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John C. McGinley: Stan Miller, the Opposite of Lancelot

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John C. McGinley is a veteran actor of the silver screen and the small screen. From Platoon to Scrubs to his current series on IFC, Stan Against Evil, he has been a presence for several different generations. In real life, he is a force of nature. Passionate, outspoken and enthusiastic, it was a pleasure to sit down and chat with him about the season finale of Stan for That’s My Entertainment.

Delicious Finale

TME: In Stan Against Evil season two, everyone’s performances were terrific. I don’t think fans will be prepared for the finale.

JCM: I am so overwhelmed by the way episodes seven and eight came together. It took Dana and I 14 episodes and two years to yield the most stunning hour of programming that IFC has ever produced. This is epic! Obviously, I am really proud of it.


The Dynamic Duo

Photo Credit Kim Simms/IFC

TME: Stan and Evie have grown very fond of each other. I know when Janet spoke to us she compared the relationship to a father and daughter-type situation.

JCM: I agree. Dana has always said that Evie is the daughter Stan never had. Now, that’s not to disparage Deborah’s character at all. She’s the Jonathan Winters of a generation. She’s a genius improvisational actor. We have tailored her role to accentuate those strengths.

Janet…at first, you…almost want to say she is the son he never had but that’s not it at all. She’s the daughter he never had. That’s so great!  It’s not like he has an ax to grind or there is something inadequate about Denise. It’s just that Evie is such a bad ass. She’s the female Harrison Ford.

I am so overwhelmingly fond of both of these actors as we’ve tailored their arcs to their strengths. Both of them have just exploded.

TME: What is it about Evie that Stan has grown attached to and how do you think her character feels about Stan?

JCM: I don’t know the answer to the second question. But I will tell you this, I think when Dana constructed Stan to make him such an interesting anti-hero, that what compels Stan to do the right thing at the last second is ass backwards. It’s beyond delicious!

He’ll have to be dragged kicking and screaming into doing the right thing because he doesn’t want to hear about it if he doesn’t do it! Which is the best thing ever!

That is what compels you? Because you don’t want to hear people whining and complaining that you didn’t do the right thing? That’s great! It’s the opposite of Lancelot. It’s the opposite of any hero scenario, ever!

He just doesn’t want to hear about it. So, okay. We’ll go do the right thing and that’s what compels him. It’s great. It’s so subversive and fantastic.

TME: It is a very human response because not everyone wants to be a hero.

JCM: Stan has no interest! He lost his wife! That’s all he ever talks about. He lost his job. All he wants to do is watch the History Channel and he can’t even do that because Hitler comes on. Just no one will leave him alone and when he’s left alone there is a couple hundred witches that want to kill him! Everything has gone completely sideways. It’s fantastic. It’s chaos.

TME: Were you aware that the fans are calling both you and Janet the Dynamic Duo because of your wonderful chemistry?

JMC: No, it makes me happy! I hero worship Janet. She knows that. We wove a kind of screwball comedy tone into season two and Janet can do it in her sleep. Janet does a one woman show in episode eight. She should be nominated for an Emmy. She is just unbelievable!

Getting “Whole”

TME: How do you think the fans are going to respond to the finale?

John C. McGinley - Stan Miller the Opposite of Lancelot - Courtesy of IFC

Courtesy of IFC

JCM: Dana wrote this amazing arc for Stan this year. I’m always about finding the uber verb. Stan’s verb this year was to “get whole.” The only way he could “get whole” was to get Claire, his wife.

And she’s dead! That is the most ridiculous uber-objective but he’s undeterred. He does the right thing. He gets Evie back and then armed with that technology and a little bit of knowledge for Stan can be dangerous, he thinks if I can get Evie, I can get Claire.

It proved to be this overwhelmingly emotional arc for Stan. Whether it’s begging on his knees in front of Eccles’ daughter in the second episode of the year, which is absolutely the first time he’s ever been on his knees in his life, begging this child to take that note and send it back, and that kind of set us off.

Shooting it that night, it felt like we were playing the real stakes. If you, Stan are going to “get whole” and if the way you are going to do this is if you get Claire then okay, have at it!

TME: You have some very emotional moments this season. How do you as an actor prepare for those taxing scenes? They can be very draining.

