As Comic-Con International 2015 #SDCC kicks off in San Diego, Universal Cable Productions (UCP) has unveiled several new deals that will continue to fortify the studio’s growing genre library and cater to the high demand for television content inspired by science fiction, graphic novel and comic book stories. As part of its overall deal with Valhalla Entertainment, UCP today announced renowned graphic novel writer Warren Ellis (New York Times best-seller “Gun Machine”, and “Iron Man: Extremis” – the Marvel Comics graphic novel and basis for “Iron Man 3”), will adapt the popular 1970s Mexican comic book and Televisa format “El Pantera” as his first original TV series with Gale Anne Hurd set to executive produce and Televisa USA to co-produce.
Based on the popular 1970s Mexican comic book and hit Spanish language TV series adapted by Televisa, “El Pantera” is a vigilante crime drama set in a fictional metropolis on the U.S. Mexico Border. When a young officer is appointed Head of Police, he only has one request: He asks that his friend, who was wrongfully imprisoned, be set free. Under the guise of his rumored death, the two create ‘El Pantera’ to rid the city of the Mexican mob. Warren Ellis is set to adapt the comic with Gale Anne Hurd’s Valhalla Entertainment attached to produce and Televisa USA to co-produce with UCP.
UCP is also developing the award-winning cult British film, “The Machine” into a scripted series for Syfy with the film’s Caradog James (“Little White Lies”) set to write the script and John Giwa-Amu (“The Silent Storm”) to produce. The story follows a brilliant computer programmer, desperate to save his terminally ill daughter, who creates the first-ever piece of self-aware artificial intelligence. But things go terribly wrong when the technology, designed to help injured soldiers, is hijacked by the government and used to create the ultimate robotic weapon. “The Machine” will follow multiple storylines as it takes a broad view of cutting edge scientific breakthroughs in genetic engineering, trans-humanism, and artificial intelligence.
Additionally, the studio has recently optioned the critically acclaimed comic series “Kill Shakespeare”, created by Anthony Del Col and Conor McCreery, and released by IDW Publishing (“Orphan Black”, “Locke & Key”). This dark take on Shakespeare – which has also spawned a stage production and board game – pits his greatest heroes (Hamlet, Juliet, Othello, Falstaff) against his most menacing villains (Richard III, Lady Macbeth, Iago) in an epic adventure to find and kill – or save – a reclusive wizard named William Shakespeare. Anthony Del Col and Conor McCreery are set to write.
“These projects speak to UCP’s continued commitment to genre and aligning with the best talent in the business. Warren Ellis and Gale Anne Hurd are a genre dream team – ideal visionaries to adapt Mexico’s iconic comic ‘El Pantera’,” said Dawn Olmstead, Executive Vice President of Development, Universal Cable Productions. “Comic-Con has been fertile ground for mining great content – it was there five years ago that I first heard about ‘Kill Shakespeare’ and have been chasing it since. They had me at a love triangle between Romeo, Juliet and Hamlet. Set in a world where all of Shakespeare’s villains are seeking to find their creator and destroy him, is well, very Shakespearian. ‘The Machine’ is a profound story that allows us to explore a poignant and unique relationship between science fiction and humanity.”
UCP also announced this week a first-look production deal with legendary comic book publisher, Dark Horse Entertainment (“The Mask”, “Hellboy”) focused on developing and producing scripted programming from their extensive comic book library as well as new material. Initial discussions that began at last year’s Comic-Con have yielded multiple television projects with direct involvement from the comics creators – among them: “Harrow County”, based on the comic written by Cullen Bunn (“The Damned”, “The Sixth Gun”) and illustrated by Tyler Crook (“Bad Blood”); “The Umbrella Academy” created by Gerard Way (lead singer of “My Chemical Romance”, and writer of “The True Lives of the Fabulous Killjoys”) and Gabriel Ba (Daytripper); and “Concrete” from Eisner award-winning comics legend Paul Chadwick.
Other notable genre projects in UCP’s development pipeline include: for Syfy: “Channel Zero”, a horror anthology series from Nick Antosca (“Hannibal”, “Friday the 13th”) set to write the script, and Max Landis (“Chronicle”, “American Ultra”) set to produce. The first season will be based on “Candle Cove” by Kris Straub, a story that originates from the user-generated internet horror phenomenon known as creepypasta; “Brave New World”, based on the classic novel by Aldous Huxley (“Ape and Essence”) published in 1932 with Les Bohem (“The Alamo”) set to write, and Amblin (“Jurassic World”) attached to produce; “Hyperion”, based on the Hugo Award-winning science fiction novels that form “The Hyperion Cantos” by writer Dan Simmons (“Summer of the Night”) with Bradley Cooper (Executive producer and actor in “American Hustle” and “Silver Linings Playbook”), Graham Kin (“Space Truckers”), and Todd Phillips (The Hangover”, “Project X”) attached to executive produce and Itamar Moses to write the script and serve as co-executive producer.
