years.
This year, located in New Orleans at the Super dome, was a highly anticipated show with many wrestlers in dream matches and a card fully stacked with lots of talent and future hall of famers. The main problem with Wrestlemania this season is that the hype is all there but the end result usually leaves the fans (or in this case the universe) with a bitter taste or apathy at the end with us hoping that the Monday Night Raw giving us more to cheer for. So, with the show being over five hours long including the pre-show, I’ll be breaking down the matches (not move for move because you can write a novel with that) and giving overall opinions based on the end result and give an overall praises and disappointments from the show as well. So, we got five hours to get into a review, so, let’s roll up our sleeves, get those tights fitted and walk down that unnecessarily long ramp way as we delve down and review Wrestlemania.
First, as part of the pre-show festivities was the Andre the Giant memorial battle royal. The goal is for the wrestlers to throw others over the top rope and have them touch both feet on the ground. The match featured more veterans and no real surprises from NXT or indie darlings. The cluster of wrestlers felt very slow and the pacing was drawn out. The couple of highlights featured Goldust being in the match for a while and putting aside a feud with R-Truth before eliminating him. The shocker of the match, if you will insist on, was when “Woken” Matt Hardy was saved by Bray Wyatt as he helped Matt win the match and the two embraced with a handshake and a hug. The will continue the story line for what is going on with Bray and what will become of Matt’s brother Jeff.
The cruiser-weight title was the next match featuring Mustafa Ali vs Cedric Alexander. I was disappointed this was regulated to pre-show as I thought it could’ve been the first match to get the crowd going. With that being said, the match was fine featuring some good spots and some stiff hits along the way but the pacing was very reminiscent of the earlier 205 live days when Vince was at the helm. The new 205 they were showcasing for the last couple of weeks was fast, hard hitting and told a great story along the way and was fun. This match was slow, had some good story and some spots but was a little lackluster and with it being on the pre-show, probably fit it there too. The winner was Cedric Alexander when he hit the lumbar check on Mustafa.
The next match was the 1st womens’ battle royal. This battle royal had more of a story going along with the match with wrestlers like Bayley and Sasha Banks continuing their feud as well as the Riott Squad and Absolution trying to use their stable as a way to keep other wrestlers in check. I enjoyed it more than the mens royal and it featured some NXT wrestlers showcasing their skills and their ability to get the crowd cheering their name. It was quite fun and I think if WWE continue to push women more and more, then the following years to come with get better and better. The winner was Naomi eliminating Bayley when Bayley thought she won by throwing Sasha Banks over the rope.
The pre-show has officially ended and now we start the main show. The first match is for the Intercontinental Championship. We got a triple threat match with Finn Balor vs The Miz vs Seth Rollins. This was one of the best matches on the card. It was face paced, strong shots, false finishes and it told a great story. This had a lot going on that I knew this was a great way to kick off the show with getting the crowd invested. This was a potential show stealer. Seth Rollins won the match and became the new IC champion pinning the Miz after the stomp.
Charlotte Vs Asuka was the next match for the Smackdown Womens championship. I was quite surprised they started out with two huge matches with titles back to back on the line but I was not disappointed. This had lots of great moments with strong strikes by Asuka, Charlotte hitting a top rope Spanish fly on Asuka and Asuka, at the end of the match, having her undefeated streak (longer than Goldbergs) end with the figure 8 leg lock and Asuka tapping out and bowing down to the Queen. This and the IC title match were the best matches for the show and everything else, even though it might have had bigger names or dream scenarios, did not live up to the expectations and floundered.
The next match, we now take a deep breath and start to get our blood pressure to drop since it is now the fatal four way with Rusev vs Bobby Roode vs Jinder Mahal vs Randy Orton. Bathroom breaks and snack lines was for this match. It was slow, not really interesting and it seemed Randy just didn’t really care or bring any kind of investment into the match. The crowd was hot for Rusev and was hoping for his victory but it fell to Jinder Mahal winning the title. The match was forgettable and just was meh.
