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The Shallows: Next Jaws? Not so much, but still a fun movie.

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Release date:June 24, 2016

Studio:Sony Pictures

Director:Jaume Collet-Serra

MPAA Rating:PG-13 (for bloody images, intense sequences of peril, and brief strong language)

Screenwriter:Anthony Jaswinski

Starring:Blake Lively, Oscar Jaenada, Sedona Legge

Genre:Thriller

[divider]This it’s an interesting story nonetheless. There are some very typical plot twists in addition to some pretty good jump scares (for the uninitiated)

The story starts are warmly with Nancy (played by Blake Lively) going to the beach and that her mother visited some twenty years ago. She is skimming through pictures on her phone, which you see on screen in almost a “pop-up” format. The person she is reading list speaks very little English, but does manage to remind her that there is a beautiful world to see, outside of her phone, a trend I’m seeing more and more of and one that I endorse (Ok, enough of the soapbox).

Once they arrive the scenery is absolutely gorgeous, breathtaking, in fact. There is so much beauty within such a short period of time that it’s almost hard to take it in and yet one’s eyes are, indeed, treated to an amazing blues, greens, sand colors, different textures of the rocks as well as a pristine view beneath the gentle rolling of the ocean.

When they arrive at the destination, it is almost as if the curtains of the theater have been pulled back so as to introduce us to ingenue of the production…the cove. Such a gorgeous display of nature it was quite staggering to look at.

Karen arrives on the beach alone, her friend having bailed out on her due to a case of “Irish fever”, and we see early on that she’s very prepared and organized individual, having packed a first aid kit and other necessities.

There are numerous, gorgeous, establishing shots of her surfing in something in this amazingly clear water. This is to establish why this movie is called “The Shallows”, for just barely under the waves deadly coral and rocks away to shred the first one who might show disrespect. The underwater camera work for these shots is flawless! No well the camera work was amazing, I thought that the sounds of the ocean in these early shots was off. They sounded more like gurgling coagulation then the crisp sounds of the ocean. I’m not sure if they were trying to make us feel as though we were under water with the Surfers or what, but it, for me, was definitely a distraction more than an enhancement, thankfully, later on, this is taken care of.

Now to the action; After a full day of Surfing her two new friends start to head in. While she is out there, there is a rather sudden dissipation of the surf, which was so plentiful earlier. It just stops. Weird!

It is in this place of “Solace” that she sees something on the immediate horizon, a small humpback whale that is out of men killed or just died. The weird thing here is that neither of the two other Surfers noticed this even though they were out there longer and farther out than she was. So, for some reason, she makes her way out to the decimated Beast and notices both of smell and rather good-sized bite taken out of it. Shortly after this is when we are introduced to our “main villain”.

This is where things get a little weird for me. The Beast seems to take an immediate interest in her, despite there being a full whale carcass just a few feet away from it.

The shark continues to behave uncharacteristically throughout the movie. It stalks her, pursuing her as if it had a personal Vendetta against her, even to the point of killing others around her like some psychotic boyfriend.

Karen’s only salvation, at this point, is a small piece of rock which has appeared due to the low tide and in getting there and she is attacked again, this time by piece of fire Coral which cuts and burns her pretty severely. When she message to the Rock, which is barely above the water, she’s able to tend to her wounds, and a rather clever and believable fashion. This is where becomes a waiting game. She has to figure out what to do to get yourself to safety.

There are several more close encounters with a shark and she figured out a couple more things to help her survive and eventually is able to swim to a buoy. This is where it gets strange again, she has to swim through a large, tightly packed, school of jellyfish, which appear out of nowhere. This is one of many plot holes that just don’t make sense. What are the jellyfish suddenly appear from? How is it that you can swim through dozens of jellyfish and not die?

Indian there’s an epic battle with a shark and, of course, in typical Hollywood fashion…well you know how that works out.

I will say that Blake does carry this film very effectively with equal parts of fear, pain, heroism, strength, and survival skills. I thought you did a wonderful job! The main problem I had with this film, however, is that they seem to want to capture the terror of Jaws but there’s no impetus for the sharp pursuing her in such a personal way.

 

 

 

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Top Ten Times Willow was the Worst

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With all the discourse surrounding the much anticipated Buffy the Vampire Slayer reboot, not
to mention Sarah Michelle Gellar’s and Alyson Hannigan’s joint interview on the Today show
discussing the show’s legacy! Many fans have revised their opinions on some of the
original show’s titular characters. One such character is Hannigan’s own, Willow Rosenberg. Once seen as the shy, lovable, nerdy sidekick, now her image is less than rosy. Manipulative? Petty? And maybe worst of all: a bad friend.

10. Easing us in with a somewhat annoying one. In Season 6, Episode 11, ‘Gone’, it is
morning in the Summers household. After throwing out most of Willow’s magical stash as
the fallen wiccan tries to go cold turkey with her magic addiction (more on that later). Buffy
is post-traumatic-resurrection trying to keep it all together after a night of hot,
passionate…fighting with a vampire. Willow appears to be living in the Summers’ home rent-free and is cooking Dawn (Michelle Trachtenberg) an apology omelette. She is making a
mess while cooking, as one does, but leaves her traumatised friend to clean up after her! Poor
Buffy (you’ll hear that a lot) was just lambasting herself for not noticing Willow’s self-
inflicted downfall. Buffy is literally chopping off her own hair in distress, and no one notices!
The audacity!