JCM: Most everything for me goes back to my son, Max. I borrow from Max’s sensibilities and my relationship with him. I kind of tentacle out from there. When I talk to other special needs parents and caregivers and when I also advocate for our community, everything is fed by that love.

It’s this rich, rich deposit that I can draw from. Emotionally it is immediately available to me. I don’t have to dig very far. It’s right below the surface. All of my Max love is immediately available to me. I guess I triangulate it to serve moments like in Stan.

Spread the Word to End the Word

TME: We know you are a steadfast advocate for those with intellectual disabilities, especially Down Syndrome. You are also a board member of the Global Down Syndrome Foundation. Over the years, you have written a few wonderful articles about the Spread the Word to end the R word campaign. Can you take a minute to talk to us about why the R word is so hurtful to those who may not understand?

JCM: The only way to do it in a work environment is to ask somebody if there is not a better way to put that. That’s the socially acceptable way and people will say but what?

And you say you just used the word “retard” to describe the party over the weekend. Then they say oh and you say, my cousin Steve was born with Down Syndrome and that’s really offensive to me. Then all of a sudden, you’re having a conversation. I wish I could do that more often.


Stan Has Something to Say

John C. McGinley – Photo Credit: Kim Simms/IFC

TME: Do you have a message for the Stan Against Evil Fans out there? They are a passionate group that really believes in the show and are

doing all they can for a season three. If you could do it in Stan’s voice, that would be really sweet!

JCM: Well, I know what he would say. “It’s in the bag!”

Catch the season finale of Stan Against Evil on IFC, Wednesday, November 22 at 10 p.m. Eastern 7 p.m. Pacific.

If you love the show tweet #KeepStanKilling #ShovelsUpForSeason3 to @IFC and @stanagainstevil on twitter.

Follow Stan Against Evil on

Twitter @StanAgainstEvil

Facebook @IFCStanAgainstEvil

website www.ifc.com

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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The electric state

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“The Electric State,” now streaming on Netflix, is a science fiction adventure directed by Anthony and Joe Russo. The screenplay, crafted by Christopher Markus and Stephen McFeely, is loosely based on Simon Stålenhag’s 2018 illustrated novel of the same name. The film boasts a star-studded cast, including Millie Bobby Brown as Michelle, Chris Pratt as Keats, and features voices from Anthony Mackie and Woody Harrelson. With a runtime of 128 minutes, the movie transports viewers to a retro-futuristic 1990s America, where a teenage girl embarks on a quest to find her missing brother amidst a landscape populated by sentient robots.

Despite its ambitious premise and substantial $320 million budget, “The Electric State” has garnered predominantly negative reviews from critics. Many have pointed out the film’s lack of emotional depth and coherence. For instance, The Guardian described it as a “bogglingly expensive dud,” criticizing its soulless storytelling and lack of artistic merit. Similarly, Vulture labeled the film a “$320 million piece of junk,” highlighting issues with direction, character development, and overall execution. 

The narrative follows Michelle, portrayed by Millie Bobby Brown, as she ventures into a dystopian version of the late 1990s, accompanied by Keats, a smuggler played by Chris Pratt. Their mission leads them into an exclusion zone inhabited by defeated robots, all in search of Michelle’s younger brother, Christopher. While the film’s special effects have been acknowledged for their quality, these visual achievements are overshadowed by a storyline that many found lacking in engagement and originality. 

Audience reactions have been mixed, with some viewers appreciating the visual spectacle and performances, while others echo the critics’ sentiments regarding the film’s shortcomings. On Rotten Tomatoes, the film holds a critic score of 17%, reflecting the overall negative critical reception. 

In conclusion, “The Electric State” presents a visually impressive but narratively deficient experience. Despite the high-profile cast and substantial investment, the film struggles to deliver a compelling and cohesive story. Based on the critical consensus and audience feedback, I would rate this film a 4 out of 10.

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Renfield; A Fangtastic Time

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Nicholas Cage is not the Dracula we deserve, but the Dracula we need!

With Nosferatu dominating the box offices with all its gothic, avant-garde glory you may need something a little more light-hearted to cleanse the palette. 2023’s Renfield is a fantastic recipe of dark comedy, satire, and not a small amount of heart (beating or otherwise). Renfield has recently been added to Netflix UK’s menu; for us all to feast upon! 

