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NETFLIX OFFERS FIRST LOOK AT NEW ORIGINAL PROGRAMMING AT BERLIN INTERNATIONAL FILM FESTIVAL

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Netflix will showcase four new Netflix Original titles at the Berlin International Film Festival (Berlinale) next week, the first ever presence by an Internet TV network at Germany’s premier film festival.

The festival lineup includes red carpet screenings of Better Call Saul and Bloodline, two highly anticipated Netflix Original series. Additionally, screenings of Netflix’s first original docu-series Chef’s Table from director David Gelb, and Netflix’s recent Sundance Film Festival opening night film, What Happened, Miss Simone? from Liz Garbus, demonstrate the breadth of Netflix programming. All four titles are set to be available in 2015, exclusively on Netflix.

“The Berlinale selection is a great display of the variety and high quality of the original programming which distinguishes Netflix,” said Ted Sarandos, chief content officer at Netflix. “We’ll offer 320 hours of exclusive, original programming this year, three times as much as in 2014.”

“We’re excited to be able to show a selection of Netflix programming at the Berlinale,” said Berlinale Festival Director Dieter Kosslick. “We are highly selective in picking titles to screen at the festival. There’s a clear global move towards Internet television, including Netflix programming at the Berlinale is a step towards the future.”

More details on the titles selected to screen at Berlinale:

Bloodline (Berlinale screening Monday, Feb. 9, attended by Todd A. Kessler, Daniel Zelman, Kyle Chandler and Ben Mendelsohn. Season 1 on Netflix Friday, March 20, 2015) When the eldest brother and black sheep of the Rayburn family returns home, he exposes the emotional demons that lie at the core of the family, threatening to tear them apart. With a stellar cast headlined by Kyle Chandler, Ben Mendelsohn, Linda Cardellini, Norbert Leo Butz, Jacinda Barrett, Jamie McShane, Enrique Murciano, Sissy Spacek, and Sam Shepard, the 13-episode series is from executive producers Todd A. Kessler, Daniel Zelman and Glenn Kessler (Damages), and produced by Sony Pictures Television.

Better Call Saul (Berlinale screening Tuesday, Feb. 10, attended by Bob Odenkirk. Season 1 starts on Netflix later next week) Better Call Saul is a prequel to the award-winning series Breaking Bad, whose creator Vince Gilligan and writer/producer Peter Gould serve as co-showrunners of the premiere season. The story is set six years before Saul Goodman (Bob Odenkirk) meets Walter White. When we meet him, the man who will become Saul is known as Jimmy McGill, a small-time lawyer searching for his destiny and hustling to make ends meet. Working alongside and often against Jimmy is fixer Mike Ehrmantraut (Jonathan Banks), a beloved character first introduced in Breaking Bad. The new series will track Jimmy’s transformation into a man who puts the criminal in “criminal attorney.” Better Call Saul is executive produced by Gilligan, Gould, Mark Johnson (Breaking Bad, Diner, Rain Man) and Melissa Bernstein (Breaking Bad, Rectify, Halt and Catch Fire) with Breaking Bad alums Stewart A. Lyons and Thomas Schnauz as co-executive producers for Sony Pictures Television.

What Happened, Miss Simone? (Berlinale screening Wed., Feb. 11, attended by Director Liz Garbus. On Netflix later in 2015)Classically trained pianist, dive-bar chanteuse, black power icon and legendary recording artist, Nina Simone lived a life of brutal honesty, musical genius, and tortured melancholy. In this epic documentary, director Liz Garbus interweaves never-before-heard recordings and rare archival footage together with Nina’s most memorable songs, to create an unforgettable portrait of one of the least understood, yet most beloved, artists of our time. The film is produced by Netflix and RadicalMedia.

Chef’s Table (Berlinale screening Thursday, Feb. 12, attended by Director David Gelb and Chef Massimo Bottura. On Netflix later in 2015)The docu-series Chef’s Table features six of the world’s most renowned international chefs, and offers viewers the opportunity to go inside the lives and kitchens of these culinary talents. The chefs featured include Ben Shewry (Attica Restaurant in Melbourne, Australia), Magnus Nilsson (Fäviken in Järpen Sweden), Francis Mallmann (El Restaurante Patagonia Sur in Buenos Aires, Argentina), Niki Nakayama (n/naka Restaurant in Los Angeles, CA, USA), Dan Barber (Blue Hill Restaurant at Stone Barns and in New York City, USA) and Massimo Bottura (Osteria Francescana in Modena, Italy). Screening at Berlinale is the episode featuring Massimo Bottura.

