My preparation for the release of Black Panther, really the preparation of all of my close friends and family, likely many of yours as well, has less to do with anticipation of what we will see on screen, and nearly everything to do with the very real fact that the film exists.
This preparation in what to wear, who to go with, how many times to see the film, who to commiserate with on social media…all stem from the very important space occupied by a film about a fictional African king and hero, from a fictional African nation, in a fictional grand comic book universe.
Black Panther, above all else, represents an opportunity for a community to experience itself as being fully realized in public. On screen. A self-contained world where the ruler, the hero, the loves, the society, the ways…all look and believe and know like they do. It is rather unique, and thus exciting, to know that Black men, women and children, will be the focus of the tale. Not sidekicks, or adjuncts. Central. Fully meaningful. Opportunities such as these are few for Black people. Anywhere in the diaspora.
Black Panther is important for the meditative space it will provide. There will be a time where many will lapse into feelings of self-love. Feelings that aren’t typically promoted in media. As a Black person, you are allowed to see all of the most flawed versions of your family, but rarely can you see a broad version of your best.
This film, once you begin to peel at its layers, is pressing Afrofuturism. A vision of a future that has a Black face, body and mind, that is felt and known in all three dimensions of much of Black life. The Dora Milaje are nurturers, warriors, partners and friends. That is precisely how much of the Black community experiences our mothers, sisters, lovers and neighbors. It houses a young man learning his way in the world, fighting outside influence…these are all stories out of the journal of Black life, anywhere. Made real. With an adventure as a backdrop.
The importance of Black Panther, its excitement, its allure, is in its most critical meaning. That it can be shared with our neighbors of all backgrounds, but it is ultimately about us. Not just one of us, being a superpowered hero somewhere in Africa, but one of us. A person. Black, and strong. Supported. Experiencing all that every other human person can.
And do understand, that is an important distinction, as our lives are often portrayed in marginalized and limited ways. While an Marvel entity, the social experience around the movement toward this film’s release feels like it is a community property. It is ours.
There will be those who will suggest, from their view, that it is simply a film. They would be having only part of the conversation. There is a history and a psychology to consider. Rarely are there opportunities for the overall Black community to see itself represented fully, unashamedly, in full view of our nation family. This will be a real live party. Two hours worth of enjoying our skin, where we typically have to survive being in it.
This film is a powerful tool as a seed. Seeing the enthusiasm, the wide eyed joy, that many are experiencing as it draws near, suggests that there will be more opportunities on grand stages for art with central Black characters and stories. Like this one, they can be told and crafted by Black creators and crafts people. It represents a simple chance to suggest to the necessary powers and thinkers that our community can be painted across all media with as wide a storytelling arc as possible. On screen, on page, wherever we are, we can be represented in all human pursuits.
Some of my neighbors in other communities will be uncomfortable with this level of celebration and pageantry. They will look to pick the film apart critically. They will opine that all of this noise for a film that won’t change anything “in the grand scheme” is unwarranted. I would respond that none of those concerns is a relevant one. Not in this moment. What matters most now is what is coming. A film about us, that we have made for us, that all of them, all of you, get to share with us. Because, do know that we have made it ours. It is a community feast, and all are invited. It is best to leave any misgivings at home.
The world outside of Wakanda will be in the backdrop, just as we all know that we will return to real life in over two hours after the film starts. Just as we know that all of the racial and supremacist, and oppressive ills of the world will be waiting, so will T’Challa and his people be ready for them. It is not so much fiction, as it is considered a music video for the kind of efforts Black people feel we must often make to face the world each day.
And there is where the connection is. The central human one. Where comics, and heroes represent a projection of us. An idealized version of us. In those pages, and on those screens are moments to escape our doubt and fear, to see someone we attach ourselves to, face the issues and falter, as we do, and name those fears, and strike at them, with it all on the line. For the human psyche, that is a kind of therapy. We all, all of us, everywhere, want for that to be us.
