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The Death of Stalin is a Dark Joy

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There’s an old Russian joke: What happens when you put a group of conniving, sycophantic, power-hungry, self-serving, ruthless, frightened, nasty men together in a room?

Alright, there is no joke. Let’s try again.

What happens when filmmaker Armando Iannucci (In the Loop, Veep, Thick of It) puts the above Gang of 7 into a suite of rooms and adds the poisoning presence of Joseph Stalin, both as a living, John Wayne loving, Mozart appreciating, mass murderer, and as a corpse, ripe for peasant grieving, and soviet secretaries’ scheming?

What you get is a very dark comedy that walks the trapeze line between pain and laughter, between mockery and uncomfortable humor, between moral repugnance and a very squeamish empathic recognition. You get satire of the darkest hue. You get The Death of Stalin, which really does feel like a dangerous feat accomplished admirably well.

As both his body of work and his interviews attest to, Iannucci is a political junkie. He is endlessly fascinated with the machinations of statecraft and can rattle off the names of politicos the way some fans can list every New England Patriot to wear the uniform. But what most fascinates him are those patriots that have gone terribly afoul, both the incompetents and the sharks. And here, at the end of Stalin’s (Adrian McLoughlin) reign of terror and the introduction of Nikita Khrushchev’s (Steve Buscemi) Cold War Soviet Empire, he finds plenty of both.

It all begins with a Mozart Piano Concerto, a piece of gentle and sublime beauty, that, as is typical with Iannucci, only lasts a few moments before it becomes an element in a scene about both political fear and survivalism and personal courage on the part of the pianist.

It’s best to enjoy that moment of courage because it is the last you’ll see. For the next two hours it’s going to be one summary execution, urine or blood soaked carpets, and acts of political backstabbing, blackmailing, and pedophilia enacted behind closed doors or recorded in dossiers after another. And that’s just the first hour. We can look forward to brain removals and more in the second hour. So, how could all of this be funny?

It begins with a flawless cast, including a welcomed return by Monty Python’s Michael Palin and knockout performances by both Buscemi and Simon Russell Beale as Khrushchev’s nemesis, whose mixed nationalities and accents make this as much about the world today and forever, as about Russia in 1953.

Also, the script’s ceaseless barbs, fumbling excuses, whispered terrors and conspiracies, childish tantrums all seem perfectly plausible given the characters and situations, but they are also devilishly wicked. (As an aside, Iannucci’s Olympian talent at writing the most vulgar and poetic swearing is not on the scene in this period piece) But what makes it all come together is the deadpan delivery. Not for a moment does he grant the characters a chance to wink and nod, nor himself to rest on his laurels or his easy targets. These are horrible times and these men are a truly pathetic and awful confederacy of dupes and dictators, but the mayhem continues and the men take themselves awfully seriously.

And that will work for some viewers and not for others. For some, this will not be a comedy, nor will it be a drama. It will be something unclassifiable and even off-putting. For the current Russian state, it is very classifiable: It’s been condemned and banned. Though, I personally didn’t care for it as much as I like all of his other work, for those with a taste for the underbelly of political satire, done relentlessly and ruthlessly, you’ll enjoy Stalin’s death. Cue the Mozart.

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Top 5 Indian Action Movie Stars to Watch Out For

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As a devoted fan of South Indian action cinema and an entertainment journalist, I’ve come to admire the sheer charisma, talent, and screen presence of a few iconic actors who have redefined the genre. Here’s a list of my top five favorite Indian action heroes, along with a couple of must-watch movies from each of them that showcase their incredible prowess on screen.


  1. NTR Jr.

Nandamuri Taraka Rama Rao Jr., known as NTR Jr., is an electrifying performer who blends action and emotion effortlessly. His dialogue delivery, intensity, and dance moves make him a powerhouse in South Indian cinema.

Must-Watch Movies:

RRR (2022): Directed by S.S. Rajamouli, this epic action-drama showcases NTR Jr. as Komaram Bheem, a fierce and compassionate warrior.