Luckily, WWE knew people would come back from bathroom and snack line to see the debut of Ronda Rousey. She teamed with Olympic gold medalist and WWE hall of famer Kurt Angle to face Mr and Mrs Stephanie McMahon (Stephanie and HHH). The tag team was a smart idea because you dont want to throw Ronda into a match without someone there to take some of the pressure off of her. Overall, she did very well. She showcased her striking abilities, she took some big bumps in the match and she got the win by hitting the arm bar on Stephanie. The funny thing is that Angle and HHH looked very rusty and I wonder if they did it to not steal Ronda’s moment. Overall, very good match, little on the longer than necessary side, but still a very good match and I’m happy for Ronda and she has done very well since her transition to pro wrestling.
Smackdown tag team match was sloppy and they just wanted to showcase the Bludgeon Brothers as the dominant strong force for Smackdown. They destroyed both the New Day and the Usos. It was a slobber knocker and it was just the Brothers manhandling the two teams. No surprise, they won the titles.
John Cena emerges from the back and we think he might wrestle the Undertaker. After some build up and some lightning and special effects, the dead man emerged from the back and in a weird twist of fate, it was a squash match. I think because Taker gave Cena a rub after his first match back in the early 2000’s, this was a way of Cena making the Taker look strong in probably his last match in the WWE. It was just nice to see the dead man but the match was nothing but Taker showcasing his classic moves before he won the match.
Since the last match had emotions with Undertaker, the WWE wanted more emotion and they used the return of Daniel Bryan next and it got everyone throwing their arms in the air kick starting the return of the “Yes” movement. With Kevin Owens and Sami Zayn facing Daniel Bryan and Shane McMahon, I was invested and hoping how a 3 year absence from the ring would plague Daniel. He hit all his moves, took bumps to show he can still take them and got the victory with his yes kicks, running knee and the yes lock. This was just a welcome back Daniel match and I was still very happy seeing it happen.
The Raw women’s championship was next with Alexa Bliss vs Nia Jax. Another bathroom break match. It was slow, had a couple of spots but the match itself was lackluster and I never thought that Alexa really stood a chance of even winning. Not the best and since it was almost 10 minutes, hopefully the lines at the restrooms were flowing. Nia won the title.
AJ Styles vs Nakamura was a match years in the making since their epic encounter back in NJPW years earlier and it was considered one of the best matches ever. In the WWE, it was another match. I’m not sure if AJ’s injury was hindering or if they were forced to wrestle a certain style but whatever emotional connection they had in Japan kind of fell in WWE. The match was fine and maybe my expectations were so high since they are considered some of the best in the world but something didn’t click as much as I hoped. These two deserved to showcase more than they were given. AJ won and the highlight came after the match with Nakamura giving AJ the low blow and kicking him out of the ring. I’m happy to see a heel Shinsuke and maybe a new stable of “Chaos” in WWE?
The Raw tag belts were next. Bathroom break part three. The Bar faced Braun Strowman and a child from the crowd. Always nice burying the tag team division. Braun beat both Sheamus and Cesaro on his own winning the tag team belts. Good for Braun doing a little comedy setup with the child and the Bar getting those hands.
Last match, Brock Lesnar vs Roman Reigns for the Universal title. When the crowd chant boring and are more interested in gigantic beach balls in the crowd, that shows that no one is quite interested in the match. Brock took Roman to suplex city and Roman was getting a beaten up similar to when Brock destroyed John Cena. Roman got busted open and did get some offense in the fight but, ultimately it took 5 F-5’s and one on the table and Brock shockingly retained his belt. The rumors were that Brock’s contract was due to expire by midnight. Him retaining makes the fan wonder when he will drop the belt and when he will just go away since fans are now sick of seeing German suplexes and F-5 boring matches.
That was Wrestlemania 34. Overall, the show had its high moments and some low points. The highlights of the show were the IC title match and Charlotte vs Asuka. They both put on some stellar matches and showcased themselves in a great way with hard hitting, story telling and putting together some nice highlight reels for the network. The disappointing segments includes the Raw tag team match, which was just an elongated squash match, the Raw Womens title for the same reasons as the Raw tag team. The WTH moment was the return of the Undertaker. He squashed John Cena, which was awesome, but, it was kind of random and though I was happy seeing him, I wanted more Taker to do more post match.
