Who doesn’t know, and love, Jean Claude Van Damme? How many times have the many TV channels played the Universal Soldier series, or Timecop, Hard Target, Bloodsport, Kickboxer, Double Team and countless other action action masterpieces? Those incredible high-kicking legs of Jean Claude Van Damme are still to this day capable of performing eye-bulging man-splits, it just might take a little longer now. Spoilers high-kicking your way!
And why is that? Because JC, like everyone around us now, is grudgingly diving into nostalgia to help us deal with real-world atrocity, is getting older. His movie career isn’t anywhere near what it was, but with the crap-ton of films he had done previously, Jean Claude has a ridiculous amount of money left and not a clue what to do with it. He proclaims to be retired, ostensibly from the film business, but the outrageously-priced call girls and pictures of far too many dog companions aren’t filling the void of absolute boredom JC currently suffers. So when old flame Vanessa (Kat Foster) shows back up in JC’s life, he decides to jump back into things with both feet!
But wait! JC went back to his old management publicist Jane (Phylicia Rashad) and told her he wanted to work again, sure, but he wasn’t talking about movies. It turns out, all this time while he was starring in kick-ass action films, they were just fronts for his really-real job, as an international spy-assassin. You laugh, but I’m not kidding! These progressively-more-ludicrous films make for fine covers while he investigates bad goings-on in other countries, and indeed, Jane tells JC he’ll need a movie role to star in if he intends to go to Bulgaria, chasing after Vanessa who’s already on her own assignment. In Bulgaria, she’s a hairdresser on the set of the film being made there.
And guess what? Van Damme just landed the lead role of that self-same movie, HUCK, a splashy kung-fu re-imagining of Huckleberry Finn, I kid you not, while he also checks out the heroin business here in Bulgaria. But, like many other things in this hidden gem of a show, the role is completely absurd and pushes him to some seriously frustrating acting, fighting, and even just idiocy, limits. The director has no respect for his high kicks and splits, yet practically creams himself when actual bad guys come to confront JC on the set and oh does he wipe the floor with them.
Jane stuck JC with some help in the form of Luis (Moises Arias), a former Columbian child soldier with a lot of baggage still left to deal with, but also an excellent makeup artist with a heart of gold. And of course it turns out the guy who plays “N-Word Jim”, Victor (Deren Tadlock), who may have a thing for Vanessa and so JC got him kinda sorta fired for it, may be able to help JC in his taking down the bad guys as well. Because it turns out, the bad guys aren’t always who you think they are.
Even lacking original coherent plot, if you’ve seen most of JC’s movies you can kind of guess already who the baddies turn out to be; I’m not going to spoil it. Visions of Elysium-like emu farms, a JC clone with a terrible accent, and Jean Claude’s own “gift” notwithstanding (no, it’s splitting), the final confrontation is hilarious, dry and preposterously witty about getting old, much like JCVD himself.
Each episode is only approximately half an hour long and there are only six episodes in this first season, so it’s not like this delightful little eye-roll of an aging action show carves a bunch of time from your life. Though I have to say that, like the movie seems to think as well, Timecop is still arguably JCVD’s best movie.
Come admire the fact that doing man-splits still hasn’t killed the indomitable Jean Claude Van Damme, I mean, Jean Claude Van Johnson, on Amazon Prime now!

Movie
Jaat (2024) – A Gritty and Pulse-Pounding Ride Through Rural JusticeJaat

Runtime: 2h 17min
Genre: Action, Drama, Crime
Director: Manoj Rathi
Writer: Veerendra Pal Singh
Studio: Rathi Films India
Cast:
Gavie Chahal as Veeru
Aarushi Sharma as Meera
Karamveer Choudhary as Chaudhary Saab
Manjit Singh as Inspector Malik
Rajendra Bhatia as MLA Dhillon
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Jaat comes galloping in with the firepower of a rural action epic and the emotional core of a revenge drama. Directed by Manoj Rathi, this gritty North Indian action film pulls no punches, delivering a hard-hitting tale about honor, family, and retribution.
Gavie Chahal commands the screen as Veeru, a former army man turned vigilante who returns to his village only to find it ravaged by corruption and political thuggery. Chahal brings stoic intensity to the role, capturing both the silent rage and explosive force required of a righteous hero. Aarushi Sharma as Meera provides warmth and emotional grounding, while Karamveer Choudhary adds gravitas in his portrayal of an old patriarch trying to hold on to fading traditions.
The film’s biggest strength lies in its raw action sequences, beautifully choreographed and grounded in realism. Hand-to-hand combat, shootouts in mustard fields, and gripping chase scenes through narrow village lanes are highlights that keep you on the edge of your seat.
What Worked:
Authentic setting: The dusty lanes, village politics, and vibrant Haryanvi culture feel lived-in and immersive.
Powerful soundtrack: Folk-infused music enhances key moments, especially during confrontations.
Action choreography: Brutal, believable, and satisfying for fans of grounded action.
Strong lead performance: Gavie Chahal delivers a breakout role with screen presence and emotional depth.
Pacing issues: The second act lingers due to subplots that could have been trimmed. Predictable plot points: The revenge arc follows a familiar path and would benefit from more unexpected twists. Underdeveloped antagonist: Although the villain is effective, they lack depth and backstory, which would make the rivalry more engaging..
Rating: 7.5/10
Verdict: Jaat is a must-watch for fans of desi action with heart. It wears its rustic flair with pride and delivers a satisfying punch of drama, action, and cultural resonance. While it doesn’t reinvent the genre, it revs up the rural revenge saga with style and sincerity.
Streaming
Simhadri