The four titles screening at Berlinale are just a sample of the more than 300 hours of exclusive Netflix Original programming slated to premier on Netflix in 2015. Netflix programming offers something for everyone, from kids to grandparents, and includes TV series, childrens’ programming, animated series, feature films, documentaries, docu-series and stand-up comedy. An overview of upcoming Netflix Original titles and premier dates is available here.

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Review of “Good Bad Ugly”

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Director: Adhik Ravichandran 

Starring: Ajith Kumar, Arjun Das, Trisha, Simran

Genre: Action / Crime Drama

Rating: 4.5/5


“Good Bad Ugly” centers on Red Dragon (Ajith Kumar), a notorious gangster who chooses to surrender himself in the hopes of turning over a new leaf and reuniting with his estranged son. However, when unforeseen threats emerge, Red Dragon is forced to step back into the dangerous underworld to protect the only family he has left.

“Good Bad Ugly” plays to the strengths of Ajith Kumar, delivering a fan-pleasing portrayal of both his vintage villainy and his matured emotional depth. Ajith’s powerful screen presence, coupled with his iconic voice, shines against Arjun Das’s brooding and intense new-age antagonist, creating an electric old-school versus new-school dynamic. The nostalgic return of Simran is a clever nod to longtime fans, bringing heart and familiarity. Trisha brings a strong, grounded performance as the moral compass in Red Dragon’s life, helping move the emotional threads of the story. The film smartly balances action, comedy, and sentimental fan-service moments.

While the film delivers on fan expectations, its narrative could have benefited from tighter pacing and deeper character development for its supporting cast. Some plot conveniences and an overreliance on nostalgia may limit broader audience appeal beyond the fanbase. Certain dramatic beats felt rushed, leaving little time for emotional resonance to fully land.

The ambition to blend high-octane action with heavy emotional stakes sometimes leads to tonal inconsistencies. At moments, the shift from gritty underworld drama to lighter fan moments feels abrupt. Additionally, though Ajith Kumar’s effort to showcase his dancing skills is commendable and welcomed by fans, it slightly disrupts the otherwise darker tone the film establishes.

“Good Bad Ugly” is a tribute to Ajith Kumar’s enduring legacy, offering vintage thrills while teasing new dimensions to his craft. It’s a solid entertainer that successfully taps into fan nostalgia while hinting at an exciting evolution for AK. While not without its flaws, the film’s heart, energy, and performances make it a must-watch for fans and a compelling action-drama for broader audiences.

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Presence: A Horror Movie For People That Don’t Like Horror Movies

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In these uncertain times, you can’t beat a good old-fashioned horror movie. Unfortunately, Presence is not an old-fashioned horror movie. Yet, as I discovered, this is a good thing!

When I heard about the premise of this movie, I was intrigued. The stylishly subtle trailer was, appropriately, haunting.  And was that Lucy Liu? A haunted house movie from the perspective of the ghost? As a seasoned horror movie buff, I was all in!

Like the majority of people I missed the films brief theatrical release. Luckily I was able to catch it on streaming. Visually the film is easy to enjoy from your own home, as it’s rather cosy looking. I never thought I’d be describing a horror movie as ‘cosy’ looking but it’s true! This is not a James Wan type creepy, dusty, decrepit house harbouring a haunting. No, this is a 100 year old jewel toned, oak finished colonial style home. 

Despite this the story follows the beats we are all familiar with: troubled family of four move into a new house. The big deviation from the trope is we, the audience, are seeing events unfold from the POV of the ghost or presence. 

Director Steven Soderbergh (Ocean’s Eleven) chose to film the entire piece using a small (14mm) hand-held digital camera. Soderbergh himself acted as the ‘presence’ following the actors around. From the audiences perspective it is like watching the family through a barrier or pane of glass. Cleverly, windows and mirrors are hugely prominent and integral throughout.

