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WORLDZ Announced the first wave of over 70 pioneering Titans & Masters that will be attending and speaking at their 360° immersive experience this July 31 – August 1 in Los Angeles

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WORLDZ, a cultural marketing summit and community presented by the creators of the invite-only member network PTTOW!, has announced the first wave of over 70 pioneering Titans & Masters that will be attending and speaking at their 360° immersive experience this July 31 – August 1 in Los Angeles. WORLDZ, Chapter 2 – Losing Sight of the Shore summit will bring together today’s top superstars and rising stars that are shaping the world of tomorrow.

Representing over $90 billion in annual media spending and connecting with nearly every person in the world, WORLDZ represents the most curated and influential minds and brands assembled in the world, from a Director to CEO level. WORLDZ is currently making a global call for Participants (WORLDZ Travelers) – who will gain unprecedented access to the world’s top cultural Masters. Tomorrow’s leaders from across the world are invited to apply here.

“We are scouring the earth looking for the innovators, the dreamers – and the rule breakers who are shaping the world of tomorrow.” says PTTOW! and WORLDZ Co-founder & CEO Roman Tsunder. “We are creating a year round community and summit uniting leaders from global brands, start-ups, and tech companies along with artists and creators to learn and take action to do the NBDB (Never Been Done Before).”

Think of WORLDZ as a “Harvard for Culture” where participants learn:
• Learn the strategies of world-shaping projects and breakthroughs
• Engage in intimate conversations and create transformational partnerships

The highly-anticipated event will feature:
Mainstage keynotes :: Curated one-on-ones :: Master-led courses & workshops :: An individualized curriculum :: Experiential activations :: Outcome-driven exchanges :: A post-event action plan

Select Masters, Titans, and Speakers include:
• Action Sports // Shaun White, CEO, Shaun White Enterprises & 2x Olympic Gold-Medalist
• Media // Gary Vaynerchuk, CEO, VaynerMedia
• Action Sports // Kelly Slater, 11 Time World Surf League Champion, Outerknown Founder
• Architecture & Design // Bjarke Ingels, Founding Partner, Bjarke Ingels Group: BIG
• Publishing + Entertainment // John Amato, President, Billboard & The Hollywood Reporter
• Exploration // Sebastian Copeland, Polar Explorer & Photographer
• Female Entrepreneurship & Empowerment // Sophia Amoruso, CEO & Founder, GIRLBOSS
• Music Streaming // Nick Bartle, CMO, Pandora
• Social Impact // Deborah Dugan, CEO, (RED)
• Fashion Design // Jon Buscemi, Founder, Buscemi
• Online Platforms // Alexis Ohanian, Co-Founder, Reddit
• Technology // Steve Clayton, Chief Storyteller, Microsoft
• Social Impact // Kathy Calvin, CEO & President, United Nations Foundation
• Creativity & Youth Culture // Tom Punch, Chief Commercial & Creative Officer, VICE Media
• Luxury Automotive // Jeri Ward, Chief Communications Officer & SVP, Audi
• Music Entertainment // Mike Tunnicliffe, EVP & Head of Universal Music Group, USA
• Live Events // Justin Weniger, CEO, Life Is Beautiful
• Music // Greg Thompson, President, Maverick Music
• Mobile // Marc Mathieu, CMO, Samsung, Mobile & Marketing, North America
• Live Events // Dream Rockwell, Co-Founder, Lightning in a Bottle
• Publishing // Bob Safian, Editor & Managing Director, Fast Company
• Innovation and Technology // Meredith Perry, CEO & Founder, uBeam
• Music // Ali Shirazinia, DJ, Dubfire
• Future Transportation // Dirk Ahlborn, CEO, Hyperloop
• High Performance // Andy Walshe, Head of High Performance, Red Bull
• Space Technology // Marcus Shingles, CEO, XPRIZE
• Fashion // William Kim, CEO, AllSaints Fashion
• And 50+ more.

The summit is a follow-up to the inaugural edition of WORLDZ, Chapter 1 – The Maiden Voyage – last August, which brought industry heavyweights like legendary music producer Quincy Jones, skateboard pioneer Tony Hawk, X Prize’s Dr. Peter Diamandis, WORLDZ Famous DJ Kaskade and Virgin Galactic CEO George Whitesides to share their knowledge with tomorrow’s rising stars to ignite cultural change and shape the future of tomorrow.

To get a taste of the activities and experience from the inagural edition of WORLDZ, you can watch our recap video here. For more information, please visit our Website.