Both Nick (Hoult and Cage respectively) give fantastic performances as master and long-suffering servant, proving that toxic relationships take many forms. Renfield (Nicholas Hoult) has been in the service of Dracula (Nicolas Cage) for ninety years. Renfield does everything short of cleaning the count’s iconic cape (it’s dry-clean only apparently) and he’s quite frankly sick of it. 

After ninety years the duo’s options, and bank account, have become quite limited. This is why they are holed in an abandoned hospital in New Orleans. Renfield leaves most evenings to supply the ancient vampire with victims to drain blood, preferably of the pure variety. Hoult’s Renfield is a charming soft boy, a 6 ft 2 soft boy, who has some reservations about killing innocent people. He cleverly gets around this moral quandary by joining a support group for the victims of narcissistic abuse held in a local church and eh…dispatching the group members’ abusers to bring to his master. This works well until one night he gets tangled up with the criminal underworld on a ‘routine’ dispatching.

Awkwafina plays the pint-sized police officer with a foul mouth and a strict(ish) moral compass; Rebecca Quincy. Rebecca and Renfield cross paths and it’s up to them to save the city from both criminal and supernatural corruption. This results in many impressively choreographed fight scenes and not a small amount of blood, gore, and sarcasm! It’s strangely heartwarming to watch Renfield try to break the cycle of Dracula’s narcissistic abuse and create a place for himself in the world. As Rebecca states: sometimes you just fall under the thrall of a vampire for a few decades!

Nicholas Cage is every bit as fabulous and camp as you’d expect of a truly iconic Dracula performance. His delivery is as cutting and precise as his debonair velvet suits. One of the best things about the film is you can tell the cast is having fun with their characters, particularly Cage, I would bet my own soul that a lot of his lines were ad-libbed. Special shout-out goes to Brandon Scott Jones who played the painfully sincere narcissistic survivor group leader. Jones proves there is no part too small to make an impact!

Renfield takes the usual Dracula tropes and puts a hilarious spin on them. Asking the real questions like; do vampires need a verbal invite or will a ‘welcome’ mat suffice to enter a home? Quick someone page Buffy! 

Even with the gratuitous gore and violence Renfield manages to be touching at times and ironically breathes fresh life into the reanimated corpses of both Dracula and Renfield.

Three and a half stars.

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Nandamuri Kalyan Ram’s Upcoming Film Builds Massive Hype

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The much-anticipated film Arjun S/O Vyjayanthi, produced by NTR Arts and Ashoka Creations, is all set to unveil its official teaser on March 17, 2025. Featuring Nandamuri Kalyan Ram in the lead role and veteran actress Vijayashanthi making a powerful comeback, the film is expected to deliver a gripping action-packed family drama.

The Arjun S/O Vyjayanthi teaser launch event is scheduled for:

Date: March 17, 2025

Time: 10:00 AM IST

Venue: AAA Cinemas (Screen 1), Hyderabad, India

Fans who cannot attend in person can watch the teaser across YouTube, Twitter (X), and other social media platforms, as it will be released online simultaneously.

Pre-Teaser Hints at High-Octane Action

Ahead of the teaser launch, the makers released a gripping pre-teaser, which showcased Kalyan Ram in an intense look—seated on a boat, shirt bloodied, signaling an impending storm of action. Complemented by Ajaneesh Loknath’s electrifying background score, the clip has already generated significant buzz online.

Directed by Pradeep Chilukuri, Arjun S/O Vyjayanthi promises to blend action, family drama, and strong emotional elements, making it a highly awaited release for Telugu cinema fans. With Vijayashanthi portraying a powerful IPS officer, the film is expected to bring a strong narrative backed by stellar performances.

Nandamuri Kalyan Ram’s New Action Avatar Vijayashanthi’s Comeback in a Fierce Role High-Quality Production Backed by NTR Arts Intense Pre-Teaser That Has Raised Expectations

Stay Updated on Arjun S/O Vyjayanthi For the latest updates, teasers, trailers, and exclusive insights into Arjun S/O Vyjayanthi, follow NTR Arts’ official pages and stay tuned for March 17!

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