Kind, conscientious, courageous and refreshingly candid, Ms. Vivica A. Fox has proven that as Hollywood careers go, second acts are often the sweetest.
The multi-hyphenate actress-director- beauty entrepreneur-author is embracing life and not looking back, except to pull from her well of wisdom for her new memoir, Every Day I’m Hustling. And if you know Vivica like I got to know her during our conversation, you’d think the book’s title quite fitting. She enjoys hard work and has no plans to slow down.
Born Vivica Anjanetta Fox on the outskirts of Indianapolis, she went by Angie Fox, one of four siblings being raised by divorced mother who worked overtime to provide for her children. Her childhood home was hectic but loving and provided fertile ground for Vivica to aspire for things grander than her midwestern upbringing.
After high school, she made her way to Southern California to attend college, all the while seeking out opportunities in Los Angeles to model and act wherever she could. It was in LA that Angie became Vivica A. Fox. She worked her way through the ranks on sitcoms and daytime soaps, and in 1996 got her breakthrough role opposite Will Smith in the classic blockbuster, Independence Day. Next came a string of fan favorites including Set It Off, Soul Food, Two Can Play That Game, Kill Bill Volume I and II, and a string of subsequent roles in film and television, including Larry David’s sharp-witted houseguest, Loretta Black, on Curb Your Enthusiasm and Skye in the campy Sharknado franchise. Her eclectic career has kept her on the move for nearly three decades.
In 2016, Vivica joined the cast of the smash hit television series, Empire, playing conservative suburbanite Candace, Cookie Lyon’s (Taraji P. Henson) older sister and character foil.
During our interview we covered everything from movie stardom and maternal instincts to social media drama, setting boundaries and finding love.
TME: When are you Angie and when are you Vivica? When do you take off the Vivica and become Angie from Indianapolis?
Vivica A. Fox: Well first off, that’s Angie Fox from 38th and Emerson in Indianapolis (laughs)! I’m Vivica Fox when I hit that red carpet and I’m ready to slay the game. That’s what I do. But I love that I have in my life, and in my journey, learned when to be Angie Fox. And that’s mainly when I’m with my family, time off, hanging out with my godchildren, having my Me Time and learning to take Me Time. That’s when I’m no makeup, baseball cap, chilling and blending in.
TME: Do you prefer yourself that way?
Vivica A. Fox: Oh my gosh! To be honest with you, the older I’ve gotten, the more I prefer it. I work so much; I’ve been so blessed and so busy lately that I enjoy when I can have that Me Time. In fact, today I don’t have to be on. That’s what I really love about being with my godchildren.
When they see me, I’m just G.G. or G-ma. G.G. stands for Gorgeous Godmother. G-ma, I don’t know where they got that one from, but I have five godchildren. Two of them call me G-ma and the other ones call me G.G. They like hanging with me. Not the drama or the glamour, they just want me.
TME: I love the part in your book where your godson, Christian, sees you all done up as Vivica A. Fox, and he gives you that side eye like he doesn’t recognize you, and you say, “It’s okay, I’m just wearing my Vivica costume.” Then he asks, “You’re still my G.G., right?” And you reassure him that it’s still you.
Vivica A. Fox: It’s funny because he was just a baby the first time he saw me like that, and he was like, “Who are you!?” He was so used to seeing me in my tracksuit and baseball cap. But now at seven, he kind of likes it when he sees the reaction I get from people. He’s done a couple of red carpet events with me and he knows the difference between the two.
TME: Coming from the Midwest, your father was a school administrator, your mother worked for a pharmaceutical company, so you really had no ties to entertainment, or Los Angeles for that matter. What gave you that spark of courage, that spark that made you believe that you could become a successful actress?
Vivica A. Fox: I was introduced to the world of fashion and modeling by Madame King, my late auntie. She had her own beauty salon back in the day. She was the first one to cut my hair and put me on a runway. I was kind of bitten by the bug at thirteen. From that point forward, I just fell in love with magazines and fashion. Then I went to go see Michael Jackson in concert, and Diana Ross in concert. I had never seen African Americans being so fabulous, and I was like, “Where do they live? That’s where I’m going! That’s what I want to do.” I decided that during my senior year in high school. But I had to trick my mama (laughs) and tell her I was going to college in California, and I did go to college. But I would be sneaking up to Hollywood and going to modeling agencies. I had a girlfriend who was an actress, and I used to read lines with her. She would say, “You’re pretty good at this, you should try it.”