The presence mainly follows and tries to interact with the daughter of the family, Chloe (Callina Liang), who has recently suffered the trauma of her best friend dying suddenly. Through Soderbergh’s experimental filming, we feel the dysphoria and frustration the ‘ghost’ is feeling at trying to affect the world around it, particularly during the anxiety-inducing final scene!

However, in what could be yet another mismarketing of a film, the trailer promised to be the ‘scariest movie you will see this year’ and ‘terrifying’; instead, they delivered this subversive, character-driven, family drama. If you are expecting jump scares and dramatic music stings, this is not your movie. I could understand if someone was disappointed that the only seemingly scary thing is the mother’s and son’s relationship, right up until the gut-punch of the final scene. 

Presence is definitely a slow burn, tension building until the final scene, and the unveiling of the ‘presence’ giving us a new understanding of the whole story. The ending is disturbing and stays with you as you re-analyse earlier scenes. 

My one complaint is that the character Ryan (West Mulholland) with his Chesney Hawkes hair, perhaps needed more subtlety. The rest of the cast was completely solid and believable as a family with so many unspoken issues. 

I wouldn’t recommend this film for everybody but maybe be as so bold to say it’s a horror movie for people that don’t like horror movies. It’s well-lit and cerebral with realistically flawed characters.

Presence is available to stream.

Three and a half stars.

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Anime Review: Fog Hill of the Five Elements (Wu Shan Wu Xing)

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Genre: Action, Fantasy, Martial Arts, Historical
Runtime: Each episode runs approximately 20-30 minutes
Director: Lin Hun (also the Creator)
Studio: Samsara Animation Studio
Main Voice Actors (Chinese Cast):Liu Zhi Shi as Wen Ren Yu Xuan Zhou Qi as Shen Nong Fang Yuan as Xuan


Overview

Fog Hill of the Five Elements is a breathtaking Chinese anime (donghua) that merges traditional Chinese ink-painting aesthetics with high-intensity martial arts action. Created and directed by Lin Hun, this series delivers a spellbinding visual experience that rivals, and in many ways surpasses, mainstream Japanese anime. Produced by Samsara Animation Studio, the anime is a labor of love, known for its hand-drawn animation and meticulous detail.

Set in a mythological world where elemental beasts roam free, the series follows the Five Elemental Envoys tasked with protecting humanity. The story focuses on Wen Ren Yu Xuan, the Fire Envoy, whose actions set off a chain of events threatening the delicate balance between humans and beasts. The tale is steeped in Chinese folklore and myth, weaving a complex narrative of duty, power, and sacrifice.

Without question, Fog Hill of the Five Elements is one of the most visually stunning animated series in recent memory. The blend of traditional Chinese ink wash painting with modern dynamic action scenes is masterful. Every frame looks like a moving scroll painting, with fluid character movements and kinetic fight choreography that puts many mainstream series to shame.

The characters are deeply tied to traditional archetypes found in Chinese legends but are fleshed out with emotional depth and conflict. Voice acting by Liu Zhi Shi, Zhou Qi, and Fang Yuan brings authenticity and gravitas to their respective roles. The dialogue is steeped in poetic language, enhancing the mythic feel of the story.

The soundtrack complements the epic visuals with traditional Chinese instrumentation mixed with modern elements. The sound design heightens the impact of every battle and emotional moment.


Rating: 9/10

Fog Hill of the Five Elements earns a 9 out of 10 for its groundbreaking animation style, deep mythological storytelling, and heart-pounding action. The only downside is its limited number of episodes and slow release schedule, which leaves fans craving more.


Pros

  • Unparalleled hand-drawn animation
  • Unique art direction inspired by traditional Chinese painting
  • Rich mythological lore
  • Epic fight choreography

Cons

  • Sparse episode release
  • Story pacing can be uneven at times

Final Verdict 9/10

If you’re an anime enthusiast or a fan of animation artistry, Fog Hill of the Five Elements is a must-watch. Its fusion of stunning visuals, martial arts action, and mythological storytelling makes it one of the standout titles in modern animation. Whether you’re into Japanese anime or Chinese donghua, this series deserves a spot on your watchlist.

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