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Jennifer Linch: Acting, Martial Arts and Love of Cinema

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Martial arts movies hold a place in many people’s hearts. Whether one grows up watching  Chinese string martial art movies with the crazy moves mid-air, the realistic Bruce Lee fight scene, Jackie Chan doing crazy stunts with anything he can grab onto or anything in between.

What is it about martial arts that intrigue people to watch them performed in film? Is it the feats they can accomplish? Is it the quickness and crisp moves that can take down an opponent? Perhaps it can be as simple as enjoyment and as complex as the desire to want to do the moves for personal reasons. Whatever the reasons, martial arts movies bring in new actors and actresses who want to showcase their abilities as the real deal and have their movies tell the viewer a great story. One such actress who has been catching eyes outside the “mainstream” Hollywood cinema is Jennifer Linch.

She is a film maker, director, actress and a master of the martial arts; being able to do her own stunt work without the need of a stunt person. She has the look, the skills and the drive to make her films her way and with her own unique style. After watching her short film, Flowers of the Night, it allows the viewer to see her passion, her style, and her ability to kick some butt as well as give her a medium to showcase acting ability as well. She has been working on some new projects and keeping herself busy, but one of her newer projects that she has been tinkering with is her project called, Unsaid.

Unsaid is a first person POV film about a cop who’s wife was kidnapped and murdered, initiating a spree of vengeance on the people who took her away from him. The film uses music to emphasize on mood and emotions, leaving no need for dialogue. Everything is told through visual means as well as orchestrated music. Though it isn’t completely done yet, there is a lot of potential and talent in this film.

When asked what influenced her into making the film this way and how difficult it was, she said she was influenced a lot by Butch Cassidy and the Sundance Kid. Her writer made her sit down to watch it and after five minutes she got hooked, it became one of her favorite movies. It didn’t have the fancy effects like a blue screen or green screen but just a good script and good acting abilities.

Her motivation for the short was also to test herself and the abilities to create a film where dialogue doesn’t exist. The only emotions you can feel is through the visual and the tone set through the audio, whether it be soft music or adrenaline fueled. She had to rehearse a lot with hand acting (through the POV format) and learn different techniques to showcase the first person acting and fighting sequences in a nice sequential way.

Jennifer also has an eye for detail and her directing abilities are unique. When asked if there was a filmmaker she would like to model herself after, she said Jeong-beom Lee. He is a Korean film maker who directed films like The Man From Nowhere and No Tears For the Dead. The way he was able to use music to set the tone and make the emotions come to the forefront was something she is wanting to continue to learn and use for her own films.

As mentioned earlier, people love martial arts for different reasons. Asking her why she chose martial arts and what it is that she enjoys from it, she says that it was her brother that got her into it. Her brother is a martial arts instructor and when they were younger, he would rent only martial arts movies. Jennifer was intrigued and heavily influenced by studying it and learning from the movies.

One of her goals is to focus on doing martial arts fantasy comedy movies. In fact, she revealed that in January she will be in Toronto doing her feature film called Kung Fu Ghost, which will be a supernatural, romantic, martial art comedy. Sign me up for front row seats. It sounds unique and a nice popcorn feature that will put smiles on peoples faces.

Linch is quite a talented actress and martial artist who loves weapon fighting. So, she’s quite a bad-ass. Movies are filled with stunt people but Jennifer does her own stunts. When asked why she wants to do her own stunts, she states “I like doing stunts myself. I don’t want to cheat my viewers. That’s just my thing.”

Asking how much time is needed to pull off such choreography, she says, “Normally we would need about 3-4 weeks to create a really good fight scene and do it safe but since we are so small, we have 2-3 days.” After hearing that, you have to give it up to her and her creative team. To take precise choreography and fight scenes and only have a couple of days to rehearse, which also involves camera staging, is so refreshing to show how much it means to them. Showing how dedicated their team is to get blocking and the stunt work down, so everyone is safe but looks awesome. Hats off to them all.

She is continuing to hone her craft and film making abilities as well as acting and fighting. In time, she can hopefully get even more notoriety and show her love of martial arts to an even wider audience. It was a pleasure talking with her, learning more about her, the films she loves and some of her dream projects with martial arts. If you would like to know more about Jennifer, check out her YouTube page: youtube.com/user/FoodTravelwithJenny

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Frogfathers lessons from the Normandy surf

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Frog Fathers: Lessons from the Normandy Surf” is a deeply moving documentary directed by Bob Whitney, narrated by John C McGinley, and presented by World of Warships and FORCE BLUE. It chronicles the journey of four Navy SEAL veterans revisiting the site of the D-Day landings to honor their forefathers and gain a deeper understanding of the sacrifices made during World War II.

