Spencer is a retired football superstar who is trying to reinvent himself as a financial manager for current players in sunsoaked Miami. His inner circle includes Ricky, a talented but volatile wide receiver who seeks to balance his off-field antics with his passion for the game; Charles, a reluctantly retired lineman who’s finding it hard to adjust to civilian life; and Vernon, a player with a rookie contract, whose promise never to forget “where he came from” brings scores of hangers-on into his life, and lands him in big financial trouble. Though they’re pros when it comes to playing the game, each one has a harder time navigating life off the field.
Created by Stephen Levinson (HBO’s “Entourage,” “Boardwalk Empire” and “In Treatment”) and executive produced by Stephen Levinson, Mark Wahlberg, Dwayne Johnson, Dany Garcia, Peter Berg, Evan Reilly, Rob Weiss, Julian Farino and Denis Biggs, BALLERS explores the whirlwind lifestyle and real-life problems of a group of former and current football players. The show kicks off its ten-episode season SUNDAY, JUNE 21 (10:00-10:30 p.m. ET/PT), exclusively on HBO.
BALLERS stars Dwayne Johnson (“San Andreas,” “Furious 7”) as Spencer Strasmore, John David Washington as Ricky Jerret, Omar Miller (“CSI: Miami”) as Charles Greane and Donovan Carter as Vernon Littlefield.
Other series regulars include Troy Garity (“Barbershop”), Rob Corddry (“Hot Tub Time Machine”), London Brown (“The Hustle”) and Jazmyn Simon.
June’s episodes:
Episode #1: “Pilot”
Debut date: SUNDAY, JUNE 21
After the unexpected demise of a friend and former teammate, retired football superstar Spencer (Dwayne Johnson) ramps up his efforts to build a post-football career in Miami, and feels pressure from Joe (Rob Corddry), his boss at a financial firm, to “monetize his friendships.” Meanwhile, recently retired player Charles (Omar Miller), copes with the realities of finding a new job. Talented wide receiver Ricky (John David Washington) is forced to put his pride aside to find a new home. Vernon (Donovan Carter), a player on the rise, finds himself in a tight spot and reaches out to Spencer for help.
Written by Stephen Levinson; directed by Peter Berg.
Episode #2: “Raise Up”
Debut date: SUNDAY, JUNE 28
A cash-strapped Spencer struggles to close a deal when Vernon’s best friend, Reggie (London Brown), refuses to step aside, while Jason (Troy Garity) works hard to renegotiate for his client. On his first day of workouts, Ricky finds that not all his new teammates are friendly. At his new job, Charles finds it hard to keep his mind off the game. At a brunch to talk business, Spencer counsels Vernon to learn from his mistakes.
Written by Evan Reilly; directed by Julian Farino.
BALLERS was created by Stephen Levinson; executive produced by Stephen Levinson, Mark Wahlberg, Dwayne Johnson, Dany Garcia, Peter Berg, Evan Reilly, Rob Weiss, Julian Farino, Denis Biggs; co-executive producer, Hiram Garcia.

Streaming
Renfield; A Fangtastic Time

Nicholas Cage is not the Dracula we deserve, but the Dracula we need!
With Nosferatu dominating the box offices with all its gothic, avant-garde glory you may need something a little more light-hearted to cleanse the palette. 2023’s Renfield is a fantastic recipe of dark comedy, satire, and not a small amount of heart (beating or otherwise). Renfield has recently been added to Netflix UK’s menu; for us all to feast upon!
Both Nick (Hoult and Cage respectively) give fantastic performances as master and long-suffering servant, proving that toxic relationships take many forms. Renfield (Nicholas Hoult) has been in the service of Dracula (Nicolas Cage) for ninety years. Renfield does everything short of cleaning the count’s iconic cape (it’s dry-clean only apparently) and he’s quite frankly sick of it.
After ninety years the duo’s options, and bank account, have become quite limited. This is why they are holed in an abandoned hospital in New Orleans. Renfield leaves most evenings to supply the ancient vampire with victims to drain blood, preferably of the pure variety. Hoult’s Renfield is a charming soft boy, a 6 ft 2 soft boy, who has some reservations about killing innocent people. He cleverly gets around this moral quandary by joining a support group for the victims of narcissistic abuse held in a local church and eh…dispatching the group members’ abusers to bring to his master. This works well until one night he gets tangled up with the criminal underworld on a ‘routine’ dispatching.
Awkwafina plays the pint-sized police officer with a foul mouth and a strict(ish) moral compass; Rebecca Quincy. Rebecca and Renfield cross paths and it’s up to them to save the city from both criminal and supernatural corruption. This results in many impressively choreographed fight scenes and not a small amount of blood, gore, and sarcasm! It’s strangely heartwarming to watch Renfield try to break the cycle of Dracula’s narcissistic abuse and create a place for himself in the world. As Rebecca states: sometimes you just fall under the thrall of a vampire for a few decades!
Nicholas Cage is every bit as fabulous and camp as you’d expect of a truly iconic Dracula performance. His delivery is as cutting and precise as his debonair velvet suits. One of the best things about the film is you can tell the cast is having fun with their characters, particularly Cage, I would bet my own soul that a lot of his lines were ad-libbed. Special shout-out goes to Brandon Scott Jones who played the painfully sincere narcissistic survivor group leader. Jones proves there is no part too small to make an impact!
Renfield takes the usual Dracula tropes and puts a hilarious spin on them. Asking the real questions like; do vampires need a verbal invite or will a ‘welcome’ mat suffice to enter a home? Quick someone page Buffy!
Even with the gratuitous gore and violence Renfield manages to be touching at times and ironically breathes fresh life into the reanimated corpses of both Dracula and Renfield.
Three and a half stars.
Events
Nandamuri Kalyan Ram’s Upcoming Film Builds Massive Hype