UCP is also developing “Dreadstar”, based on the classic 1980s character from the Marvel-owned Epic Comics imprint by iconic Marvel comic book writer Jim Starlin (“Amazing Spider Man” and “Captain Marvel”) with Evan Daugherty (“Snow White and the Huntsman”, “Divergent”) attached to adapt, BenderSpink (“Horrible Bosses 3”, “Leap Year”) attached to produce, and Starlin and Ford Gilmore set to executive produce.
At this year’s Comic-Con, events, panels and screenings featuring Universal Cable Productions TV series include:
Thursday, July 9
8:15PM – Room 6DE, San Diego Convention Center
Dominion on Syfy: EP Vaun Wilmott hosts an exclusive screening of the first two episodes of Season 2.
Friday, July 10
4:30PM – Room 6BCF, San Diego Convention Center
Colony – a co-production with Legendary Television coming to USA Network this fall. Expected to appear: Carlton Cuse, Ryan Condal, Josh Holloway, Sarah Wayne Callies and Peter Jacobson.
6:00PM – Omnia Rooftop, San Diego
Universal Cable Productions Comic-Con Cocktail Reception (by invitation)
Saturday, July 11
11:00AM – Indigo Room at the Hilton Bayfront Hotel
Childhood End coming to Syfy in 2016: Based on the Arthur C. Clarke classic novel. Stars from the upcoming six-hour miniseries expected to appear: Julian McMahon, Daisy Betts, and Yael Stone, director Nick Hurran and screenwriter Matthew Graham.
12:00PM – Indigo Room at the Hilton Bayfront Hotel
12 Monkeys on Syfy: EPs Terry Matalas and Travis Fickett, and stars expected to appear: Aaron Stanford, Amanda Schull, Kirk Acevedo, Barbara Sukowa, Emily Hampshire and Todd Stashwick.
12:00PM – Horton Grand Theatre, 444 4th Ave., San Diego
Colony Premiere Pilot Screening & Q&A
Sunday, July 11
11:00AM – Room 7AB, San Diego Convention Center
Spotlight on Lev Grossman: Author of The Magicians, adapted into a 2016 Syfy series from Universal Cable Productions. Expected to appear is Lev Grossman with moderators Sera Gamble and John McNamara, executive producers of the “The Magicians” TV series.

Movie
The rise of Japanese anime in India

In recent years, the Indian entertainment landscape has witnessed a remarkable surge in the popularity of Japanese anime, leading to an increasing demand for localized content. Recognizing this trend, several platforms have begun offering anime dubbed in regional Indian languages such as Hindi, Tamil, and Telugu, making these captivating stories more accessible to a broader audience.
Streaming services have played a pivotal role in this cultural integration. For instance, Animedub.pro provides a vast collection of anime dubbed in languages including Hindi, Telugu, Tamil, Malayalam, and Bengali. Popular series like “Naruto,” “My Hero Academia,” and “Jujutsu Kaisen” are available in these regional languages, allowing fans to enjoy content in their preferred dialects.
Similarly, Crunchyroll, a leading anime streaming platform, announced a slate of Hindi, Tamil, and Telugu dubs for series such as “Dr. STONE,” “BLUE LOCK,” and “Haikyu!!” between May and June 2024, further catering to the diverse linguistic demographics of India.
The success of dubbed anime is significantly attributed to the talented Indian voice artists who bring these characters to life. Notable examples include:
Prasad Barve: Renowned for voicing Ash Ketchum in the Hindi version of “Pokémon” during the early 2000s, Barve’s portrayal became iconic among Indian audiences.
Sonal Kaushal: Known as ‘The Motor Mouth,’ Kaushal has been the Hindi voice of Doraemon since 2005, endearing herself to a generation of viewers.
Ankur Javeri: Celebrated for his portrayal of Goku in the Hindi dub of “Dragon Ball Z,” Javeri’s performance has electrified fans at events like Zee Cafe’s Anime Fest.
Javed Jaffrey: While not an anime series, Jaffrey’s humorous narration of the Japanese game show “Takeshi’s Castle” in Hindi showcased his versatility and contributed to the show’s cult status in India.
The localization of anime through regional dubbing has not only broadened the genre’s appeal but has also fostered a deeper cultural exchange between India and Japan. By experiencing stories that blend universal themes with distinct cultural nuances, Indian audiences have developed a greater appreciation for Japanese storytelling. This trend has also opened new avenues for Indian voice artists, providing them with opportunities to showcase their talent and connect with audiences nationwide.
In conclusion, the dubbing of Japanese anime into Indian languages like Hindi, Tamil, and Telugu signifies a harmonious blend of cultures, enriching the entertainment experiences of audiences and paving the way for a more inclusive media landscape.
