Connect with us

Tara Reid On DMX, Deepak Chopra & The Art of Ascension

Published

on

Tara Reid burst onto the scene as the flawless blue-eyed babe of the iconic 1999 camp comedy American Pie, a Fast Times at Ridgemont High for twenty-something Gen-Xers and precocious Millennials. Her flawless all-American looks led to films from cult favorite The Big Lebowski, to Urban Legend, Van Wilder, Josie and the Pussycats, Dr. T & the Women, and My Boss’s Daughter. She starred and held her own alongside Ryan Reynolds, Ashton Kutcher, Rosario Dawson, Kate Hudson, Richard Gere, and other movie heavyweights.

And then, something happened. Reid was young, stunning, and famous; and the media began taking more of an interest in her after-hours role as Hollywood’s resident party girl; largely ignoring her talent and her work ethic. Unlike most of us, Reid’s young adult days and nights were captured by paparazzi for the world to see. During our interview, she is quick to point out that, at the very least, mercifully, social media had not yet been invented. Thank God for small favors.

A painful public breakup with then-fiancé Carson Daly and about with botched plastic surgery further spun Reid’s public narrative out of control. She recently told E! News, “They almost make a cartoon character out of you, and they keep going with it,” referring to the rampant tabloid journalism of the 2000s.

The experience sent Reid reeling, and into a self-imposed media exile where she learned to reflect, regroup, and re-emerge focused on her craft, and with a healthy sense of humor as she displays in her willingness to embrace the camp genre with the Sharknado film series. In addition to working in front of the camera, she’s added film producer to her resume, with an upcoming slate of releases under her production banner, Hi Happy Films.

As women in our forties, Tara Reid and I discuss the power of knowing oneself and becoming unflappable in the face of life’s inevitable ebbs and flows. Smart, soulful, and creative, Tara Reid has reclaimed her power and found her most valuable commodity: peace of mind.

 

Allison Kugel: You were just working on a film with DMX before he passed.

Tara Reid: Yeah, a movie called Doggmen. It’s his last film and it was really interesting because he didn’t get to finish the whole film. They had to do what they did with Paul Walker (in his last Fast & Furious role). They make these facial sculptures and they put it on a face, and it looks exactly like [DMX]. It’s crazy.

 

Allison Kugel: Like CGI? 

Tara Reid: No, it’s literally a face they make and put on. The last couple of scenes that he has to film, that will be what they are doing.  It’s incredible and it looks so real. It looks just like him.  So, that is how they are going to film his last scenes, and I’ll be in those scenes with him.

 

Allison Kugel: What is that going to feel like for you, to do that?

Tara Reid: I think everyone was absolutely broken by DMX’s [death].  He wasn’t just a great rapper, but he was a poet. I think he was one of the best rappers of our time, and this movie explains that. The last person that really did that was Tupac. I think it will be a great film.  He’s a great actor, he’s a voice, and that mattered a lot to him. I think he will be really happy about how this movie comes out and looks. It’s DMX, and just to be a part of that history with him is pretty much incredible.

 

Allison Kugel: When he was on set, did he seem healthy? Did he seem happy?

Tara Reid: I never saw him on set. The movie started before I started working. I was due [on set]at the end of the movie. Then, unfortunately, that is when he passed. I actually never got to do the real scenes with him.

 

Allison Kugel: Oh man! 

Tara Reid: I’m in the other scenes with the “not real” version of DMX.  It’s going to be really interesting, and we are shooting that down in Florida.

 

Allison Kugel: Oh, wow. I’ll definitely look forward to seeing how they manage to do that when it comes out.

Tara Reid: I’ll let you come down to the set and you can see how they do it.

 

Allison Kugel: What three events in your life, if you had to narrow it down to three, shaped who you are today?

Tara Reid: Wow, that is a great question! Well, I guess one of them would be my parents making me, otherwise, I wouldn’t be here, so congratulations on that one (laughs)!  I think another one would be feeling the force of getting into Hollywood, which is the hardest thing to do, becoming a working actor.

 

Allison Kugel: What do you mean by “the force?” 

Tara Reid: It’s so hard to make it in Hollywood to begin with. It’s like winning a lottery ticket. To be lucky and fortunate enough to get there was incredible, and then seeing the aftereffects, and everything like that. The third and most painful one was having my parents pass away. That gave me a whole different look on everything.