9. In Season 3, Episode 2, ‘Dead Man’s Party’, Buffy has returned to Sunnydale after her
secondment in LA. After a traumatic year, Buffy clearly just wants to hang out with her
friends like a regular teenager. Willow agrees to meet Buffy in town to re-bond over
shopping. Yes, Willow did say earlier in the episode that she had school work that she would
have to rearrange, which is fair enough, but at least cancel instead of leaving poor Buffy
(see?) sitting alone waiting for you!

8. Anya (Emma Caulfield), the ex-vengeance demon, was treated pretty coolly by the
Scoobies. Willow was clearly jealous of Anya’s relationship with Xander (Nicholas
Brendon), taking Xander’s attention from her. Throughout the final seasons, Willow treated
Anya like an annoyance at best and undermined her with cruel remarks at worst. In no
episode was this more obvious than Season 5, Episode 11, ‘Triangle’. Willow is brazenly
stealing spell ingredients from Anya’s and Giles’s (her friends) small business. Willow even
says herself she is not “stealing”, she is “…just taking things without paying for them. In what
twisted dictionary is that stealing?”.
Willow comes off as a bully throughout this episode, cruelly mimicking Anya and trying to
make Xander choose between his childhood best friend and his girlfriend. I want to mention
that not only is Willow gay, but has her own girlfriend at this point. So her possessiveness of
Xander comes off as particularly childish.

7. Willow’s irresponsibility with magic becomes a large feature of the series. Even her most
ardent fans can’t explain what she was thinking in Season 5, Episode 17, ‘Forever’ when she
draws Dawn’s attention to a dark spell book. This book encourages 15-year-old Dawn to raise
her mother from the dead. Culminating in what is, in my opinion, one of the creepiest scenes
in Buffy: the shadow of zombie Joyce walking past Summer’s curtained window, returning
home. Presumably, Willow knew the dangers but was fine with a child dabbling in dark
magic.

6. Back to Season 3, Episode 2 ‘Dead Man’s Party’. After not being satisfied standing Buffy
up, she also wants to rant at a clearly distressed Buffy that Willow’s now got a boyfriend and is
practicing witchcraft, AND had no one to talk to about it when Buffy ran away. Bear in mind
that Buffy had to stab her boyfriend through the heart and send him to Hell after months of
his evil alter ego psychologically torturing her. But Willow needs her gal pal.
Very similar to Season 7, Episode 19 ‘Empty Places’ when Willow joined the group pile on,
blaming poor Buffy (and again) for everything that’s gone wrong. And then throwing Buffy
out of her own house (you know the one she pays for?)! In the words of one Buffy fan ‘Y’all
hate her so much, why did you resurrect her?’

5. Going to my personal favourite season, Season 6 (I’m not arguing about it), Episode 10
‘Wrecked’. Willow is caught in the throes of magic addiction. Within the Buffy universe,
magic was a metaphor for lesbian sex, but the metaphor changes in Season 6 to substance
abuse. Willow takes Dawn to what is essentially a magical drug den and leaves her waiting
there for over an hour. Then, high on magic, he proceeds to not take Dawn home, instead
offering to teleport her back home. Willow then gets behind the wheel of a car with Dawn
while high and crashes the car.
Buffy was known to tackle social issues, and its handling of substance abuse was surprisingly
Realistic, mainly due to Alyson Hannigan’s amazing acting!

4. In Season 4, Episode 6, ‘Wild at Heart,’ we get to see the true darkness that appears to live
inside Willow. After being cheated on by her long-time boyfriend Oz (Seth Green), Willow
takes it upon herself to hex both Oz and his cheating partner, Veruca. She casts ‘in the name
of Hell’ wanting to break both their hearts and find no peace or solace…harsh. To be fair to
her, she does stop herself, but Willow, I appreciate you got cheated on, but we can’t just go
about hexing people.

3. And now to one of the best episodes ever! Season 6, Episode 8 ‘Tabula Rasa’ delivers
some serious comic gold, but the premise of the episode is rather disturbing. Despite
promising Tara (Amber Benson), her long-term partner, that she would give up magic for a
week, Willow casts a spell. Tara is understandably upset that the woman she loves cast a
memory spell on her to make her forget their arguments. Willow’s answer to this is to cast yet

another memory spell to make Tara forget the first memory spell (stay with me). Willow also tries to cast a spell on Buffy (you know her friend suffering from depression) to make her forget being in Heaven. As is a staple in the Buffy universe, the spell goes awry, making the whole gang forget who they are, leading to hilarious hijinks.
Yes, it’s one of the funniest Buffy episodes, but if the spell hadn’t accidentally been broken, then they all could have been stuck like that.