TME: Your book is part memoir and part motivational guidebook for success. Tell me about your mentor, or mentors…
Vivica A. Fox: My mentor would have to be a good friend of mine, and my first acting coach, Sheila Wills. I’m her two daughters’ godmother. Sheila, I met when I was doing [the daytime soap opera] Generations.
She took me under her wing, and she would work with me with auditions. I would go into those auditions and just nail them. I attribute my success to her. She would say, “Vivica, you’ve got to stay ready. You got to be ready. You’ve got to take care of yourself.” And people who inspired me to be who I am would be Diana Ross and Pam Grier.
TME: Do you know that you’re incredibly sexy? Is that something you’re aware of?
Vivica A. Fox: Well, okay now!
TME: I’m not pulling your leg. You really do ooze sensuality. Do you know that?
Vivica A. Fox: Thank you! I appreciate that. Got to keep it tight and right, girl (laughs)!
TME: More so now, than twenty years ago, in my opinion…
Vivica A. Fox: Maybe because… No, not maybe! Because I am comfortable in my own skin. I’m very comfortable with me. I have embraced my womanhood through my pluses and my minuses. I’m good with me right now, so that’s what you’re seeing. My spirit is happy, more than anything else.
It’s taken awhile, and that’s something I want to share with people. My book is a motivational memoir. I, too, have fallen down and had to figure out how to get back up and create new chapters for myself. I want to encourage, enlighten and inspire other people.
TME: Why did you choose to share your journey with menopause in the book?
Vivica A. Fox: It’s part of life. It’s going to happen. And it’s like you just asked, “Do you know that you’re sexy right now?” But do people also know that for the last few years, that’s what’s been going on in my life? I embraced it and I got in front of it. I didn’t let it define me or make me want to whittle away.
I don’t know why with women, we can’t talk about our bodies and what we go through, share it with others, and not feel like we have to hide that from people. I’m sharing it, and I got in front of it and took care of myself. I really feel like it made me take good care of myself.
TME: And being that your image is sexy, you weren’t afraid of putting that out there…
Vivica A. Fox: No, not at all. You’re going to have naysayers and people that are going to try to come and say something, and they can. But I’m still me. It doesn’t change who I am. I’m still all woman.
TME: When it comes to social media feuds and this clap back culture we’re living in, when do you take the high road and not respond, and when do you feel the need to clap back?
Vivica A. Fox: I will clap back occasionally, but to be very honest with you, if it’s not necessary, I don’t like that. I’m not one of those people who became famous by being a controversial celebrity.
Normally, I’ll click on who that person is and see if they’re even worth it. If it’s somebody that you can tell is wanting to make TheShadeRoom or seeking attention, I just block them. They’re not worth it. When I clap back, it’s when somebody comes at me or I have to set the record straight.
TME: Technology has made it very easy for people to say something mean spirited or join in the angry mob. For me, I try my best to practice the art of what I call Non-Reaction, where I feel like every time I don’t react I’m passing that next spiritual test. But occasionally, something will get me and I’ll react. And then I’ll wonder, was that a failure on my part, or was it warranted in that situation? Do you share that same internal struggle?
Vivica A. Fox: It’s an internal struggle with me too. Some days I’m like, “Why did I give that person my energy?” There are some people, they just come on your page to be mean, and you kind of want to go, “You looked me up, and took the time to write a response to be mean to me. Hmm, what does that say about your character?” There’s an old saying your mama told you. “If you ain’t got nothing nice to say, don’t say nothing at all.” I try to live by that old school motto. I don’t try to pass on bad energy to others, I don’t. If I don’t have anything nice to say I just keep my opinion right on over here. But you know, this generation with the social media, a lot of people like that negative feedback. They feed off it. I don’t.
TME: Let’s talk about motherhood. I know you have all these nieces and nephews, and godchildren. I feel like motherhood, meaning the energy of motherhood, is something that is innate in all women. We have a need to nurture. How does that energy express itself through you?
