Michael Buble’s first order of business when we began our conversation was to immediately put me at ease around his enormous celebrity.
The multi-Grammy and multi-Juno Award (Canada’s answer to the Grammy awards) winning singer who sells out the world’s largest stadiums, has sold more than 60 million albums worldwide, and singlehandedly made us re-visit our love affair with the great American songbook, set out to calm my excitable sensibilities with his seamless charm and wit.
Upon picking up his call, a woman came on the line asking me if I was ready to speak with Michael. Two seconds later Michael, himself, came on the line and opened with, “She doesn’t really work for me. I just have her do that to make me sound more important,” as he let out a chuckle. My reply? “Well, too bad for me, I answer my own phone,” and we shared a laugh. In reality, Buble’s music is important to millions around the world who glean such joy and comfort from his flawless interpretation of some of the most iconic music of the 20th century, as well as original music written and performed by Buble. His original works have swiftly gone on to achieve classic status in the soundtrack of our lives.
The year 2019 marks a boon of personal and professional success and a packed schedule for Buble. His family’s much-publicized heartbreak as they fought for their son Noah, as he battled pediatric liver cancer, set Buble on a new course of humility which was evident throughout our conversation. Now, with Noah’s health much improved, Michael Buble re-emerged with a new album, aptly titled Love (or simply, the heart emoji) on which he collaborated with mega-music producer, David Foster; a sold-out worldwide tour and his seventh upcoming musical television special, set to air on NBC on March 20th.
My conversation with Michael Buble is one of his most authentic and reflective, to date. We cover the subjects of parenthood, success, spirituality, love, humor, and of course, the music.
TME: Hello Michael. How are you?
Michael Buble: If you hear kids screaming the background, Oh My God, so sorry about that. My daughter is running around screaming.
TME: Aww, when I do my interviews from home, I have my nine-year-old running around in the background, so I get it!
MB: Boy or a girl?
TME: A boy.
MB: You’re probably like, (whispering) “Shhh, Stop it (laughs).” Does he know the deal with what you do?
TME: He knows I interview people. It’s funny, I had him with me one day for “Take Your Kids to Work Day.” I was trying to impress him, saying how I interview all of these amazing people and showing him where my work is published, and his response was, “I’m bored.”
MB: (Laughs) My kids love it. They’re actually coming with me now on tour.
TME: Is your wife on tour with you as well?
MB: They all come along. I set it up so that they come on tour, and when my wife (Argentine actress, Luisana Lopilato) has a film, I schedule it so that for those weeks I take that time off and I take the kids on set to watch her. It’s a lot of fun.
TME: I have to tell you, I was watching footage of your upcoming NBC special (airing Wednesday, March 20th, 10 pm ET/PT), and you always reduce me to tears. You probably hear stories like this all the time, but when my son was a newborn, I had a routine with him every night, where before I put him down in his crib, I would pick him up in my arms and slow dance with him to your music. When I hear Home or Quando Quando Quando, I just lose it, because I think back to that beautiful time.
MB: That’s great. He’s your boyfriend. It sounds so strange to say that, and whenever I say that, people are like, “That sounds weird,” but it’s not. Obviously, not in that way, but it is romantic. He’s going to love you forever. You’ll be the love of his life and he’s the love of your life.
TME: I’m banking on it.
MB: I love my boys and I’m close with my boys, but it’s not the same as with my daughter. Everyone told me it would be different, and I was like, “No, no it won’t be.” And it’s different. She looks at me with those big blue eyes and I’m toast.
TME: You must hear stories like mine all the time. Do people constantly share with you how your music has been weaved into their most important memories?
MB: Oh, for sure. It allows me to have an even greater sense of fulfillment when people come up to me and tell me how my music has impacted or affected their lives. More than anything, I think I have had servicemen and servicewomen tell me that they’ve gone through scary things and been away for long amounts of time in places that were obviously not comfortable for them, and that songs like Home brought them a ton of peace and got them through a tough time. I think when people say things like that to you, as an artist, it gives you a sense of understanding that what you do matters. I don’t mean “matters” in a sense of being more important than the jobs of other people.
But when you’re missing people and you’re away from your own family, there is power in music. There is power in sharing songs like that and allowing people to interpret them in their own way. I’ve heard the same stories from people who have gone through terrible breakups and people who have been legitimately lonely. They’ve said to me, “The song Haven’t Met You Yet is getting me through.” And then Christmas comes up and I’ll hear from people that that’s all their kids listen to in the car, or it makes them think of their grandfather who they lost. It’s a testament to the power of music. Melody is the voice of God, I think.
