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The 40 Year-Old Virgin: A Retrospective

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January 17, 2005: Production begins on Judd Apatow’s directorial debut The 40 Year-Old Virgin.

February 14, 2005: Youtube launches.

July, 2005: Myspace is purchased by News Corporation for $580million. Within the year the site will hit its peak with over 75million subscribers.

August 19, 2005: The 40 Year-Old Virgin is released in North America. It opens at No. 1 grossing over $21 million in its first weekend. It stayed at No. 1 the following weekend, grossing an additional $16 million. The film received near unanimous critical acclaim, resurrecting the thought-dead R-rated comedy and skyrocketing the careers of star Steve Carrell and filmmaker Judd Apatow.

July 15, 2006: Twitter is launched.

September 26, 2006: Facebook is made available to all persons over the age of 13.

The 40 Year-Old Virgin is now a 12 year-old film, known and beloved by almost anyone who encounters it. We root for Andy from minute 1 as he finds love and friendship on his way to losing his virginity. In this social media/ PC comedy era, a film with an almost entirely white cast full of very raunchy, very NON-PC humor, still delights and charms with it’s camaraderie and kind love story, all building to an ending that literally sends you off singing and dancing.

The film never plays it safe. It’s opening gag is a middle aged man walking around with a troublesome morning erection. The scene immediately following has our lead character Andy conversing with a co-worker who has recently been to Tijuana, Mexico where he watched a woman have sex with a horse. “You know how I know you’re gay?” Paul Rudd asks (future mega-star) Seth Rogen over a friendly game of Mortal Kombat. “You have a rainbow bumper-sticker that says I love it when I have balls in my face.” Every scene of 40 Year-Old Virgin is full of quotable 1-liners (largely improvised on the spot) and memorable set pieces such as the drunken drive home which crescendos with Leslie Mann (Apatow’s wife) wrecking her car and vomiting on Steve Carrel right before offering to have sex with him.

Watching the film today, you think to yourself, “How did this ever get made?!” With a mostly unknown cast, a “virgin” director and a script so full of racey and risqué material, it’s hard to believe the film was such a big hit – a game changing classic still beloved today. How? How did this film make it to the screens? Some might argue it’s the film’s heart. For every boner and racial slur, there’s a kind caring sentiment. “You know, for so long I thought there was something wrong with me because it had never happened, but I realize now it was just because I was waiting for you,” Carrel laments after crashing through two-sides of a billboard on his bike. Some argue it’s the simple, relatable premise. Who doesn’t wanna lose their virginity?! A good argument is the breakthrough style of the film. What was essentially a typical rom-com with a sitcom premise, the film was heavily improvised with a loose narrative form that also took the time to fully flesh out its characters in believable and not always pretty ways.

 

All of these are valid reasons, but consider this: The 40 Year-Old Virgin was the last major studio comedy before the boom of social media. This film was a beacon in the last stretch of the TV and print era of marketing and promotion. If you wanted to talk about this film with your friends you either had to do it in person or through some kind of personal blog. You didn’t have a cellphone that you could log onto Twitter with during the end credits to sum up your immediate reaction in 140 characters or less. There was no Facebook post to make where your friends could click like to validate your reaction and experience. No, this film was blessed with being in that sweet-spot – the last hurrah of personal/private interpretation.

The film itself being made before the technological boom helped it as well. Phones are almost never used in the film. For God’s sake, Andy meets his love interest in the film as she buys a VCR! The drunk driving scene with Leslie Mann would be solved today with an Uber. Andy and his friends actually interact with each other. They go out into the real world to search for love. Even Andy’s love interest Trish – who makes a living off of eBay – still has a physical store for people to come through and make their purchases. “Life isn’t about sex.” Andy’s co-worker Mooj tells him. “It’s about love. It’s about connection!” The line resinates for our lead, but it also speaks to the entire message and desire of the film itself: true connection with another person.

12 years later, and the 40 Year-Old Virgin is still a beautiful and hilarious experience. A film released at a time much freer of judgement. A film made at a time where you had to interact with the people you encounter. The 40 Year-Old Virgin is not self conscious, not so self aware like the films of today. The paranoia of being in the public eye 24/7 with cellphones and social media is not present, therefore the characters are aloud to make mistakes. The film is a comedy of errors. Errors made in a search for connection to the people in your life. Couple all of that with the talent in front of and behind the camera, and you’ve got a film of low risk for the studio making great returns for more than a decade after its release. A classic. A game changer. And all of that from a typical rom-com with a sitcom premise. Today, everyone is a critic with a voice that can reach millions. The 40 Year-Old Virgin begs to ask, were films better when they were less conscious of judgement?

Written by: Joe Black

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Kill on Amazon Prime – A Heart-Stopping Tale of Love and Heroism

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Indian cinema often delivers stories that resonate on both emotional and visceral levels. Kill, a gripping action-romance now streaming on Amazon Prime, is no exception. Directed by Nikhil Nagesh Bhat, this high-octane thriller blends heart-wrenching emotion with relentless action, leaving viewers at the edge of their seats.