Vivica A. Fox: I’m Mama Bear all the time! I have a nurturing instinct and I think I get that from my mother. My mother always loved to take care of others. Still to this day, she doesn’t take as good care of herself, because she is always looking out for others. I got that quality from her. When I’m on the set, I’m always looking out for others. When I walk on a set, I’m always making sure that I speak to everyone, that I try to make people as comfortable as possible. In that way, I am very motherly. It’s just something in me, I like to look out for others. But the older I’ve gotten, I’ve learned to look out more for myself, as well. And I’ve learned a very important word: No. Because people will take, take, take from you child, till you drop! Then they’re satisfied, and you’re left over there feeling completely empty.
TME: At what age did you learn how to say No?
Vivica A. Fox: It was in my late forties, or maybe just when I got to be about 50, that I started really looking at my relationships and asking myself if they are all reciprocal relationships. I had that tendency to give, give, give, and I finally took off my Captain Save-A-Ho cape.
I mean that. Sometimes you’ll talk to friends on the phone, and we all vent, it’s human. But if you talk to somebody that is constantly draining and negative, at some point… I’ve cut ties with a couple of friends and not felt bad about it. I call it the season of shedding, where not everyone’s going to the next chapter or the next level with you. And it’s okay. You don’t have to hate them, but there’s nothing wrong with making good choices for yourself.
TME: How do you define glamour and beauty?
Vivica A. Fox: Someone who is a goddess, who just radiates confidence; someone who owns her moment, who seizes her moment. The older I’ve gotten, I believe that beauty radiates from the inside. Especially nowadays with these build-a-bodies, and everything is just makeup and fakeness in my opinion right now. It’s when you meet a person and they are a beautiful person, they radiate confidence and kindness. I find beauty in a woman that has no makeup on, but she’s confident in her own skin and radiates kindness and does for others, to me that’s beautiful.
TME: In your book you give advice on achieving different areas of success in one’s life. I personally think that so many people have a misconception about success. People want that insta-recognition, that insta-success. I said to someone the other day that for all the people who think they would love to trade places with Mark Zuckerberg or Oprah, for example, most of those people wouldn’t make it through the first week if they saw the tremendous amount of work, pressure and sacrifice that it takes to be in that type of position.
Vivica A. Fox: To piggyback on that point, for myself, people don’t realize that for the last two to three years I slept on planes. I was always traveling, always busy, taking meetings, not sleeping, going here, going there, and going through changes of life and never letting it slow me down.
There’s a lot of work required. All those seeds that I’ve planted, I’m now seeing them all blossom. But I had to do the work. That’s what I tell people. In my book, in the chapter about Being the Head Chick in Charge, I say, “Don’t let anyone outwork you.”
TME: What do you think is the biggest misconception about success?
Vivica A. Fox: That it’s easy. When you’re successful, usually it’s taken a long time to build a career. It isn’t something that happens overnight. It takes time to build a career, and a career means being able to go through different stages and chapters of a career, not just being the hot chick of the moment. For me, I went from being the hot ingenue chick, to now building my brand and producing and directing.
TME: Let’s talk about Empire. I started watching it last week, all four seasons in a row!
Vivica A. Fox: Oh, you binge-watched…
TME: Yes, I binge-watched! I’m talking carrying the iPad with me all over the house; the show is that addictive and entertaining. Entertainment value, on a scale of 1 to 10, it’s a 12 plus. The one thing I had mixed feelings about is the way African Americans are depicted in the show. On one hand I’m loving it, on the other hand I’m thinking, “Does this play on negative stereotypes, the way this family is being portrayed?”
Vivica A. Fox: Well, I think that’s why Empire has been so successful. It’s raw and right there in your face. It makes you uncomfortable. What I commend Lee Daniels and the cast of Empire for is they are like, “It may make you uncomfortable, but we are who we are. We’re not going to sugar coat this. We’re going to give it to you straight, no chaser.”
That’s what made it a phenom. Some people felt like they couldn’t handle the gay [subject], or they feel it’s a little bit too raw, but that’s Empire. They have stayed true to what the show is about, and I have to commend them for that. That take courage, not to bow down to social or peer pressure.
TME: Did Lee Daniels ever share with you the moral of the story of Empire, or his vision for the show?
Vivica A. Fox: Not really. The thing I love about Lee is that he is who he is. It’s taken awhile for him to become comfortable in his own skin, and that he’s a gay man and that he has talent, and he doesn’t have to hide who he really is anymore. We’ve all been in this business for twenty years, and I’m going to tell you that it’s been a long journey for him to put out a show like this.
