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Thats My E! Exclusive Interview with Stan Against Evil’s Randall Newsome

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To fans of the hit IFC show, Stan Against Evil, we know him fondly as Constable Thaddeus Eccles. But Randall Newsome has had a very successful career on and off the camera, as well as the theater and  even did a stint with the infamous Ringling Brothers Barnum and Bailey Circus.

His most recent roles besides Stan Against Evil include, the award winning film Hidden Figures and AMC Networks hot show Turn.

We get to chat with him today about his career and his role in our favorite horror comedy from Dana Gould.

Stan Against Evil – Randall Newsome from Randall Newsome on Vimeo.

Stan Against Evil

 

TME: You have a great career with some awesome shows! How did you get involved with Stan Against Evil?

RN: Hey, thank you.   As a journeyman actor, I realize I’ve been pretty lucky, and I’ve been able to spread it out among theatre, television and film.

And getting cast in Stan Against Evil turned out to be another lucky bonus.  I got the call to audition for the show (which shoots in Atlanta), so I shot an audition on video in my NYC apartment, and bam – I got hired within a few days.  I guess it was a right fit.

TME: How did you picture yourself playing the role of Constable Eccles and how did you incorporate that with what Dana Gould had put on the page?

RN: I knew that Constable Eccles had burned 172 witches in Willard’s Mill back in the 17th Century, he was good at time traveling, and that he set the demons in motion to wreak havoc on the current constable.   I wasn’t exactly sure of the tone of my stuff until I got to the set,  but I did know that they were looking for Eccles to establish more of the history and to play it straight.  Since I have a pretty strong background in classical theatre, I knew that I could count on using the words to do most of the work for me.  Dana’s dialogue is so colorful,  I decided that if I could just  “taste” the words as I spoke them, that it would go a long way.

Randall Newsome as Constable Eccles courtesy of IFC

TME: What are some things you can do with this character that you haven’t been able to do with previous roles? Especially as the main villain?

RN: Well,  for one thing,  I get to dress entirely in black.  I figured that I’d only ever get to do that if I was playing a priest, or doing a Johnny Cash tribute lounge act.  I also wield some fire and spend a hell of a lot of time immolating (so-called) innocent people. But one of the more fun things I got to do as Eccles was go in disguise.  Before the character was fully established as the original Constable of the town who travels time, I got to make an appearance to Evie Barret as a mysterious sassy hobo in the woods.  My job in that episode was to mainly establish the storyline, but they wanted me to do it hiding in plain sight as another character.  I’m pretty good at accents and I dig improvising, and somebody said to throw on a baseball cap and a trench coat and do a cajun accent.  So I did.  And that’s how that happened.  I was in heaven.  Love that stuff.

TME: How is the chemistry on set when working with the cast and crew on Stan?

RN:  I really enjoy that company of people.   They are a dedicated group of professionals working in the heat of the outdoors with lots of bugs  and snakes, and doing their jobs with skill and humor. I have such respect for all of them.  Dana Gould is the only Producer/Comedian I’ve ever worked for, and from now on I want all the producers I work for to be comedians.  I wish I could put that it my contract.   He made it nothing but fun.  And of course, John McGinley is a blast to work with.  I did a feature with him for a minute years ago on a movie in Buenos Aires, Argentina.   He was terrific then, too.  I was fired up to be able work with him again.

TME: Do you do your own stunts in the show? You were credited as a stuntman in Tremors.

RN: I did some physical stuff on the show, but nothing too stunty.  Though I have done a bunch of stunts in other stuff including touring with the circus.  I got into the Screen Actors Guild as a stunt double on Tremors.  I was actually an Assistant Director on that classic.   We had been shooting not far from Death Valley for weeks in a town that the art department had built.  One day they needed somebody to stunt double for Michael Gross, so I threw on a hat and a fake mustache and BOOM – I was falling off of rocks and getting chased by giant worms..  Show biz, baby.

Courtesy of IFC

TME: What can you tell us to expect from Constable Eccles in Season 2 of Stan Against Evil?

RN:  Ha.  That’s a good question.  They’re good at keeping it suspenseful  and unexpected and secret -y, so I may be as surprised as you are as to what goes on with Eccles in Season 2.  We filmed a bunch of stuff and I just went with it.  So we’ll see!

TME: When we talk about your acting career, you once toured with Ringling Brothers and Barnum & Bailey Circus. What did you do with them and how has that experience added to your acting method?

RN: My experience with Ringling Bros Circus was a fantastic, raucous phenomenon. I was a clown.  In the 90’s I got an invitation to RBB&B Clown College and later toured with the 125th Edition of the Circus.  The whole experience was brilliant.  There is hardly a day that I don’t think of some aspect of it.  It was one of the worst paying and most exhausting (and physically painful) jobs that I’ve ever had, and I would’t trade it for anything.  Its no doubt an asset to my acting career, but some of  the people I trained and worked with  became gifted dentists, firemen, lawyers, clergy, teachers… We learned that hard work spurs creativity (most people think it’s the opposite) and that an open heart invites wonder.  It truly was awesome.

TME: What is one role you have had that you would pick as one of your greatest achievements?

RN: Years ago I was starring in a Larry Shue farce in an off-Loop Chicago theatre.  A friends’s aunt come to the show one night, and in middle of Act 2, I made her laugh so hard she threw up in the aisle.  We kept doing the show.   It doesn’t get better than that.

TME: What is one of your dream roles you would love to play?

RN: A mean SOB in a western.  On a horse, wearing boots  (me, not the horse).  And I want a good hat.

TME: Finally, if you had one piece of advice for actors what would that be?

RN: Shut up and listen.

Stan Against Evil airs on IFC November 1st, 10pm E/P with back to back episodes.

