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Netflix presents ‘La Casa de Papel’ (Money Heist): Join the Resistance!




Led by a mysterious figure known only as the Professor, a group of 8 people with city names for aliases, take on the heist of a lifetime from inside the Royal Mint of Spain!

Movie Moxie absolutely adores shows like these – an incredibly clever central figure with a grudging axe to grind, who convinces a group of followers to enact a daring plan that would normally get laughed at for plausibility, something to stick it to The Man and win a victory (and a f*ck-ton of money) for the common people! A 5-part story told in three sectional seasons, the show features time-jumps, flashbacks, hidden character motives, an “unreliable narrator”, spans the entire gamut of human emotions and motivations, and will have you cheering for freedom by the end!

Known for their distinctive red jumpsuits and Salvador Dali masks, not to mention the rather large and real guns they’re packing, the robbers storm the Royal Mint of Spain and take hostages, but that’s the barest hint of a beginning, and only skates over the start of the Professor’s genius plan to smuggle out upwards of €900 million out under the very noses of the cops, the Spanish Central Nacional de Inteligencia or CNI (their equivalent of the FBI or similar intelligence agencies), and the common people who’ve come out to root for them!

We begin not with the Professor, but the unreliable narrator, the enticing and bugsh*t-crazy Tokyo, also rarely known as Silene Oliviera (Ursula Corbero). Recruited early as one of the very first of the Professor’s crew and particularly beloved by him, Tokyo acts unofficially as the heart of the group, quick to find words of comfort and violent encouragement when the sh*t hits the fan, she never shies away from cheerful destruction to bring her point across. Tokyo loves just as fiercely as she fights, and it’s actually her reluctance to suffer to be tamed in a life of domesticity that leads to a daring if necessary rescue plan that opens Season 2, Part 3 of Money Heist!

Nairobi, also occasionally known as Agata Jimenez (Alba Flores), is an expert of counterfeiting and forgery, personally overseeing the money printing and gold smelting, always loudly encouraging and determined to move things along at a breakneck pace. She acts as the hands of the gang, forever gesturing, pointing out, circling back together when it all seems to be falling apart.

Berlin, the older and terminally-ill brother of the Professor, is a former jewel thief with a past full of betrayal, and not always from Berlin himself. Rarely called Andres de Fonollosa (Pedro Alonso), Berlin is the mouthpiece of the gang, a smooth-talking, elegantly bisexual man who loves to steal the finer things in life, he is never without a quip just sharp enough with truth to hurt, even a little.

Denver (Jaime Lorente) is the guts of the gang, passionate and roiling and reluctant, young and hot-headed and prone to geyser-like outbursts of emotion, he wears his heart like armor and is perpetually ready to f*ck some sh*t up. Denver is almost always the would-be trigger man, the over-eager grunt tossed to the front lines, never in charge but never afraid to lead the charge, Denver has guts for days and can always be counted on to lift the rest of the gang when things are falling apart! It should also be noted that it’s because of Denvers various passions that we get a new member of the gang somewhere along the way, the more than mildly crazy Monica Gaztambide (Esther Acebo), who adopts the most appropriate gang moniker ever – Stockholm!

Moscow (Paco Tous), father to Denver and a former miner turned criminal with the rest of our gang, serves as the blood of our combined gang-body, a connection that flows below the surface between everyone, a calming influence that is no slouch in the brains department either.

Then there’s Rio, known eventually by the cops as Anibal Cortes (Miguel Herran), hacker and lover of Tokyo, the perpetual baby of the gang, always in need of saving. Rio is the thyroid gland of the entire gang, the entirely necessary computer hacker that’s generally ignored until desperately needed, or until it begins acting strangely, both of which happens to and not because-of Cortes.

Helsinki (Darko Peric) and his cousin Oslo (Roberto Garcia Ruiz) are of course the meat and muscle of the operation, both veteran Serbian soldiers always ready to utterly destroy the opposition with their intimidating sizes, explosives, and appetite for destruction!

We’ve saved the absolute best for last, because really, the Professor (Alvaro Morte) as the brains of the operation is like sex on toast for a sapiophile like Moxie! Hardly cutting any kind of striking figure, the Professor looks exactly as his moniker sounds – glasses, shirt-sleeves, adorably ruffled puppy-dog hair, skewed tie, harried, lovable expression. And yet somehow, the Prof is the whole of the entire heist, or series of heists, the soul of the group who drives with his passion and determination and ultimately, love, of not only years-long vengeance in the making, but the people he chose to surround himself with for this caper, who became family in the crucible of this trial. Stuck together in some Spanish villa in the countryside for months on end, planning and working and training together under the Professor’s calm, assured guidance, the gang unites under their patriarch and sets out to enact the most daring heist in history!

Plenty of bumbling cops, corrupt CNI officials, and other would-be credit-takers coalesce to try and get our robbers out of the Royal Mint by means fair or foul, but the most important of them is Inspector Raquel Murillo (Itziar Ituno), placed in charge of the original Mint heist. By Part 3, there is no more Raquel, she is now Lisbon and gleefully sporting a crimson jumpsuit and a Dali mask with the rest of them!

