The Writers Guild of America West’s has announced its 2019 TV Writer Access Project honorees: 21 diverse writers whose work has been cited by a committee of high-level writers and showrunners in Comedy (Half-Hour) and Drama (One-Hour) script categories. Now in its tenth year, the WGAW’s decade-long TV WAP program is part of the Guild’s ongoing efforts to increase diversity and promote inclusiveness in the entertainment industry.
2019 TV WAP Drama Honorees
· Sabrina Almeida, Die Spinne (The Spider)
· Allen Clary, Orchard Drive
· Anya Leta, Points of Origin
· Lisa Long, Cimarron County
· D.H. Miller, Freshwater
· John-Paul Nikel, Metro
· Adam Rodman, Promises To Keep
· Deanna Shumaker, Long Lost
· Matthew White, Echo
· Jai Tiggett, Black Magic
2019 TV WAP Comedy Honorees
· Cindy Appel, Ride or Die
· Chelsea Catalanotto, Colonize This
· Elise D’Haene, Old Dykes
· Anne Gregory, Fucked
· Chase Heinrich & Micah Steinberg, Grindrs Keepers
· Lena Kouyoumdjian, Party Girls
· Brent Piaskoski, Humor Me…It’s Time For Your Next Act
· Rachel Palmer & David Shecter, For Worse
· Kate Spurgeon, Rx
This year’s 21 TV WAP honorees include eleven writers in the women’s category (including one writing team), four LGBTQ+ writers (including one writing team), two minority writers, two writers with disabilities, and two writers age 55 and older. For more information about this year’s TV WAP honorees, and to access their work, click here.
“Now in its tenth year, the WGAW TV Writer Access Project has recognized over 150 honorees. During this time, the program has witnessed varying advancements – from jumpstarting members’ careers to providing a space for unrepped members to find representation. All too often we hear that writers from marginalized backgrounds can’t be found. The TV Writer Access Project is just one effort in which to address this industry-wide concern,” said WGAW’s Inclusion & Equity Director Tery Lopez.
The honorees will have their work spotlighted industry-wide via the Guild, as well as participate in a series of WGAW-hosted workshops in March designed to equip them with the skills sets and the necessary tools to develop and sustain successful television writing careers.
For TV WAP consideration, qualified WGAW members in five industry-underrepresented categories – minority writers, writers with disabilities, women writers, LGBTQ+ writers, and writers age 55 and older – were eligible to submit an unproduced half-hour or one-hour spec script. Entries were read and scored on a blind submission basis by a panel of judges comprised of Guild members with extensive television writing experience.
Launched in 2009 and administered by the WGAW’s Inclusion & Equity Department, the Guild’s program is designed to identify and recognize outstanding diverse writing talent and provide access to their work to entertainment industry decision-makers, including showrunners, producers, network and studio executives, agents, and managers.
“All too often when people are looking to diversify their staffs and make them more inclusive, they say ‘We can’t find any writers.’ With the TV Writer Access Project, there’s no excuse. For ten years the WGAW has identified and supported talented writers who can crush it in any writers’ room. If you want stars, here they are,” said TV WAP Advisor and Inclusion & Equity Group Co-Chair Glen Mazzara (The Walking Dead, Damien), who also runs the Guild’s TV WAP program seminars with fellow WGAW members Leo Chu & Eric Garcia (Prince of Peoria, Supah Ninjas!).
The Guild’s TV WAP program generates tangible results for its participants: “Validation by my WGA peers and being selected as a WAP Honoree was a crucial component to a career resurgence for me. It allowed me to find new representation and, through the workshops, I gained valuable insights on how to effectively market my own story. I also made wonderful new writer friends that continue to provide a network of camaraderie and support,” remarked previous TV WAP honoree Tonya Kong (Marvel’s Daredevil, Arrow).
This year’s TV WAP received 133 total submissions from Guild members: 48 women writers, 34 minority writers, 21 LGBTQ+ writers, 27 writers age 55 and older, and three writers with disabilities.
