Here we are, folks. The final episode of a fantastic season. Stan Against Evil has always carried the torch of horror/comedy, making sure to give me laughs and monsters in equal measure.
Their secret weapon, though, has been the deep connections and true bonds between the characters. Janet Varney and John C. McGinley find the heart of the show for me every week. This time, they exceed their own high bar.
Episode 8 of season 3, titled Stan Against Evie (how long have they been holding onto that one?) jumps us to the future, and into another state. Literally, we shift New Hampshire for Vermont, as an elderly Evie recounts the story of Willard’s Mill to a disbelieving historian. We go back to our present through Evie’s tale, back to that cursed town, where we last saw Stan with his eyes aglow…
When we left off previously, Stan had agreed to be possessed by Haurus, in order to gain the power to destroy Constable Eccles. In short order, Haurus makes good on that deal, and we are treated to a fantastic display of power that absolutely changes the show dynamic. Gone is the villain of 3 seasons. There is now a bigger problem, one far more powerful than our previous foe. Even worse, this new problem is currently possessing Stan.
I was stunned when the episode dealt with Eccles and fulfilled Haurus’ part of the deal immediately. Plot moves like this are truly one of the highlights of this show and a huge part of my love for it. Instead of agonizing over when Haurus might confront Eccles, we’re instead given an episode about the true cost of things. Stan was more than willing to sacrifice himself to save the town. He feels like he owes it, having been saved himself. But instead, Haurus wants a truly meaningful sacrifice from him. He must kill Evie (setting up that amazing and overdue episode title).
Of course, we’re treated to the usual cadre of gags, from Evie’s victory montage after Eccles’ defeat, Stan’s personal hell as he resists Haurus, the issue of Bored Female Sheriff Monthly, Denise’s plan for a mini-golf course, to Kevin’s real last name. The show never lacks for funny, but we’re deep in the mythology this time around. The Haurus plotline is a threat felt in nearly every scene.
By the time we reach our climactic final fight, we’ve directly explored what kind of pain and sorrow powers Haurus. We’ve come to understand the love that drives Stan to make these choices. And we’ve had a classic smelting scene where someone turns jewelry into a bullet. It’s everything you could ask for in a sitcom season finale, and more.
I’m not ready to say goodbye to Willard’s Mill. If the show must end, this is a fine spot. It’s a funny, heartfelt episode capping a wild and surreal season. But there should be more. I want to know Duquette’s history with Eccles. I want to know how he came to work with Haurus, and what Stan and Evie’s final plan means for him.
I want to know what the last hole will be on Denise’s mini-golf course.
Whatever those stories might be, I trust this show to surprise and thrill me, and for this cast to bring the emotions home. Let’s hope, as Evie says, that “This is just the beginning….”
We are now in a new season for the team, and they have started off on the wrong
foot. The team is broken up and Ted has his work cut out for him. The team goes
through a slump, and Ted is now doubting his coaching ability. Ted’s personal life
has also gotten out of control, and he discovers his ex-wife Michelle has started a relationship with their therapist. The wonderkid, Nathan Shelley, the former manager of West Ham has had a change of heart and leaves his job to be with his one true love, the waitress from his favorite restaurant.
She convinces him to return to the Richmond team he started out in and it’s quite evident that
everyone wants him back and held no hard feelings. All of Lawrence’s series he has worked on with others have just that right balance of slice-of-life drama with a little bit of ridiculous comedy that reality dishes us, normal folks, every day.
This all comes to a head in the potential series finale where Ted announced to
Rebecca that he will be returning to the States to his family after his mother tells
him that his son misses him. This puts the Richmond owner into quite a state of denial; doing everything from offering Ted the position of being the highest-paid coach in the league to selling the team after he leaves. The team is also affected by this decision as they perform a number from the musical The Sound of Music that is a more than touching farewell to this family.
This bleeds into their playing as in the final title match the first half is met with
bumbling and possible injuries to their star player Jamie.
After an energizing pep talk and a circle back to the first motivator in the
beginning, a sign Ted made up that said “BELIEVE”, the team dominate the second
half and win with a rousing closing scene that is reminiscent of any 80’s party
movie. It’s a fitting end for this pandemic darling that emotionally carried us through. It is
a must-see series even if you don’t like soccer (football).
If you were born in the ’80s, ’90s, or literally ANY decade after those, you know about Super Mario. A cultural phenomenon was brought to life on the big screen this last weekend. One that has not only stood the test of time but reinvented itself time and time again. This wasn’t even the first time it’s been made into a movie but, well, let’s be honest.. some of us choose not to acknowledge the LIVE action adaptation of the beloved game from 30 years ago.
It was pretty bad… But this was animation. ILLUMINATION animation at that. The Universal company that brought us Gru and his Minions, showed us the Secret Life of Pets, and gave us a reason to SING! Still, I had my reservations and even some concerns, especially when the casting was announced.
Eyebrows were raised. As big of stars as they were on paper, could they really deliver on voicing characters from a staple of our childhood? They did.