Overall, Wrestlemania 34 was a decent pay per view with some highs and lows. The best matches seemed to have happened in the first half of the show and the last couple of hours had some lackluster matches and underwhelming championship defenses as well. It wasn’t one of the best but not the worst. It would be somewhere in the upper mids for Wrestlemania. I was happy to watch it but happier seeing NXT the night beforehand. If you like wrestling, watch NXT Take Over and then watch Wrestlemania and see what the difference between storytelling and wrestling is between the two different brands.
Indian cinema has a long-standing tradition of delivering grand narratives that are equal parts spectacle and soul. KGF: Chapter 1 (Kolar Gold Fields), directed by Prashanth Neel, is a prime example. This gripping action-drama chronicles the meteoric rise of Rocky, a man driven by a promise and fueled by his hunger for power. Released to critical acclaim, KGF has redefined the boundaries of storytelling in Indian cinema.
Set in the 1970s, KGF follows the journey of Rocky (Yash), a young boy born into poverty in the slums of Mumbai. From a tender age, Rocky is shaped by two forces: his mother’s dying wish for him to rise above his circumstances and his unyielding ambition to command respect and fear.
His journey takes him to the gold mines of Kolar, a lawless land ruled by brutal oppressors. The film tracks Rocky’s transformation from a street-smart hustler to a feared force who challenges an empire built on blood and exploitation.
The strength of KGF lies in its compelling protagonist. Yash delivers a magnetic performance as Rocky, embodying both his raw charisma and ruthless determination. The film paints a vivid picture of a man who thrives in adversity, using every setback as fuel for his ascent. Rocky is not a mere vigilante but a strategist, whose ability to inspire loyalty and strike fear sets him apart.
The movie captures his internal conflict beautifully — while he climbs the ladder of power, he never loses sight of his mother’s dream for him. This duality makes Rocky more than just a hero; he is a symbol of rebellion, resilience, and redemption.
At its core, KGF is a commentary on systemic oppression and the human spirit’s ability to rise against all odds. The stark contrast between the opulence of the gold fields’ rulers and the crushing poverty of its workers sets the stage for Rocky’s rebellion. His fight isn’t just personal; it’s for the voiceless, the oppressed, and the forgotten.
The film doesn’t shy away from showcasing the brutal realities of poverty and exploitation, making Rocky’s triumph all the more satisfying.
Prashanth Neel’s direction is nothing short of masterful. Every frame of KGF is meticulously crafted, from the sweeping vistas of the Kolar gold fields to the grimy underbelly of Mumbai’s streets. The gritty visuals are complemented by an electrifying background score that enhances the film’s larger-than-life moments.
The nonlinear narrative, interspersed with a journalist’s account of Rocky’s rise, keeps viewers engaged and adds layers to the storytelling.
The action sequences in KGF are a visual feast. Yash’s larger-than-life persona is amplified by choreographed fights that are brutal, balletic, and breathtaking. Each confrontation feels earned, showcasing Rocky’s ingenuity and brute strength. The climax, set against the backdrop of the Kolar gold mines, is particularly unforgettable.
KGF: Chapter 1 is a cinematic triumph that combines raw emotion, relentless action, and a protagonist you can’t help but root for. Yash’s performance and Prashanth Neel’s vision elevate the film to a league of its own, making it a benchmark in Indian cinema.
KGF is more than a film; it’s an experience. It’s a story of ambition, sacrifice, and the indomitable human spirit. Rocky’s climb from the depths of poverty to the pinnacle of power is not just inspiring — it’s electrifying.
Whether you’re a fan of action-packed dramas or epic tales of rebellion, KGF delivers on every front. With its gripping narrative and unforgettable performances, it’s a must-watch for anyone who loves a good underdog story.