WORLDZ Full Phase One Lineup:
(RED) CEO Deborah Dugan – GIRLBOSS CEO & Founder Sophia Amoruso – VaynerMedia CEO Gary Vaynerchuk – Maverick Music President Greg Thompson – 11 Time World Surf League Champion Kelly Slater – TV Personality Sal Masekela – National Poetry Slam Champion & Multi-Platinum Winning Songwriter IN-Q – Polar Explorer, Climate Advocate & Photographer Sebastian Copeland – Microsoft Chief Storyteller Steve Clayton – Discovery Communications Chief Creative Officer Derek Koenig – Revilo Park CEO & Founder Oliver Luckett – United Nations Foundation CEO & President Kathy Calvin – Shaun White Enterprises CEO & 2x Olympic Gold Medalist Shaun White, REVOLT Media & TV Vice Chairman Andre Harrell – Pandora CMO Nick Bartle – PTTOW! Co-Founder Terry Hardy – Samsung Chief Engagement Officer Werner Brell – Buscemi LLC. Founder, Head of Creative Jon Buscemi – 100 Things Inspirationalist Sebastian Terry – Homebrew Partner Hunter Walk – XPRIZE CEO Marcus Shingles – H.Wood Group Co-Founder John Terzian – Billboard/The Hollywood Reporter President John Amato – Deutsch Inc Chief Digital Officer Winston Binch – Teavana (Starbucks) President Bernard Acoca – Interlude CEO & Founder Yoni Bloch – Laurel & Wolf CEO & Founder Leura Fine – Mobilium CEO & Chairman Ralph Simon – Omaze CEO & Co-Founder Ryan Cummins – Two Twelve Management & Marketing CEO & President Scott Feldman – Malala Fund CEO & Co-Founder Shiza Shahid – SPMB Partner Becky Stein – Reddit Co-Founder Alexis Ohanian – Gen Next, Inc. CEO Michael Davidson – uBeam CEO & Founder Meredith Perry – The DoLaB // Lightning in a Bottle Festival // Lucent Dossier Experience Co-Founder & Founder Dream Rockwell – AllSaints CEO William Kim – Hyperloop Transportation Technologies Inc CEO Dirk Ahlborn – Audi Chief Communications Officer & SVP Jeri Ward – Creative Artists Agency (CAA) Marketing Co-Head David Messinger – BIG Bjarke Ingels Group Founding Partner Bjarke Ingels – Universal Music Group EVP & Head of Universal Music Group & Brands, USA Mike Tunnicliffe – VICE Media Chief Commercial & Creative Officer Tom Punch – Blade CEO Rob Wiesenthal – Amusement Park Chief Creative Officer & Chairman Jimmy Smith – Life Is Beautiful CEO Justin Weniger – Gumball 3000 CEO & Founder Maximillion Cooper – LAZEROW Ventures Founder Michael Lazerow – Viacom Media Networks EVP, Marketing Strategy & Engagement Ross Martin – Halo Neuroscience CEO & Co-Founder Dr. Daniel Chao – Fast Company Editor & Managing Director Bob Safian – Dubfire DJ Ali Shirazina – Tender Greens CEO & Co-Founder Erik Oberholtzer – Claire’s Place Foundation // The Clairity Project Founder Claire Wineland – Chester French Vocalist and Songwriter David-Andrew Wallach – Thankyou Co-Founder & Managing Director Daniel Flynn – Marlies Dekkers CEO & Founder Marlies Dekkers – Sword Swallower Brett Loudermilk – ThankYouX Street Artist Ryan Wilson – Square Former Co-Founder & Director Jim McKelvey – Misdirectors Guild, Inc. Magician, Puzzler, Producer David Kwong – Two Bit Circus Founder Brent Bushnell – Turner Sports VP & General Manager, eSports Christina Alejandre

Stay Connected: WORLDZ
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Midnight Mass: The Blood of Life

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The isolated island community of Crockett receives a mysterious new head priest, full of secrets and a brand new testament under a very unusual Messenger of God. 

Meet poor Riley Flynn (Zach Gilford), freshly released from prison and wracked with guilt over what got him there, a stupid drinking accident that caused the death of his ex-girlfriend. The last thing he wants to do is go back to Crockett and the judgment of the mostly religious community there, his disappointed family, and the nightmares of his ex’s death that plague him. But where else would have him? Resignedly on the ferry, he goes. 

