: Robin’s Wish tells the powerful true story of actor/comedian Robin Williams’ final days. For the first time, Robin’s fight against a deadly neurodegenerative disorder, known as Lewy Body Dementia, is shown in stunning detail. Through a gripping journalistic lens, this incredible story sheds an entirely new light on the tragedy, beauty and power behind the mind of one of the greatest entertainers of all time.
WATCH THE TRAILER: https://youtu.be/cT7fqJbvE4M
ROBIN’S WISH features interviews with Susan Schneider Williams, Shawn Levy, John R. Montgomery, Rick Overton and David E. Kelly. The film is directed by Tylor Norwood
SUSAN SCHNEIDER WILLIAMS STATEMENT:
When my husband Robin Williams died, the whole world grieved. It’s enough to grieve personally over this type of loss, and then to have the entire world grieving with you—that pushed it into a different realm altogether. Robin was one of the most beloved artists in the world, a comic genius, whose mind functioned on a mighty level. Yet in the end, it was a little known disease in his beautifully gifted brain that became his greatest and final battle.
During the last year of his life, Robin was confronted with anxiety, paranoia, insomnia, scary altered realities and a roller coaster of hope and despair. With our medical team’s care we chased a relentless parade of symptoms but with very little gain. It wasn’t until after Robin’s passing, in autopsy, that the source of his terror was revealed: he had diffuse Lewy body disease. It was one of the worst cases medical professionals had seen.
Armed with the name of a brain disease I’d never heard of, I set out on a mission to understand it, and that led me down my unchosen path of advocacy. With invaluable help from leading medical experts, I saw that what Robin and I had gone through, finally made sense — our experience matched up with the science. And what I discovered along the way was bigger than me, and bigger than Robin. The full story was revealed during the making of this film and it holds the truth that Robin and I had been searching for.
Robin’s Wish is Robin’s story, it’s our story, and in some ways it’s a universal one — as we all understand what it means to search for answers, to experience love and loss and the power of healing that keeps us going.
Finally, a note about the film title: Robin wanted to help all of us be less afraid. That was Robin’s wish. We had been discussing what we wanted our legacies to be in life; when it was our time to go, how we wanted to have made people feel. Without missing a beat, Robin said, “I want to help people be less afraid.”
DIRECTOR’S STATEMENT:
Robin’s Wish is the retelling of an ending to a story that was never done the justice it deserved. Robin Williams was very much an influence on my life and so when he passed with such violence and general uncertainty it affected me deeply. However, like most people, I quickly buried that uncertainty as I went about my life, too busy with my day to day affairs to treat the questions around Robin’s passing as much more than a place I’d rather not go — telling myself instead that I would remember him only as the man who made me laugh and feel so much in my life. This process of denial of Robin as a man instead of a string of characters was interrupted when his widow, Susan, reached out to me to ask if I’d have any interest in making a science documentary about a neurological disease I’d never heard of — Lewy body dementia. I told her no, and that it would take years until we’d be sitting in a theater and watching any movie I agreed to make, so I asked her what would sustain her in that. She began telling me about herself and Robin, and what they went through in the last year and a half of his life. I told her if that was the film, I was in.
What followed was years of tracking down the facts of Robin’s case from his friends, neighbors, co-workers, widow and medical professionals that gave me a clear view of a compelling story I’d never heard before about one of the greatest entertainers to ever live. In the end I think we’ve done the work of restoring a legacy that had been tainted by a fundamental misunderstanding. It was in the spirit of completing the record, and honoring Robin with giving the world the truth of what took him from us that I think this film shines, and can serve as a moment for the world to look deeper into this beautiful man’s story. It is a moment for us to understand the pain he felt as his talents and faculties rapidly slipped away, and moreover how in the face of that terrifying reality, he was more heroic, more compassionate than any character he ever played in any of his movies. So I hope this film rights a wrong that was done to him, and takes away a cloud that has unjustly hung over his legacy for far too long.
Few films capture the intersection of holiday cheer and sheer terror quite like Michael Dougherty’s Krampus (2015). This darkly comedic horror film blends yuletide traditions with chilling folklore, delivering a festive nightmare that has cemented its status as a must-watch for horror enthusiasts during the holiday season.
Krampus draws on the Alpine legend of the titular creature—a sinister counterpart to Santa Claus who punishes those who lose their holiday spirit. When young Max (Emjay Anthony) renounces Christmas after a disastrous family gathering, he unwittingly summons Krampus and his terrifying minions to wreak havoc on his dysfunctional household. What ensues is a tense, darkly funny fight for survival against supernatural forces.
Why Horror Fans Should Watch
1. A Unique Spin on Holiday Horror
Krampus delivers a refreshing take on Christmas movies by replacing syrupy sentimentality with macabre humor and genuine scares. The film skillfully balances a grim tone with absurdity, making it a rare gem in the holiday-horror genre.
2. Stunning Practical Effects
Dougherty’s background in creature design (Trick ‘r Treat) shines through with Krampus’ menacing appearance and his army of nightmarish toys and demonic elves. The practical effects and atmospheric set pieces add a tactile, old-school charm that horror purists will appreciate.
3. Social Commentary with a Darkly Comic Edge
Beneath the terror lies a biting critique of consumerism and familial dysfunction, themes that horror fans often relish for their depth. The film uses its scares and laughs to explore how easily the holiday spirit can be lost in modern times.
