It says something about the caliber of its show that it shines even when its star isn’t in the spotlight. One of the joys of having a shared universe is that characters from other series pop in from time-to-time to propel the story forward. Such is the case in this episode of Luke Cage.
The cameo comes from Colleen Wing (Jessica Henwick) who is hanging out with Misty to help her cope with the loss of her arm. Misty feels helpless and Wing is not just a comrade-in-arms (no pun intended) after their battle in The Defenders but someone that gets what it’s like to be different. Let’s be honest, Wing was really the best part of the Iron Fist series and she totally holds her own in Cage’s neck of the woods.
If you’ve ever read the comics you know that Wing and Misty end up teaming up to become known as the Daughters of the Dragon and this episode could easily work as a backdoor pilot for that show. I would watch it in a heartbeat. The interaction between Wing and Misty feels natural and that bar fight is yet another example of the excellent fight choreography in that all of the Marvel shows use (Iron Fist not withstanding).
Since it’s early in the series we’re still dealing with the repercussions of season one and really seeing the long term effects of vigilantes in this universe. Enter Cockroach. Cockroach (who prefers to be called that, on purpose) is a low level thug with a bad habit of hitting his woman and child. After getting his case thrown out because of Misty’s dirty partner Cockroach is back on the streets and up to no good.
Here’s where Luke really shines. While other characters in the MCU may hesitate of be in the hero game out of ego Luke is the one man that runs toward the sirens. He genuinely wants to help and will jump into the fray without a moment’s notice. Give him the call and he comes running, literally. It’s impossible not to get shades of Superman in his persona. Near the end of the episode he goes finds Cockroach beating up his family and goes more than a little postal in him, causing a major riff between him and Claire.
But we’re getting ahead of ourselves. We also got a much larger glimpse of our villain this episode, Bushmaster. Bushmaster is a Jamaican with an axe to grind with Mariah Dillard with his eyes set on conquering Harlem. Though Luke isn’t his main target he has no problem going against him when the time comes. Luke is still coasting so their first encounter plays as fun, especially when someone fires a rocket launcher at him. Truth be told the scene played a bit too campy and felt kind of like 1960s Batman, but it wasn’t such a huge tonal shift that it was jarring.
While the episode goes through its motions the knockout comes at the very end as Bushmaster straight up punches Luke out knocking him unconscious. It’s about time Luke found an adversary that he could go head-to-head with since Diamondback was more than a little disappointing last season. Things just got fun.

Streaming
Renfield; A Fangtastic Time

Nicholas Cage is not the Dracula we deserve, but the Dracula we need!
With Nosferatu dominating the box offices with all its gothic, avant-garde glory you may need something a little more light-hearted to cleanse the palette. 2023’s Renfield is a fantastic recipe of dark comedy, satire, and not a small amount of heart (beating or otherwise). Renfield has recently been added to Netflix UK’s menu; for us all to feast upon!
Both Nick (Hoult and Cage respectively) give fantastic performances as master and long-suffering servant, proving that toxic relationships take many forms. Renfield (Nicholas Hoult) has been in the service of Dracula (Nicolas Cage) for ninety years. Renfield does everything short of cleaning the count’s iconic cape (it’s dry-clean only apparently) and he’s quite frankly sick of it.
After ninety years the duo’s options, and bank account, have become quite limited. This is why they are holed in an abandoned hospital in New Orleans. Renfield leaves most evenings to supply the ancient vampire with victims to drain blood, preferably of the pure variety. Hoult’s Renfield is a charming soft boy, a 6 ft 2 soft boy, who has some reservations about killing innocent people. He cleverly gets around this moral quandary by joining a support group for the victims of narcissistic abuse held in a local church and eh…dispatching the group members’ abusers to bring to his master. This works well until one night he gets tangled up with the criminal underworld on a ‘routine’ dispatching.
Awkwafina plays the pint-sized police officer with a foul mouth and a strict(ish) moral compass; Rebecca Quincy. Rebecca and Renfield cross paths and it’s up to them to save the city from both criminal and supernatural corruption. This results in many impressively choreographed fight scenes and not a small amount of blood, gore, and sarcasm! It’s strangely heartwarming to watch Renfield try to break the cycle of Dracula’s narcissistic abuse and create a place for himself in the world. As Rebecca states: sometimes you just fall under the thrall of a vampire for a few decades!
Nicholas Cage is every bit as fabulous and camp as you’d expect of a truly iconic Dracula performance. His delivery is as cutting and precise as his debonair velvet suits. One of the best things about the film is you can tell the cast is having fun with their characters, particularly Cage, I would bet my own soul that a lot of his lines were ad-libbed. Special shout-out goes to Brandon Scott Jones who played the painfully sincere narcissistic survivor group leader. Jones proves there is no part too small to make an impact!
Renfield takes the usual Dracula tropes and puts a hilarious spin on them. Asking the real questions like; do vampires need a verbal invite or will a ‘welcome’ mat suffice to enter a home? Quick someone page Buffy!
Even with the gratuitous gore and violence Renfield manages to be touching at times and ironically breathes fresh life into the reanimated corpses of both Dracula and Renfield.
Three and a half stars.
Events
Nandamuri Kalyan Ram’s Upcoming Film Builds Massive Hype

