The Writers Guild of America West’s has announced its 2019 TV Writer Access Project honorees: 21 diverse writers whose work has been cited by a committee of high-level writers and showrunners in Comedy (Half-Hour) and Drama (One-Hour) script categories. Now in its tenth year, the WGAW’s decade-long TV WAP program is part of the Guild’s ongoing efforts to increase diversity and promote inclusiveness in the entertainment industry.
2019 TV WAP Drama Honorees
· Sabrina Almeida, Die Spinne (The Spider)
· Allen Clary, Orchard Drive
· Anya Leta, Points of Origin
· Lisa Long, Cimarron County
· D.H. Miller, Freshwater
· John-Paul Nikel, Metro
· Adam Rodman, Promises To Keep
· Deanna Shumaker, Long Lost
· Matthew White, Echo
· Jai Tiggett, Black Magic
2019 TV WAP Comedy Honorees
· Cindy Appel, Ride or Die
· Chelsea Catalanotto, Colonize This
· Elise D’Haene, Old Dykes
· Anne Gregory, Fucked
· Chase Heinrich & Micah Steinberg, Grindrs Keepers
· Lena Kouyoumdjian, Party Girls
· Brent Piaskoski, Humor Me…It’s Time For Your Next Act
· Rachel Palmer & David Shecter, For Worse
· Kate Spurgeon, Rx
This year’s 21 TV WAP honorees include eleven writers in the women’s category (including one writing team), four LGBTQ+ writers (including one writing team), two minority writers, two writers with disabilities, and two writers age 55 and older. For more information about this year’s TV WAP honorees, and to access their work, click here.
“Now in its tenth year, the WGAW TV Writer Access Project has recognized over 150 honorees. During this time, the program has witnessed varying advancements – from jumpstarting members’ careers to providing a space for unrepped members to find representation. All too often we hear that writers from marginalized backgrounds can’t be found. The TV Writer Access Project is just one effort in which to address this industry-wide concern,” said WGAW’s Inclusion & Equity Director Tery Lopez.
The honorees will have their work spotlighted industry-wide via the Guild, as well as participate in a series of WGAW-hosted workshops in March designed to equip them with the skills sets and the necessary tools to develop and sustain successful television writing careers.
For TV WAP consideration, qualified WGAW members in five industry-underrepresented categories – minority writers, writers with disabilities, women writers, LGBTQ+ writers, and writers age 55 and older – were eligible to submit an unproduced half-hour or one-hour spec script. Entries were read and scored on a blind submission basis by a panel of judges comprised of Guild members with extensive television writing experience.
Launched in 2009 and administered by the WGAW’s Inclusion & Equity Department, the Guild’s program is designed to identify and recognize outstanding diverse writing talent and provide access to their work to entertainment industry decision-makers, including showrunners, producers, network and studio executives, agents, and managers.
“All too often when people are looking to diversify their staffs and make them more inclusive, they say ‘We can’t find any writers.’ With the TV Writer Access Project, there’s no excuse. For ten years the WGAW has identified and supported talented writers who can crush it in any writers’ room. If you want stars, here they are,” said TV WAP Advisor and Inclusion & Equity Group Co-Chair Glen Mazzara (The Walking Dead, Damien), who also runs the Guild’s TV WAP program seminars with fellow WGAW members Leo Chu & Eric Garcia (Prince of Peoria, Supah Ninjas!).
The Guild’s TV WAP program generates tangible results for its participants: “Validation by my WGA peers and being selected as a WAP Honoree was a crucial component to a career resurgence for me. It allowed me to find new representation and, through the workshops, I gained valuable insights on how to effectively market my own story. I also made wonderful new writer friends that continue to provide a network of camaraderie and support,” remarked previous TV WAP honoree Tonya Kong (Marvel’s Daredevil, Arrow).
This year’s TV WAP received 133 total submissions from Guild members: 48 women writers, 34 minority writers, 21 LGBTQ+ writers, 27 writers age 55 and older, and three writers with disabilities.
The program enlisted WGAW members to serve as 70 first-round judges (37 drama / 33 comedy), and 39 second-round judges (22 drama / 17 comedy). Second-round judges included WGAW members/writers David Shore (The Good Doctor, House), Steven Canals (Pose, Dead of Summer), Jane Espenson (Once Upon a Time, Torchwood), and Stacy Traub (black-ish, The Real O’Neals).

Streaming
Solo Leveling: Could We Be Getting Five Seasons and a Live-Action Movie?

