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Movie Review (The Visit)

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RELEASE DATE: September 11, 2015
STUDIO: Universal Pictures
DIRECTOR: M. Night Shyamalan
MPAA RATING: PG-13
SCREENWRITER: M. Night Shyamalan
STARRING: Kathryn Hahn, Ed Oxenbould, Deanna Dunagan, Peter McRobbie, Olivia DeJonge
GENRE: Thriller

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M. Night Shyamalan, the name sends chills up my spine. Not for the fantastic cinematic works he’s produced in the last few years but, the groan inducing, bore fests he’s become associated with recently. He’s been ridiculed for his ever so obnoxious love for the dumbest plot twists in the world. It’s needless to say that I had more than a few apprehensions about this film. Also the fact that it’s advertised as a horror film also it had another strike against it. But,ever the hopeless optimist I ventured in to the cinemaplex ready for anything.

The premise of this movie is that a woman who has been estranged from her parents since she was 17 is sending her children off to meet their grandparents for the first time. Shortly after they arrive strange things happen and they just have to know what’s really going on with good old Pop Pop and Nana. This movie plays heavily on some of the things we as children thought were creepy about the senior members of our families. The mind slips, the adult diaper usage it was all strange to us as kids and made creepy again by the performances of Deanna Dunagan and Peter McRobbie (Nana and Pop Pop respectively ). They bring a sweetness to the roles that makes the psychosis present in their characters shine in the moments when they’re called upon to freak you out. They never scared me personally but, they brought the neccesary evil (pun intended… that was a pun right ?) to the film. The isolated feeling brought on by the snow covered farm house in the small town they lived on the outskirts of was the real culprit of any anxiety I had as far as the kids being in trouble. Only a few visitors came by during the movie and it seemed as if they had to go out of their way in order to visit the homestead of Pop Pop and Nana. Always felt like if stuff went down the kids would have nowhere close to run for help and that is what was scariest to this reviewer.

Becca and Tyler (the children in the middle of all this) are handled capably by Olivia DeJonge and Ed Oxenbould. Becca is an amateur film maker that feels that documenting the trip to their grandparents’ home will bring some closure and emotional healing to the two parties. Tyler is a rapper and self proclaimed ladies man. Never quite got why white guys “acting black” (whatever that means) is still or ever was a funny/ relevant thing to add to a script. In 2015 with the success of so many white rappers (Iggy Azalea excluded because I still can’t figure why she changes her voice) why is it still a point of ridicule to be RWC aka Rhyming While Caucasian. Moving on, Tyler is also a rather troubled little boy with a huge phobia of germs and deep seeded abandonment issues. Becca also has self worth issues that Tyler exposes through the use of his camera. In fact, the characters best scenes are when they take a look in to themselves and open up about how much certain events in their lives have affected them. The documentary look of the film brings an intimacy to the events going on and a greater sense of doom to the proceedings. It was a good choice on the part of the director to shoot it that way.

I didn’t enjoy the film as a whole but it was there were parts that I enjoyed about the film. The atmosphere was excellent, the usage of an ending that was easy to see coming, and solid performances from the cast were pluses in my book. The outdated stereotyping of a white kid acting “ethnically confused” (as Becca put it), the hokey jump scares that didn’t work often, the constant scienceing away (see I can make words too suck it Webster’s) of some the creepy stuff that Nana and Pop Pop do (it kills their fright factor to know that it can all be real life regular stuff that happens to people as they age. This is the first tolerable M. Night Shyamalan film in ages and a hopeful return to making decent to great movies.

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Review of Meiyazhagan on Netflix

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Netflix’s Meiyazhagan is an evocative Indian drama that dives deep into themes of familial loyalty, personal ambition, and the cultural intricacies of rural Tamil Nadu. Directed by C. Prem Kumar, a promising filmmaker with an evident love for authentic storytelling, Meiyazhagan delivers a rich narrative that resonates with viewers on both an emotional and cultural level.

The story follows Meiyazhagan, a young man torn between his duties to his family and his aspirations to escape the confines of his small village. Set against the lush backdrop of Tamil Nadu’s countryside, the film masterfully intertwines his struggles with the region’s socio-economic challenges. The story explores timeless themes of tradition versus progress, community dynamics, and the consequences of breaking societal norms.

The cast is exceptional, with the titular role played by Karthi who captures Meiyazhagan’s internal conflict with raw vulnerability. His nuanced performance is matched by the supporting cast. The romantic subplot is tender yet grounded, providing an additional emotional layer without detracting from the main narrative.

The cinematography is a visual feast, with every frame highlighting the vibrant landscapes of Tamil Nadu. From bustling village markets to serene agricultural fields, the film immerses the audience in its setting. Traditional Tamil folk music underscores key moments, enhancing the authenticity and emotional weight of the scenes.