The love and care shown in each and every episode to the lost, the forgotten, the marginalized and the repressed – most especially in the LGBTQIA+ community – is truly impressive, and comes across in a beautifully haunting way. For a show fraught with the spectrum of human emotions, a daring plan pulled off by some incredibly zany characters, and the determination to seize justice with your own two hands, Money Heist is an incredible adventure worth repeated viewings!

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Midnight Mass: The Blood of Life



The isolated island community of Crockett receives a mysterious new head priest, full of secrets and a brand new testament under a very unusual Messenger of God. 

Meet poor Riley Flynn (Zach Gilford), freshly released from prison and wracked with guilt over what got him there, a stupid drinking accident that caused the death of his ex-girlfriend. The last thing he wants to do is go back to Crockett and the judgment of the mostly religious community there, his disappointed family, and the nightmares of his ex’s death that plague him. But where else would have him? Resignedly on the ferry, he goes. 

Riley’s dad Ed (Henry Thomas) isn’t the kind of man who talks very much at all, much less about his feelings, or his very real disappointment in his elder son. Riley’s teen brother Warren (Igby Rigney) has no idea what to say to him either, and just generally keeps mum. Riley’s mom Annie (Kristin Lehman) is accepting and loving, hesitant in how to help her eldest son but never wavering in her faith in the help of our lord Jesus. Mom seems to think a good heaping dose of the Church would set Riley right but is surprised to learn that the old priest of the Parish, Pruitt, has taken an extended leave of absence from the island, and his newcomer replacement Father Paul (Hamish Linklater) is young, charismatic, and bursting at the seams to tell the whole island about the gifts he brought them, most especially what he claims as a new testament under a messenger of God. 

We’ll get back to that whole ball of issues in a moment, the other interesting characters of Crockett Island. Bev Keane (Samantha Sloyan) is the nightmarish overly polite and gently, almost lovingly condescending neighbor Christian woman you’ve ever loathed, the kind of person who explains away every last thing her Church may do wrong or contradictory because, after all, God works in mysterious ways. Pfft. Of course, Bev immediately ingratiates herself as the second to the new Father Paul in their services and is the first to start covering up his transgressions as they become more rampant. 

Newcomers to Crockett Sheriff Hassan (Rahul Kohli) and his son Ali (Rahul Abburi) present a burgeoning problem to the plans of Father Paul and his shadowy companion, for they are both practicing Muslims. The practical side of investigating these so-called ‘miracles’ and strange happenings falls on Hassan’s shoulders, as he already struggles with barely-concealed racism and suspicion from his fellow islanders, and of course his son is being wooed away from him by the promise of actual, tangible miracles, but from a different whole faith and God. Father Paul definitely does not practice a traditional Christian faith and relies far too much on making use of the eucharist, the ceremony of the blood and flesh of Jesus Christ turning into bread and wine and, well, consumed. 

Wade (Michael Trucco) and his wife Dolly (Crystal Balint) are lifers of the island and both in general interested in one thing, the advancement of their own family, specifically their daughter Leeza (Annarah Cymone), who happens to be in a wheelchair. And that happens to be the canny Father Paul’s first real miracle-with-a-cost that he demonstrates to the astonishment of the parishioners, after a heartfelt and rousing sermon, Father Paul commands Leeza to rise, to stand, and to walk. And lo, she does. What parents wouldn’t wholly dedicate themselves to a cause after seeing this happen to their beloved precious daughter? The fringe benefits of healing, and power, the ones that come at a mighty, currently unnamed, cost, are simply a nice bonus. 

Joe Collie (Robert Longstreet) is the town drunk, and while his reasons for drowning his sorrows in the sauce might be understandable, absolution wears a very different face when it comes from Father Paul. While Leeza might be willing to forgive Joe, and even as Joe begins attending the newly-formed Al-Anon meetings on the island of course hosted by Father Paul, redemption might’ve been better sought from medical professionals, and not this newfound method of religious worship. 

Dr. Sarah Gunning (Annabeth Gish) is the islands’ kind of all-around medic, and this is how she and Riley’s old friend Erin (Kate Siegel), also newly returned to the island, a few months pregnant but traveling quietly alone, met when Erin comes to the Doc for obstetrics. Sarah’s older mother Mildred Gunning (Alexandra Essoe) has many medical and mental issues, and Sarah struggles in their shared home, to take care of her addled mom and balance her own life. Then Father Paul takes it upon himself to visit one of his oldest parishioners, bringing the sacred host and wine with him to give directly to Mildred, who starts looking and acting so much better under his loving care. 

The show is very much a slow slow burn, with a lot of the actual action taking place in the last two episodes. Much of the beginning and middle episodes feature two people just sitting alone, having quiet and seriously in-depth conversations about heavy subjects – grief and repentance, what happens when we die, the disasters that come as a result of addictions, how our actions’ consequences reverberate to those we love around us, faith and the foibles of man, and of course, the giving of oneself over to a higher power, for strength, and guidance, and love. 