 

Allison Kugel: Did it make you think about where they went when they passed? When my grandfather passed away when I was 32, the question that kept going through my mind was, “Where is he?” It started me on this journey of looking into life after death. Did you go through anything like that?

Tara Reid: I would talk about that with my sister, about where we go after this. Honestly, the hardest part, you’re going to make me cry now…

 

Allison Kugel: No, no, no…

Tara Reid: It’s okay. The hardest part is not being able to call your parents up and ask, “Hey, how do I make this lasagna?” or “How do I make this or that?” They were such good cooks. There are so many things I wish they wrote down, like their recipes, or even just to call them on the phone. I feel like I see signs a lot. I definitely feel their energy around me, and it’s healing for me.

 

Allison Kugel: What was your biggest takeaway from 2020? 

Tara Reid: COVID was something that, obviously, we never expected, like the Black Plague.

 

Allison Kugel:  Yes, in our lifetime…

Tara Reid: Never. From everyone staying home and not being able to go out or travel, to movies being cancelled, and even people being afraid of other people. A lot of fear was going on. But when I was in my house, I said, “You know what?  I’m going to be proactive. I’m not going to sit here and just wait for COVID to come over, or for my industry to come back.” I started developing and producing projects for myself. We (Tara’s production company, Hi Happy Films) got in touch with a lot of amazing and creative people and got to put a lot of different projects together, from comedy to drama. We’ve got a pretty good slate coming up.

 

Allison Kugel: What do you have coming up?

Tara Reid: We are doing this one movie called Masha’s Mushroom (starring Reid, Vivica A. Fox, Beverly D’Angelo). The director, White Cross, she’s also my partner on that particular film, and she is absolutely brilliant. We got connected with such valuable people from financing to distribution, and I learned aspects of the business that I never knew before. I realized how hard it is to make a film come together and it gave me a completely different appreciation for the film business as a whole.

 

Allison Kugel: You’re also working on a vegan handbag line…

Tara Reid: I can’t say too much about it just yet, but it’s being done with a great handbag maker named Michael Kuluva.  As far as the handbags, I can tell you they are not made of pleather, and it might be made out of vegetables and fruit, believe it or not. I know it sounds crazy. You would be shocked at how it’s made. Then, during this whole process, my boyfriend and I went down to Sedona, Arizona. My father told me, before he died, that he went there with his brother and it is very healing; it’s where the vortex (swirling centers of healing energy, where the earth is said to be “most alive”) is, and it’s very hippie and spiritual.  We were supposed to stay four days and we wound up staying for four weeks.

 

Allison Kugel: And that helped set the vibe for the bag designs…

Tara Reid: You get it. The process is pretty incredible, and it’s not just us that’s doing it. I think Hermès is coming out with a bag made from mushroom “leather.” We are going to debut our line next year during Fashion Week, and there will be a lot of Arizona-inspired spiritual stuff on the bags.

 

Allison Kugel: Speaking of that, do you pray? If so, who or what do you pray to? 

Tara Reid: I do pray, and who I pray to depends on what situation I am in. I pray to Jesus, but I also pray to my parents all the time. They are probably my number one. And I pray to my guardian angels; I pray to St. Jude, St. John, or St. Christopher. They have different meanings depending upon what you are in need of. I also listen to tapes by Deepak Chopra which has helped me tremendously. His tapes help you break down, “Who am I close to? Who am I? What do I want? What do I not want?” And you really have to write it out in a diary form. My life started changing. A lot of us don’t know how to direct that positive energy, and I think that he is someone that really knows how to give that to you.

 

Allison Kugel: I’ve interviewed Deepak Chopra twice, and he was the first person who ever explained to me that there is no such thing as time. I was younger at that time, and I didn’t really get it, so he said, “Well, think about it. If you are in a rush or on a deadline, you feel like you’re running out of time. If you are bored or anxiously awaiting something, time feels like it is taking forever.” Then he said, “Time is really nothing more than the movement of thought.” It makes so much sense to realize that we are trapped in space and time, but you can step out of time and be completely in the moment. It is the most freeing and beautiful feeling there is.