Some of the storylines in the show, absolutely, with the mother saying to her kids, “You’re this, you’re that (referring to the character, Cookie, having a penchant for hurling insults).” The father throwing the kid in the dumpster, it tugs at the heartstrings. It makes you uncomfortable, but it happens. I feel that with knowledge there’s power.
TME: What will Candace be up to in the new season?
Vivica A. Fox: I can’t give away a whole bunch, but I will tell you that Candace is back and that you will get the chance to finally meet our mother, Renee, played by the very beautiful and talented Alfre Woodard.
TME: Do you judge your character, Candace, the same way that Cookie judges her?
Vivica A. Fox: No. I believe we all have those relationships in our families where we’re all different, but we’re still family. In my career right now, I’ve embraced my womanhood and people are like, “Ooh, Vivica, you’re going to become today’s Diahann Carroll.” And I’m like, “Wow! Thank you for that.” But firstly, Vivica is a little bit more like Cookie. I like to have my rock star moments, and I love wearing the crazy clothes and all that stuff. But Candace is who I’m evolving into.
TME: In your book you provide some back story about your mom and dad’s relationship, and how it’s affected your own love life. What I got from what you wrote is that in watching your mom nurse a broken heart over the divorce from your father, you saw her as a victim, and that framed your own love life.
Vivica A. Fox: Absolutely.
TME: Do you still see her as a victim, or do you see things in a different light now? And what would it take for you to let your guard down in love?
Vivica A. Fox: I see my mother now as a survivor. My mother grew up in a time where you stuck by your guy. He was her one true love, and I definitely have those qualities. What I learned from her, in wanting her to live and to love and to laugh more, I wouldn’t take those same steps that she did. I can open my heart again. For my part, I’m making sure that I’m not lustful anymore. I don’t look at somebody and right away say, “Oh yes, he’s the one!” I make sure that I take the time to get to know someone. That’s something I pass along in my book, as well. Don’t jump into the shallow end of the pool head first. You’ve got to take the time to get to know people.
So yes, I am open to love. I want to love again and have someone that’s really special. But he has to prove himself, and I would have to prove myself to him, that I’m worthy to be his mate. Sometimes women are so afraid to be alone that they just take that first thing coming, and they get the short end of the stick. They keep dating the same guy over and over again. That’s why, in the book, I say to make your chart out. Do you keep dating the same guy over and over again? Because you’re going to get the same result.
TME: Do you want Hollywood to be colorblind in writing and casting roles, or do you want to be identified, and cast, as an African American actress?
Vivica A. Fox: Of course, I always want to be seen as a talented African American actress, because that’s who I am. I feel that right now, what’s going on in Hollywood is that, man, that glass ceiling has been busted wide open. It’s been a long time coming, with the success of Black Panther, with the success of television shows like Scandal and Empire and How to Get Away with Murder; with Oprah having her own network. It’s about damn time.
TME: Is it an I Told You So moment?
Vivica A. Fox: I don’t know if it’s I Told You So as much as it is, Finally.
TME: Finish these sentences for me. I know I can trust someone when…
Vivica A. Fox: When I’ve truly gotten to know them.
TME: I know that God is speaking to me when…
Vivica A. Fox: Woo! Hmm. All the time. Every day when I wake up and I can thank Him for letting me see another day. I would say, I know God is speaking to me all the time, and He helps me make better choices.
TME: My spiritual mission in this life is…
Vivica A. Fox: To be kind, to do unto others and to leave a good mark.
Midnight Mass: The Blood of Life
The isolated island community of Crockett receives a mysterious new head priest, full of secrets and a brand new testament under a very unusual Messenger of God.
Meet poor Riley Flynn (Zach Gilford), freshly released from prison and wracked with guilt over what got him there, a stupid drinking accident that caused the death of his ex-girlfriend. The last thing he wants to do is go back to Crockett and the judgment of the mostly religious community there, his disappointed family, and the nightmares of his ex’s death that plague him. But where else would have him? Resignedly on the ferry, he goes.
Riley’s dad Ed (Henry Thomas) isn’t the kind of man who talks very much at all, much less about his feelings, or his very real disappointment in his elder son. Riley’s teen brother Warren (Igby Rigney) has no idea what to say to him either, and just generally keeps mum. Riley’s mom Annie (Kristin Lehman) is accepting and loving, hesitant in how to help her eldest son but never wavering in her faith in the help of our lord Jesus. Mom seems to think a good heaping dose of the Church would set Riley right but is surprised to learn that the old priest of the Parish, Pruitt, has taken an extended leave of absence from the island, and his newcomer replacement Father Paul (Hamish Linklater) is young, charismatic, and bursting at the seams to tell the whole island about the gifts he brought them, most especially what he claims as a new testament under a messenger of God.