2. For such a trailblazing relationship, Willow and Tara have a lot of problems when
scrutinised. Almost everything stems from Willow’s overuse of magic. The relationship
gets darker the more you examine it. As Tara said in ‘Tabula Rasa’, Willow violated her
mind. Some fans have pointed out; not only was the flower Willow used to cast the forgetting
spell (Season 6, Episode 6) is in an oddly convenient place in their bedroom. This begs the
question: how many times has Willow cast these spells? Fans have also pointed out that if
Tara had sex with Willow after any spell was cast on her, she wouldn’t be consenting.

1. As a surprise to literally no one, the number one time Willow was a bad friend on top of
being completely irresponsible, resurrecting one Miss Buffy Summers. Now, many may
argue that after the finale of Season 5, ‘The Gift’, it would be understandable that Willow
would think Buffy was trapped in some Hell dimension.

Ok, let’s stay with that logic. Willow is aware that resurrection spells are extremely volatile,
presumably why the Scoobies have been planning it for weeks. Xander voices it perfectly, in
Season 6, Episode 1 ‘Bargaining Pt 1’, Buffy may try to “eat our brains”. Willow even
comments (Season 6, Episode 3) on how messed up Angel was when he came back from Hell.
Willow could have caused an emotional and physical catastrophe for them all by bringing
back a ‘wrong’ Buffy who still possesses super-strength and super-speed. Spike (James
Marsters) declares in the same episode that he shut down any idea Willow had about bringing
Buffy, back in case it went so badly, they would have to “get rid of what came back”. It’s bad
when the soulless vampire is more mature than you, isn’t it?

Willow Rosenberg is indeed a very complex character played expertly by Alyson Hannigan. Willow has her flaws, but it is those flaws that make her such a compelling character. I, for one, am very interested to see what they do with the character in the reboot.

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Review: From the World of John Wick: Ballerina

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From the World of John Wick: Ballerina is a stylish and brutal addition to the ever-expanding John Wick universe. Set between the explosive events of John Wick: Chapter 3 – Parabellum and Chapter 4, the film seamlessly slots into the timeline without feeling like a stopgap. Instead, it builds something fresh, introducing a new protagonist on a vengeful journey of her own.

Ana de Armas delivers a fierce and emotionally layered performance as Eve Macarro, a ballerina-trained assassin seeking justice for her family. While her motivations mirror Wick’s, the film avoids repetition by diving deeper into the Ruska Roma and High Table lore. It’s a testament to the world-building that this spin-off doesn’t just feel justified—it feels essential.

As expected, the fight choreography is at its peak—gritty, inventive, and ruthlessly beautiful. Every action set-piece hits with a kinetic energy that’s both thrilling and brutal. This franchise continues to prove that when it comes to stunt work and direction, it’s in a league of its own. Can the John Wick series really disappoint? So far, no.

The story is tight, the pacing brisk, and each supporting performance, especially the cameos from familiar faces, adds weight and continuity to the narrative. Ballerina proves that this universe is more than just one man’s war; it’s a whole underworld waiting to be explored.

With compelling characters, rich mythology, and jaw-dropping action, Ballerina is a strong 9/10—one of the best spin-offs in recent memory.

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The Top 5 Movies of James Gunn — A Symphony of Heart, Humor, and Heroism

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Few directors in the modern cinematic landscape have reshaped genre filmmaking quite like James Gunn. Known for blending irreverent humor with profound emotional depth, Gunn has left an indelible mark on both indie horror and superhero franchises. As he transitions into leading DC Studios, it’s the perfect time to revisit his five finest works—each a statement of his unique voice in an often formulaic industry.

1. Guardians of the Galaxy Vol. 2 (2017)

Rating: 9.5/10

A rare sequel that deepens its characters rather than merely expanding its universe, Vol. 2 is Gunn at his most personal. The film wrestles with the pain of abandonment, the search for belonging, and the complexity of father-son dynamics—cloaked in vibrant visuals and a killer soundtrack. Yondu’s “He may have been your father, boy, but he wasn’t your daddy” line alone secures its legacy.

2. The Suicide Squad (2021)

Rating: 9/10

Chaotic, gory, and gleefully anarchic, The Suicide Squad is a wild remix of the superhero genre. Gunn injects pathos into misfits like Ratcatcher 2 and Polka-Dot Man, proving his unmatched talent for humanizing the bizarre. It’s a subversive spectacle that doubles as an anti-war allegory—with a giant alien starfish to boot.

3. Guardians of the Galaxy (2014)

Rating: 8.8/10

The film that redefined Marvel’s creative boundaries, Guardians took a gang of obscure comic-book characters and turned them into pop culture icons. With its perfect balance of humor, heart, and ‘70s mixtape vibes, it’s the origin story of Gunn’s mainstream rise and one of the MCU’s most beloved entries.

4. Slither (2006)

Rating: 8/10

Before superheroes and intergalactic misfits, Gunn gave us Slither—a grotesque and hilarious horror-comedy with serious B-movie charm. This film showcases his roots: practical effects, quotable dialogue, and an affection for the genre’s oddballs. It’s disgusting, delightful, and distinctly Gunn.

5. Guardians of the Galaxy Vol. 3 (2023)

Rating: 8/10

An emotionally charged finale to the Guardians trilogy, *Vol

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