The much-anticipated film Arjun S/O Vyjayanthi, produced by NTR Arts and Ashoka Creations, is all set to unveil its official teaser on March 17, 2025. Featuring Nandamuri Kalyan Ram in the lead role and veteran actress Vijayashanthi making a powerful comeback, the film is expected to deliver a gripping action-packed family drama.
The Arjun S/O Vyjayanthi teaser launch event is scheduled for:
Date: March 17, 2025
Time: 10:00 AM IST
Venue: AAA Cinemas (Screen 1), Hyderabad, India
Fans who cannot attend in person can watch the teaser across YouTube, Twitter (X), and other social media platforms, as it will be released online simultaneously.
Pre-Teaser Hints at High-Octane Action
Ahead of the teaser launch, the makers released a gripping pre-teaser, which showcased Kalyan Ram in an intense look—seated on a boat, shirt bloodied, signaling an impending storm of action. Complemented by Ajaneesh Loknath’s electrifying background score, the clip has already generated significant buzz online.
Directed by Pradeep Chilukuri, Arjun S/O Vyjayanthi promises to blend action, family drama, and strong emotional elements, making it a highly awaited release for Telugu cinema fans. With Vijayashanthi portraying a powerful IPS officer, the film is expected to bring a strong narrative backed by stellar performances.
Nandamuri Kalyan Ram’s New Action Avatar Vijayashanthi’s Comeback in a Fierce Role High-Quality Production Backed by NTR Arts Intense Pre-Teaser That Has Raised Expectations
Stay Updated on Arjun S/O Vyjayanthi For the latest updates, teasers, trailers, and exclusive insights into Arjun S/O Vyjayanthi, follow NTR Arts’ official pages and stay tuned for March 17!
Streaming
The Resurrection of ‘Jennifer’s Body’

TW: Discussions of Sexual Assault.
I did myself a favour and watched the cult classic Jennifer’s Body (which I highly recommend you do, too). Watching this clever, funny, thought-provoking movie in 2025, it is hard to believe that it was a major flop when it was released in 2009.
‘00s nostalgia spurts throughout the film. From the frosted eyeshadow to the digital cameras, it’s enough to bring a tear to a millennial’s eye. However, not everything about the film is dated. In fact Jennifer’s Body is hailed today as a modern feminist classic.
This is particularly intriguing when remembering how badly the film bombed in 2009. Looking at Rotten Tomatoes scores, Jennifer’s Body has a rather pitiful 46% critic score and an even worse 36% audience score. Was this comedy-horror simply ahead of its time? Many believe so.
In pre-#MeToo 2009, Jennifer’s Body was marketed as a fun, sexy romp aimed at straight men. Sex symbol Megan Fox in the starring role as Jennifer, fresh from her scantily-clad Transformers fame, audience thought they knew what to expect from the actress. And Fox is wrist-achingly beautiful in the film; there is no doubt about that, but many complained she remained disappointingly fully clothed. There was also the promised same-sex kiss between Fox and Amanda Seyfrie,d which was framed more as an uncomfortable, confused, and tragic scene between two childhood friends rather than sexy.
In short, Jennifer’s Body was marketed for the male gaze, even with a female writer (Diablo Cody) and director (Karyn Kusama) instead of what it is, which was a commentary about the treatment of female bodies (the clue was in the title, really).
Many have theorised that the film is essentially a rape-revenge fantasy. The premise is (spoilers!) that Jennifer is kidnapped by an indie boyband after a gig. The group’s plan is to sacrifice young Jennifer to Satan in exchange for fame (obviously). Their plan goes awry when Jennifer lies about being a virgin, when she is not in fact even a “backdoor virgin”. This little lie causes Jennifer to turn into a creature-monster-succubus-type thing. This is a clear commentary on how women are only seen as useful or worthy if their virginity is intact. Also, how the music industry sacrifices young women to the altar of male lust.
Later that night, Jennifer appears at her childhood friend Needy’s (Amanda Seyfried) home drenched in blood and covered in bruises, with a vacant stare. After this, Jennifer begins to indiscriminately kill young men from her school.
I theorise that the film is cleverly inverting the expectation of young women being targeted. Jennifer is indiscriminate in her choosing of victims. A school jock, a sensitive emo guy, and a foreign exchange student walking home alone at night. She lures them to secluded areas with the promise of sex and tears them apart until they look like “lasagne with teeth”.
With Jennifer’s murder spree terrifying the small town, its young men are warned not to go anywhere alone. Johnny Simmon’s character, Chip, is even given mace by his mother to protect him on prom night.
Jennifer’s Body cleverly inverts many of the horror movie tropes. For example, the ‘nerdy girl’, Needy is not a virgin either. Needy and her boyfriend Chip actually have regular, no-consequence sex, which is unusual for a female character in a horror movie.
This cult classic may have died on its initial release but it was resurrected by the dashboards of Tumblr and feminist blogs. Seyfried even teased the possibility of a sequel soon. Suffice to say there is definitely more to Jennifer’s Body than meets the eye!