We’ll get back to that whole ball of issues in a moment, the other interesting characters of Crockett Island. Bev Keane (Samantha Sloyan) is the nightmarish overly polite and gently, almost lovingly condescending neighbor Christian woman you’ve ever loathed, the kind of person who explains away every last thing her Church may do wrong or contradictory because, after all, God works in mysterious ways. Pfft. Of course, Bev immediately ingratiates herself as the second to the new Father Paul in their services and is the first to start covering up his transgressions as they become more rampant.
Newcomers to Crockett Sheriff Hassan (Rahul Kohli) and his son Ali (Rahul Abburi) present a burgeoning problem to the plans of Father Paul and his shadowy companion, for they are both practicing Muslims. The practical side of investigating these so-called ‘miracles’ and strange happenings falls on Hassan’s shoulders, as he already struggles with barely-concealed racism and suspicion from his fellow islanders, and of course his son is being wooed away from him by the promise of actual, tangible miracles, but from a different whole faith and God. Father Paul definitely does not practice a traditional Christian faith and relies far too much on making use of the eucharist, the ceremony of the blood and flesh of Jesus Christ turning into bread and wine and, well, consumed.
Wade (Michael Trucco) and his wife Dolly (Crystal Balint) are lifers of the island and both in general interested in one thing, the advancement of their own family, specifically their daughter Leeza (Annarah Cymone), who happens to be in a wheelchair. And that happens to be the canny Father Paul’s first real miracle-with-a-cost that he demonstrates to the astonishment of the parishioners, after a heartfelt and rousing sermon, Father Paul commands Leeza to rise, to stand, and to walk. And lo, she does. What parents wouldn’t wholly dedicate themselves to a cause after seeing this happen to their beloved precious daughter? The fringe benefits of healing, and power, the ones that come at a mighty, currently unnamed, cost, are simply a nice bonus.
Joe Collie (Robert Longstreet) is the town drunk, and while his reasons for drowning his sorrows in the sauce might be understandable, absolution wears a very different face when it comes from Father Paul. While Leeza might be willing to forgive Joe, and even as Joe begins attending the newly-formed Al-Anon meetings on the island of course hosted by Father Paul, redemption might’ve been better sought from medical professionals, and not this newfound method of religious worship.
Dr. Sarah Gunning (Annabeth Gish) is the islands’ kind of all-around medic, and this is how she and Riley’s old friend Erin (Kate Siegel), also newly returned to the island, a few months pregnant but traveling quietly alone, met when Erin comes to the Doc for obstetrics. Sarah’s older mother Mildred Gunning (Alexandra Essoe) has many medical and mental issues, and Sarah struggles in their shared home, to take care of her addled mom and balance her own life. Then Father Paul takes it upon himself to visit one of his oldest parishioners, bringing the sacred host and wine with him to give directly to Mildred, who starts looking and acting so much better under his loving care.
The show is very much a slow slow burn, with a lot of the actual action taking place in the last two episodes. Much of the beginning and middle episodes feature two people just sitting alone, having quiet and seriously in-depth conversations about heavy subjects – grief and repentance, what happens when we die, the disasters that come as a result of addictions, how our actions’ consequences reverberate to those we love around us, faith and the foibles of man, and of course, the giving of oneself over to a higher power, for strength, and guidance, and love.
Except, for the higher power that Father Paul brought back with him, to share with his beloved flock of Crockett Island, while it may be extremely powerful and full of what could be considered miraculous magic, everything comes at some kind of a cost. And when the Messenger of God is finally revealed to the shocked denizens of Crockett at Easter Mass, with Father Paul rapturing on about rebirth as the bloody massacre begins in earnest, it’s faith, not in any kind of God or religion, but faith in each other, that may save a few hardy souls.
Question the wisdom of your religious leaders along with the rest of us in a fine slow-burn addition to the Flanaverse, Midnight Mass is on Netflix now!
Saw X: It ain’t brain surgery!
Legendary executioner Jigsaw returns to exact revenge on a cadre of scam artists who promised him a bogus cure for his cancer!
