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“Vice” Director Adam McKay to Receive 2019 Paul Selvin Award



Acclaimed screenwriter-director Adam McKay (The Big Short) is set to receive the Writers Guild of America West’s 2019 Paul Selvin Award in recognition of outstanding achievement in writing for his audacious and subversively comedic film Vice, an unconventional, behind-the-scenes look at former Vice President Dick Cheney’s stealthy rise from Congressional intern to the most powerful man on the planet.

The WGAW’s special award is given for a script which “best embodies the spirit of the constitutional and civil rights and liberties that are indispensable to the survival of free writers everywhere.” McKay will be honored at the WGAW’s 2019 Writers Guild Awards L.A. show on Sunday, February 17.

Vice is that unique accomplishment of an exhaustively researched screenplay that wrestles with serious, complex questions of freedom and democracy, but never loses sight of the humanity (or lack thereof) of its characters. It is an inspiring piece of work, and the Paul Selvin Committee and the WGAW Board of Directors are thrilled to give Adam McKay this award,” said WGAW President David A. Goodman.

“I am thrilled to receive this tremendous honor on behalf of our film, Vice. Paul Selvin dedicated his life to shining a light on how essential constitutional rights and a free speech are to democratic societies. I hope we lived up to his spirit by making a film that depicts how misinformation, unchecked power and the erosion of civil liberties can lead to devastating and deadly consequences,” remarked Selvin Award honoree McKay.

Earning a 2019 WGA Original Screenplay nomination, McKay’s script covers half a century, challenging audiences as it mixes genres, breaks the fourth wall, includes a mock ending, and features a rogue’s gallery of acutely observed political figures who have regularly appeared in our nation’s collective news feed over the years: Donald Rumsfeld (Steve Carrell), Colin Powell (Tyler Perry), Condoleezza Rice (LisaGay Hamilton), Scooter Libby (Justin Kirk), and more.

An Annapurna Pictures release, Vice has garnered multiple accolades so far this awards season, including earning eight Academy Award nominations, including Best Picture, Best Director, and Best Original Screenplay for McKay. The film also received six Golden Globes nominations, including Best Screenplay and Director for McKay, and Best Motion Picture (Musical or Comedy), and earned a Golden Globe for Christian Bale, as well as two Critics’ Choices Awards for his lead performance (Best Actor and Best Actor in a Comedy), among the film’s nine BFCA noms; six BAFTA nominations (including Best Original Screenplay for McKay); a DGA nom for McKay (Outstanding Directorial Achievement in Motion Pictures); and a PGA nom (Outstanding Producer of Theatrical Motion Pictures).

Writers Guild Awards and Oscar-winning screenwriter-director-producer McKay first made his name in the comedy world as a founding member of the Upright Citizens Brigade. In 1995, McKay and actor Will Ferrell started on the same day at NBC’s hit late-night comedy sketch series Saturday Night Live, where McKay served as a writer on the show for six years, ultimately rising to Head Writer. During his time on SNL, McKay won a 2010 Writers Guild Award for Comedy/Variety Series, as well as earned two WGA noms for the series in 2001 and 2002, in addition to an Emmy nom (2001, Outstanding Writing for a Variety, Music or Comedy Program).

McKay and Ferrell’s time at SNL led to successful collaborations that established their unique style, starting with the modern comedy classic Anchorman: The Legend of Ron Burgundy (2004, Written by Ferrell & McKay) followed by the hit Talladega Nights: The Ballad of Ricky Bobby (2006, Written by Ferrell & McKay), both directed by McKay. Since forming the Gary Sanchez production company in 2006, McKay has continued to deliver a string of hit movies he has written (often with Ferrell) and directed, including Step Brothers (2008, Screenplay by Ferrell & McKay, Story by Ferrell & McKay & John C. Reilly), The Other Guys (2010, Written by McKay & Chris Henchy) and Anchorman 2: The Legend Continues (2013, Written by Ferrell & McKay). He has also produced numerous comedies, including The Campaign (2012, which he shared story credit on), Get Hard (2015, for which he shared story credit), Daddy’s Home (2015) and Daddy’s Home 2 (2017), as well as indie films such as Welcome to Me (2015).

In 2015, McKay and Charles Randolph adapted Michael Lewis’s New York Times best-selling book, The Big Short, to create a smart, dense satire which dissected the financial crisis of 2007-2008. McKay and Randolph won Academy, Writers Guild, BAFTA, and USC Scripter Awards for their adapted screenplay, and the acclaimed film received Academy Award, BAFTA, and Golden Globe nominations for Best Picture. McKay also earned Oscar, Golden Globe, and BAFTA nominations for Best Director, and the picture earned a 2016 Producers Guild Award for Best Picture.

McKay’s additional screenwriting credits include co-writing 2015’s box-office superhero hit Ant-Man (Screenplay by Edgar Wright & Joe Cornish and Adam McKay & Paul Rudd, Story by Wright & Cornish). In 2017, McKay executive produced and directed the pilot for HBO’s Succession, and served as executive producer on the Hulu series I Love You, America.