Tara Reid: I agree with you a billion percent. It really is like, “I’m running late for this meeting,” or, “I’m going crazy from this deadline.” Then you’re like, “Wait, I don’t have to get this or do this right now. I can wait half an hour and the world is not going to end.” Time is relevant in a situation like we’re in right now, how we have decided to meet at a certain time. But when it comes to yourself, you can create how you exist in time. When you put out a manifestation and put something great out there, you have to close a lot of doors to open up new ones. That is one of the things that Deepak Chopra teaches. I believe that is what you probably got out of it too.

 

Allison Kugel: What was your favorite film role, and why? 

Tara Reid: This is actually a really good story. Last night I was with my boyfriend watching TV and as we were going through the channels, HBO came up and my boyfriend says, “Oh My God, this is crazy, you’re on TV.” I looked and it was Josie and The Pussycats. That has always been my favorite movie that I’ve ever done. It was so much fun. Rachael Leigh Cook is amazing.  Rosario Dawson was amazing. We were shooting up in Canada, having fun doing a girl’s movie, and the whole movie was the best experience. I played Melody, and she was always happy, a little bit ditsy, but kind of psychic. It was great waking up every day, playing a happy girl.

 

Allison Kugel: Have you forgiven the media for the way that they treated you years back, or do you still struggle with that?

Tara Reid: That is a really good question. I didn’t, and I was upset about it when I was younger, but I realized the only way I was going to grow and get out of that situation was to grow as a woman. So therefore, I do forgive them now. I have moved on, and my press has changed. I’m not angry about it anymore. When you finally let something go, it goes. It’s like taking a balloon and putting it up in the air, and it’s gone. I’m 45 years old and I’m not a child anymore. I’m not the little girl from American Pie. A lot of things have changed in my life, and I wouldn’t take back anything, because again, it put me where I’m at right now. I probably would not be talking to you right this second if everything was different. You’re a positive person I feel like you’ve gone through a lot of what I have, and I really feel like I can relate to you. Would you change anything?

 

Allison Kugel: I would not change anything. I really am at a place of peace in my life right now.  There has been a lot of bumps in the road and twists and turns but I really would not change anything.

Tara Reid: Of course, there are going to be bumps in the road. That’s life. No one ever said it was going to be perfect, but if we didn’t go through these bumps in the road, it would not define us as who we are.

 

Allison Kugel: I find that my compassion and empathy muscles have grown, exponentially.

Tara Reid: I think COVID really helped a lot of people with that. People had no choice, they had to be inside. So, what do you do?  Call your best friends, call people you haven’t talked to in a while, forgive yourself for a lot of things, talk to yourself a lot, and make sense of some of the things that didn’t make sense. I think that is where you and I are. I am completely comfortable in my own skin right now, and I’m happy with where my life is going.

 

Allison Kugel: Have any journalists ever apologized to you, whether it was a gossip columnist or tabloid reporter?

Tara Reid: To be honest, not really (laughs).  If that day ever comes, you are going to be the first person I call and say, “Guess who called me to apologize?” (laughs) But no, not yet.

 

Allison Kugel: Is there a hobby or another profession that you would like to attempt? 

Tara Reid: I think I’m doing that now, expanding beyond being an actress and producing and creating my own films with the roles that I’ve wanted. I also love arts and crafts. I’ve been beading my whole life. And I’m really into rose quartz for love, for example. Every bracelet or piece of jewelry that I make with crystals has a huge meaning behind it.  I’m an artist and I feel like I’m covering a lot of different areas in that, and I’m definitely satisfied with it.

 

Allison Kugel: What do you think you came into this life as Tara Reid, to learn and what do think you came here to teach? 

Tara Reid: I think I came into this life to teach people to feel good. I think I have a gift. It just seems like everywhere I go, among my friends, if there is something happening in their life, they talk to me, and I talk to them and I get them out of situations. What I’m here to learn is almost the opposite of that. I’ve had to learn to be progressive, humble, and to keep myself open to learning information that I can use to help others and help myself.

 

Allison Kugel: Were there times in your life when you were not as humble as you could have been, and you look back on it and think, “Man, I should have been a little more humble, down to earth, appreciative,” and all of that?