TME: I’ll tell you what I have always found fascinating about you, and I’m a fan of music from earlier times. I’m forever listening to music from the 1940s, 50s and 60s. What’s so interesting about you is that you came along in the very early 2000s when everything was hip hop, and rap/rock. What made you believe that you could even break through as somebody who was crooning these songs from a bygone era?
MB: It was probably stupidity (laughs). I mean, thinking that I might have success was probably naiveté. But honest to God, I think I was blinded by the love of the music. And by the way, I love all kinds of music. I love rock, R & B and rap. For me, if it’s good, it’s good. It doesn’t matter who did it or where it came from. I hoped that I could trust my instincts.
TME: I’ve been listening to this author and speaker named Dr. Joe Dispenza. He studies the patterns of the human brain and how we create our own reality. He essentially talks about how anybody who has ever achieved something great, has been able to believe in a vision and believe in a life for themselves that they couldn’t’t yet perceive with their physical senses. When I read that you, from the age of two, knew you were going to be a singer, slept with your bible at night and prayed for it, and you held strong to that vision for all of those years before it actually materialized in your life, I put you in that great category. Does that make sense?
MB: Yeah, it does, and there’s a few people like Eckhart Tolle with The Power of Now, and some of these other philosophers who also talk about that. There is a Canadian writer [Malcolm Gladwell], he wrote a book called The Outliers. His whole premise was that to truly become great at something, you need to put in ten thousand hours of work. And if you find anyone who’s become truly great at what they do, they have put in that amount of time. There are little parts of what you were talking about that mix with the practical application of doing things enough and focusing enough.
You learn by osmosis and your experience helps you to grow. Then by the time you get your opportunity, you’re ready. I think that probably had a lot to do with it for me. Number one, I loved it. I had a passion for the music and the songs, and all of that. But I did the work; I practiced, I sang, and I studied. I took it all in and I digested it as much as possible and downloaded it as much as possible in every kind of genre. I get what you’re saying. You’re talking about visualizing. I have a friend who tells me often that he used to walk down the street and say to himself, “I have a million dollars.” Not, “I want a million dollars,” but, “I have a million dollars; I am successful.”
TME: You’re living it and believing it, rather than wishing for it.
MB: Yes, but this is a difficult conversation, because I think for people who have had the success and who have done that, they can confidently say to you, “Yes, it works. It worked for me, I did that.” For most of the people who don’t have that, I think they look at it as pish posh.
TME: I think people afraid to relinquish their faith over to something that may leave them empty handed. It’s the fear of, well, if I really invest myself in this process and I really believe, and it doesn’t materialize in my life, I’ll be devastated. Therefore, I’m going to remain skeptical.
MB: There’s times where I think to myself, “My God, I worked at visualizing and praying and wanting, and putting out all of that stuff to the universe, and it worked.” But then there’s a lot of times where I have to say to myself that I was just so lucky, so lucky. I mean, a million dominos had to fall in the most perfect way for this to have happened in my life. The question that I really ask myself is, if I had to do it all over again, would I be brave enough?
TME: Mmm, okay. I’ll ask you the question. Knowing everything you now know about the music industry, about the odds, about everything you’re aware of; if you had to start from square one, would you have the courage to do it all over again?
TME: You don’t think so?
MB: I don’t think so.
TME: Wow. Well thank God that’s not an option!
MB: It’s a hard question to think about, because reality doesn’t come into it. I came home yesterday with my wife and we had to take our son to his checkup, the scans and everything (Buble is talking about his son Noah, who is currently in remission from pediatric liver cancer). We take him every three months for checkups, and it’s really scary. My wife and I actually talked about this and we said, “My God, look at what we did.” Here we were, she was twenty-three years old and I was thirty-two. We met in Argentina and we fell in love. Everyone told us that it was impossible.
They told us not to do it, because it was too far away, the whole long-distance relationship thing. And we did it. We got married. Everyone said, “That’s crazy. That’s not going to work. And whatever you do, don’t have kids, because that’ll be murder.” And then we had kids. And then there’s what happened to our family (referencing son Noah’s cancer diagnosis). One of the first things a doctor told me at one of the hospitals we’d gone to, was to stay strong and help each other through this. A friend of ours, when we had asked why the doctors keep telling us that, this friend of ours who works with families going through things like this, said, that something like 92% of couples who go through this…
TME: Get divorced…
MB: Get divorced. And many of the 8% who don’t, have [more] children. And of course, my wife and I thought here we are with a beautiful daughter. We were in the car yesterday and I looked at her, and said, “Would you do it all over again?” She then answered, “Of course I would do it all over again. I wouldn’t want anything different. You guys are the greatest joy of my life.” But then my question to her was, “But would you be brave enough to do it all over again?” And then she said, “I don’t know.” And I would have to say the same thing. I don’t know.