The much-anticipated film Arjun S/O Vyjayanthi, produced by NTR Arts and Ashoka Creations, is all set to unveil its official teaser on March 17, 2025. Featuring Nandamuri Kalyan Ram in the lead role and veteran actress Vijayashanthi making a powerful comeback, the film is expected to deliver a gripping action-packed family drama.
The Arjun S/O Vyjayanthi teaser launch event is scheduled for:
Date: March 17, 2025
Time: 10:00 AM IST
Venue: AAA Cinemas (Screen 1), Hyderabad, India
Fans who cannot attend in person can watch the teaser across YouTube, Twitter (X), and other social media platforms, as it will be released online simultaneously.
Pre-Teaser Hints at High-Octane Action
Ahead of the teaser launch, the makers released a gripping pre-teaser, which showcased Kalyan Ram in an intense look—seated on a boat, shirt bloodied, signaling an impending storm of action. Complemented by Ajaneesh Loknath’s electrifying background score, the clip has already generated significant buzz online.
Directed by Pradeep Chilukuri, Arjun S/O Vyjayanthi promises to blend action, family drama, and strong emotional elements, making it a highly awaited release for Telugu cinema fans. With Vijayashanthi portraying a powerful IPS officer, the film is expected to bring a strong narrative backed by stellar performances.
Nandamuri Kalyan Ram’s New Action Avatar Vijayashanthi’s Comeback in a Fierce Role High-Quality Production Backed by NTR Arts Intense Pre-Teaser That Has Raised Expectations
Stay Updated on Arjun S/O Vyjayanthi For the latest updates, teasers, trailers, and exclusive insights into Arjun S/O Vyjayanthi, follow NTR Arts’ official pages and stay tuned for March 17!
Streaming
The Resurrection of ‘Jennifer’s Body’

TW: Discussions of Sexual Assault.
I did myself a favour and watched the cult classic Jennifer’s Body (which I highly recommend you do, too). Watching this clever, funny, thought-provoking movie in 2025, it is hard to believe that it was a major flop when it was released in 2009.
‘00s nostalgia spurts throughout the film. From the frosted eyeshadow to the digital cameras, it’s enough to bring a tear to a millennial’s eye. However, not everything about the film is dated. In fact Jennifer’s Body is hailed today as a modern feminist classic.
This is particularly intriguing when remembering how badly the film bombed in 2009. Looking at Rotten Tomatoes scores, Jennifer’s Body has a rather pitiful 46% critic score and an even worse 36% audience score. Was this comedy-horror simply ahead of its time? Many believe so.
In pre-#MeToo 2009, Jennifer’s Body was marketed as a fun, sexy romp aimed at straight men. Sex symbol Megan Fox in the starring role as Jennifer, fresh from her scantily-clad Transformers fame, audience thought they knew what to expect from the actress. And Fox is wrist-achingly beautiful in the film; there is no doubt about that, but many complained she remained disappointingly fully clothed. There was also the promised same-sex kiss between Fox and Amanda Seyfrie,d which was framed more as an uncomfortable, confused, and tragic scene between two childhood friends rather than sexy.
In short, Jennifer’s Body was marketed for the male gaze, even with a female writer (Diablo Cody) and director (Karyn Kusama) instead of what it is, which was a commentary about the treatment of female bodies (the clue was in the title, really).
Many have theorised that the film is essentially a rape-revenge fantasy. The premise is (spoilers!) that Jennifer is kidnapped by an indie boyband after a gig. The group’s plan is to sacrifice young Jennifer to Satan in exchange for fame (obviously). Their plan goes awry when Jennifer lies about being a virgin, when she is not in fact even a “backdoor virgin”. This little lie causes Jennifer to turn into a creature-monster-succubus-type thing. This is a clear commentary on how women are only seen as useful or worthy if their virginity is intact. Also, how the music industry sacrifices young women to the altar of male lust.
Later that night, Jennifer appears at her childhood friend Needy’s (Amanda Seyfried) home drenched in blood and covered in bruises, with a vacant stare. After this, Jennifer begins to indiscriminately kill young men from her school.
I theorise that the film is cleverly inverting the expectation of young women being targeted. Jennifer is indiscriminate in her choosing of victims. A school jock, a sensitive emo guy, and a foreign exchange student walking home alone at night. She lures them to secluded areas with the promise of sex and tears them apart until they look like “lasagne with teeth”.
With Jennifer’s murder spree terrifying the small town, its young men are warned not to go anywhere alone. Johnny Simmon’s character, Chip, is even given mace by his mother to protect him on prom night.
Jennifer’s Body cleverly inverts many of the horror movie tropes. For example, the ‘nerdy girl’, Needy is not a virgin either. Needy and her boyfriend Chip actually have regular, no-consequence sex, which is unusual for a female character in a horror movie.
This cult classic may have died on its initial release but it was resurrected by the dashboards of Tumblr and feminist blogs. Seyfried even teased the possibility of a sequel soon. Suffice to say there is definitely more to Jennifer’s Body than meets the eye!