Tara Reid: Yes, I think when I first got famous, I didn’t really know what fame was.  It is not something that is so easy to get thrown into, and it’s a bit shocking. The beginning of my fame almost scared me, and then I realized how to eventually deal with it. I learned how people are, and that not everyone’s going to love you. Social media can be terrible, and you cannot protect yourself on it. It was a growing process.

 

Allison Kugel: When you were on that first American Pie set, did all of you have a feeling like, “Wow! This is going to blow up and make us all famous,” or did it just feel like… a job?

Tara Reid: I think I felt like, “Oh, this is just a job.”  Everyone in the cast was so new. The actors were mostly very green. It was the first movie for most of them, so we had a bond that was really close. When it blew up, you know, we still have that bond every time we see each other. The first people that you make it with, that never goes away. The movie I was most excited about, but didn’t do well, was Josie and The Pussycats. You never know what is going to work and what is not.

 

Allison Kugel: If you could travel back in time and alter one historical event, where would you go and what would you attempt to change? 

Tara Reid: I wouldn’t want to change anything, but if I were to go back in time to a historical event that was fun, I would have loved to have been Marilyn Monroe singing “Happy Birthday” to the president [John F. Kennedy] (laugh). It was such a legendary moment.

 

Allison Kugel: Would you like to become a mom at some point in your life, or are you good as you are?

Tara Reid: Well, I feel like I’m a mom already. I have two dogs that I’m so attached to. I take them everywhere I go. These dogs have probably been to eight different countries! Right now, that is where I’m at. Will I have kids?  Let’s see what is in store for me. It’s not a no, and it’s not a yes. I have gotten my eggs frozen so there is definitely the potential of that. If it is meant to be, it will happen. If not, I’m very comfortable where I’m at.

 

Allison Kugel:  Where do you see yourself in five years if you had to visualize it?

Tara Reid: I definitely see myself being in a place where I’m excited and happy about producing and acting, and maybe married. I have great friends, so just to keep my friends close. I don’t have many friends, just ones that are my favorite and best, and we would do anything for each other.

 

Allison Kugel: That’s all you need.

Tara Reid: I just see myself going on the road that I’m on right now and feeling content. I have a great boyfriend, I have amazing dogs, good friends. Hopefully, we can start traveling a lot again because that is one of my favorite things. I kind of see myself moving along like The Little Engine That Could: I think I can, I think I can.

Follow Tara Reid on Instagram and Twitter @TaraReid

Continue Reading

TV

American Horror Story: Delicate

Published

on

As most of us are already aware, the 12th Season of AHS has been fraught with all kinds of differences to the previous seasons, mainly in that this is the first one to be based entirely off a novel, ‘Delicate Condition’ by Danielle Valentine. The first half of the season aired in October 2023 to mediocre reviews, while the SAG-AFTRA strike caused production and airing delays for the latter half of the season, and the episodes of Part 2 were all cut to less than an hour long apiece. And none of that is even getting into the disjointed attempt at storytelling for Season 12, so let’s dive into this! 

Meet Anna Victoria Alcott (Emma Roberts), former young ling star of Hollywood now struggling to recapture fame as an adult, who wants a baby, very very badly. Bad enough to drive herself and her husband Dex (Matt Czuchry) through multiple unsuccessful rounds of IVF (in-vitro fertilization), bad enough to keep trying no matter how crushing each failure turns out to be, bad enough to involve her purported best friend and bougie publicist Siobhan Corbyn (Kim Kardashian) in her struggles, and maybe, just maybe, bad enough to give up on a burgeoning resurgence of her career after interest in her comeback role for The Auteur begins garnering her Oscar-worthy attention. 

So, Anna and Dex are going to go through yet another round of IVF, likely one of their last attempts at it, from a different doctor, Dr. Andrew Hill (Denis O’Hare), and clinic based on Siobhan’s recommendation. And already, strange things are beginning to happen to Anna – her appointments that she set herself begin springing up incorrectly, a doom saying woman called Preacher (Julia White) shows up spouting warnings about trusting no one, dire warnings appear in unlikely places, and BTW, it seems as though long-suffering but good-nurtured Dex has a side-piece too. It doesn’t help that Dex’s new partner at his art gallery, Sonia Shawcross (Annabelle Dexter-Jones), bears a striking resemblance to his dead ex-wife Adeline, either. Those spiked emerald heels start appearing weirdly too, and it seems as though no one will listen to Anna as she grows more and more suspicious that some sort of sinister cult has designs on her as-yet-unborn baby. At the same time, Anna tries to live the life of a successful returning actress, attending parties and gallery openings while draping her rapidly-expanding middle in shimmering fabrics and actively ‘campaigning’ for that little golden statue that most actors covet. Competition is fierce, even among her co-stars of The Auteur, and while Anna wants to be supportive of her fellow entertainers, she clearly appears to be incapable of doing both at the same time – wanting the baby and the little gold award at the same time is too much to ask, apparently. 