Writing for television, McKay has earned three consecutive Emmy noms for his work on Drunk History (Outstanding Variety Sketch Series) in 2015, 2016, and 2017, as well as a 2009 Emmy nom for his work on You’re Welcome America: A Final Night with George W. Bush (Outstanding Variety, Music or Comedy Special).

His upcoming feature film projects include Bad Blood, starring Jennifer Lawrence as Elizabeth Holmes, founder of the controversial blood-test company Theranos, as well as Irredeemable, a Boom! Comics comic book adaptation.

Named after the late Paul Selvin, general counsel to the Guild for 25 years, the WGAW’s special achievement award is given each year to a WGA member(s) whose script best embodies the spirit of the constitutional and civil rights and liberties that are indispensable to the survival of free writers everywhere and to which Selvin devoted his professional life. Previous Selvin recipients include Tony Kushner, Margaret Nagle, Dustin Lance Black, Eric Roth, Alex Gibney, Tate Taylor, John McNamara, Susannah Grant, and most recently Liz Hannah and Josh Singer.

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Frogfathers lessons from the Normandy surf



Frog Fathers: Lessons from the Normandy Surf” is a deeply moving documentary directed by Bob Whitney, narrated by John C McGinley, and presented by World of Warships and FORCE BLUE. It chronicles the journey of four Navy SEAL veterans revisiting the site of the D-Day landings to honor their forefathers and gain a deeper understanding of the sacrifices made during World War II.

The film’s strength lies in its raw emotional impact and historical significance. It blends personal narratives with archival footage, offering a poignant tribute to the bravery and resilience of those who fought on June 6, 1944. The veterans’ reflections and the cinematography effectively capture the solemnity and reverence of their pilgrimage.

While the documentary focuses primarily on the veterans’ experiences, it also serves as an educational tool, highlighting the strategic importance of the Normandy invasion and its pivotal role in shaping modern history. The film’s respectful approach and engaging storytelling make it a compelling watch for anyone interested in military history and the enduring legacy of the D-Day heroes.

Overall, “Frog Fathers” is a powerful and heartfelt documentary that honors the past while inspiring present and future generations to remember the sacrifices made for freedom 

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American Horror Story: Delicate



As most of us are already aware, the 12th Season of AHS has been fraught with all kinds of differences to the previous seasons, mainly in that this is the first one to be based entirely off a novel, ‘Delicate Condition’ by Danielle Valentine. The first half of the season aired in October 2023 to mediocre reviews, while the SAG-AFTRA strike caused production and airing delays for the latter half of the season, and the episodes of Part 2 were all cut to less than an hour long apiece. And none of that is even getting into the disjointed attempt at storytelling for Season 12, so let’s dive into this! 

Meet Anna Victoria Alcott (Emma Roberts), former young ling star of Hollywood now struggling to recapture fame as an adult, who wants a baby, very very badly. Bad enough to drive herself and her husband Dex (Matt Czuchry) through multiple unsuccessful rounds of IVF (in-vitro fertilization), bad enough to keep trying no matter how crushing each failure turns out to be, bad enough to involve her purported best friend and bougie publicist Siobhan Corbyn (Kim Kardashian) in her struggles, and maybe, just maybe, bad enough to give up on a burgeoning resurgence of her career after interest in her comeback role for The Auteur begins garnering her Oscar-worthy attention. 

So, Anna and Dex are going to go through yet another round of IVF, likely one of their last attempts at it, from a different doctor, Dr. Andrew Hill (Denis O’Hare), and clinic based on Siobhan’s recommendation. And already, strange things are beginning to happen to Anna – her appointments that she set herself begin springing up incorrectly, a doom saying woman called Preacher (Julia White) shows up spouting warnings about trusting no one, dire warnings appear in unlikely places, and BTW, it seems as though long-suffering but good-nurtured Dex has a side-piece too. It doesn’t help that Dex’s new partner at his art gallery, Sonia Shawcross (Annabelle Dexter-Jones), bears a striking resemblance to his dead ex-wife Adeline, either. Those spiked emerald heels start appearing weirdly too, and it seems as though no one will listen to Anna as she grows more and more suspicious that some sort of sinister cult has designs on her as-yet-unborn baby. At the same time, Anna tries to live the life of a successful returning actress, attending parties and gallery openings while draping her rapidly-expanding middle in shimmering fabrics and actively ‘campaigning’ for that little golden statue that most actors covet. Competition is fierce, even among her co-stars of The Auteur, and while Anna wants to be supportive of her fellow entertainers, she clearly appears to be incapable of doing both at the same time – wanting the baby and the little gold award at the same time is too much to ask, apparently. 

Elsewhere, mostly in the past, various women in states of desperation formed from one situation or another are visited by sinister-looking women in prim black dresses, headgear reminiscent of – to me anyway – an odd cross betwixt birds and bunnies, my guess is an ostensive nod to fertility in general, and a general feeling of blood-bound witchery about them at critical moments of crossroad choices. 