Riley’s dad Ed (Henry Thomas) isn’t the kind of man who talks very much at all, much less about his feelings, or his very real disappointment in his elder son. Riley’s teen brother Warren (Igby Rigney) has no idea what to say to him either, and just generally keeps mum. Riley’s mom Annie (Kristin Lehman) is accepting and loving, hesitant in how to help her eldest son but never wavering in her faith in the help of our lord Jesus. Mom seems to think a good heaping dose of the Church would set Riley right but is surprised to learn that the old priest of the Parish, Pruitt, has taken an extended leave of absence from the island, and his newcomer replacement Father Paul (Hamish Linklater) is young, charismatic, and bursting at the seams to tell the whole island about the gifts he brought them, most especially what he claims as a new testament under a messenger of God. 

We’ll get back to that whole ball of issues in a moment, the other interesting characters of Crockett Island. Bev Keane (Samantha Sloyan) is the nightmarish overly polite and gently, almost lovingly condescending neighbor Christian woman you’ve ever loathed, the kind of person who explains away every last thing her Church may do wrong or contradictory because, after all, God works in mysterious ways. Pfft. Of course, Bev immediately ingratiates herself as the second to the new Father Paul in their services and is the first to start covering up his transgressions as they become more rampant. 

Newcomers to Crockett Sheriff Hassan (Rahul Kohli) and his son Ali (Rahul Abburi) present a burgeoning problem to the plans of Father Paul and his shadowy companion, for they are both practicing Muslims. The practical side of investigating these so-called ‘miracles’ and strange happenings falls on Hassan’s shoulders, as he already struggles with barely-concealed racism and suspicion from his fellow islanders, and of course his son is being wooed away from him by the promise of actual, tangible miracles, but from a different whole faith and God. Father Paul definitely does not practice a traditional Christian faith and relies far too much on making use of the eucharist, the ceremony of the blood and flesh of Jesus Christ turning into bread and wine and, well, consumed. 

Wade (Michael Trucco) and his wife Dolly (Crystal Balint) are lifers of the island and both in general interested in one thing, the advancement of their own family, specifically their daughter Leeza (Annarah Cymone), who happens to be in a wheelchair. And that happens to be the canny Father Paul’s first real miracle-with-a-cost that he demonstrates to the astonishment of the parishioners, after a heartfelt and rousing sermon, Father Paul commands Leeza to rise, to stand, and to walk. And lo, she does. What parents wouldn’t wholly dedicate themselves to a cause after seeing this happen to their beloved precious daughter? The fringe benefits of healing, and power, the ones that come at a mighty, currently unnamed, cost, are simply a nice bonus. 

Joe Collie (Robert Longstreet) is the town drunk, and while his reasons for drowning his sorrows in the sauce might be understandable, absolution wears a very different face when it comes from Father Paul. While Leeza might be willing to forgive Joe, and even as Joe begins attending the newly-formed Al-Anon meetings on the island of course hosted by Father Paul, redemption might’ve been better sought from medical professionals, and not this newfound method of religious worship. 

Dr. Sarah Gunning (Annabeth Gish) is the islands’ kind of all-around medic, and this is how she and Riley’s old friend Erin (Kate Siegel), also newly returned to the island, a few months pregnant but traveling quietly alone, met when Erin comes to the Doc for obstetrics. Sarah’s older mother Mildred Gunning (Alexandra Essoe) has many medical and mental issues, and Sarah struggles in their shared home, to take care of her addled mom and balance her own life. Then Father Paul takes it upon himself to visit one of his oldest parishioners, bringing the sacred host and wine with him to give directly to Mildred, who starts looking and acting so much better under his loving care. 

The show is very much a slow slow burn, with a lot of the actual action taking place in the last two episodes. Much of the beginning and middle episodes feature two people just sitting alone, having quiet and seriously in-depth conversations about heavy subjects – grief and repentance, what happens when we die, the disasters that come as a result of addictions, how our actions’ consequences reverberate to those we love around us, faith and the foibles of man, and of course, the giving of oneself over to a higher power, for strength, and guidance, and love. 

Except, for the higher power that Father Paul brought back with him, to share with his beloved flock of Crockett Island, while it may be extremely powerful and full of what could be considered miraculous magic, everything comes at some kind of a cost. And when the Messenger of God is finally revealed to the shocked denizens of Crockett at Easter Mass, with Father Paul rapturing on about rebirth as the bloody massacre begins in earnest, it’s faith, not in any kind of God or religion, but faith in each other, that may save a few hardy souls. 

Question the wisdom of your religious leaders along with the rest of us in a fine slow-burn addition to the Flanaverse, Midnight Mass is on Netflix now! 

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Saw X: It ain’t brain surgery!