Temper (2015): NTR Jr. delivers a riveting performance as a corrupt cop who embarks on a journey of redemption.


  1. Allu Arjun

The “Stylish Star” of Tollywood, Allu Arjun, is celebrated for his fluid dance moves, charismatic screen presence, and action-packed roles. His ability to transform into diverse characters has won him a massive fanbase.

Must-Watch Movies:

Pushpa: The Rise (2021): As Pushpa Raj, a smuggler with unyielding determination, Allu Arjun delivers a gritty and unforgettable performance.

Ala Vaikunthapurramuloo (2020): While not strictly an action film, it features intense fight scenes and showcases Allu Arjun’s versatility.


  1. Prabhas

Known for his larger-than-life roles, Prabhas has become a global sensation. His dedication to his craft and ability to headline mega-budget films set him apart.

Must-Watch Movies:

Baahubali: The Beginning (2015) & Baahubali: The Conclusion (2017): These iconic films, directed by S.S. Rajamouli, transformed Prabhas into a household name.

Saaho (2019): A high-octane action-thriller where Prabhas portrays an enigmatic cop.


  1. Yash

Yash’s meteoric rise to stardom is nothing short of inspirational. His raw energy, intense action sequences, and ability to connect with audiences have solidified his status as a South Indian action hero.

Must-Watch Movies:

KGF: Chapter 1 (2018) & KGF: Chapter 2 (2022): Yash as Rocky Bhai is a cinematic phenomenon, blending larger-than-life action with a gripping storyline.

Masterpiece (2015): A lesser-known gem that highlights Yash’s charisma and action chops.


  1. Ram Charan

Ram Charan, a dynamic performer, has mastered the art of blending action, drama, and dance in his roles. His nuanced performances and incredible screen presence make him a fan favorite.

Must-Watch Movies:

RRR (2022): His portrayal of Alluri Sitarama Raju, alongside NTR Jr., is a masterclass in action and emotion.

Magadheera (2009): A timeless classic that combines action, romance, and fantasy in a spellbinding narrative.


Why These Actors Shine

What makes these stars stand out in the realm of South Indian action movies is their ability to push boundaries, take on challenging roles, and deliver performances that resonate with audiences. Whether it’s NTR Jr.’s emotional depth, Allu Arjun’s stylish personas, Prabhas’s epic presence, Yash’s raw intensity, or Ram Charan’s versatility, these actors have set benchmarks in the industry.

So, if you’re an action movie enthusiast like me, dive into their filmographies—you won’t be disappointed!

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James Gunn’s Love for RRR: The Rise of NTR Jr. as a Global Phenomenon

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When RRR stormed onto the global stage, it didn’t just captivate audiences—it redefined Indian cinema’s reach. Among the legion of admirers is none other than James Gunn, the mastermind behind Guardians of the Galaxy and the architect of DC Studios’ cinematic future. Gunn’s vocal admiration for the film, particularly its star NTR Jr., has sparked excitement in Hollywood and beyond. It’s a testament to NTR Jr.’s exceptional talent and a long-overdue recognition of his abilities as an actor of extraordinary caliber.

In interviews and social media posts, Gunn has repeatedly praised RRR for its storytelling, high-octane action, and emotionally charged performances. However, what truly stood out for the acclaimed filmmaker was NTR Jr.’s portrayal of Komaram Bheem. Gunn lauded NTR Jr.’s magnetic screen presence, noting how his nuanced performance struck the perfect balance between raw intensity and heartfelt vulnerability. For Gunn, this wasn’t just an appreciation of a great film—it was a call to collaborate with an actor who embodies the charisma and skill needed for global stardom.

As Gunn reshapes the DC Universe, the prospect of bringing NTR Jr. into the fold feels like a natural progression. With his eye for blending humor, heart, and heroism, Gunn’s creative vision would pair seamlessly with NTR Jr.’s dynamic acting range.

