RELEASE DATE: September 11, 2015
STUDIO: Universal Pictures
DIRECTOR: M. Night Shyamalan
MPAA RATING: PG-13
SCREENWRITER: M. Night Shyamalan
STARRING: Kathryn Hahn, Ed Oxenbould, Deanna Dunagan, Peter McRobbie, Olivia DeJonge
GENRE: Thriller
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M. Night Shyamalan, the name sends chills up my spine. Not for the fantastic cinematic works he’s produced in the last few years but, the groan inducing, bore fests he’s become associated with recently. He’s been ridiculed for his ever so obnoxious love for the dumbest plot twists in the world. It’s needless to say that I had more than a few apprehensions about this film. Also the fact that it’s advertised as a horror film also it had another strike against it. But,ever the hopeless optimist I ventured in to the cinemaplex ready for anything.
The premise of this movie is that a woman who has been estranged from her parents since she was 17 is sending her children off to meet their grandparents for the first time. Shortly after they arrive strange things happen and they just have to know what’s really going on with good old Pop Pop and Nana. This movie plays heavily on some of the things we as children thought were creepy about the senior members of our families. The mind slips, the adult diaper usage it was all strange to us as kids and made creepy again by the performances of Deanna Dunagan and Peter McRobbie (Nana and Pop Pop respectively ). They bring a sweetness to the roles that makes the psychosis present in their characters shine in the moments when they’re called upon to freak you out. They never scared me personally but, they brought the neccesary evil (pun intended… that was a pun right ?) to the film. The isolated feeling brought on by the snow covered farm house in the small town they lived on the outskirts of was the real culprit of any anxiety I had as far as the kids being in trouble. Only a few visitors came by during the movie and it seemed as if they had to go out of their way in order to visit the homestead of Pop Pop and Nana. Always felt like if stuff went down the kids would have nowhere close to run for help and that is what was scariest to this reviewer.
Becca and Tyler (the children in the middle of all this) are handled capably by Olivia DeJonge and Ed Oxenbould. Becca is an amateur film maker that feels that documenting the trip to their grandparents’ home will bring some closure and emotional healing to the two parties. Tyler is a rapper and self proclaimed ladies man. Never quite got why white guys “acting black” (whatever that means) is still or ever was a funny/ relevant thing to add to a script. In 2015 with the success of so many white rappers (Iggy Azalea excluded because I still can’t figure why she changes her voice) why is it still a point of ridicule to be RWC aka Rhyming While Caucasian. Moving on, Tyler is also a rather troubled little boy with a huge phobia of germs and deep seeded abandonment issues. Becca also has self worth issues that Tyler exposes through the use of his camera. In fact, the characters best scenes are when they take a look in to themselves and open up about how much certain events in their lives have affected them. The documentary look of the film brings an intimacy to the events going on and a greater sense of doom to the proceedings. It was a good choice on the part of the director to shoot it that way.
I didn’t enjoy the film as a whole but it was there were parts that I enjoyed about the film. The atmosphere was excellent, the usage of an ending that was easy to see coming, and solid performances from the cast were pluses in my book. The outdated stereotyping of a white kid acting “ethnically confused” (as Becca put it), the hokey jump scares that didn’t work often, the constant scienceing away (see I can make words too suck it Webster’s) of some the creepy stuff that Nana and Pop Pop do (it kills their fright factor to know that it can all be real life regular stuff that happens to people as they age. This is the first tolerable M. Night Shyamalan film in ages and a hopeful return to making decent to great movies.

Streaming
Renfield; A Fangtastic Time

Nicholas Cage is not the Dracula we deserve, but the Dracula we need!
With Nosferatu dominating the box offices with all its gothic, avant-garde glory you may need something a little more light-hearted to cleanse the palette. 2023’s Renfield is a fantastic recipe of dark comedy, satire, and not a small amount of heart (beating or otherwise). Renfield has recently been added to Netflix UK’s menu; for us all to feast upon!
Both Nick (Hoult and Cage respectively) give fantastic performances as master and long-suffering servant, proving that toxic relationships take many forms. Renfield (Nicholas Hoult) has been in the service of Dracula (Nicolas Cage) for ninety years. Renfield does everything short of cleaning the count’s iconic cape (it’s dry-clean only apparently) and he’s quite frankly sick of it.
After ninety years the duo’s options, and bank account, have become quite limited. This is why they are holed in an abandoned hospital in New Orleans. Renfield leaves most evenings to supply the ancient vampire with victims to drain blood, preferably of the pure variety. Hoult’s Renfield is a charming soft boy, a 6 ft 2 soft boy, who has some reservations about killing innocent people. He cleverly gets around this moral quandary by joining a support group for the victims of narcissistic abuse held in a local church and eh…dispatching the group members’ abusers to bring to his master. This works well until one night he gets tangled up with the criminal underworld on a ‘routine’ dispatching.
Awkwafina plays the pint-sized police officer with a foul mouth and a strict(ish) moral compass; Rebecca Quincy. Rebecca and Renfield cross paths and it’s up to them to save the city from both criminal and supernatural corruption. This results in many impressively choreographed fight scenes and not a small amount of blood, gore, and sarcasm! It’s strangely heartwarming to watch Renfield try to break the cycle of Dracula’s narcissistic abuse and create a place for himself in the world. As Rebecca states: sometimes you just fall under the thrall of a vampire for a few decades!
Nicholas Cage is every bit as fabulous and camp as you’d expect of a truly iconic Dracula performance. His delivery is as cutting and precise as his debonair velvet suits. One of the best things about the film is you can tell the cast is having fun with their characters, particularly Cage, I would bet my own soul that a lot of his lines were ad-libbed. Special shout-out goes to Brandon Scott Jones who played the painfully sincere narcissistic survivor group leader. Jones proves there is no part too small to make an impact!
Renfield takes the usual Dracula tropes and puts a hilarious spin on them. Asking the real questions like; do vampires need a verbal invite or will a ‘welcome’ mat suffice to enter a home? Quick someone page Buffy!
Even with the gratuitous gore and violence Renfield manages to be touching at times and ironically breathes fresh life into the reanimated corpses of both Dracula and Renfield.
Three and a half stars.
Events
Nandamuri Kalyan Ram’s Upcoming Film Builds Massive Hype