Set aboard a speeding train, Kill tells the story of Amrit (Lakshya), a loyal soldier returning home with a promise to reunite with his childhood love, Tulika (Tanya Maniktala). The couple’s tender, budding romance is the heart of the narrative, with scenes of their innocent exchanges juxtaposed against the chaos that soon engulfs them.

Their journey takes a dark turn when a gang of ruthless dacoits hijacks the train, intent on robbing and killing its passengers. What unfolds is a gripping battle for survival as Amrit transforms from a man in love to a one-man army, determined to protect Tulika and the innocent lives aboard.

The romance in Kill is as compelling as its action sequences. Amrit and Tulika’s relationship is characterized by a delicate vulnerability. Lakshya and Tanya Maniktala’s chemistry brings authenticity to their roles, making their love story feel real and raw. Their shared dreams of a future together contrast painfully with the brutal violence surrounding them, intensifying the emotional stakes.

The heartbreak lies in Amrit’s constant struggle to protect Tulika while confronting the fragility of their dreams in the face of overwhelming odds. The film poignantly captures how love can endure, even amidst devastation.

Lakshya delivers a career-defining performance as Amrit. Initially portrayed as a soft-spoken and unassuming soldier, his transformation into a relentless protector is both believable and inspiring. The action sequences are brutal and stylized, reminiscent of martial arts thrillers, but with a distinctly Indian flair. Amrit’s fight scenes are raw and unrelenting, embodying the desperation of a man with everything to lose.

The narrative subtly highlights themes of duty, sacrifice, and the lengths to which love can push a person. Amrit’s journey from a lover to a savior is as emotional as it is exhilarating, making him a hero worth rooting for.

The confined setting of a train amplifies the film’s tension, with claustrophobic corridors and dimly lit compartments serving as the perfect backdrop for the story’s chaos. Nikhil Nagesh Bhat’s direction ensures that every shot is purposeful, oscillating between tender romantic moments and pulse-pounding action. The cinematography and sound design heighten the stakes, immersing viewers in the characters’ perilous journey.

Kill masterfully balances romance and action, offering a visceral experience that tugs at the heartstrings while delivering adrenaline-pumping sequences. Lakshya’s standout performance and the film’s emotional depth make it a must-watch for fans of Indian cinema and action-thrillers alike.

Kill is more than just an action movie; it’s a testament to the power of love and the resilience of the human spirit. While its unflinching violence might not be for everyone, those willing to embrace its intensity will find a story that stays with them long after the credits roll. This film firmly establishes Nikhil Nagesh Bhat as a director to watch and leaves audiences eagerly anticipating what’s next for its talented cast.

Rating: 4.5/5 If you’re looking for a film that combines action, romance, and heart-pounding thrills, Kill is the perfect pick.

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Holiday Movie Review: Violent Night

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Violent Night (2022), starring David Harbour as a rugged, action hero Santa, delivers a wildly entertaining twist on holiday films. Combining dark humor, brutal action, and unexpected heart, the movie follows Santa as he defends a family held hostage on Christmas Eve. Harbor shines as a jaded yet surprisingly endearing Santa, bringing grit and charm to the role. The film’s blend of holiday magic and high-octane violence is reminiscent of Die Hard but with a festive twist.

Director Tommy Wirkola balances the chaotic fight scenes with moments of redemption and holiday spirit, creating a surprisingly satisfying narrative. While the film isn’t for traditionalists (its R-rating is well-earned), it’s perfect for fans of unconventional holiday fare.

Rating: 8/10: A bold, bloody, and refreshingly unique holiday film that’s destined to become a cult classic.

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Holiday Movie Review: A Charlie Brown Christmas

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First aired in 1965, A Charlie Brown Christmas remains a timeless holiday classic that has captured the hearts of generations. Directed by Bill Melendez and based on Charles Schulz’s iconic Peanuts comic strip, this special blends simplicity, humor, and heartfelt messages in a way that few holiday films can match.

The story follows Charlie Brown, who feels disillusioned by the commercialism of Christmas. With encouragement from his friends (and a bit of sass from Lucy), he takes on the task of directing a Christmas play. Along the way, he discovers the true meaning of the holiday, culminating in Linus’s moving recitation of the Nativity story.

The film’s charm lies in its authenticity. The hand-drawn animation is modest yet endearing, the child voice actors bring an innocence that feels genuine, and Vince Guaraldi’s jazzy score—featuring “Linus and Lucy” and “Christmas Time is Here”—is nothing short of iconic. Its themes of community, humility, and spirituality resonate just as strongly today as they did nearly 60 years ago.

While its pacing may feel slow to modern audiences, this is part of its charm; it’s a gentle reminder to pause, reflect, and appreciate the quieter joys of the season.

This timeless special is a must-watch every holiday season. Its enduring message and heartwarming simplicity remind us that Christmas isn’t about materialism but about love, kindness, and togetherness.

Rating: 10/10: A perfect blend of nostalgia, heart, and holiday spirit. A Charlie Brown Christmas is not just a holiday classic but a cinematic treasure that embodies the true meaning of Christmas.

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