So, needless to say, massive spoilers ahead. If you haven’t been watching WandaVision on Disney+ stop what you’re doing and watch the first five episodes before reading any further. What happens in episode five not only changes the audience’s view of the show but the entire MCU moving forward.
WandaVision always seemed like an ambitious undertaking but the meta approach the show takes to itself ups the ante entirely. Having SWORD be aware that Wanda is in a television show that plays by certain rules means they get to be the audience surrogate and discover what it means with the audience as the mystery unfolds. Quite a lot of that happened in episode 5 so let’s unpack some of it.
First, it’s becoming clear that Vision is not thereby choice, and despite and being an essential part of the WandaVision dynamic he seems to be just as much of a puppet in the charade as everyone else in the town. Wanda, it seems, has had some sort of mental breakdown and stolen Vision’s body from a SWORD lab shortly after the events of Avengers: Endgame.
We learned from last week’s episode that the events in Captain Marvel led Maria Rambeau to form SWORD (probably with the help of her new pal Nick Fury and SHIELD). Her daughter, Monica, joined the organization and has been an agent since. That connection led her to the events of WandaVision where she infiltrated the town as an undercover agent (kidnapped is more like it but both work for the sake of this description).
The image that is becoming clear is that Wanda now controls most of the town and, as we saw in the episode, can actually leave of her own free will whenever she wants. She knows it’s an illusion and is totally fine with that. What is also becoming clear is she may not be the only one in control. Though the House of M storyline in the comics shows that Wanda has the power to warp reality she’s never exerted this much control and even she seems surprised by the amount of power she is wielding. This brings up the possibility that there’s another player at work.
SWORD finds a way to send a message to Vision allowing him to essentially wake from the spell Wanda has put him under and confront her about the entire situation. The show breaks out of its episodic structure going well beyond the credits proving Vision is no longer playing by her rules.
That’s when everything cracks wide open. Just as the two are talking about Pietro (Quicksilver) and how Wanda used to have a brother the doorbell rings. At this point the audience expects Pietro to show up, it’s built into the structure of the genre. And he does, just not the one we expect.
Here is where some history may help. Back before Disney bought out FOX two versions of Quicksilver made their way to cinemas at the same time. Aaron Taylor-Johnson joined Elizabeth Olson as the Maximoff Twins in Avengers: Age of Ultron while Evan Peters joined the X-Men in Days of Future Past. In the MCU Quicksilver was killed during the battle with Ultron but within the X-Men timeline Quicksilver is alive and well albeit quite a bit older than his MCU sister at that point. But, since Fox’s mutants are now fair game, it is Peters’ version of Quicksilver that shows up at Wanda’s door at the end of the episode.
His appearance marks the first real mutant and X-Men to show up in the MCU. Of course, the MCU was going to introduce the X-Men at some point but it was always assumed they would be rebooted and much further down the line. By bringing Peters in Wanda has somehow broken the multiverse and pulled him out of the X-Men timeline. What’s even weirder though is that he seems to recognize her as his sister. Unless of course, that’s not actually Pietro just someone pretending to be Pietro to further mess with Wanda’s brain. It goes without saying that next week’s episode is going to be bonkers.
Genre: Crime Thriller / Mystery
Run Time: Approximately 123 minutes
Studio: SRT Entertainments
Where to Watch: Streaming now on Aha (Telugu OTT platform)
Director: Ashok Teja
Writer: Sampath Nandi
Lead Cast: Hebah Patel, Vasishta N. Simha, Sai Ronak, Poojitha Ponnada, and George Maryan
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Odela is a gripping Telugu-language crime thriller that weaves the mysticism of rural India with the suspense of a murder mystery. Based on true events, the film is set in the culturally rich village of Odela, where a series of brutal murders shakes the community. When fear takes over, the villagers believe the killings are the work of a supernatural force, but a determined young trainee IPS officer decides to uncover the truth.
Ashok Teja makes a confident directorial debut, and with the support of seasoned writer Sampath Nandi, the film blends folklore and investigative elements seamlessly. The narrative doesn’t rely on jump scares or gore but rather on tension, cultural realism, and atmosphere, making it stand apart from typical crime thrillers.
Vasishta N. Simha delivers a strong and brooding performance as the local suspect whose silence hides secrets. Hebah Patel brings depth and credibility to her role as the determined officer, breaking stereotypes of female leads in regional thrillers. Sai Ronak and George Maryan round out the cast with solid support, while Poojitha Ponnada adds emotional texture to the story.
The cinematography captures the beauty and eeriness of the village setting, while the score subtly enhances the suspense. What truly stands out is the film’s effort to incorporate the Odela temple culture and beliefs into its storyline, making the mystery feel both grounded and unique.
Unique Setting: Odela village and its spiritual legacy are treated with respect, giving the film a haunting authenticity.
Strong Female Lead: Hebah Patel’s character is refreshingly written and well-acted.
Tight Storytelling: No unnecessary detours or filler content; the movie maintains its pace and tension throughout.
Cultural Depth: Balances folklore and realism without leaning too heavily on superstition.
Rating: 8/10
Odela is a tightly woven, atmospheric thriller that doesn’t rely on spectacle but rather storytelling and culture. It’s a solid step forward for Telugu cinema in the crime-thriller space and worth a watch for fans of mystery films that respect both narrative and regional authenticity.
“Vidaamuyarchi,” now streaming on Netflix, is a 2025 Indian Tamil-language action thriller directed and written by Magizh Thirumeni. Produced by Subaskaran Allirajah under Lyca Productions, the film boasts a runtime of 150 minutes. The narrative follows Arjun (Ajith Kumar) on a relentless quest to rescue his wife Kayal (Trisha Krishnan) after she is abducted by a mysterious group in Azerbaijan. The ensemble cast includes Arjun Sarja, Regina Cassandra, and Arav in pivotal roles.
Drawing inspiration from the 1997 American film “Breakdown,” “Vidaamuyarchi” offers a familiar storyline but is elevated by compelling performances. Ajith Kumar delivers a commendable portrayal of a husband battling against time and adversities, while Trisha Krishnan effectively captures the emotional depth of her character. The film’s cinematography by Om Prakash enhances the tension and atmosphere, and Anirudh Ravichander’s music complements the narrative’s intensity.
However, the film’s predictability and pacing issues may deter some viewers. Despite these shortcomings, “Vidaamuyarchi” provides an engaging experience for fans of the action thriller genre.
Rating: 6.5/10
Only one man has the particular set of skills… to lead Police Squad and save the world! Lt. Frank Drebin Jr. (Liam Neeson) follows in his father’s footsteps in THE NAKED GUN, directed by Akiva Schaffer (Saturday Night Live, Popstar: Never Stop Never Stopping) and from producer Seth MacFarlane (Ted, Family Guy). Joining the cast are Pamela Anderson, Paul Walter Hauser, CCH Pounder, Kevin Durand, Cody Rhodes, Liza Koshy, Eddie Yu, with Danny Huston.
only in theatres August 1st.
A Riveting Rural Whodunit Rooted in Tradition Movie
VidaayMuyarchi
Justice has a new Daddy. Watch the new trailer for NakedGun,
Fifteen years after the original animated film took flight, this live-action adaptation proves that its story is as powerful and relevant as ever.
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