The anime adaptation of Solo Leveling has already created a massive buzz among fans of the popular webtoon and light novel series. Since its premiere announcement, the hype around the story of Sung Jin-Woo’s rise from the weakest hunter to the world’s mightiest has been palpable. Now, rumors swirling around the anime industry suggest that not only will the series extend over five seasons but it could also lead to a live-action movie adaptation. Could these rumors hold weight? Let’s break it down.
When Solo Leveling was confirmed as an anime adaptation, it was no surprise that expectations skyrocketed. The original story, written by Chugong and illustrated by the late DUBU, captivated millions with its breathtaking battles, compelling character arcs, and immersive world-building. The anime is being handled by A-1 Pictures, known for stunning productions like Sword Art Online and Blue Exorcist, which only adds to the excitement.
Given the vast amount of material in the source material, a five-season roadmap seems plausible. The light novel spans 270 chapters, and the webtoon is equally rich with detailed arcs. A five-season structure would allow the story to breathe, delivering each arc with precision instead of rushing through Sung Jin-Woo’s epic evolution.
The rumor mill isn’t just limited to multiple anime seasons. Whispers of a live-action movie have also captured fans’ imaginations. Hollywood’s growing interest in anime adaptations (One Piece, anyone?) combined with Solo Leveling’s global fanbase makes the possibility of a movie adaptation realistic.
Some speculate that the live-action adaptation would focus on the final arcs of the story or possibly a standalone tale set in the Solo Leveling universe. While anime-to-live-action transitions are often met with skepticism, the success of recent projects (Alita: Battle Angel and Netflix’s One Piece) suggests that studios are finally learning how to respect the source material.
Adapting a visually stunning and fast-paced story like Solo Leveling into live action would be no small feat. The series’ supernatural battles, intricate dungeon designs, and fantastical creatures would require top-tier CGI and production quality to match fan expectations. Casting would also be a critical factor—who could embody Sung Jin-Woo’s quiet intensity or Cha Hae-In’s graceful strength?
Furthermore, the cultural specificity of Solo Leveling, rooted in Korean mythology and history, would need to be handled with care. Fans are understandably wary of “Hollywood-ization,” which has often led to diluted or overly Westernized interpretations of beloved stories.
The possibility of a five-season anime adaptation has been met with widespread excitement. Many fans believe that extending the anime over multiple seasons would allow for a more faithful retelling of the story, capturing every thrilling fight and emotional moment. The potential for a live-action movie, however, has sparked mixed reactions. While some are optimistic about the idea of seeing Jin-Woo in a new medium, others worry about how the story’s essence could translate to live action.
While nothing official has been confirmed, the idea of Solo Leveling receiving five seasons and a live-action movie speaks to the enduring popularity of the franchise. Whether these rumors turn out to be true or simply fan speculation, one thing is certain: Solo Leveling is set to become one of the biggest anime adaptations in recent memory.
As we await more news, one thing’s for sure—this is just the beginning of Solo Leveling’s rise to global dominance. Fans, stay tuned. You won’t want to miss what comes next.
What do you think about the possibility of a live-action Solo Leveling movie? Do you believe the anime can deliver on its five-season promise? Let us know in the comments!
Movie
Jurassic World Rebirth Official Trailer
Movie
DEVA Movie Review

Released in India: 2024
Released in the US: 2025
Genre: Action Thriller
Runtime: Approximately 156 minutes
Director: Rosshan Andrrews
Writers: Story by Bobby–Sanjay; Screenplay by Bobby–Sanjay, Abbas Dalal, Hussain Dalal, Arshad Syed, Sumit Arora
Cast: Shahid Kapoor, Pooja Hegde, Pavail Gulati, Pravesh Rana, Kubbra Sait, Girish Kulkarni, Manish Wadhwa, Gaurav More, Abhilash Chaudhary, Pravin Patil, Aditi Sharma
Music: Score by Jakes Bejoy; Songs by Vishal Mishra & Jakes Bejoy
DEVA delivers on the star power of Shahid Kapoor and Pooja Hegde but falters in its attempt to adapt the gripping narrative of Mumbai Police into a high-octane Bollywood thriller. While the film offers moments of style and spectacle, it ultimately struggles to leave a lasting impact.
Shahid Kapoor once again proves his mettle, seamlessly embodying the layered persona of Dev Ambre—a character who walks the fine line between law enforcer and lawbreaker. His screen presence, particularly in the electrifying dance number Bhasad Macha, injects much-needed energy into the film. However, despite his commanding performance, the film’s screenplay does little to elevate its storytelling beyond the standard action-thriller formula.
Pooja Hegde, a talented actress, finds herself in a thankless role, serving more as a narrative device than a fully fleshed-out character. Her chemistry with Shahid is engaging, but the script doesn’t offer her much beyond the love interest trope, leaving her talents underutilized.
As a remake, DEVA retains the framework of Mumbai Police but struggles to replicate its emotional depth and narrative intrigue. Despite a strong cast and an engaging visual style, the film feels like a Bollywoodized version of a Hollywood thriller—heavy on aesthetics but lacking in storytelling impact.
DEVA is a star-driven spectacle that will appeal to Shahid and Pooja’s fan base but fails to live up to its source material’s gripping intensity. A stylish but ultimately underwhelming action thriller.