The program enlisted WGAW members to serve as 70 first-round judges (37 drama / 33 comedy), and 39 second-round judges (22 drama / 17 comedy). Second-round judges included WGAW members/writers David Shore (The Good Doctor, House), Steven Canals (Pose, Dead of Summer), Jane Espenson (Once Upon a Time, Torchwood), and Stacy Traub (black-ish, The Real O’Neals).
Justice League: Warworld Official Trailer
Until now, the Justice League has been a loose association of superpowered individuals. But when they are swept away to War World, a place of unending brutal gladiatorial combat, Batman, Superman, Wonder Woman, and the others must somehow unite to form an unbeatable resistance able to lead an entire planet to freedom.
AMC presents Anne Rice’s ‘Interview with the Vampire’: Bloody beautiful, dear heart
Set as a sequel series of sorts to the original film, the vampire Louis du Pointe du Lac approaches reporter Daniel Molloy decades later to do an actual, honest exclusive of his life as a vampire.
As we all know, Rice’s original movie Interview with the Vampire is a classic and features some of the most gorgeous male performances around. Brad Pitt as Louis, Tom Cruise as a flippant blonde-haired Lestat, Antonio Banderas as the ravishing Armand, Christian Slater as the reporter, and even a quite young Kirsten Dunst as the tiny terror Claudia. Rice has a whole world of her making about vampires, witches, mummies, and other world-ending supernatural creatures, and they are all achingly beautiful, and usually quite melancholy about their beleaguered existence.
Before her passing, Anne Rice was directly involved with the new show, wrote the updated scripts herself, and was often on hand for consulting during filming. A whole bunch of revamps (sorry) were made to the original story, including but not limited to – Louis du Pointe du Lac (Jacob Anderson) is now a black man in early 20th century New Orleans, no longer a slave plantation man but now the proud owner of several brothels on a certain street, with a very much still-alive family who presents Louis with lots of troubles, and oh yeah, he’s in the closet too.
At this point, I want to note something important about the gay elements of the show. Rice originally published her novel Interview way back in 1976, and every single last gay tendency, male or non-binary or whatever, got her a good deal of flack. Rice has long been known for characters, vampire or other, who transcend the notion of physical sexuality into more of a divine lust of the spirit. Sure, there are plenty of physical love scenes still, but homosexuality was never something Rice just threw in to be provocative, she made no defining lines on the way her supernatural creatures could love each other, and personally I think that’s stellar.
So all of Louis’ own issues aside, things are about to get remarkably more troubling, with the advent of a blonde-haired Adonis with ice-blue eyes and a razor-sharp jawline, and an even sharper set of fangs, Lestat de Lioncourt (Sam Reid). Initially, Lestat professes to admire Louis and his capability in running his various enterprises, seemingly satisfied with going along on brothel adventures (Lestat has long been known to bang anything that’ll hold still long enough) and verbally poking Louis to see where his “do not cross” lines are.
Not a single person who knows Anne Rice and her original novel, or even the first film, can deny the insane connection Louis and Lestat happen to have. Love and lust and envy and hatred are all tangled up in the relationship of these two vampires, made more complicated by the fact that Lestat is Louis’ Sire, or Maker if you prefer. This particular portrayal of the love story between two compelling characters, one inherently kind and desirous to do good (or at least not be bad) in an unfeeling world, the other an arrogant prince of the immortal kind with seemingly little regard for the pain he causes others (other than in an amusement capacity), how they push and pull at each other and cause each-other so much damage but simply find themselves both unable to give up the other entirely, can be an allegory for all the bad-for-you relationships, regardless of sexual orientation. And things are made so much more wretched when a third vampire is introduced to their little damned family.