TME: Any of us could say that. It’s like when you have a baby. You bring that baby home from the hospital, and the thought that goes through your mind is that you are going to give this kid a perfect existence, and you’re going to shelter him or her from any pain or discomfort. And then life happens, and you feel completely out of control because you realize that you don’t have the power to completely shield them from the pain and discomfort of life.
MB: And you don’t have the power to shield them from yourself. For sure, I thought to myself, “He’s going to be better than I am!” I am so flawed. I’m so flawed and so impatient, and there are so many things about me that I don’t like or that I wish I could improve on. And then you go, “Oh my God, he’s acting exactly like me.”
TME: You do your best and nobody gets through life without bumps and bruises. Turning things over to the enormity of your career, when you’re on that stage looking out over the massive crowd of 20,000 or 30,000 people who are there to watch you perform, do you ever have an out-of-body experience, like you’re looking at this famous guy singing his heart out on stage and you’re just like, “How did I get here?!”
MB: It’s weird, I used to [feel like that] years ago. I don’t anymore. It’s really strange to say this, but after what I’ve gone through and what my family has gone through, I actually talk about it during my shows. I feel so deeply connected to all those beautiful souls in the audience; I don’t feel there is a difference between us. The truth is, they’re singing just as much as I am. We laugh together, we dance together, and we cry to together. The truth is, I would never have gotten through what I got through without them. I don’t care what people think of me. My goal in life is to be kind, and to do what I do with integrity, and just to know myself. But I’ll never use the word “fan.” I think it’s a shitty word.
TME: It is a shitty word.
MB: It’s short for “fanatical,” and I think that’s negative. I don’t think these are fanatics. I think these are beautiful human beings who need as much love, and who give as much love, as anybody else. When I’m standing there on stage, it’s emotional for me. Sometimes I can control that emotion and sometimes I can’t. But you’re asking me how I feel, and it’s overwhelming. I feel overwhelmed… and grateful. I didn’t know if I was ever going to come back.
TME: When you took that hiatus to deal with your son’s health, you really thought that could be it?
TME: What was the impetus for you to come back?
MB: He was better. We didn’t know how it was going to turn out. My heart was broken, I don’t know. It wasn’t that I ever fell out of love with music. I just didn’t know if I had it in me to go out there and be joyful. It just wasn’t something I could turn on.
TME: And you returned with an album dedicated to love. The album’s title is a heart emoji, and features some of the most beautiful love songs. Is that because you were so filled with love and gratitude for your son’s healing?
MB: It’s because I was in a bubble, looking out at the world, and I saw a lot of negative things happening around the world. I realized that I had an opportunity to put beautiful things out there.
TME: Which is so important, because we need as many people out there as possible lifting collective consciousness.
MB: Sometimes I feel like I’m just one small person, but I feel like there is a lot of power that one person can generate. We can all make a difference, and it usually comes in those random acts of kindness and putting love out there. I felt that if I didn’t do something that was being true to myself and true to how I felt about what the world needed, then I was one of the assholes that was making the world worse. I sat with my producer, David Foster, who had been retired. And he wasn’t going back.
This was a year before we ever got into the studio. I said, “Are you ever going to work again?” He said, “No, I don’t think so. I love being retired. I don’t think I could ever go back in the studio. What about you?” I said, “David, if I ever go back, I just want it to be joy. I want it to be bliss, and I want to work with people I love, put out beautiful music and make people fall in love.” I think both of us in that moment had this epiphany. After that day, he said to me, “Well, Mike, man, if I ever come back, it would be with you.” And then a year later we found ourselves in the studio doing it.
TME: What do you think you are here in this life as Michael Buble to learn?
MB: Listen, I don’t know yet. I’m still learning a lot. What scares me is I’ve learned so much more in the past five years than I had in all my previous years combined. The reason I am reticent to give you an answer is because I can’t imagine what I will learn in another five. What I’ve learned is how much I don’t know. Life moves quickly, and… I think I sound like Ferris Bueller right now (laughs).
TME: (Laughs) I was just thinking that!
MB: (Laughs) I think just waking up in the morning and focusing on being kind. It sounds weird, but just be kind, be loving, forgive and try to get through this very short life. And especially when you have kids, you hope your actions are louder than your words.
TME: Dare I now ask, what you feel you are here to teach?
MB: I do have an idea, but it’s really personal to me and I don’t want to get preachy. But I do, and I think you do to. I can hear it in the way you speak. I think you have a good, solid idea of what you are doing here.