Chris Pratt and Charlie Day may not be Italian, and Jack Black may not be a King or Turtle creature from the Mushroom Kingdom, but they make the characters their own all while paying homage to the lore of a video game.
From the jump, the story reintroduces us to the brothers that just want to save Brooklyn one clogged sink at a time. We feel an instant connection and relate to these “underdogs of the plumbing world”. The movie is riddled with easter eggs, each of which tugs on the heartstrings of every generation of Mario fandom. And the soundtrack was beautifully put together to not only make us feel like we’re taking a walkthrough of the game but like an experience all its own with some familiar favorites thrown in.
Every word in the movie is pure eye candy for both those that are casual fans, and those analyzing every frame to see what they’ll catch next. Bowser’s ship, the Mushroom Kingdom, Kong’s arena, and the Rainbow Road.. They’re all meant to give us just enough of a “new” look at these amazing worlds, but stay true to how we remember them.
The movie itself moves along at the perfect pace. Although, if you don’t really know ANYTHING about the Super Mario Bros, you may have gotten a little lost and felt left behind in the green tunnel. But that’s ok! It’s an adventure of the imagination and a classic story of a boy that meets a girl and tries to save the world from a monster that wants to destroy it.
What’s funny is that you could easily say this is a story about two characters who couldn’t be more opposite if they tried, battling to win the heart of a princess. Who would’ve thought that the King of the Koopas was just trying to impress his crush?
And that song? Ohhh THAT song! It’s my new ringtone and deserves the Oscar for Best Original Song.
Back to the movie.
Universal and Illumination clearly understood the assignment. Is it missing some things or could things have been done differently or even better? Absolutely! We’re the worst critics of the things we hold nearest and dearest to our hearts. But if you’re up for going on a 90-minute adventure through amazing worlds, with awesome music, and characters that’ll make you smile and laugh, then this is the perfect movie to spring you into that warm summer feeling.
Plus there’s the whole part with karts and shells, and banana peels and oh my goodness how amazing was that?? It’s enough to make you want to stand up and cheer, then go home and destroy your friends and family on your favorite track haha.
The bottom line, it pays homage in all the right ways to the little guy with the mustache, while giving us something new and exciting. Take the kids and go see Super Mario Bros. You’ll be glad you did!
Justice League x RWBY: Superheroes & Hunters Opening Act Saturday, March 25 at 1:30 p.m. on North 200A. Talent confirmed so far to participate in the post-screening panel is Natalie Alyn Lind (Big Sky, The Goldbergs, Gotham) as Wonder Woman/Diana Prince and longtime RWBY cast member Lindsay Jones (Camp Camp) as Ruby, Kara Eberle ( RWBY: Ice Queendom) as Weiss, Arryn Zech (Detective Now Dead) as Blake and Barbara Dunkelman (Blood Fest) as Yang – along with Jeannie Tirado (Soul, Saints Row) as Green Lantern and Tru Valentino (The Rookie, The Cuphead Show!) as a cyborg. Also attending the panel will be producer/director Kerry Shawcross (series RWBY) and writer Meghan Fitzmartin (Supernatural, Justice Society: World War II).
Warner Bros. Discovery Home Entertainment returns to WonderCon 2023 with the big screen debut from DC Animated Films: highlights this year include the world premieres of the highly anticipated Batman: The Doom That Came To Gotham and Justice League x RWBY: Superheroes & Hunters Part One the weekend of March 24-26 in Anaheim, California. Both screenings will be followed by panel discussions with actors and creators. Batman: The Doom That Came To Gotham premieres at The Arena on Friday, March 24 at 6 p.m. Tati Gabrielle (Kaleidoscope, Chilling Adventures of Sabrina, Uncharted) as Kai Li Cain, Christopher Gorham (The Lincoln Lawyer, Insatiable) as Oliver Queen, David Dastmalchian (Dune, Suicide Squad, Ant-Man) as Grendon, producer/co-director Sam Liu (The Death and the Return of Superman), co-director Christopher Berkeley (Young Justice) and screenwriter Jase Ricci (Teen Titans Go! and DC Super Hero Girls: Mayhem Across the Multiverse).
Both films will have encore screenings in the Arena on Sunday, March 26. Justice League x RWBY: Super Heroes & Huntsmen, Part One will screen at 12:15pm, followed by Batman: The Doom That Came To Gotham at 2:00pm
Finally, the Cinderella story of the Richmond Greyhounds has come to an end.
No Question Mark Box Here; Super Mario Delivers a 1-Up in Theaters
Warner Bros. Discovery Home Entertainment returns to WonderCon 2023
Marvel Studios’ Guardians of the Galaxy Vol. 3
Crunnchyroll presents ‘BOFURI: I don’t want to get hurt so I’ll max out my defense’: You’re not twinking!
No Question Mark Box Here; Super Mario Delivers a 1-Up in Theaters
Marvel Studios’ Guardians of the Galaxy Vol. 3
Black Panther: Wakanda Forever
An Askewed View Episode 7 Jay And Silent Bob Reboot