Except, for the higher power that Father Paul brought back with him, to share with his beloved flock of Crockett Island, while it may be extremely powerful and full of what could be considered miraculous magic, everything comes at some kind of a cost. And when the Messenger of God is finally revealed to the shocked denizens of Crockett at Easter Mass, with Father Paul rapturing on about rebirth as the bloody massacre begins in earnest, it’s faith, not in any kind of God or religion, but faith in each other, that may save a few hardy souls. 

Question the wisdom of your religious leaders along with the rest of us in a fine slow-burn addition to the Flanaverse, Midnight Mass is on Netflix now! 

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Saw X: It ain’t brain surgery!



Legendary executioner Jigsaw returns to exact revenge on a cadre of scam artists who promised him a bogus cure for his cancer! 

First off, be aware, that this is what I call an interleaved sequel, a movie set between previous films in the franchise. In this case, Saw X occurs after the events of the very first Saw film, and before Saw II. Everybody got where we are? Good! Into the madness, we dive! 

So, as we all know, John Kramer’s been diagnosed with cancer, very aggressive brain cancer, and likely doesn’t have much time left. And he’s tried everything under the sun, doing a ton of meticulous research, we’d expect nothing less from our master of the art of murder, and not one thing has worked. Yet one man from the support group for cancer sufferers, Henry (Michael Beach), offers an off-the-books supposed miracle cure, and John jumps at the chance. 

Why does this nonsense always sound too good to be true? Because it is. Deleted scenes from the first Deadpool movie already told us why traveling to Mexico for any kind of medical cure is a sublimely stupid move, but Kramer is desperate. And while he might be sick and dying, John Kramer has never been what anyone could call stupid. So the villa out in the Mexican countryside, the affable cab driver Diego (Joshua Okamoto) professes surprise at Kramer being highjacked for his good, the nervous muttering from assistant Valentina (Paulette Hernandez), the side-eyeing from little housekeep Gabriela (Renata Vaca) and her tequila, and most especially the smooth and smarming reassurances of head “doctor” Cecilia Pederson (Synnove Macody Lund), all leave a kind of sour taste in John’s mouth. 

The whole cluex4 scene is done in the style that the Saw films are known for, where we the audience are treated to cut-together explanatory scenes in a flip-flash fashion of usually about two minutes, for poor John when he realizes he’s been hoodwinked and just how badly, seems a little contrived. But then it’s entirely possible that we the audience truly expected our genius mastermind of the infamous Jigsaw murders to have realized what was happening sooner, and got enraged along with Kramer. And cheered as he prepared to take his bloody and ultra-violent revenge! 

First up in our grand guignol of executions is the return of Jigsaw’s first protégé, Amanda (Shawnee Smith). And despite her avowed reverence for Jigsaw and his proven “therapy”, Amanda does waver a bit when the scammers are put through the paces of their specially-made Saw traps, and they shriek and blubber and bleed out. The appearance of the ringer of the bunch, Parker (Steven Brand), doesn’t even slow our beloved engineer of the damned down, because we knew Jigsaw would have his other apprentice waiting just off stage, the deliciously vicious Detective Hoffman (Costas Mandylor). Even the monkeywrench of involving little-boy soccer fan Carlos (Jorge Briseno) in the traps, is just another cog in the machine that is the brilliantly plotting mind of John Kramer. 

A fine addition to the Saw legends, showcasing a return to the beloved style and panache of the original Tobin Bell-starring Jigsaw films, Saw X is splashing gore and gallons of blood in theaters now! 

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Scott Pilgrim Takes Off



“Scott Pilgrim Takes Off,” Netflix’s latest series, is a rollicking journey through the world of video game culture, blending nostalgic references with a fresh narrative twist. Centered around Scott Pilgrim, portrayed with magnetic charisma by Michael Cera, the show skillfully integrates gaming elements into its storytelling, creating a delightful homage to the video game subculture.

The series cleverly employs pixelated graphics, power-up animations, and game-like sound effects to bring the virtual world to life. These visual cues, reminiscent of classic video games, enhance the storytelling and resonate with audiences familiar with the gaming landscape. The attention to detail in recreating iconic gaming moments is commendable, creating a visual and auditory treat for enthusiasts.

The exploration of video game culture goes beyond mere aesthetics; it becomes an integral part of the characters’ identities and interactions. The script intelligently weaves gaming terminology and tropes into the dialogue, effectively blending the real and virtual worlds. The series navigates the challenges and triumphs of the characters through the lens of gaming, making it a unique and engaging experience for both gamers and general audiences.

The ensemble cast, including standout performances from Mary Elizabeth Winstead, Ellen Wong, and Chris Evans embraces the gaming theme with infectious enthusiasm. The chemistry between the characters is palpable, adding emotional depth to the series.

“Scott Pilgrim Takes Off” successfully taps into the zeitgeist of video game culture, offering a nostalgic yet contemporary take on the gaming phenomenon. It’s a must-watch for those who cherish the pixelated roots of the gaming world while providing an accessible and entertaining narrative for a broader audience. The series takes off not only in its title but also in its ability to soar within the ever-expanding realm of Netflix originals.

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