TME: I’ve been studying this stuff for quite some time. I hope I don’t sound too airy fairy.
MB: It’s okay to be airy fairy. I have my faith and I try never to put it in people’s faces, because there’s a lot of people who don’t believe the same things I do, and that’s okay I don’t know who’s right, I really don’t. I can keep it simple and say I don’t know what there is or what there isn’t, but I feel in some way we are all connected. I know that each one of us gets to play a part in bringing goodness and humanity into the world. I feel like sometimes, because of the job I have, it can be magnified. If I can do that as best as I can, that can be my legacy.
Michael Buble’s seventh musical television special will air Wednesday, March 20th at 10 PM ET/PT on NBC. Buble’s tenth studio album, Love [illustrated with a simple heart emoji], is out now. Visit MichaelBuble.com/tour or TicketMaster.com for information and tickets for 2019 his worldwide tour.
Joy Ride Is An Extremely Raunchy And Hilarious Comedy
Joy Ride is an extremely raunchy and hilarious comedy that takes the mantle of ensemble risky
comedies that at times, leave your mouth on the floor. Joy Ride focuses on two best friends
Audrey and Lolo (Ashley Sullivan and Sherry Cola) end up getting roped up into a trip to Asia,
they end up on gals pal cross-continent trek to find Audrey’s long lost birth mother so she
doesn’t lose a huge business deal.
The chemistry in this movie is superb. Every character has their moment to shine and there’s
rarely a scene where you don’t get a belly laugh. I was shocked at how crazy and bold this
movie got, continually pushing the line to get a laugh. The movie does a good job of getting to
the point and getting to the scenes that really make you chuckle. There are some editing choices where the story flies by some stuff, and it feels a little incomplete, but never at the expense of really enjoying being around for the journey.
I thought that this was a sleeper for this year and certainly a movie worth watching with your
friends some weekend. It’s great to throw on if you want a laugh and really just enjoy some
great actors riffing off each other. The focus on culture was a nice touch and really elevated the movie to another level. While I would say if you’re easily offended, this movie is not for you – if you’re looking for a no holds barred comedy, Joy Ride is a trip worth taking.
Who Doesn’t Want To Wear The Ninja Suit Of Snake-Eyes Or Dress Like The Mandalorian?
Hasbro has had their pulse app out for a while now. It allows for access to items to buy, preorder, and a look into future projects and releases. It also allows for a very cool thing most nerds (a group of which I am a proud card-carrying member) have always wanted, the ability to make yourself into an action figure. I’ve contemplated making one for a time but, I finally got my chance to get my hands on one at Comic-Con this year. Now, of course, I had to wait in line as it was a pretty sought-after item. Who doesn’t want to have themselves wear the ninja suit of Snake-Eyes or dressed like a Mandalorian? I was approached by one of the booth staff as I was showing my nephew all the cool ways we could get him his own MIles Morales action figure with his face (as he’s a massive fan) and invited to take a seat and scan our faces into the Hasbro Pulse app with the help of their awesome team and make this dream a reality. My wife was with us, so of course she got in on the fun too. We scanned our faces in and it was very simple and quick. Then we all selected our figures to add our heads to. We all chose Power Rangers(Me as the Black Ranger, my wife chose the pink ranger and the nephew got the red ranger). Then we were told that we needed to wait about 4-6 weeks and we’d have our custom action figure team in our hands. This was a major part of our Comic-Con adventure and definitely, a memory my wife and nephew won’t forget (as it was both of their first Con ever). Thank you to Hasbro for being so generous(also getting me brownie points that home) and I highly suggest checking out Hasbro Pulse and all the cool stuff it has to offer.
The Last Voyage of the Demeter: Double-knock on wood!
Adapted and written largely from the Captain’s Log chapter of Bram Stoker’s magnum opus Dracula, The Last Voyage of the Demeter tells the story of Dracula’s journey by ship from Carpathia to London, and what happened to her crew in the interim.
So here we are in Bulgaria, middle of 1897, and Captain Eliot (Liam Cunningham) of the Russian schooner Demeter is here to take on some strange cargo from some unknown client and transport it to Carfax Abbey in London. In need of some extra hands, the Captain sends out his capable Second Wojchek (David Dastmalchian) to scout for some, and initially the roving black doctor and aspiring philosopher Clemens (Corey Hawkins) is passed over in favor of more work-roughened men. The adorable cabin boy of the Demeter, Toby (Woody Norman), narrowly misses being crushed by the mysterious dragon-marked crates being loaded onto the ship, saved by Clemens himself and switched out with the superstitious sailors running from the Demeter like they had been poisoned by the sign of Dracul. And now, armed with some nine or so crewmen, Doc Clemens, and Captain Eliot himself, the twenty-four strange what looks like coffins adorned with dragon signs brought mostly safely aboard, the Demeter can make for open water and the Hell that awaits them there.