The film’s strength lies in its raw emotional impact and historical significance. It blends personal narratives with archival footage, offering a poignant tribute to the bravery and resilience of those who fought on June 6, 1944. The veterans’ reflections and the cinematography effectively capture the solemnity and reverence of their pilgrimage.

While the documentary focuses primarily on the veterans’ experiences, it also serves as an educational tool, highlighting the strategic importance of the Normandy invasion and its pivotal role in shaping modern history. The film’s respectful approach and engaging storytelling make it a compelling watch for anyone interested in military history and the enduring legacy of the D-Day heroes.

Overall, “Frog Fathers” is a powerful and heartfelt documentary that honors the past while inspiring present and future generations to remember the sacrifices made for freedom 

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American Horror Story: Delicate

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As most of us are already aware, the 12th Season of AHS has been fraught with all kinds of differences to the previous seasons, mainly in that this is the first one to be based entirely off a novel, ‘Delicate Condition’ by Danielle Valentine. The first half of the season aired in October 2023 to mediocre reviews, while the SAG-AFTRA strike caused production and airing delays for the latter half of the season, and the episodes of Part 2 were all cut to less than an hour long apiece. And none of that is even getting into the disjointed attempt at storytelling for Season 12, so let’s dive into this! 

Meet Anna Victoria Alcott (Emma Roberts), former young ling star of Hollywood now struggling to recapture fame as an adult, who wants a baby, very very badly. Bad enough to drive herself and her husband Dex (Matt Czuchry) through multiple unsuccessful rounds of IVF (in-vitro fertilization), bad enough to keep trying no matter how crushing each failure turns out to be, bad enough to involve her purported best friend and bougie publicist Siobhan Corbyn (Kim Kardashian) in her struggles, and maybe, just maybe, bad enough to give up on a burgeoning resurgence of her career after interest in her comeback role for The Auteur begins garnering her Oscar-worthy attention. 

So, Anna and Dex are going to go through yet another round of IVF, likely one of their last attempts at it, from a different doctor, Dr. Andrew Hill (Denis O’Hare), and clinic based on Siobhan’s recommendation. And already, strange things are beginning to happen to Anna – her appointments that she set herself begin springing up incorrectly, a doom saying woman called Preacher (Julia White) shows up spouting warnings about trusting no one, dire warnings appear in unlikely places, and BTW, it seems as though long-suffering but good-nurtured Dex has a side-piece too. It doesn’t help that Dex’s new partner at his art gallery, Sonia Shawcross (Annabelle Dexter-Jones), bears a striking resemblance to his dead ex-wife Adeline, either. Those spiked emerald heels start appearing weirdly too, and it seems as though no one will listen to Anna as she grows more and more suspicious that some sort of sinister cult has designs on her as-yet-unborn baby. At the same time, Anna tries to live the life of a successful returning actress, attending parties and gallery openings while draping her rapidly-expanding middle in shimmering fabrics and actively ‘campaigning’ for that little golden statue that most actors covet. Competition is fierce, even among her co-stars of The Auteur, and while Anna wants to be supportive of her fellow entertainers, she clearly appears to be incapable of doing both at the same time – wanting the baby and the little gold award at the same time is too much to ask, apparently. 

Elsewhere, mostly in the past, various women in states of desperation formed from one situation or another are visited by sinister-looking women in prim black dresses, headgear reminiscent of – to me anyway – an odd cross betwixt birds and bunnies, my guess is an ostensive nod to fertility in general, and a general feeling of blood-bound witchery about them at critical moments of crossroad choices. 

Though the second half of the season moves a good deal faster than the first, the attempts at callbacks and reminder flashes to Part 1 hit with all the impact of a dropped bag of garbage onto their friends Talia’s (Julia Canfield) borrowed bougie kitchen floor – splat, into incomprehensible silence, from all parties, both characters and audience, concerned. Even the reminders that, in Part 1 of Delicate Dex’s mother Virginia Harding (Debra Monk) did indeed have perfectly valid memories of abuse at the hands of a black cult and Dex’s own father Dex Sr. (Reed Birney), the revelation pales and peels away in the face of Dex’s true parentage. 