Rating: 4.8/5 As Rocky says in the film, “Powerful people make places powerful.” By the end of KGF, you’ll realize that Rocky is one of them — and so is this film
Director: Nelson Dilipkumar
Starring: Rajinikanth, Mohanlal, Jackie Shroff, Ramya Krishnan, Shiva Rajkumar
Genre: Action/Drama
Release Date: August 10, 2023
Rating: ★★★★☆ (4/5)
Rajinikanth is Back with a Bang in Jailer: A High-Octane Blend of Style and Emotion When Rajinikanth takes center stage, audiences expect grandeur, charisma, and larger-than-life storytelling. Jailer does not disappoint. Directed by Nelson Dilipkumar, this action-packed entertainer delivers a well-crafted narrative that combines thrilling action sequences with moments of emotional depth. The film also benefits from a strong supporting cast, stylish direction, and a standout performance from the Superstar himself.
Jailer follows the story of Muthuvel Pandian (Rajinikanth), a retired prison warden who lives a quiet life with his family until a tragic event forces him to confront his past. When his son, an upright police officer, is killed while investigating a powerful criminal syndicate, Pandian embarks on a quest for justice. What sets this story apart is its layered exploration of a father’s grief, his thirst for vengeance, and the moral dilemmas he faces.
The narrative is a fine balance of emotional stakes and action-driven storytelling. Nelson’s direction ensures the pace rarely dips, keeping audiences hooked with unexpected twists and a perfect dose of humor.
Rajinikanth proves once again why he’s revered as one of India’s most iconic actors. His portrayal of Muthuvel Pandian is nuanced, blending vulnerability with raw intensity. At 73, Rajinikanth shows no signs of slowing down, delivering electrifying fight scenes, commanding screen presence, and a performance laced with his trademark style.
In quieter moments, Rajinikanth brings emotional weight to the character, making the audience empathize with Pandian’s pain and determination. This balance of action hero and grieving father reminds us of his versatility as an actor.
While Rajinikanth is undoubtedly the centerpiece, Jailer benefits from a strong ensemble cast:
Mohanlal (special appearance): Mohanlal’s cameo is brief but impactful, adding gravitas to the film. His scenes with Rajinikanth are a treat for fans of both legends.
Jackie Shroff: Playing a calculating antagonist, Shroff brings his trademark menace to the role. His dynamic with Rajinikanth adds tension and drama to the story.
Shiva Rajkumar: His performance as a pivotal character is intense and memorable, showcasing his ability to match Rajinikanth’s screen presence.
Ramya Krishnan: As Pandian’s wife, Ramya delivers a grounded and heartfelt performance, adding emotional depth to the narrative.
Nelson Dilipkumar crafts a tightly woven script with moments of dark humor, intense action, and emotional resonance. The film’s pacing is a strength, as it rarely allows for a dull moment. Nelson’s direction ensures that each character, even those with limited screen time, leaves a lasting impression.
The screenplay does falter slightly in the second half, with a few predictable turns. However, the action sequences and Rajinikanth’s performance more than compensate for these minor shortcomings.
Cinematography: Vijay Kartik Kannan captures the film’s action and emotional moments with flair. The dynamic framing of fight sequences enhances their impact, while the quieter moments are shot with subtlety.
Music: Anirudh Ravichander’s pulsating score elevates the film’s intensity, while the songs complement the narrative without feeling forced. Tracks like “Hukum” have already become chartbusters.
Editing: R. Nirmal ensures crisp editing, particularly during the action scenes, maintaining a high level of engagement throughout the runtime.
At its core, Jailer is more than just an action film. It explores themes of justice, family, and the consequences of revenge. Muthuvel Pandian’s journey is not only about defeating his enemies but also confronting his own vulnerabilities and responsibilities as a father and husband.
The film also delves into the psychological toll of violence, making it more layered than the average revenge drama.
Rajinikanth’s Performance: Charismatic, powerful, and deeply emotional.
Action Sequences: Well-choreographed and exhilarating, with Rajinikanth at his best.