Follow them on Facebook @IFCStanAgainstEvil or on twitter @StanAgainstEvil

You can also follow the cast

John C. McGinley @JohnCMcGinley

Janet Varney @JanetVarney

Dana Gould @Danagould

Deborah Baker Jr. @deborahbakerjr

Randall Newsome @RMNewsome

Also check out Randall’s website www.randallnewsome.com

 

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Solo Leveling: Could We Be Getting Five Seasons and a Live-Action Movie?

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The anime adaptation of Solo Leveling has already created a massive buzz among fans of the popular webtoon and light novel series. Since its premiere announcement, the hype around the story of Sung Jin-Woo’s rise from the weakest hunter to the world’s mightiest has been palpable. Now, rumors swirling around the anime industry suggest that not only will the series extend over five seasons but it could also lead to a live-action movie adaptation. Could these rumors hold weight? Let’s break it down.

When Solo Leveling was confirmed as an anime adaptation, it was no surprise that expectations skyrocketed. The original story, written by Chugong and illustrated by the late DUBU, captivated millions with its breathtaking battles, compelling character arcs, and immersive world-building. The anime is being handled by A-1 Pictures, known for stunning productions like Sword Art Online and Blue Exorcist, which only adds to the excitement.

Given the vast amount of material in the source material, a five-season roadmap seems plausible. The light novel spans 270 chapters, and the webtoon is equally rich with detailed arcs. A five-season structure would allow the story to breathe, delivering each arc with precision instead of rushing through Sung Jin-Woo’s epic evolution.

The rumor mill isn’t just limited to multiple anime seasons. Whispers of a live-action movie have also captured fans’ imaginations. Hollywood’s growing interest in anime adaptations (One Piece, anyone?) combined with Solo Leveling’s global fanbase makes the possibility of a movie adaptation realistic.

Some speculate that the live-action adaptation would focus on the final arcs of the story or possibly a standalone tale set in the Solo Leveling universe. While anime-to-live-action transitions are often met with skepticism, the success of recent projects (Alita: Battle Angel and Netflix’s One Piece) suggests that studios are finally learning how to respect the source material.

Adapting a visually stunning and fast-paced story like Solo Leveling into live action would be no small feat. The series’ supernatural battles, intricate dungeon designs, and fantastical creatures would require top-tier CGI and production quality to match fan expectations. Casting would also be a critical factor—who could embody Sung Jin-Woo’s quiet intensity or Cha Hae-In’s graceful strength?

Furthermore, the cultural specificity of Solo Leveling, rooted in Korean mythology and history, would need to be handled with care. Fans are understandably wary of “Hollywood-ization,” which has often led to diluted or overly Westernized interpretations of beloved stories.

The possibility of a five-season anime adaptation has been met with widespread excitement. Many fans believe that extending the anime over multiple seasons would allow for a more faithful retelling of the story, capturing every thrilling fight and emotional moment. The potential for a live-action movie, however, has sparked mixed reactions. While some are optimistic about the idea of seeing Jin-Woo in a new medium, others worry about how the story’s essence could translate to live action.

While nothing official has been confirmed, the idea of Solo Leveling receiving five seasons and a live-action movie speaks to the enduring popularity of the franchise. Whether these rumors turn out to be true or simply fan speculation, one thing is certain: Solo Leveling is set to become one of the biggest anime adaptations in recent memory.

As we await more news, one thing’s for sure—this is just the beginning of Solo Leveling’s rise to global dominance. Fans, stay tuned. You won’t want to miss what comes next.

What do you think about the possibility of a live-action Solo Leveling movie? Do you believe the anime can deliver on its five-season promise? Let us know in the comments!

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Jurassic World Rebirth Official Trailer

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DEVA Movie Review

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Released in India: 2024

Released in the US: 2025

Genre: Action Thriller 

Runtime: Approximately 156 minutes 

Director: Rosshan Andrrews 

Writers: Story by Bobby–Sanjay; Screenplay by Bobby–Sanjay, Abbas Dalal, Hussain Dalal, Arshad Syed, Sumit Arora 

Cast: Shahid Kapoor, Pooja Hegde, Pavail Gulati, Pravesh Rana, Kubbra Sait, Girish Kulkarni, Manish Wadhwa, Gaurav More, Abhilash Chaudhary, Pravin Patil, Aditi Sharma 

Music: Score by Jakes Bejoy; Songs by Vishal Mishra & Jakes Bejoy 

DEVA delivers on the star power of Shahid Kapoor and Pooja Hegde but falters in its attempt to adapt the gripping narrative of Mumbai Police into a high-octane Bollywood thriller. While the film offers moments of style and spectacle, it ultimately struggles to leave a lasting impact. 

Shahid Kapoor once again proves his mettle, seamlessly embodying the layered persona of Dev Ambre—a character who walks the fine line between law enforcer and lawbreaker. His screen presence, particularly in the electrifying dance number Bhasad Macha, injects much-needed energy into the film. However, despite his commanding performance, the film’s screenplay does little to elevate its storytelling beyond the standard action-thriller formula. 

Pooja Hegde, a talented actress, finds herself in a thankless role, serving more as a narrative device than a fully fleshed-out character. Her chemistry with Shahid is engaging, but the script doesn’t offer her much beyond the love interest trope, leaving her talents underutilized. 

As a remake, DEVA retains the framework of Mumbai Police but struggles to replicate its emotional depth and narrative intrigue. Despite a strong cast and an engaging visual style, the film feels like a Bollywoodized version of a Hollywood thriller—heavy on aesthetics but lacking in storytelling impact. 

DEVA is a star-driven spectacle that will appeal to Shahid and Pooja’s fan base but fails to live up to its source material’s gripping intensity. A stylish but ultimately underwhelming action thriller.

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