4. A Standout Cast
With performances from Toni Collette, Adam Scott, and David Koechner, the ensemble brings comedic timing and emotional resonance to their flawed, relatable characters. Their journey from bickering chaos to desperate unity adds weight to the terror unfolding around them.
5. A Memorable Monster Movie Ending
Without spoiling too much, Krampus ends on a note that is equal parts chilling and thought-provoking, leaving audiences questioning the true meaning of Christmas—and their survival instincts.
Krampus is a delightful addition to any horror fan’s Christmas lineup. Its mix of dark humor, folklore-inspired scares, and holiday critique makes it an instant classic that stands apart from more traditional holiday fare. If you’re tired of saccharine Christmas movies and want something with bite (and maybe a little blood), Krampus is the gift that keeps on giving.
No Spoilers
In the modern world of horror with its ubiquitous jump scares and ultra-violence it’s nice to discover a quiet horror. A horror that is in fact barely a horror at all, this is Laurence Vannicelli’s; Mother May I?
The horrors genre’s nihilistic poster boy, the talented: Kyle Gallner stars as Emmett; the not-really bereft son of recently deceased Tracy (Robin Winn Moore). We find out that, although Tracy and Emmett had been estranged for many years, Tracy left Emmett her rather impressive country house in upstate New York. Emmett and his poet girlfriend (Holland Roden) travel to stay in the house after dumping Tracy’s ashes unceremoniously into a nearby lake. Emmett’s quip about Tracy now being ‘fish food’ should give you some idea about how he feels towards his late mother.
Tracy’s house, though beautiful and roomy, is filled with her possessions and memorabilia from her youth as a ballerina. Emmett wants to sell the house as quickly as possible despite Anya’s suggestion of turning it into some kind of artists’ retreat.
Emmett and Anya seem to be having relationship issues, despite being in it for the long haul and wanting to start a family. This apparent dysfunction is either mediated or compounded by Anya’s insistence on psychological ‘games’ suggested by her therapist’s mother. In these games, Anya and Emmett sit across the table from one another and each pretends to be the other person by switching seats. This is to try and better understand their partner. These scenes make for some pretty intense moments with the camera pulled right up to the actor’s face.
After one of these ‘sessions,’ the couple makes yet another excellent decision by indulging in magic mushrooms while emotionally unstable and in unfamiliar surroundings. I’m sure I don’t need to tell you that this goes horribly wrong.
While high Anya tries on the cast of Tracy’s face hanging above the fireplace. It is at this moment Anya becomes Tracy. Is this another mind game or a genuine possession? This state lasts longer than the hallucinogens should. Anya even ends up wearing Tracy’s clothes and makeup despite not being a makeup wearer herself. Anya even re-pierces her ears to wear the earrings that were found on Tracy’s corpse.
The rest of the film explores the Freudian nightmare in which Emmett finds himself.
What’s Good…
The acting is fantastic. Gallner, as always, brings his vulnerable intensity to the role. It’s interesting to the character of Emmett regress as his childhood (literally) comes back to haunt him.
I didn’t appreciate Emmett psycho analyzing Anya by saying she calls herself a writer but is actually just a “frustrated copywriter” (jeez movie just @ me next time!). The movie is extremely atmospheric and refreshingly quiet (I could literally hear my cat snoring at points). Expertly building tension so that you are constantly scanning the background to spot what might be hiding behind the corner of the seemingly pleasant house.
What Could Be Improved…
I love a slow burn as much as the next person but I couldn’t help but feel the movie could have upped the creep factor more. Tracy as a ballerina could have been utilized more to give her ‘ghost’ inhuman movements. I can understand why many critics described Mother May I as a horror, light on the horror.
As many horrors do, the movie lost a lot of its during the third act. Subtlety is one thing but the film does leave many questions unanswered and kind of loses itself in its own metaphor.
Despite this Mother May I is an interesting meander into the realm of real-world horror. A good watch for a cosy evening maybe just not with a snoring cat!
Three stars.
Rating: 3.5/5
Disney’s highly anticipated sequel Moana 2 has returned audiences to the Pacific’s breathtaking animated landscapes. While the film offers stunning visuals that surpass its predecessor, its storyline and music struggle to match the charm and originality of the first installment.
The animation is a standout, with vivid depictions of Polynesian culture and oceanic beauty. Critics have praised its artistry, describing it as “breathtaking” and “awe-inspiring”.
Moana’s dynamic with Maui remains compelling. Their camaraderie, humor, and emotional depth provide many of the movie’s best moments.
The addition of Moana’s sister, Simea, adds a fresh layer to the story, with her character described as a “scene-stealer”.
The music, now composed by Abigail Barlow and Emily Bear, lacks the enduring appeal of Lin-Manuel Miranda’s iconic tracks from the original. While some songs are fun, they don’t have the same magic.
The plot divides attention across a larger ensemble of characters, leading to a slightly scattered narrative that doesn’t achieve the emotional resonance of the first film.
Moana 2 is a worthy sequel in its own right, offering an enjoyable ride for families and fans of the original. However, it feels more like a beautifully animated follow-up than a groundbreaking continuation. The film’s visuals and central character dynamics carry it, even as its story and soundtrack fall short of the unforgettable heights set by its predecessor.
Moana 2 is a fun return to the ocean, but its heart isn’t quite as vibrant as the original voyage.
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