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Legendary executioner Jigsaw returns to exact revenge on a cadre of scam artists who promised him a bogus cure for his cancer! 

First off, be aware, that this is what I call an interleaved sequel, a movie set between previous films in the franchise. In this case, Saw X occurs after the events of the very first Saw film, and before Saw II. Everybody got where we are? Good! Into the madness, we dive! 

So, as we all know, John Kramer’s been diagnosed with cancer, very aggressive brain cancer, and likely doesn’t have much time left. And he’s tried everything under the sun, doing a ton of meticulous research, we’d expect nothing less from our master of the art of murder, and not one thing has worked. Yet one man from the support group for cancer sufferers, Henry (Michael Beach), offers an off-the-books supposed miracle cure, and John jumps at the chance. 

Why does this nonsense always sound too good to be true? Because it is. Deleted scenes from the first Deadpool movie already told us why traveling to Mexico for any kind of medical cure is a sublimely stupid move, but Kramer is desperate. And while he might be sick and dying, John Kramer has never been what anyone could call stupid. So the villa out in the Mexican countryside, the affable cab driver Diego (Joshua Okamoto) professes surprise at Kramer being highjacked for his good, the nervous muttering from assistant Valentina (Paulette Hernandez), the side-eyeing from little housekeep Gabriela (Renata Vaca) and her tequila, and most especially the smooth and smarming reassurances of head “doctor” Cecilia Pederson (Synnove Macody Lund), all leave a kind of sour taste in John’s mouth. 

The whole cluex4 scene is done in the style that the Saw films are known for, where we the audience are treated to cut-together explanatory scenes in a flip-flash fashion of usually about two minutes, for poor John when he realizes he’s been hoodwinked and just how badly, seems a little contrived. But then it’s entirely possible that we the audience truly expected our genius mastermind of the infamous Jigsaw murders to have realized what was happening sooner, and got enraged along with Kramer. And cheered as he prepared to take his bloody and ultra-violent revenge! 

First up in our grand guignol of executions is the return of Jigsaw’s first protégé, Amanda (Shawnee Smith). And despite her avowed reverence for Jigsaw and his proven “therapy”, Amanda does waver a bit when the scammers are put through the paces of their specially-made Saw traps, and they shriek and blubber and bleed out. The appearance of the ringer of the bunch, Parker (Steven Brand), doesn’t even slow our beloved engineer of the damned down, because we knew Jigsaw would have his other apprentice waiting just off stage, the deliciously vicious Detective Hoffman (Costas Mandylor). Even the monkeywrench of involving little-boy soccer fan Carlos (Jorge Briseno) in the traps, is just another cog in the machine that is the brilliantly plotting mind of John Kramer. 

A fine addition to the Saw legends, showcasing a return to the beloved style and panache of the original Tobin Bell-starring Jigsaw films, Saw X is splashing gore and gallons of blood in theaters now! 

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Scott Pilgrim Takes Off

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“Scott Pilgrim Takes Off,” Netflix’s latest series, is a rollicking journey through the world of video game culture, blending nostalgic references with a fresh narrative twist. Centered around Scott Pilgrim, portrayed with magnetic charisma by Michael Cera, the show skillfully integrates gaming elements into its storytelling, creating a delightful homage to the video game subculture.

The series cleverly employs pixelated graphics, power-up animations, and game-like sound effects to bring the virtual world to life. These visual cues, reminiscent of classic video games, enhance the storytelling and resonate with audiences familiar with the gaming landscape. The attention to detail in recreating iconic gaming moments is commendable, creating a visual and auditory treat for enthusiasts.

The exploration of video game culture goes beyond mere aesthetics; it becomes an integral part of the characters’ identities and interactions. The script intelligently weaves gaming terminology and tropes into the dialogue, effectively blending the real and virtual worlds. The series navigates the challenges and triumphs of the characters through the lens of gaming, making it a unique and engaging experience for both gamers and general audiences.

The ensemble cast, including standout performances from Mary Elizabeth Winstead, Ellen Wong, and Chris Evans embraces the gaming theme with infectious enthusiasm. The chemistry between the characters is palpable, adding emotional depth to the series.

“Scott Pilgrim Takes Off” successfully taps into the zeitgeist of video game culture, offering a nostalgic yet contemporary take on the gaming phenomenon. It’s a must-watch for those who cherish the pixelated roots of the gaming world while providing an accessible and entertaining narrative for a broader audience. The series takes off not only in its title but also in its ability to soar within the ever-expanding realm of Netflix originals.

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