Tate Taylor, who directed DreamWorks Studios’ Oscar®-winning film, “The Help,” returns to direct its adaptation of the New York Times bestselling novel, “The Girl on the Train.”
“Bringing rich material to the screen in the filmmaker friendly environment DreamWorks provides is a director’s dream”
DreamWorks acquired the rights to Paula Hawkins’ debut thriller in 2014, prior to the novel’s publication, and set Erin Cressida Wilson to adapt for the screen. Marc Platt will produce the film, while Jared LeBoff of Marc Platt Productions will serve as executive producer. In “The Girl on the Train,” Rachel, who is devastated by her recent divorce, spends her daily commute fantasizing about the seemingly perfect couple who live in a house that her train passes every day, until one morning she sees something shocking happen there and becomes entangled in the mystery that unfolds.
“With ‘The Help,’ Tate deftly adapted a beloved novel into a compelling film that stayed true to its origin while pleasing fans and moviegoers alike,” said Holly Bario, President of Production at DreamWorks Studios. “We are excited to have Tate back at DreamWorks and thrilled that he’s joining us on this journey as we bring another bestseller to theaters.”
“Bringing rich material to the screen in the filmmaker friendly environment DreamWorks provides is a director’s dream,” said Tate Taylor. “I’m honored to be a part of this.”
“The Girl on the Train,” is the fastest selling adult novel in history with over two million copies sold in the United States alone since it was published in January by Riverhead Books. It landed in the top spot on the New York Times bestsellers list its first week and has remained on there for the past 17 weeks straight.
Tate Taylor wrote and directed “The Help,” which was nominated for four Academy Awards® including Best Picture with Octavia Spencer winning for Best Supporting Actress. His screenplay for the civil rights era film was nominated for Best Adapted Screenplay by BAFTA and the WGA, which also recognized him with the Paul Selvin Honorary Award for his script. Most recently he directed the James Brown bio-pic, “Get on Up.”
Thatsmye Interviews: Les Weiler on Henchin’: the Series
The 8 Episode Series Tries To Encompass A Lot Leaving Fans In A Cliffhanger.
The 2010 “Avatar: The Last Airbender” movie by M. Night Shyamalan faced criticism for its deviations from the beloved animated series. The film struggled with pacing, casting, and a lackluster script, disappointing fans who cherished the source material. In contrast, the 2024 Netflix series has generated positive buzz for its commitment to diverse casting, adherence to the original storyline, and improved character development. The series seems poised to capture the essence of the animated show, offering a fresh and faithful adaptation that resonates with both new and existing fans.
Even though the Netflix series comes closer to the core ideals of the animated series, I feel it lacks heart. Many scenes barely scratch the surface of the relationships between the characters and the push-and-pull relationship between Aang and Zuko. I will admit the CG versions of Momo and Appa are just so gosh darn cute.
The 8 episode series tries to encompass a lot leaving fans in a cliffhanger. It’s worth a watch and I am hanging on for the next season to be announced.
Caesar’s Reign Comes To The Big Screen With New Trailer For Kingdom Of The Planet Of The Apes
Director Wes Ball breathes new life into the global, epic franchise set several generations in the future following Caesar’s reign, in which apes are the dominant species living harmoniously and humans have been reduced to living in the shadows. As a new tyrannical ape leader builds his empire, one young ape undertakes a harrowing journey that will cause him to question all that he has known about the past and to make choices that will define a future for apes and humans alike. “Kingdom of the Planet of the Apes” is directed by Wes Ball (the “Maze Runner” trilogy) and stars Owen Teague (“IT”), Freya Allan (“The Witcher”), Kevin Durand (“Locke & Key”), Peter Macon (“Shameless”), and William H. Macy (“Fargo”). The screenplay is by Josh Friedman (“War of the Worlds”) and Rick Jaffa & Amanda Silver (“Avatar: The Way of Water”) and Patrick Aison (“Prey”), based on characters created by Rick Jaffa & Amanda Silver, and the producers are Wes Ball, Joe Hartwick, Jr., p.g.a. (“The Maze Runner”), Rick Jaffa, p.g.a., Amanda Silver, p.g.a., Jason Reed, p.g.a. (“Mulan”), with Peter Chernin (the “Planet of the Apes” trilogy) and Jenno Topping (“Ford v. Ferrari”) serving as executive producers.