Release Date:August 22,2014
MPAA Rating:R
Runtime: 102 Mins.
Directors: Frank Miller and Robert Rodriguez
Studio:
Genre: Crime, Thriller
Stars: Mickey Rourke, Jessica Alba, Josh Brolin, Powers Boothe, Joseph Gordon-Levitt, Bruce Willis, Eva Green, Dennis Haysbert, Martin Csokas, Rosario Dawson, Jamie Chung, Jamie King, Alexa Vega, Julia Garner, Christopher Meloni, Jeremy Piven, Ray Liotta, Juno Temple, Christopher Lloyd, Stacy Keach, Jude Ciccolella
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Ava,she has every man wrapped around her little finger. Some even refer to her as a goddess. Senator Roark, he’s the most powerful man in the city. He’s also the most corrupt and vicious. What do these two have in common ? Nothing except they both run rampant in Basin City or Sin City as the residents like to refer to it. That’s right the little town in all of comics has come back to life on the big screen. This time we have three stories that intertwine to serve you up an hour and 42 minutes of film noir goodness on steroids.
The movie hits you with the aesthetic art style of a graphic novel as in other films based off of Frank Millers’ work ( for example : Sin City, 300, or 300: Rise of an Empire). The massive amount of green screen works for the type of environments and action that comprise this film. The camera work is great as it accentuates the absurdity of whats going on onscreen. It’s perfect. The splashes of color thrown in throughout the mostly black and white movie help bring extra pop to the action and added sensuality to the sexiness of all the ladies (especially my girl Rosario Dawson) that you see. The pacing never let the story get boring but there were parts that seemed like they could have been cut out. Like Christopher Meloni’s part as Mort. I guess it was to show how easily Ava could seduce men to do what she wants but I found it unnecessary. I will say that the stories told were pretty good and showed just how flawed the “good guys” are and how incredibly insidious the bad guys are. The action was unrelenting and the violence was of the ultra variety. For the world this movie takes you too it works. The fact that the blood is almost always displayed as white instead of red did soften some of the impact of massive amounts of red stuff splashing everywhere which made the gory bits a little more bearable. I’m glad Miller went to Robert Rodriguez again because he’s made his career off of ridiculous violence and onscreen absurdity.
The stars of the film are selected well. Most of the people who weren’t brutally murdered in the first film return. Rourke as the juggernaut, Marv returns to cause chaos and pain. He’s as fun as he was the last time he stepped in those boots. Alba, as the exotic dancer/ object of Marv’s affection is hot but I grew tired of her dancing and doing little else after a few scenes of it. Dwight is back but Clive Owen has been replaced by Josh Brolin. Dwight is played so well by Brolin I almost forgot Owen played the character back in 2005’s Sin City. Gail is portrayed by the lovely Rosario Dawson. She seems to take a back seat this time out but she is memorable in her appearances on screen being both seductive and deadly. Powers Boothe is the evil Senator Roark. He’s a worthy villain for the city of sin. Manute is played by Dennis Haysbert (The All-State Guy) as the previous actor Michael Clarke Duncan passed away. Haysbert does a great job as the hulking brute devoted to Ava. Ava is played by the phenomenal Eva Green. She’s sexy incarnate as the titular “Dame to Kill For”. You get to see her a lot and a lot of her if you know what I mean (I know you can’t see me but I’m winking and nudging you with my elbow). Christopher Lloyd also makes a funny little appearance in the movie as a back alley doctor.
Overall, I enjoyed the hell out of this movie but some of the over the top acting cost this film a few points. With crazy action and sexuality to spare this movie can and will entertain. But whatever you do don’t bring the kiddies to this one.
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Review of Meiyazhagan on Netflix
Netflix’s Meiyazhagan is an evocative Indian drama that dives deep into themes of familial loyalty, personal ambition, and the cultural intricacies of rural Tamil Nadu. Directed by C. Prem Kumar, a promising filmmaker with an evident love for authentic storytelling, Meiyazhagan delivers a rich narrative that resonates with viewers on both an emotional and cultural level.
The story follows Meiyazhagan, a young man torn between his duties to his family and his aspirations to escape the confines of his small village. Set against the lush backdrop of Tamil Nadu’s countryside, the film masterfully intertwines his struggles with the region’s socio-economic challenges. The story explores timeless themes of tradition versus progress, community dynamics, and the consequences of breaking societal norms.
The cast is exceptional, with the titular role played by Karthi who captures Meiyazhagan’s internal conflict with raw vulnerability. His nuanced performance is matched by the supporting cast. The romantic subplot is tender yet grounded, providing an additional emotional layer without detracting from the main narrative.
The cinematography is a visual feast, with every frame highlighting the vibrant landscapes of Tamil Nadu. From bustling village markets to serene agricultural fields, the film immerses the audience in its setting. Traditional Tamil folk music underscores key moments, enhancing the authenticity and emotional weight of the scenes.
