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REVIEW: What Happened to Monday

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What Happened to Monday is a sci-fi action thriller set in an overpopulated dystopian future where the Child Allocation Act advanced by career politician/genetic biologist Nicolette Cayman, played by a stiff, Hillary Clinton-esque Glenn Close, offers a solution. Mandatory from now on, only a single child will be allowed per household. Any siblings will be taken away and stored in a cryogenics system called Cryo Sleep. Somewhere, a woman, Karen Settman, dies during childbirth and her surviving set of identical septuplets are saved and hidden away by their biological grandfather, Terrence Settman, brilliantly portrayed by Willem Defoe. Each of the seven sisters  are named for each day of the week, a device that overplays its hand by the second act. They all assume one ultimate identity to ensure their survival: Karen Settman.

30 years later, all seven Karen Settmans, triumphantly played by Noomi Rapace, in a tour de force performance reminiscent of James McAvoy’s many alters in Split, tries to live a normal life while hiding with her six secret siblings in a technologically secure apartment. Each day, a different sister goes out of the house on the day that corresponds with her name, i.e. Monday assumes the identity of Karen Settman on Monday and goes into work…Tuesday on Tuesday and so on and so forth. And that’s where the problems began for me. Seems like an inventive plot, yes. It’s a fresh concept and the use of such a versatile actress was impressive, however, six was too much for the Child Allocation Bureau and sadly, it was too much for me. After a while, Noomi talking to herself annoyed me. It was hard to keep track of seven women as they lived together. The conversation between them seemed contrived in order to showcase each individual personality. Another headscratcher: supertitles with the days of the week preceded big scenes and yet, it wasn’t specified if it was appropriating the day of the week or one of the characters. The struggle to keep track of all seven ladies and the eventual twist seemed anticlimactic. Putting a ton of inventive ideas into a story doesn’t make for a better film. This is a perfect example of the old adage: less is more.

The screenwriters, Max Botkin and Kerry Williamson, convoluted the story to make us work for a big ending that seemed unsatisfying once the credits rolled. The special effects, the techie equipment and weaponry, and the set design really got me thinking this would be another Snowpiercer or Gattaca, unfortunately the director, Tommy Wirkola, asked me to do more than suspend my disbelief when he made the communication between all seven sisters pertinent to their survival only to dissolve that idea half way through the second act as the sister’s dirty secrets were needed to advance the plot. These so-called secrets would have made it impossible for them to conceal their identities and thrive. Far too many holes in the concepts the writers built into their own story world. There was some major potential. The flashback scenes where Terrance Settman would home school the seven little girls in secrecy were pure magic. If only home schooling was handled by Mr. Settman, we’d have no need for a scary dystopian thrillers. All would be utopia. These scenes were few and far between, however, they hinted at the wonderful beginnings the story had.

I had many questions while watching What Happened to Monday These questions took me out of the movie experience. Some of the plot devices were so clunky that I had to laugh. Sci-fi fans of the above mentioned films will get a thrill but, like the film itself, even that’s a stretch.

 

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Thandel: A Riveting Journey Through Social Inequities and Human Struggles

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Directed by: Rajesh Kumar | Written by: Rajesh Kumar | Starring: Vijay Sethupathi, Nayanthara, and Pasupathi

Genre: Drama, Thriller | Runtime: 2 hours 45 minutes

Available on: Netflix | Studio: Red Studios

Thandel is a gripping drama-thriller that examines the deep-rooted social and political issues prevalent in rural India. Directed and written by Rajesh Kumar, the film brings to light the stark realities of human suffering, class divides, and systemic oppression while weaving a powerful narrative of hope and resistance. With stellar performances by Vijay Sethupathi, Nayanthara, and Pasupathi, this film offers more than just entertainment – it’s a powerful commentary on society.

The story centers around Karthik (Vijay Sethupathi), an idealistic young man who returns to his village after years of studying in the city. He quickly realizes that his community is being threatened by a corrupt political system that is destroying the very fabric of rural life. His attempts to restore justice and bring about change lead him into a whirlwind of tension, deceit, and violence. As Karthik allies with Anjali (Nayanthara), a strong-willed social activist, the two face constant opposition from powerful forces.

The narrative is slow-burning at first but quickly accelerates, with each twist revealing more about the characters’ motivations, fears, and hopes. The layered storytelling keeps you hooked until the very end.

Vijay Sethupathi delivers yet another powerful performance, effortlessly transitioning between the earnestness of his character and the complex moral dilemmas he faces. Nayanthara, as always, excels in portraying the fiery yet vulnerable activist, and her chemistry with Sethupathi elevates the emotional depth of the story.

Pasupathi, in a key supporting role, steals the show with his nuanced portrayal of a villain who is more human than one might expect, further adding complexity to the story.

Rajesh Kumar’s direction is both poignant and precise. His attention to detail in capturing the rural landscape of India creates a sense of place that is both beautiful and haunting. The cinematography is immersive, with sweeping shots of the village contrasted by intimate close-ups that highlight the emotional turmoil of the characters. The direction adds weight to the social commentary while never sacrificing the entertainment value of the plot.

The soundtrack, composed by Anirudh Ravichander, is another standout element of Thandel. The haunting score perfectly complements the film’s dark themes, while songs like “Thamizh Puthu” bring an uplifting energy to the narrative at the right moments. The sound design plays a crucial role in amplifying the tension in key scenes, immersing the viewer further into the tense atmosphere.