The portrayal of Claudia (Bailey Bass) in this version of the story, a teenage black female with a sickeningly sweet Southern accent, has some rather different origin scenes too. Most of Claudia’s arc, while moving the story right along at a healthy clip, is full of complaints at the odd restraints of her existence – Louis cautions for temperance, while Lestat gives that wicked grin and encourages Claudia to revel in her bloody existence as a vampire. Jealousy rears its inevitable head, whether its Lestat’s envy of the brother-sister father-daughter relationship Louis has with Claudia, or Claudia’s own jealousy of the rather obvious romantic relationship between Louis and Lestat, or even the jealousy of seasoned vampires watching a fledgling getting to experience many supernatural firsts – vampires are immortal and unchanging, after all, so anything new and surprising is zealously sought after and treasured almost as much as blood. So when Claudia inevitably starts acting out, things are made so much worse with the realization that she’s actually far more terrible than Lestat when it comes to restraint, as in, she has none.
Then there’s what’s happening with the present – a ridiculously expensive high-rise and high-res environmentally-controlled apartment in Dubai, an accent-less and increasingly begrudging Louis, insistent on following a proper timeline to his stories but still attempting to conceal things from Molloy, even after he swore he wouldn’t, his assistant Rashid (Assad Zaman) is also getting more and more protective of his Master, and Molloy himself, who never had a bullsh*t tolerance in the first place, getting more strident as the interview rages on in his search for the raw, honest truth. Because redemption can come from honesty in this interview, even for the reporter conducting it, if only Molloy would allow it.
Full of gorgeous scenery, familial ties that bind and gag, revelations about the nature of love and how it can twist when used as a weapon, and absolutely stellar performances from every single actor involved, Anne Rice’s Interview with the Vampire can be devoured on AMC now!
Created by Brett Goldstein, Bill Lawrence, Jason Segel
Number of Episodes 10
Runtime: 33 minutes
Starring Jason Segel, Jessica Williams, Harrison Ford
Streaming on Apple TV
Jason Segel plays Jimmy, (How I Met Your Mother) a grieving therapist who lost his wife due to a terminal illness. He is coping with her death but gives little care to their teenage daughter, Grace played by Lukita Maxwell.
He works at a practice with his mentor Paul, played by Harrison Ford, and Gaby played by Jessica Williams. Jimmy’s work is less than inspiring because he has seen several patients over the years with no real breakthroughs. Finally, he is assigned a new patient who his co-worker couldn’t take on. This particular patient was court-ordered to see a therapist to avoid certain jail time. Sean, played by Luke Tennie, is an honored war vet with severe anger issues and has been arrested several times for starting fights in bars. Jimmy also has some frustrations at home as his next-door neighbor Liz, played by Christa Miller, has taken over as Alice’s parent. Without his wife and daughter, Jimmy is a mess and just drinks himself into a deep depression. His friends have become estranged and worst of all, his daughter has no respect for him.
During one session, Sean is reluctant to give Jimmy a chance as he was just pathetic in his eyes. Jimmy forgoes traditional therapy practices and goes for something a little extra. He takes Sean to a boxing club and has him work out his frustrations with a sparring partner. Sean and Jimmy have a breakthrough and then things start turning around for Jimmy/ The only problem is that Paul doesn’t approve of these new practices and warns him that this will lead to trouble.
Jimmy tries these new practices with his other patients and slowly makes breakthroughs but still seeks the constant praise and mentorship of Paul. Jimmy starts to try new things at home to reclaim parenthood over his daughter. Unknowingly Paul has been secretly counseling Jimmy’s daughter to help her with her issues with her father as well as being a father figure that he never was.
Things start going upside down when one of his patients tries to kiss him, another patient is lying about leaving her husband, and even worse, Sean sees Jimmy as a friend and not a therapist. The final straw is when Liz and Gaby find out that their daughter has fallen in love with Sean.
The show starts off slow at first, establishing the characters and giving the audience an inside view of the main protagonist’s world not unlike Lawrences’ other shows like Ted Lasso and Scrubs. This really allows the audience to get attached to their favorite characters and builds a world that we would all love to live in. The real problems addressed in this show are not sugar-coated and always highlight human qualities we would soon forget sometimes. It’s a real gem after Ted Lasso and you’ll just need to be a little patient in the beginning, but the payoff is well worth it in the end.