Though the second half of the season moves a good deal faster than the first, the attempts at callbacks and reminder flashes to Part 1 hit with all the impact of a dropped bag of garbage onto their friends Talia’s (Julia Canfield) borrowed bougie kitchen floor – splat, into incomprehensible silence, from all parties, both characters and audience, concerned. Even the reminders that, in Part 1 of Delicate Dex’s mother Virginia Harding (Debra Monk) did indeed have perfectly valid memories of abuse at the hands of a black cult and Dex’s own father Dex Sr. (Reed Birney), the revelation pales and peels away in the face of Dex’s true parentage. 

Which brings us back around full circle kinda sorta, to the only real character worth a damn in this entire miserable season of strange feminism and aspirations of world domination through a kind of idiotic Rosemary’s Baby nightmare scenario, we should have known she’d steal the show when Kardashian was cast for it, Siobhan Corbyn, leader of the blood cult her high and mighty (old) self. Throughout the whole show her character has remained exactly the same, and it’s a wonder Anna can stare at her all stupefied while Siobhan does her villain speech at the end of the last episode. Siobhan never masked her ambition or greed, her mysterious protective vibe and even deep love for Anna, and can always be counted on to have secret plans of her own, already in motion, bitch. 

The idea that Anna herself was used as a surrogate for Siobhan and her incestuous eugenicist plans, plus the sweet little demon baby she just birthed, has an ironic the-world-is-tilting-the-wrong-way kind of witchy madness to it. Sure, Anna really can have it all, the baby and the golden statue, if only she joins the patriarchy-crushing cabal of blood witches with world domination plans, got it. 

I have questions, or I would have, but things are moving on and Anna is being saved by … Dex’s dead ex, Adaline the former member of the coven right okay her, she’s going to show back up and offer Anna a simple chant to Hestia her patron Goddess, and that is somehow enough to deal with Siobhan entirely – poof. And finally, after all that rigamarole, decades of planning and scheming and witchy plotting finally settled, Anna really can have it all as a White Witch of Hollywood, heaven help us, with her perfectly human baby and that damned little golden statue, clutched in an only slightly desperate grip. 

As with any season of AHS there are a great deal of statements that could be implied just under the skin of the season – the canker way of ambition, the millenia-old pain of a woman giving birth, the savagery and bloodshed that comes with bringing forth life, pushback against both the patriarchy and ultra-feminism, the absolute desperation of humans wanting to have a child, and perhaps strangest and most open to interpretation of all, what it means to be feminine. The worlds population of women who can’t or don’t or simply won’t have children, for any reason or none, are relegated to servants, expendable servants at that, for this new world order that Siobhan is proposing, and that is far too close a comfort to things like outright slavery. A dictator is a dictator, no matter how great she looks in those emerald spiked heels. 

It’s not the really beautiful grotesquerie that Ryan Murphy and his AHS gang are often known for, nor is it utterly terrible and should be burned at the stake. What Delicate should be, is put back together with missing and cut footage, an hour long per episode again come on folks, fleshed some more of Siobhan’s baby-stealing adventures in the past and given us an actual reason to like anything about the whiny Anna, at least the Part 2 we as longtime AHS fans deserve. Toss in some more spidery hijinks! Give us the actual origin of those weird feather bunny-ear headdresses! 

American Horror Story Delicate the whole season can be seen on FX! 

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Jurassic Park: Unraveling the Mystery in a World Gone Prehistoric!



Hold onto your hats, dino fans! The highly anticipated sequel to the adrenaline-pumping Camp Cretaceous saga is here, and it’s taking us on a wild ride six years in the making. Following the harrowing events of Camp Cretaceous, our beloved “Nublar Six” are back, but they’re not out of the woods just yet. In fact, they’re about to plunge headfirst into a world where dinosaurs roam freely alongside dangerous humans, and trust us when we say, it’s a Jurassic jungle out there!

Picture this: a world where survival isn’t just about avoiding sharp-toothed predators but also navigating the treacherous waters of human greed and deceit. As our resilient heroes reunite in the aftermath of a heart-wrenching tragedy, they quickly realize that danger lurks around every corner, and trust is a luxury they can’t afford. 

But wait, there’s more! Prepare to embark on a globetrotting adventure like no other as the Nublar Six find themselves thrust into the heart of a conspiracy that threatens not only the fragile balance between dinosaurs and humanity but also their very existence. From the lush jungles of Isla Nublar to the bustling streets of bustling cities, buckle up for a rollercoaster ride of epic proportions as our intrepid group races against time to uncover the truth about one of their own and, ultimately, save both dinosaur and humankind from certain doom.

So, dear readers, if you thought you’d seen it all in Jurassic Park, think again! With heart-stopping action, pulse-pounding suspense, and jaw-dropping revelations, this latest installment promises to be a game-changer in the Jurassic universe. Get ready to roar with excitement because Jurassic Park: Unraveling the Mystery is about to take a bite out of your imagination and leave you hungry for more!

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