For international audiences, Meiyazhagan is available with subtitles and a dubbed version. While the subtitles capture the essence of the dialogue, purists will appreciate watching the film in its original Tamil language for its linguistic nuances. The dubbing is serviceable, though it loses some of the emotive depth conveyed by the actors’ voices.

Meiyazhagan is more than just a coming-of-age story; it’s a poignant reflection on the importance of cultural identity in a rapidly modernizing world. The film doesn’t shy away from portraying the harsh realities of rural life but balances this with moments of hope and humor, leaving the audience both moved and inspired.

At times, the pacing lags, particularly in the second act, where certain subplots feel unnecessarily prolonged. Additionally, while the cultural depth is commendable, some viewers unfamiliar with Tamil traditions might find themselves longing for more context.

Meiyazhagan is a heartfelt drama that offers a compelling narrative, exceptional performances, and an authentic portrayal of Tamil Nadu’s cultural richness. Despite minor pacing issues, it is a must-watch for fans of Indian cinema and those seeking stories that bridge the gap between tradition and modernity.

Final Rating: ★★★★☆ (4/5) Whether you’re a seasoned fan of Indian movies or a newcomer to Tamil cinema, Meiyazhagan on Netflix is a cinematic journey worth embarking on.

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Review: Arcane Season 2

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The long-anticipated second season of Netflix’s Arcane continues to push the boundaries of animation and storytelling. Following the explosive events of Season 1, tensions escalate between the affluent city of Piltover and the struggling undercity of Zaun. The narrative focuses heavily on the strained relationship between Vi (Hailee Steinfeld) and her volatile sister, Jinx (Ella Purnell). Their dynamic remains the emotional core of the series, with both actresses delivering compelling performances that heighten the show’s drama.

The animation remains a standout, blending 3D elements with hand-drawn aesthetics and experimenting with styles like sketch-like pencil work and chromatic watercolors during emotional or metaphysical sequences. This fusion of mediums elevates the viewing experience.The show delves into complex themes of power, vengeance, and loss. While it occasionally leans into heavy-handedness, these moments are offset by its gripping character arcs and poignant emotional beats.

Music Integration: The soundtrack plays a significant role, with original songs enhancing both action-packed and introspective scenes. While some sequences verge on being overproduced, others strike a perfect balance, deepening the narrative impact.

Season 2 is divided into three acts, with Act II providing a slower, more contemplative pace that allows for richer character development. The fast-paced action sequences are breathtaking, though they can sometimes feel overwhelming.

Arcane’s second season solidifies its position as one of the most ambitious animated series of its time. It successfully combines striking visuals, compelling storytelling, and emotional depth, making it a must-watch for both fans of the original and newcomers. While not every moment lands perfectly, the series’ bold approach to animation and narrative ensures its lasting impact.

Rating: 9/10

Sources: Empire Online, Polygon, and Forbes reviews.

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Review of Black and White Spoon on Netflix

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Netflix’s Black and White Spoon is a Korean culinary competition series that seamlessly blends artistry, culture, and high-stakes drama into an unforgettable viewing experience. From its sleek production values to its deeply emotional storytelling, this show offers more than just tantalizing dishes—it serves a heartfelt exploration of culinary passion and perseverance.

The series pits contestants against each other in a dual-themed format where they must create dishes inspired by opposing concepts—light versus dark, sweet versus savory, or tradition versus innovation. This premise challenges the chefs’ creativity while providing viewers with visually stunning plates and fascinating backstories about Korean cuisine and its global influences.

The judges are a mix of culinary experts, celebrity chefs, and cultural critics, each bringing a unique perspective. Their feedback is sharp, insightful, and, at times, surprisingly emotional, further heightening the tension.

What sets Black and White Spoon apart is its emphasis on storytelling through food. Each episode dives deep into Korean culinary heritage, intertwining it with personal anecdotes from the contestants. Dishes are not merely judged on technical precision but also on the emotional resonance they evoke. For instance, a simple kimchi stew becomes a tribute to family ties, while a modern take on bibimbap showcases the fusion of tradition and innovation.

The cinematography deserves special mention. Every shot of sizzling grills, delicately plated meals, and reactions from the judges feels like an art piece. The pacing, however, can sometimes feel uneven. While the personal stories add emotional weight, they occasionally overshadow the cooking itself, leaving food enthusiasts craving more behind-the-scenes action in the kitchen.

Black and White Spoon is an inspiring and visually rich series that celebrates the art of cooking and the complexities of Korean cuisine. Its emotional depth and cultural insight make it a standout in the crowded genre of food competition shows, though slightly better pacing could elevate it further.


This is a must-watch for foodies, fans of Korean culture, and anyone who loves the blend of artistry and competition in culinary storytelling.

Final Rating: ★★★★☆ (4.5/5)

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