Elsewhere, mostly in the past, various women in states of desperation formed from one situation or another are visited by sinister-looking women in prim black dresses, headgear reminiscent of – to me anyway – an odd cross betwixt birds and bunnies, my guess is an ostensive nod to fertility in general, and a general feeling of blood-bound witchery about them at critical moments of crossroad choices. 

Though the second half of the season moves a good deal faster than the first, the attempts at callbacks and reminder flashes to Part 1 hit with all the impact of a dropped bag of garbage onto their friends Talia’s (Julia Canfield) borrowed bougie kitchen floor – splat, into incomprehensible silence, from all parties, both characters and audience, concerned. Even the reminders that, in Part 1 of Delicate Dex’s mother Virginia Harding (Debra Monk) did indeed have perfectly valid memories of abuse at the hands of a black cult and Dex’s own father Dex Sr. (Reed Birney), the revelation pales and peels away in the face of Dex’s true parentage. 

Which brings us back around full circle kinda sorta, to the only real character worth a damn in this entire miserable season of strange feminism and aspirations of world domination through a kind of idiotic Rosemary’s Baby nightmare scenario, we should have known she’d steal the show when Kardashian was cast for it, Siobhan Corbyn, leader of the blood cult her high and mighty (old) self. Throughout the whole show her character has remained exactly the same, and it’s a wonder Anna can stare at her all stupefied while Siobhan does her villain speech at the end of the last episode. Siobhan never masked her ambition or greed, her mysterious protective vibe and even deep love for Anna, and can always be counted on to have secret plans of her own, already in motion, bitch. 

The idea that Anna herself was used as a surrogate for Siobhan and her incestuous eugenicist plans, plus the sweet little demon baby she just birthed, has an ironic the-world-is-tilting-the-wrong-way kind of witchy madness to it. Sure, Anna really can have it all, the baby and the golden statue, if only she joins the patriarchy-crushing cabal of blood witches with world domination plans, got it. 

I have questions, or I would have, but things are moving on and Anna is being saved by … Dex’s dead ex, Adaline the former member of the coven right okay her, she’s going to show back up and offer Anna a simple chant to Hestia her patron Goddess, and that is somehow enough to deal with Siobhan entirely – poof. And finally, after all that rigamarole, decades of planning and scheming and witchy plotting finally settled, Anna really can have it all as a White Witch of Hollywood, heaven help us, with her perfectly human baby and that damned little golden statue, clutched in an only slightly desperate grip. 

As with any season of AHS there are a great deal of statements that could be implied just under the skin of the season – the canker way of ambition, the millenia-old pain of a woman giving birth, the savagery and bloodshed that comes with bringing forth life, pushback against both the patriarchy and ultra-feminism, the absolute desperation of humans wanting to have a child, and perhaps strangest and most open to interpretation of all, what it means to be feminine. The worlds population of women who can’t or don’t or simply won’t have children, for any reason or none, are relegated to servants, expendable servants at that, for this new world order that Siobhan is proposing, and that is far too close a comfort to things like outright slavery. A dictator is a dictator, no matter how great she looks in those emerald spiked heels. 

It’s not the really beautiful grotesquerie that Ryan Murphy and his AHS gang are often known for, nor is it utterly terrible and should be burned at the stake. What Delicate should be, is put back together with missing and cut footage, an hour long per episode again come on folks, fleshed some more of Siobhan’s baby-stealing adventures in the past and given us an actual reason to like anything about the whiny Anna, at least the Part 2 we as longtime AHS fans deserve. Toss in some more spidery hijinks! Give us the actual origin of those weird feather bunny-ear headdresses! 