First off, be aware, that this is what I call an interleaved sequel, a movie set between previous films in the franchise. In this case, Saw X occurs after the events of the very first Saw film, and before Saw II. Everybody got where we are? Good! Into the madness, we dive!
So, as we all know, John Kramer’s been diagnosed with cancer, very aggressive brain cancer, and likely doesn’t have much time left. And he’s tried everything under the sun, doing a ton of meticulous research, we’d expect nothing less from our master of the art of murder, and not one thing has worked. Yet one man from the support group for cancer sufferers, Henry (Michael Beach), offers an off-the-books supposed miracle cure, and John jumps at the chance.
Why does this nonsense always sound too good to be true? Because it is. Deleted scenes from the first Deadpool movie already told us why traveling to Mexico for any kind of medical cure is a sublimely stupid move, but Kramer is desperate. And while he might be sick and dying, John Kramer has never been what anyone could call stupid. So the villa out in the Mexican countryside, the affable cab driver Diego (Joshua Okamoto) professes surprise at Kramer being highjacked for his good, the nervous muttering from assistant Valentina (Paulette Hernandez), the side-eyeing from little housekeep Gabriela (Renata Vaca) and her tequila, and most especially the smooth and smarming reassurances of head “doctor” Cecilia Pederson (Synnove Macody Lund), all leave a kind of sour taste in John’s mouth.
The whole cluex4 scene is done in the style that the Saw films are known for, where we the audience are treated to cut-together explanatory scenes in a flip-flash fashion of usually about two minutes, for poor John when he realizes he’s been hoodwinked and just how badly, seems a little contrived. But then it’s entirely possible that we the audience truly expected our genius mastermind of the infamous Jigsaw murders to have realized what was happening sooner, and got enraged along with Kramer. And cheered as he prepared to take his bloody and ultra-violent revenge!
First up in our grand guignol of executions is the return of Jigsaw’s first protégé, Amanda (Shawnee Smith). And despite her avowed reverence for Jigsaw and his proven “therapy”, Amanda does waver a bit when the scammers are put through the paces of their specially-made Saw traps, and they shriek and blubber and bleed out. The appearance of the ringer of the bunch, Parker (Steven Brand), doesn’t even slow our beloved engineer of the damned down, because we knew Jigsaw would have his other apprentice waiting just off stage, the deliciously vicious Detective Hoffman (Costas Mandylor). Even the monkeywrench of involving little-boy soccer fan Carlos (Jorge Briseno) in the traps, is just another cog in the machine that is the brilliantly plotting mind of John Kramer.
A fine addition to the Saw legends, showcasing a return to the beloved style and panache of the original Tobin Bell-starring Jigsaw films, Saw X is splashing gore and gallons of blood in theaters now!
Scott Pilgrim Takes Off
“Scott Pilgrim Takes Off,” Netflix’s latest series, is a rollicking journey through the world of video game culture, blending nostalgic references with a fresh narrative twist. Centered around Scott Pilgrim, portrayed with magnetic charisma by Michael Cera, the show skillfully integrates gaming elements into its storytelling, creating a delightful homage to the video game subculture.
The series cleverly employs pixelated graphics, power-up animations, and game-like sound effects to bring the virtual world to life. These visual cues, reminiscent of classic video games, enhance the storytelling and resonate with audiences familiar with the gaming landscape. The attention to detail in recreating iconic gaming moments is commendable, creating a visual and auditory treat for enthusiasts.
The exploration of video game culture goes beyond mere aesthetics; it becomes an integral part of the characters’ identities and interactions. The script intelligently weaves gaming terminology and tropes into the dialogue, effectively blending the real and virtual worlds. The series navigates the challenges and triumphs of the characters through the lens of gaming, making it a unique and engaging experience for both gamers and general audiences.
The ensemble cast, including standout performances from Mary Elizabeth Winstead, Ellen Wong, and Chris Evans embraces the gaming theme with infectious enthusiasm. The chemistry between the characters is palpable, adding emotional depth to the series.
“Scott Pilgrim Takes Off” successfully taps into the zeitgeist of video game culture, offering a nostalgic yet contemporary take on the gaming phenomenon. It’s a must-watch for those who cherish the pixelated roots of the gaming world while providing an accessible and entertaining narrative for a broader audience. The series takes off not only in its title but also in its ability to soar within the ever-expanding realm of Netflix originals.