Which brings us back around full circle kinda sorta, to the only real character worth a damn in this entire miserable season of strange feminism and aspirations of world domination through a kind of idiotic Rosemary’s Baby nightmare scenario, we should have known she’d steal the show when Kardashian was cast for it, Siobhan Corbyn, leader of the blood cult her high and mighty (old) self. Throughout the whole show her character has remained exactly the same, and it’s a wonder Anna can stare at her all stupefied while Siobhan does her villain speech at the end of the last episode. Siobhan never masked her ambition or greed, her mysterious protective vibe and even deep love for Anna, and can always be counted on to have secret plans of her own, already in motion, bitch. 

The idea that Anna herself was used as a surrogate for Siobhan and her incestuous eugenicist plans, plus the sweet little demon baby she just birthed, has an ironic the-world-is-tilting-the-wrong-way kind of witchy madness to it. Sure, Anna really can have it all, the baby and the golden statue, if only she joins the patriarchy-crushing cabal of blood witches with world domination plans, got it. 

I have questions, or I would have, but things are moving on and Anna is being saved by … Dex’s dead ex, Adaline the former member of the coven right okay her, she’s going to show back up and offer Anna a simple chant to Hestia her patron Goddess, and that is somehow enough to deal with Siobhan entirely – poof. And finally, after all that rigamarole, decades of planning and scheming and witchy plotting finally settled, Anna really can have it all as a White Witch of Hollywood, heaven help us, with her perfectly human baby and that damned little golden statue, clutched in an only slightly desperate grip. 

As with any season of AHS there are a great deal of statements that could be implied just under the skin of the season – the canker way of ambition, the millenia-old pain of a woman giving birth, the savagery and bloodshed that comes with bringing forth life, pushback against both the patriarchy and ultra-feminism, the absolute desperation of humans wanting to have a child, and perhaps strangest and most open to interpretation of all, what it means to be feminine. The worlds population of women who can’t or don’t or simply won’t have children, for any reason or none, are relegated to servants, expendable servants at that, for this new world order that Siobhan is proposing, and that is far too close a comfort to things like outright slavery. A dictator is a dictator, no matter how great she looks in those emerald spiked heels. 

It’s not the really beautiful grotesquerie that Ryan Murphy and his AHS gang are often known for, nor is it utterly terrible and should be burned at the stake. What Delicate should be, is put back together with missing and cut footage, an hour long per episode again come on folks, fleshed some more of Siobhan’s baby-stealing adventures in the past and given us an actual reason to like anything about the whiny Anna, at least the Part 2 we as longtime AHS fans deserve. Toss in some more spidery hijinks! Give us the actual origin of those weird feather bunny-ear headdresses! 

American Horror Story Delicate the whole season can be seen on FX! 

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Jurassic Park: Unraveling the Mystery in a World Gone Prehistoric!

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Hold onto your hats, dino fans! The highly anticipated sequel to the adrenaline-pumping Camp Cretaceous saga is here, and it’s taking us on a wild ride six years in the making. Following the harrowing events of Camp Cretaceous, our beloved “Nublar Six” are back, but they’re not out of the woods just yet. In fact, they’re about to plunge headfirst into a world where dinosaurs roam freely alongside dangerous humans, and trust us when we say, it’s a Jurassic jungle out there!

Picture this: a world where survival isn’t just about avoiding sharp-toothed predators but also navigating the treacherous waters of human greed and deceit. As our resilient heroes reunite in the aftermath of a heart-wrenching tragedy, they quickly realize that danger lurks around every corner, and trust is a luxury they can’t afford. 

But wait, there’s more! Prepare to embark on a globetrotting adventure like no other as the Nublar Six find themselves thrust into the heart of a conspiracy that threatens not only the fragile balance between dinosaurs and humanity but also their very existence. From the lush jungles of Isla Nublar to the bustling streets of bustling cities, buckle up for a rollercoaster ride of epic proportions as our intrepid group races against time to uncover the truth about one of their own and, ultimately, save both dinosaur and humankind from certain doom.

So, dear readers, if you thought you’d seen it all in Jurassic Park, think again! With heart-stopping action, pulse-pounding suspense, and jaw-dropping revelations, this latest installment promises to be a game-changer in the Jurassic universe. Get ready to roar with excitement because Jurassic Park: Unraveling the Mystery is about to take a bite out of your imagination and leave you hungry for more!

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