American Horror Story Delicate the whole season can be seen on FX! 

Continue Reading

Streaming

Jurassic Park: Unraveling the Mystery in a World Gone Prehistoric!

Published

on

Hold onto your hats, dino fans! The highly anticipated sequel to the adrenaline-pumping Camp Cretaceous saga is here, and it’s taking us on a wild ride six years in the making. Following the harrowing events of Camp Cretaceous, our beloved “Nublar Six” are back, but they’re not out of the woods just yet. In fact, they’re about to plunge headfirst into a world where dinosaurs roam freely alongside dangerous humans, and trust us when we say, it’s a Jurassic jungle out there!

Picture this: a world where survival isn’t just about avoiding sharp-toothed predators but also navigating the treacherous waters of human greed and deceit. As our resilient heroes reunite in the aftermath of a heart-wrenching tragedy, they quickly realize that danger lurks around every corner, and trust is a luxury they can’t afford. 

But wait, there’s more! Prepare to embark on a globetrotting adventure like no other as the Nublar Six find themselves thrust into the heart of a conspiracy that threatens not only the fragile balance between dinosaurs and humanity but also their very existence. From the lush jungles of Isla Nublar to the bustling streets of bustling cities, buckle up for a rollercoaster ride of epic proportions as our intrepid group races against time to uncover the truth about one of their own and, ultimately, save both dinosaur and humankind from certain doom.

So, dear readers, if you thought you’d seen it all in Jurassic Park, think again! With heart-stopping action, pulse-pounding suspense, and jaw-dropping revelations, this latest installment promises to be a game-changer in the Jurassic universe. Get ready to roar with excitement because Jurassic Park: Unraveling the Mystery is about to take a bite out of your imagination and leave you hungry for more!

Continue Reading

Streaming

Netflix’s Upcoming Thriller ‘Trigger Warning’ Promises Action-Packed Intrigue”

Published

on

Get ready to buckle up for an adrenaline-fueled ride as Netflix prepares to drop its latest original thriller, “Trigger Warning,” on June 21, 2024. Directed by Mouly Surya and boasting an all-star cast, including Jessica Alba, Mark Webber, Tone Bell, Jake Weary, Gabriel Basso, Anthony Michael Hall, Kaiwi Lyman, and Hari Dhillon, this film is set to keep viewers on the edge of their seats from start to finish.

The plot centers around Special Forces commando Parker, portrayed by the talented Jessica Alba. Parker’s life takes an unexpected turn when she receives the heartbreaking news of her father’s sudden passing, prompting her to return to her hometown. As she steps into her new role as the owner of the family bar, Parker quickly realizes that there’s more to her father’s death than meets the eye.

Reconnecting with figures from her past, including her former flame turned sheriff, Jesse (Mark Webber), and his volatile brother, Elvis (Jake Weary), Parker finds herself embroiled in a dangerous web of deceit and violence. With the influential Senator Swann (Anthony Michael Hall) casting a shadow over the town, Parker must navigate treacherous waters to uncover the truth about her father’s demise.

As tensions rise and alliances shift, Parker taps into her elite commando training, determined to unravel the mysteries plaguing Swann County. Assisted by her covert ops partner and hacker, Spider (Tone Bell), and the enigmatic local dealer, Mike (Gabriel Basso), Parker embarks on a perilous journey filled with twists and turns.

Penned by John Brancato & Josh Olson and Halley Gross, “Trigger Warning” promises to deliver a gripping narrative packed with action, suspense, and unexpected revelations. With a powerhouse cast bringing the characters to life and a talented creative team behind the scenes, this Netflix original is primed to captivate audiences worldwide.

Produced by Erica Lee, Basil Iwanyk, and Esther Hornstein, “Trigger Warning” offers a thrilling glimpse into the murky depths of small-town politics and criminal underworlds. With its pulse-pounding action sequences and compelling storyline, this film is sure to leave viewers on the edge of their seats until the very end.

Mark your calendars for June 21, 2024, as “Trigger Warning” arrives on Netflix, ready to ignite your senses and keep you guessing until the credits roll. Don’t miss out on this adrenaline-charged cinematic experience that promises to be the ultimate summer blockbuster.

Continue Reading

Trending

Copyright © 2023 That's My Entertainment