Nandamuri Taraka Rama Rao Jr., affectionately known as Tarak, is no stranger to acclaim. Hailing from the illustrious Nandamuri family, his rise to stardom was marked by a series of standout performances in Telugu cinema. With each role, NTR Jr. has proven his versatility, effortlessly transitioning from emotionally driven characters in films like Yamadonga to action-packed blockbusters such as Temper and Janatha Garage. His role in RRR, however, elevated his craft to an international platform.

In RRR, NTR Jr. brought Komaram Bheem to life with an intensity that left audiences in awe. From the iconic jungle tiger scene to the emotionally wrenching friendship dynamic with Ram Charan’s Raju, he carried the weight of the film on his broad shoulders with effortless grace. His ability to portray strength, resilience, and vulnerability in equal measure cements him as one of Indian cinema’s greatest.

For years, Indian actors have slowly been making their mark on Hollywood, but NTR Jr. is poised to take it a step further. His universal appeal, combined with his dedication to his craft, makes him a natural choice for a crossover into global cinema. James Gunn’s interest in collaborating with him is not just a compliment—it’s a recognition of the talent that has long deserved a spotlight.

In a time when audiences are demanding more diverse stories and authentic representation, NTR Jr.’s inclusion in a major Hollywood franchise would be a game-changer. Whether as a DC superhero, a cosmic adventurer, or a complex antihero, Tarak has the range to bring any character to life.

Gunn’s admiration for RRR and NTR Jr. signifies more than just a potential collaboration. It’s a validation of Indian cinema’s ability to produce world-class talent and stories that resonate across cultures. As filmmakers like Gunn shine a light on stars like NTR Jr., the gap between Bollywood, Tollywood, and Hollywood continues to narrow, creating a truly global entertainment industry.

For NTR Jr., this could be the beginning of a journey that takes him from an Indian megastar to an international icon. As fans of cinema, we can only hope that James Gunn’s vision materializes, giving us the opportunity to see Tarak in a role that matches his immense potential. After all, it’s about time the world recognizes what Indian audiences have known for years—NTR Jr. is a force to be reckoned with.

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Review: Game Changer

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Review By: Raja V. Deva

Genre: Political Action Thriller

Runtime: Approximately 165 minutes

Director: S. Shankar

Writer: Story by Karthik Subbaraj; Screenplay by S. Shankar, Vivek, and Venkatesan

Cast: Ram Charan, Kiara Advani, Anjali, S. J. Suryah, Srikanth, Sunil, Jayaram, Samuthirakani

Music Composer: Thaman S


“Game Changer” marks S. Shankar’s foray into Telugu cinema with a political action thriller designed to be grand in scale and ambition. The film features Ram Charan in dual roles: Appanna, a shrewd political leader, and his son, Ram Nandan, an upright IAS officer determined to clean up a corrupt system. However, despite the actor’s valiant efforts, the story doesn’t fully work with Ram Charan in the lead.

Originally conceptualized for another actor, the film’s narrative feels like it was tailored for someone with real-life political aspirations. While Ram Charan brings his star power and intensity to the roles, the weighty political undertones and the narrative’s structure don’t align well with his on-screen persona. His dual performance showcases his range, but the emotional depth and conviction required to anchor such a politically charged film seem misaligned with his strengths.

The supporting cast provides decent performances, with Kiara Advani and Anjali making their presence felt, though their characters lack depth. S. J. Suryah stands out as a formidable antagonist, adding gravitas to the film. Thaman S’s background score enhances the mood, though the songs occasionally disrupt the flow of the narrative.

Visually, the film boasts stunning production values and large-scale set pieces, typical of Shankar’s style. However, even the grandeur and intricate action sequences can’t mask the disjointed storytelling. The screenplay struggles to balance its political commentary with its action-oriented approach, leaving neither element fully realized.

Ultimately, “Game Changer” feels like a project that missed its mark. The story might resonate with audiences interested in political drama or those with a penchant for larger-than-life narratives, but it doesn’t do justice to Ram Charan’s abilities or his established image.

Rating: 6/10

For fans of Ram Charan or political thrillers, it might be worth a watch, but “Game Changer” feels like an opportunity lost to deliver a truly compelling cinematic experience.

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