But in this moment, just here, with Black Panther, this is for us. It is the time for a Black man who is now king, and Black women who are powerful, and Black children to have a land of their own to name, to know that this will be us on screen. And that has so much hopeful and personal meaning. A soil we are not often allowed to plant our beliefs in. Here, we can escape to it.
And you all get to venture off with us. You are most welcome. Wipe your feet before entering and having a seat. Appreciate what you are seeing. Let us go.
Written by: Napoleon Wells
Director: Adhik Ravichandran
Starring: Ajith Kumar, Arjun Das, Trisha, Simran
Genre: Action / Crime Drama
Rating: 4.5/5
“Good Bad Ugly” centers on Red Dragon (Ajith Kumar), a notorious gangster who chooses to surrender himself in the hopes of turning over a new leaf and reuniting with his estranged son. However, when unforeseen threats emerge, Red Dragon is forced to step back into the dangerous underworld to protect the only family he has left.
“Good Bad Ugly” plays to the strengths of Ajith Kumar, delivering a fan-pleasing portrayal of both his vintage villainy and his matured emotional depth. Ajith’s powerful screen presence, coupled with his iconic voice, shines against Arjun Das’s brooding and intense new-age antagonist, creating an electric old-school versus new-school dynamic. The nostalgic return of Simran is a clever nod to longtime fans, bringing heart and familiarity. Trisha brings a strong, grounded performance as the moral compass in Red Dragon’s life, helping move the emotional threads of the story. The film smartly balances action, comedy, and sentimental fan-service moments.
While the film delivers on fan expectations, its narrative could have benefited from tighter pacing and deeper character development for its supporting cast. Some plot conveniences and an overreliance on nostalgia may limit broader audience appeal beyond the fanbase. Certain dramatic beats felt rushed, leaving little time for emotional resonance to fully land.
The ambition to blend high-octane action with heavy emotional stakes sometimes leads to tonal inconsistencies. At moments, the shift from gritty underworld drama to lighter fan moments feels abrupt. Additionally, though Ajith Kumar’s effort to showcase his dancing skills is commendable and welcomed by fans, it slightly disrupts the otherwise darker tone the film establishes.
“Good Bad Ugly” is a tribute to Ajith Kumar’s enduring legacy, offering vintage thrills while teasing new dimensions to his craft. It’s a solid entertainer that successfully taps into fan nostalgia while hinting at an exciting evolution for AK. While not without its flaws, the film’s heart, energy, and performances make it a must-watch for fans and a compelling action-drama for broader audiences.
In these uncertain times, you can’t beat a good old-fashioned horror movie. Unfortunately, Presence is not an old-fashioned horror movie. Yet, as I discovered, this is a good thing!
When I heard about the premise of this movie, I was intrigued. The stylishly subtle trailer was, appropriately, haunting. And was that Lucy Liu? A haunted house movie from the perspective of the ghost? As a seasoned horror movie buff, I was all in!
Like the majority of people I missed the films brief theatrical release. Luckily I was able to catch it on streaming. Visually the film is easy to enjoy from your own home, as it’s rather cosy looking. I never thought I’d be describing a horror movie as ‘cosy’ looking but it’s true! This is not a James Wan type creepy, dusty, decrepit house harbouring a haunting. No, this is a 100 year old jewel toned, oak finished colonial style home.
Despite this the story follows the beats we are all familiar with: troubled family of four move into a new house. The big deviation from the trope is we, the audience, are seeing events unfold from the POV of the ghost or presence.
Director Steven Soderbergh (Ocean’s Eleven) chose to film the entire piece using a small (14mm) hand-held digital camera. Soderbergh himself acted as the ‘presence’ following the actors around. From the audiences perspective it is like watching the family through a barrier or pane of glass. Cleverly, windows and mirrors are hugely prominent and integral throughout.
The presence mainly follows and tries to interact with the daughter of the family, Chloe (Callina Liang), who has recently suffered the trauma of her best friend dying suddenly. Through Soderbergh’s experimental filming, we feel the dysphoria and frustration the ‘ghost’ is feeling at trying to affect the world around it, particularly during the anxiety-inducing final scene!