Language: Telugu
Genre: Action | Drama | Masala
Director: S. S. Rajamouli
Producer: V. Doraswamy Raju
Studio: VMC Productions
Runtime: 171 minutes
Release Year: 2003
Lead Cast:
Jr. NTR as Simhadri
Bhumika Chawla as Indu
Ankitha as Kasturi
Mukesh Rishi as Bhai Saab
Nassar as Ram Bhupal Varma
Simhadri is a landmark Telugu masala action film directed by the now-legendary S. S. Rajamouli in his sophomore effort. It was a turning point for Jr. NTR, catapulting him from rising star to full-fledged mass action hero.
The film follows Simhadri, an orphan adopted by a wealthy family who leads a dual life—loyal servant by day, ruthless protector of justice by night. The story blends traditional Telugu family sentiment with high-octane action and melodrama, perfectly aligned with the masala genre.
S. S. Rajamouli’s direction is explosive and ambitious. Even in his early career, Rajamouli had a knack for balancing mass appeal with emotional resonance. He crafts action set pieces with remarkable intensity and paces the film to maintain constant engagement, especially for fans of dramatic twists and adrenaline-pumping sequences.
Jr. NTR’s performance is nothing short of a powerhouse. He balances the fiery, vengeance-fueled action hero with tender vulnerability, particularly in scenes with Bhumika Chawla’s Indu. His screen presence is magnetic, commanding during action scenes and soulful in emotionally heavy moments. Simhadri became a benchmark role that showcased his physical agility, command of dialogue, and capacity for deep emotional expression.
The supporting cast adds weight, especially Mukesh Rishi, who delivers a memorable performance as the antagonist. Bhumika Chawla brings sensitivity to her role, though her character remains more reactive than proactive in the plot. The music by M. M. Keeravani bolsters the emotional arcs and gives Jr. NTR some memorable songs to dance and emote to.
Visually, the film carries the early 2000s aesthetic—slightly exaggerated but vibrantly stylized. The fight choreography is brutal and kinetic, and even two decades later, it retains a raw energy that many modern films lack.
Simhadri is a quintessential Telugu action-drama that delivers on spectacle, sentiment, and star power. It cemented Jr. NTR’s place in the pantheon of Telugu cinema and hinted at the grandeur Rajamouli would later bring to Indian cinema globally.
Rating: 8.5/10 A must-watch for fans of Jr. NTR, Rajamouli, or Indian mass entertainers.
Movie
Could Shah Rukh Khan Be Marvel’s Real Dr. Doom? A Bold But Brilliant Possibility

In the sprawling multiverse of the Marvel Cinematic Universe (MCU), few roles are as iconic, enigmatic, and intellectually menacing as Victor Von Doom — better known to fans as Doctor Doom. As Marvel prepares for its next phase, whispers of bold, unexpected casting choices are swirling. One name that has recently ignited fan discussions is none other than Bollywood’s megastar: Shah Rukh Khan.
At first glance, the idea of India’s “King of Romance” portraying one of Marvel’s most feared villains may seem like a stretch. But scratch the surface, and you’ll find a compelling argument — not just for diversity and international appeal, but for pure cinematic brilliance.
Shah Rukh Khan, or SRK, is not just a movie star; he’s a global phenomenon. With over 30 years in film, his range spans from charming heroes to complex antiheroes. His performances in films like Fan, Raees, and Jawan show a darker, more brooding side — proving he has the intensity and intelligence to pull off a character like Doom. Unlike the stereotypical one-dimensional villain, Doctor Doom requires a sense of wounded pride, imperial intellect, and tragic ego. SRK can deliver all three with chilling precision.
The Marvel Universe is evolving — both in content and casting. We’ve already seen major franchises embrace actors from diverse backgrounds: Simu Liu in Shang-Chi, Tenoch Huerta in Wakanda Forever, and Iman Vellani in Ms. Marvel. Casting SRK as Doom wouldn’t just be a bold step for Marvel; it would be a global statement — signaling a true embrace of the international market.
Latveria, Doom’s fictional homeland, has always been vaguely European. But Marvel has often adapted characters and backstories to better reflect real-world audiences and narrative opportunities. A reimagined Doom — perhaps a brilliant technocrat rising from a war-torn South Asian nation — would add layers of depth and relevance to the MCU’s ever-growing geopolitical canvas.
Doctor Doom isn’t just a villain; he’s a ruler, a genius, and sometimes even an uneasy ally. The character must command every scene — through intellect, menace, and occasionally, a sliver of humanity. SRK has the rare ability to fill a room with charisma, whether he’s speaking with a whisper or a roar. In fact, the very thing that makes SRK such a beloved romantic hero — his commanding presence — could make him an unforgettable Doom.
Imagine millions of fans in India — and the Indian diaspora worldwide — seeing one of their greatest cinematic icons in a pivotal Marvel role. It would be a watershed moment for representation in Hollywood. More importantly, it would challenge outdated notions of what a villain — or any powerful character — should look and sound like.
Of course, this is all speculation. Marvel has remained tight-lipped about the future of Doctor Doom. But the idea of Shah Rukh Khan donning the iron mask isn’t just wishful thinking. It’s a thrilling possibility — one that could bring gravitas, global appeal, and a fresh narrative edge to the MCU.
Marvel has always been about breaking the mold. Casting SRK as Doctor Doom wouldn’t just break it — it would forge an entirely new one in vibranium.