Streaming
Thandel: A Riveting Journey Through Social Inequities and Human Struggles

Directed by: Rajesh Kumar | Written by: Rajesh Kumar | Starring: Vijay Sethupathi, Nayanthara, and Pasupathi
Genre: Drama, Thriller | Runtime: 2 hours 45 minutes
Available on: Netflix | Studio: Red Studios
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Thandel is a gripping drama-thriller that examines the deep-rooted social and political issues prevalent in rural India. Directed and written by Rajesh Kumar, the film brings to light the stark realities of human suffering, class divides, and systemic oppression while weaving a powerful narrative of hope and resistance. With stellar performances by Vijay Sethupathi, Nayanthara, and Pasupathi, this film offers more than just entertainment – it’s a powerful commentary on society.
The story centers around Karthik (Vijay Sethupathi), an idealistic young man who returns to his village after years of studying in the city. He quickly realizes that his community is being threatened by a corrupt political system that is destroying the very fabric of rural life. His attempts to restore justice and bring about change lead him into a whirlwind of tension, deceit, and violence. As Karthik allies with Anjali (Nayanthara), a strong-willed social activist, the two face constant opposition from powerful forces.
The narrative is slow-burning at first but quickly accelerates, with each twist revealing more about the characters’ motivations, fears, and hopes. The layered storytelling keeps you hooked until the very end.
Vijay Sethupathi delivers yet another powerful performance, effortlessly transitioning between the earnestness of his character and the complex moral dilemmas he faces. Nayanthara, as always, excels in portraying the fiery yet vulnerable activist, and her chemistry with Sethupathi elevates the emotional depth of the story.
Pasupathi, in a key supporting role, steals the show with his nuanced portrayal of a villain who is more human than one might expect, further adding complexity to the story.
Rajesh Kumar’s direction is both poignant and precise. His attention to detail in capturing the rural landscape of India creates a sense of place that is both beautiful and haunting. The cinematography is immersive, with sweeping shots of the village contrasted by intimate close-ups that highlight the emotional turmoil of the characters. The direction adds weight to the social commentary while never sacrificing the entertainment value of the plot.
The soundtrack, composed by Anirudh Ravichander, is another standout element of Thandel. The haunting score perfectly complements the film’s dark themes, while songs like “Thamizh Puthu” bring an uplifting energy to the narrative at the right moments. The sound design plays a crucial role in amplifying the tension in key scenes, immersing the viewer further into the tense atmosphere.
At its core, Thandel is a powerful examination of social inequality, the exploitation of rural communities, and the complex relationship between political power and the people. The film touches on corruption, justice, and the role of activism in driving societal change. Through its nuanced portrayal of its characters and their personal struggles, it urges viewers to think about the impact of systemic oppression and the importance of standing up for what is right.
Thandel is a thought-provoking, emotionally charged film that blends drama with thriller elements. Its intelligent screenplay, solid performances, and striking visuals make it an essential watch for anyone interested in socially relevant cinema. While the pacing may be slow for some viewers, the emotional payoff and the film’s profound message make it well worth the wait.
Rating: 9/10
Movie
Jaat (2024) – A Gritty and Pulse-Pounding Ride Through Rural JusticeJaat

Runtime: 2h 17min
Genre: Action, Drama, Crime
Director: Manoj Rathi
Writer: Veerendra Pal Singh
Studio: Rathi Films India
Cast:
Gavie Chahal as Veeru
Aarushi Sharma as Meera
Karamveer Choudhary as Chaudhary Saab
Manjit Singh as Inspector Malik
Rajendra Bhatia as MLA Dhillon
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Jaat comes galloping in with the firepower of a rural action epic and the emotional core of a revenge drama. Directed by Manoj Rathi, this gritty North Indian action film pulls no punches, delivering a hard-hitting tale about honor, family, and retribution.
Gavie Chahal commands the screen as Veeru, a former army man turned vigilante who returns to his village only to find it ravaged by corruption and political thuggery. Chahal brings stoic intensity to the role, capturing both the silent rage and explosive force required of a righteous hero. Aarushi Sharma as Meera provides warmth and emotional grounding, while Karamveer Choudhary adds gravitas in his portrayal of an old patriarch trying to hold on to fading traditions.
The film’s biggest strength lies in its raw action sequences, beautifully choreographed and grounded in realism. Hand-to-hand combat, shootouts in mustard fields, and gripping chase scenes through narrow village lanes are highlights that keep you on the edge of your seat.
What Worked:
Authentic setting: The dusty lanes, village politics, and vibrant Haryanvi culture feel lived-in and immersive.
Powerful soundtrack: Folk-infused music enhances key moments, especially during confrontations.
Action choreography: Brutal, believable, and satisfying for fans of grounded action.
Strong lead performance: Gavie Chahal delivers a breakout role with screen presence and emotional depth.
Pacing issues: The second act lingers due to subplots that could have been trimmed. Predictable plot points: The revenge arc follows a familiar path and would benefit from more unexpected twists. Underdeveloped antagonist: Although the villain is effective, they lack depth and backstory, which would make the rivalry more engaging..
Rating: 7.5/10
Verdict: Jaat is a must-watch for fans of desi action with heart. It wears its rustic flair with pride and delivers a satisfying punch of drama, action, and cultural resonance. While it doesn’t reinvent the genre, it revs up the rural revenge saga with style and sincerity.