However, in what could be yet another mismarketing of a film, the trailer promised to be the ‘scariest movie you will see this year’ and ‘terrifying’; instead, they delivered this subversive, character-driven, family drama. If you are expecting jump scares and dramatic music stings, this is not your movie. I could understand if someone was disappointed that the only seemingly scary thing is the mother’s and son’s relationship, right up until the gut-punch of the final scene.
Presence is definitely a slow burn, tension building until the final scene, and the unveiling of the ‘presence’ giving us a new understanding of the whole story. The ending is disturbing and stays with you as you re-analyse earlier scenes.
My one complaint is that the character Ryan (West Mulholland) with his Chesney Hawkes hair, perhaps needed more subtlety. The rest of the cast was completely solid and believable as a family with so many unspoken issues.
I wouldn’t recommend this film for everybody but maybe be as so bold to say it’s a horror movie for people that don’t like horror movies. It’s well-lit and cerebral with realistically flawed characters.
Presence is available to stream.
Three and a half stars.
Genre: Action, Fantasy, Martial Arts, Historical
Runtime: Each episode runs approximately 20-30 minutes
Director: Lin Hun (also the Creator)
Studio: Samsara Animation Studio
Main Voice Actors (Chinese Cast):Liu Zhi Shi as Wen Ren Yu Xuan Zhou Qi as Shen Nong Fang Yuan as Xuan
Overview
Fog Hill of the Five Elements is a breathtaking Chinese anime (donghua) that merges traditional Chinese ink-painting aesthetics with high-intensity martial arts action. Created and directed by Lin Hun, this series delivers a spellbinding visual experience that rivals, and in many ways surpasses, mainstream Japanese anime. Produced by Samsara Animation Studio, the anime is a labor of love, known for its hand-drawn animation and meticulous detail.
Set in a mythological world where elemental beasts roam free, the series follows the Five Elemental Envoys tasked with protecting humanity. The story focuses on Wen Ren Yu Xuan, the Fire Envoy, whose actions set off a chain of events threatening the delicate balance between humans and beasts. The tale is steeped in Chinese folklore and myth, weaving a complex narrative of duty, power, and sacrifice.
Without question, Fog Hill of the Five Elements is one of the most visually stunning animated series in recent memory. The blend of traditional Chinese ink wash painting with modern dynamic action scenes is masterful. Every frame looks like a moving scroll painting, with fluid character movements and kinetic fight choreography that puts many mainstream series to shame.
The characters are deeply tied to traditional archetypes found in Chinese legends but are fleshed out with emotional depth and conflict. Voice acting by Liu Zhi Shi, Zhou Qi, and Fang Yuan brings authenticity and gravitas to their respective roles. The dialogue is steeped in poetic language, enhancing the mythic feel of the story.
The soundtrack complements the epic visuals with traditional Chinese instrumentation mixed with modern elements. The sound design heightens the impact of every battle and emotional moment.
Rating: 9/10
Fog Hill of the Five Elements earns a 9 out of 10 for its groundbreaking animation style, deep mythological storytelling, and heart-pounding action. The only downside is its limited number of episodes and slow release schedule, which leaves fans craving more.
Pros
- Unparalleled hand-drawn animation
- Unique art direction inspired by traditional Chinese painting
- Rich mythological lore
- Epic fight choreography
Cons
- Sparse episode release
- Story pacing can be uneven at times
Final Verdict 9/10
If you’re an anime enthusiast or a fan of animation artistry, Fog Hill of the Five Elements is a must-watch. Its fusion of stunning visuals, martial arts action, and mythological storytelling makes it one of the standout titles in modern animation. Whether you’re into Japanese anime or Chinese donghua, this series deserves a spot on your watchlist.
Review of “Good Bad Ugly”
Presence: A Horror Movie For People That Don’t Like Horror Movies
Anime Review: Fog Hill of the Five Elements (Wu Shan Wu Xing)
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Presence: A Horror Movie For People That Don’t Like Horror Movies
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Upcoming NTR Junior projects
Review of “Good Bad Ugly”
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