The much-anticipated film Arjun S/O Vyjayanthi, produced by NTR Arts and Ashoka Creations, is all set to unveil its official teaser on March 17, 2025. Featuring Nandamuri Kalyan Ram in the lead role and veteran actress Vijayashanthi making a powerful comeback, the film is expected to deliver a gripping action-packed family drama.
The Arjun S/O Vyjayanthi teaser launch event is scheduled for:
Date: March 17, 2025
Time: 10:00 AM IST
Venue: AAA Cinemas (Screen 1), Hyderabad, India
Fans who cannot attend in person can watch the teaser across YouTube, Twitter (X), and other social media platforms, as it will be released online simultaneously.
Pre-Teaser Hints at High-Octane Action
Ahead of the teaser launch, the makers released a gripping pre-teaser, which showcased Kalyan Ram in an intense look—seated on a boat, shirt bloodied, signaling an impending storm of action. Complemented by Ajaneesh Loknath’s electrifying background score, the clip has already generated significant buzz online.
Directed by Pradeep Chilukuri, Arjun S/O Vyjayanthi promises to blend action, family drama, and strong emotional elements, making it a highly awaited release for Telugu cinema fans. With Vijayashanthi portraying a powerful IPS officer, the film is expected to bring a strong narrative backed by stellar performances.
Nandamuri Kalyan Ram’s New Action Avatar Vijayashanthi’s Comeback in a Fierce Role High-Quality Production Backed by NTR Arts Intense Pre-Teaser That Has Raised Expectations
Stay Updated on Arjun S/O Vyjayanthi For the latest updates, teasers, trailers, and exclusive insights into Arjun S/O Vyjayanthi, follow NTR Arts’ official pages and stay tuned for March 17!
Streaming
The Resurrection of ‘Jennifer’s Body’

TW: Discussions of Sexual Assault.
I did myself a favour and watched the cult classic Jennifer’s Body (which I highly recommend you do, too). Watching this clever, funny, thought-provoking movie in 2025, it is hard to believe that it was a major flop when it was released in 2009.
‘00s nostalgia spurts throughout the film. From the frosted eyeshadow to the digital cameras, it’s enough to bring a tear to a millennial’s eye. However, not everything about the film is dated. In fact Jennifer’s Body is hailed today as a modern feminist classic.
This is particularly intriguing when remembering how badly the film bombed in 2009. Looking at Rotten Tomatoes scores, Jennifer’s Body has a rather pitiful 46% critic score and an even worse 36% audience score. Was this comedy-horror simply ahead of its time? Many believe so.
In pre-#MeToo 2009, Jennifer’s Body was marketed as a fun, sexy romp aimed at straight men. Sex symbol Megan Fox in the starring role as Jennifer, fresh from her scantily-clad Transformers fame, audience thought they knew what to expect from the actress. And Fox is wrist-achingly beautiful in the film; there is no doubt about that, but many complained she remained disappointingly fully clothed. There was also the promised same-sex kiss between Fox and Amanda Seyfrie,d which was framed more as an uncomfortable, confused, and tragic scene between two childhood friends rather than sexy.
In short, Jennifer’s Body was marketed for the male gaze, even with a female writer (Diablo Cody) and director (Karyn Kusama) instead of what it is, which was a commentary about the treatment of female bodies (the clue was in the title, really).
Many have theorised that the film is essentially a rape-revenge fantasy. The premise is (spoilers!) that Jennifer is kidnapped by an indie boyband after a gig. The group’s plan is to sacrifice young Jennifer to Satan in exchange for fame (obviously). Their plan goes awry when Jennifer lies about being a virgin, when she is not in fact even a “backdoor virgin”. This little lie causes Jennifer to turn into a creature-monster-succubus-type thing. This is a clear commentary on how women are only seen as useful or worthy if their virginity is intact. Also, how the music industry sacrifices young women to the altar of male lust.
Later that night, Jennifer appears at her childhood friend Needy’s (Amanda Seyfried) home drenched in blood and covered in bruises, with a vacant stare. After this, Jennifer begins to indiscriminately kill young men from her school.
I theorise that the film is cleverly inverting the expectation of young women being targeted. Jennifer is indiscriminate in her choosing of victims. A school jock, a sensitive emo guy, and a foreign exchange student walking home alone at night. She lures them to secluded areas with the promise of sex and tears them apart until they look like “lasagne with teeth”.
With Jennifer’s murder spree terrifying the small town, its young men are warned not to go anywhere alone. Johnny Simmon’s character, Chip, is even given mace by his mother to protect him on prom night.
Jennifer’s Body cleverly inverts many of the horror movie tropes. For example, the ‘nerdy girl’, Needy is not a virgin either. Needy and her boyfriend Chip actually have regular, no-consequence sex, which is unusual for a female character in a horror movie.
This cult classic may have died on its initial release but it was resurrected by the dashboards of Tumblr and feminist blogs. Seyfried even teased the possibility of a sequel soon. Suffice to say there is definitely more to Jennifer’s Body than meets the eye!