At its core, Thandel is a powerful examination of social inequality, the exploitation of rural communities, and the complex relationship between political power and the people. The film touches on corruption, justice, and the role of activism in driving societal change. Through its nuanced portrayal of its characters and their personal struggles, it urges viewers to think about the impact of systemic oppression and the importance of standing up for what is right.

Thandel is a thought-provoking, emotionally charged film that blends drama with thriller elements. Its intelligent screenplay, solid performances, and striking visuals make it an essential watch for anyone interested in socially relevant cinema. While the pacing may be slow for some viewers, the emotional payoff and the film’s profound message make it well worth the wait.

Rating: 9/10

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Jaat (2024) – A Gritty and Pulse-Pounding Ride Through Rural JusticeJaat

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Runtime: 2h 17min

Genre: Action, Drama, Crime

Director: Manoj Rathi

Writer: Veerendra Pal Singh

Studio: Rathi Films India

Cast:

Gavie Chahal as Veeru

Aarushi Sharma as Meera

Karamveer Choudhary as Chaudhary Saab

Manjit Singh as Inspector Malik

Rajendra Bhatia as MLA Dhillon

Jaat comes galloping in with the firepower of a rural action epic and the emotional core of a revenge drama. Directed by Manoj Rathi, this gritty North Indian action film pulls no punches, delivering a hard-hitting tale about honor, family, and retribution.

Gavie Chahal commands the screen as Veeru, a former army man turned vigilante who returns to his village only to find it ravaged by corruption and political thuggery. Chahal brings stoic intensity to the role, capturing both the silent rage and explosive force required of a righteous hero. Aarushi Sharma as Meera provides warmth and emotional grounding, while Karamveer Choudhary adds gravitas in his portrayal of an old patriarch trying to hold on to fading traditions.

The film’s biggest strength lies in its raw action sequences, beautifully choreographed and grounded in realism. Hand-to-hand combat, shootouts in mustard fields, and gripping chase scenes through narrow village lanes are highlights that keep you on the edge of your seat.

What Worked:

Authentic setting: The dusty lanes, village politics, and vibrant Haryanvi culture feel lived-in and immersive.

Powerful soundtrack: Folk-infused music enhances key moments, especially during confrontations.

Action choreography: Brutal, believable, and satisfying for fans of grounded action.

Strong lead performance: Gavie Chahal delivers a breakout role with screen presence and emotional depth.

Pacing issues: The second act lingers due to subplots that could have been trimmed. Predictable plot points: The revenge arc follows a familiar path and would benefit from more unexpected twists. Underdeveloped antagonist: Although the villain is effective, they lack depth and backstory, which would make the rivalry more engaging..

Rating: 7.5/10

Verdict: Jaat is a must-watch for fans of desi action with heart. It wears its rustic flair with pride and delivers a satisfying punch of drama, action, and cultural resonance. While it doesn’t reinvent the genre, it revs up the rural revenge saga with style and sincerity.

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Simhadri

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Language: Telugu
Genre: Action | Drama | Masala
Director: S. S. Rajamouli
Producer: V. Doraswamy Raju
Studio: VMC Productions
Runtime: 171 minutes
Release Year: 2003
Lead Cast:

Jr. NTR as Simhadri

Bhumika Chawla as Indu

Ankitha as Kasturi

Mukesh Rishi as Bhai Saab

Nassar as Ram Bhupal Varma


Simhadri is a landmark Telugu masala action film directed by the now-legendary S. S. Rajamouli in his sophomore effort. It was a turning point for Jr. NTR, catapulting him from rising star to full-fledged mass action hero.

The film follows Simhadri, an orphan adopted by a wealthy family who leads a dual life—loyal servant by day, ruthless protector of justice by night. The story blends traditional Telugu family sentiment with high-octane action and melodrama, perfectly aligned with the masala genre.

S. S. Rajamouli’s direction is explosive and ambitious. Even in his early career, Rajamouli had a knack for balancing mass appeal with emotional resonance. He crafts action set pieces with remarkable intensity and paces the film to maintain constant engagement, especially for fans of dramatic twists and adrenaline-pumping sequences.

Jr. NTR’s performance is nothing short of a powerhouse. He balances the fiery, vengeance-fueled action hero with tender vulnerability, particularly in scenes with Bhumika Chawla’s Indu. His screen presence is magnetic, commanding during action scenes and soulful in emotionally heavy moments. Simhadri became a benchmark role that showcased his physical agility, command of dialogue, and capacity for deep emotional expression.

The supporting cast adds weight, especially Mukesh Rishi, who delivers a memorable performance as the antagonist. Bhumika Chawla brings sensitivity to her role, though her character remains more reactive than proactive in the plot. The music by M. M. Keeravani bolsters the emotional arcs and gives Jr. NTR some memorable songs to dance and emote to.

Visually, the film carries the early 2000s aesthetic—slightly exaggerated but vibrantly stylized. The fight choreography is brutal and kinetic, and even two decades later, it retains a raw energy that many modern films lack.

Simhadri is a quintessential Telugu action-drama that delivers on spectacle, sentiment, and star power. It cemented Jr. NTR’s place in the pantheon of Telugu cinema and hinted at the grandeur Rajamouli would later bring to Indian cinema globally.

Rating: 8.5/10 A must-watch for fans of Jr. NTR, Rajamouli, or Indian mass entertainers.

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