Supporting Cast: Exceptional performances from Mohanlal, Jackie Shroff, and Shiva Rajkumar.
Direction: Nelson Dilipkumar’s deft handling of the narrative keeps it engaging.
While Jailer delivers on most fronts, the second half occasionally leans on familiar tropes. Some supporting characters, despite strong performances, could have been given more depth.
Jailer is a fitting showcase for Rajinikanth’s enduring star power and Nelson Dilipkumar’s storytelling finesse. With its blend of action, emotion, and style, the film is a worthy addition to the Superstar’s illustrious career. Fans of Rajinikanth will leave the theater satisfied, and newcomers will understand why he’s a legend.
Final Rating: ★★★★☆ (4/5) Jailer is a must-watch for action lovers and Rajinikanth fans alike.
Indian cinema often delivers stories that resonate on both emotional and visceral levels. Kill, a gripping action-romance now streaming on Amazon Prime, is no exception. Directed by Nikhil Nagesh Bhat, this high-octane thriller blends heart-wrenching emotion with relentless action, leaving viewers at the edge of their seats.
Set aboard a speeding train, Kill tells the story of Amrit (Lakshya), a loyal soldier returning home with a promise to reunite with his childhood love, Tulika (Tanya Maniktala). The couple’s tender, budding romance is the heart of the narrative, with scenes of their innocent exchanges juxtaposed against the chaos that soon engulfs them.
Their journey takes a dark turn when a gang of ruthless dacoits hijacks the train, intent on robbing and killing its passengers. What unfolds is a gripping battle for survival as Amrit transforms from a man in love to a one-man army, determined to protect Tulika and the innocent lives aboard.
The romance in Kill is as compelling as its action sequences. Amrit and Tulika’s relationship is characterized by a delicate vulnerability. Lakshya and Tanya Maniktala’s chemistry brings authenticity to their roles, making their love story feel real and raw. Their shared dreams of a future together contrast painfully with the brutal violence surrounding them, intensifying the emotional stakes.
The heartbreak lies in Amrit’s constant struggle to protect Tulika while confronting the fragility of their dreams in the face of overwhelming odds. The film poignantly captures how love can endure, even amidst devastation.
Lakshya delivers a career-defining performance as Amrit. Initially portrayed as a soft-spoken and unassuming soldier, his transformation into a relentless protector is both believable and inspiring. The action sequences are brutal and stylized, reminiscent of martial arts thrillers, but with a distinctly Indian flair. Amrit’s fight scenes are raw and unrelenting, embodying the desperation of a man with everything to lose.
The narrative subtly highlights themes of duty, sacrifice, and the lengths to which love can push a person. Amrit’s journey from a lover to a savior is as emotional as it is exhilarating, making him a hero worth rooting for.
The confined setting of a train amplifies the film’s tension, with claustrophobic corridors and dimly lit compartments serving as the perfect backdrop for the story’s chaos. Nikhil Nagesh Bhat’s direction ensures that every shot is purposeful, oscillating between tender romantic moments and pulse-pounding action. The cinematography and sound design heighten the stakes, immersing viewers in the characters’ perilous journey.
Kill masterfully balances romance and action, offering a visceral experience that tugs at the heartstrings while delivering adrenaline-pumping sequences. Lakshya’s standout performance and the film’s emotional depth make it a must-watch for fans of Indian cinema and action-thrillers alike.
Kill is more than just an action movie; it’s a testament to the power of love and the resilience of the human spirit. While its unflinching violence might not be for everyone, those willing to embrace its intensity will find a story that stays with them long after the credits roll. This film firmly establishes Nikhil Nagesh Bhat as a director to watch and leaves audiences eagerly anticipating what’s next for its talented cast.
Rating: 4.5/5 If you’re looking for a film that combines action, romance, and heart-pounding thrills, Kill is the perfect pick.
KGF chapter 1 – A Gritty Saga of Power, Poverty, and Redemption
Movie Review: Jailer
Kill on Amazon Prime – A Heart-Stopping Tale of Love and Heroism
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