The duty of showing Clemens around the ship falls to a cheerful Toby, who proudly shows him the living areas, the Captain’s quarters, the very-large cargo hold, the galley and kitchen where the overly-devout Joseph (Jon Jon Briones) cooks the crews meals, the various above decks, even the sails, and the rigging are all at least touched on, and the livestock pens that Toby himself is in charge of, including the handsome good-boy doggy Huckleberry, or just Huck. We the audience get a very clear feeling of what it’s like to actually be aboard the Demeter, just how large she really is, and what living on a ship for months at sea is really like, the reality and practicality and the dangers of it.
Everyone more or less settles in for a hopefully uneventful voyage, taking mess around the common table and exchanging ideas or aspirations for when they arrive in London early thanks to the fair winds, and receive a handsome bonus for their troubles. But that involves being alive and making it to London to spend said bonus and pay, and the coffin crates spilling dark soil from the motherland and disgorging all sorts of other nasty secrets, have some serious plans to the contrary.
First, it’s the livestock, innocent and shrieking in their locked pens as a monster takes great furious bites out of their necks, and of course, the creature just straight up ruins poor doggy Huck. Then there’s the fully grown girl that gets dislodged from an open coffin-crate, covered in bite scars and as pale as death, she eventually starts interacting and talking after several blood transfusions from Doc Clemens, Toby learns her name is Anna (Aisling Franciosi). And then, as the weather turns foul and the winds begin to be a serious problem, the attacks turn toward the remaining humans onboard the Demeter.
Most people these days are familiar with Dracula, that gorgeous cunning vampire Elder who can supposedly transform into a bat or a wolf, seducing women to voluntarily offer up their veins like an unholy sacrament, a being at once beautiful and powerful, but also horrific and murderous if given half a heartbeat to smell your blood. This is not Dracula.
Instead, the creature that hunts the humans occupying the Demeter is an absolute monster, not a single human feature left to it, barely even recognizable as humanoid-shaped, instead boasting not just full-length bat wings but an entire exo-skin of bat membranes that can be used for feeding, a mouth full of needle-like teeth akin to a predator of the deepest darkest parts of the ocean, those yellowed Nosferatu eyes that will not tolerate light in any way, and of course giant pointy bat-ears. This is a thing, a grotesque straight from the depths of Hell, and no amount of glamor magic can make this Dracula (Javier Botet) seem like anything other than what he, is – a parasitic demon who only wants your blood. There is no reasoning with it, no trapping it, not even really any talking to it (kinda hard to talk when your throat has been ripped out), and, like the much more frightening Dracula stories of old, no amount of pure faith behind a symbol does anything other than give false hope.
Coming face to face with an actual abomination does different things to different people. The formerly delightfully foul-mouthed Abrams (Chris Walley) dissolves into a blubbering mess; poor Larsen (Martin Furulund) didn’t even get to see his own death coming; and it turns out Olgaren (Stefan Kapicic) wants to live so badly, he’ll suffer becoming a blank-eyed Renfield if that’s what it takes. All of Cook Joseph’s purported pure faith didn’t stop him from trying to take the coward’s way out and didn’t save him anyway when the sound of unnatural bat wings descended on him. I find that kind of irony delicious. Dear Anna, resigned to her fate to be eternal food for the horror that terrorized her village, nevertheless wants to try and save whoever is left of the Demeter with her own sacrifice, and there aren’t many. Wojchek of course wants to kill Dracula, but for all his logic and solid practical nature, has no experience whatsoever with this sort of thing, and sure doesn’t want to sacrifice the Demeter, the beloved ship he called home that was promised to him by Captain Eliot himself, in order to destroy that demon. Even poor sweet Toby isn’t safe from the creature’s clutches, and what happens to the cabin boy of the Demeter is what finally sends Captain Eliot over the blooming edge. And who could blame him? For this sort of thing to happen during the last voyage of such a proud, solid ship as the Demeter, is some serious bullsh*t.
To leave such a film open for a potential sequel, especially when called the last voyage of something, was a pretty hefty ask, and somehow the filmmakers managed it. I personally think a different version of Van Helsing, the infamous vampire hunter, teaming up with a certain black doctor who nurses a serious grudge against Dracula, could be a kickass sequel. Until then, experience the doomed final journey of the Demeter and her poor crew in all it’s bloodstained glory, in theaters now!