For international audiences, Meiyazhagan is available with subtitles and a dubbed version. While the subtitles capture the essence of the dialogue, purists will appreciate watching the film in its original Tamil language for its linguistic nuances. The dubbing is serviceable, though it loses some of the emotive depth conveyed by the actors’ voices.
Meiyazhagan is more than just a coming-of-age story; it’s a poignant reflection on the importance of cultural identity in a rapidly modernizing world. The film doesn’t shy away from portraying the harsh realities of rural life but balances this with moments of hope and humor, leaving the audience both moved and inspired.
At times, the pacing lags, particularly in the second act, where certain subplots feel unnecessarily prolonged. Additionally, while the cultural depth is commendable, some viewers unfamiliar with Tamil traditions might find themselves longing for more context.
Meiyazhagan is a heartfelt drama that offers a compelling narrative, exceptional performances, and an authentic portrayal of Tamil Nadu’s cultural richness. Despite minor pacing issues, it is a must-watch for fans of Indian cinema and those seeking stories that bridge the gap between tradition and modernity.
Final Rating: ★★★★☆ (4/5) Whether you’re a seasoned fan of Indian movies or a newcomer to Tamil cinema, Meiyazhagan on Netflix is a cinematic journey worth embarking on.
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Review: Arcane Season 2
The long-anticipated second season of Netflix’s Arcane continues to push the boundaries of animation and storytelling. Following the explosive events of Season 1, tensions escalate between the affluent city of Piltover and the struggling undercity of Zaun. The narrative focuses heavily on the strained relationship between Vi (Hailee Steinfeld) and her volatile sister, Jinx (Ella Purnell). Their dynamic remains the emotional core of the series, with both actresses delivering compelling performances that heighten the show’s drama.
The animation remains a standout, blending 3D elements with hand-drawn aesthetics and experimenting with styles like sketch-like pencil work and chromatic watercolors during emotional or metaphysical sequences. This fusion of mediums elevates the viewing experience.The show delves into complex themes of power, vengeance, and loss. While it occasionally leans into heavy-handedness, these moments are offset by its gripping character arcs and poignant emotional beats.
Music Integration: The soundtrack plays a significant role, with original songs enhancing both action-packed and introspective scenes. While some sequences verge on being overproduced, others strike a perfect balance, deepening the narrative impact.
Season 2 is divided into three acts, with Act II providing a slower, more contemplative pace that allows for richer character development. The fast-paced action sequences are breathtaking, though they can sometimes feel overwhelming.
Arcane’s second season solidifies its position as one of the most ambitious animated series of its time. It successfully combines striking visuals, compelling storytelling, and emotional depth, making it a must-watch for both fans of the original and newcomers. While not every moment lands perfectly, the series’ bold approach to animation and narrative ensures its lasting impact.
Rating: 9/10
Sources: Empire Online, Polygon, and Forbes reviews.
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Review of Black and White Spoon on Netflix
Netflix’s Black and White Spoon is a Korean culinary competition series that seamlessly blends artistry, culture, and high-stakes drama into an unforgettable viewing experience. From its sleek production values to its deeply emotional storytelling, this show offers more than just tantalizing dishes—it serves a heartfelt exploration of culinary passion and perseverance.
The series pits contestants against each other in a dual-themed format where they must create dishes inspired by opposing concepts—light versus dark, sweet versus savory, or tradition versus innovation. This premise challenges the chefs’ creativity while providing viewers with visually stunning plates and fascinating backstories about Korean cuisine and its global influences.
The judges are a mix of culinary experts, celebrity chefs, and cultural critics, each bringing a unique perspective. Their feedback is sharp, insightful, and, at times, surprisingly emotional, further heightening the tension.
What sets Black and White Spoon apart is its emphasis on storytelling through food. Each episode dives deep into Korean culinary heritage, intertwining it with personal anecdotes from the contestants. Dishes are not merely judged on technical precision but also on the emotional resonance they evoke. For instance, a simple kimchi stew becomes a tribute to family ties, while a modern take on bibimbap showcases the fusion of tradition and innovation.
The cinematography deserves special mention. Every shot of sizzling grills, delicately plated meals, and reactions from the judges feels like an art piece. The pacing, however, can sometimes feel uneven. While the personal stories add emotional weight, they occasionally overshadow the cooking itself, leaving food enthusiasts craving more behind-the-scenes action in the kitchen.
Black and White Spoon is an inspiring and visually rich series that celebrates the art of cooking and the complexities of Korean cuisine. Its emotional depth and cultural insight make it a standout in the crowded genre of food competition shows, though slightly better pacing could elevate it further.
This is a must-watch for foodies, fans of Korean culture, and anyone who loves the blend of artistry and competition in culinary storytelling.
Final Rating: ★★★★☆ (4.5/5)