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Hollywood Silver Screen Festival Opens with 2019 Academy Award-winning Film “Skin”



The 2019 Oscar winner for Best Live Action Short Skin will start the festivities for the Hollywood Silver Screen Festival this year which take place Sunday, Oct.13 at the Warner Grand Theatre in Los Angeles. Starring Jonathan Tucker, Jackson Robert Scott, and Danielle Macdonald, Skin is a well-crafted, superbly acted short film with a powerful finish. The film is about racism and carries an important message.

Known as the film industry accolade event, the Hollywood Silver Screen Festival is an annual festival with live film screenings, guest speakers, workshops, structured networking sessions, live music performances, and art.

This year, the festival line up will also include a student Academy Award-winning film The Chef, a sci-fi film about a future where an old Chinese chef teaches a humanoid to cook and faces a dilemma between artificial intelligence and the human race.  Another interesting film that will be shown at the festival is a short film Shot On Red.

The $5M-budget three-minute film was put together by “the greatest team of executive producers in filmmaking history”, according to the film introduction, is a contender for the Guinness Book of World Records for the highest number of executive producers.

This is promised to be a star-studded event, with Chris Tashima (Oscar Winner, Director, Actor), Sergo Guerrero (2x Emmy Award Winner, Producer, Director), Melvin Jackson Jr. (Primetime Emmy Nominee), Pearry Teo (Executive Producer of Cloud Atlas, Day Of The Dead), Michael Graham (Once Upon A Time… In Hollywood, American Crime Story, Lethal Weapon), Robert Cartrini (The Purge, NCIS, The Mentalist), Jennifer Nash (Star Trek: The Next Generation, Full House), Scott Brown (Emmy nominee for Larry King Now), Michael Drexler (Former VP Warner Music Group, Former Executive Director of BMI, Former Senior Director Sony Music Entertainment), Kari Koerper (3x Emmy Award winning Make-up Artist), Andrew Barron (Daytime Emmy Winner The Bay, Sundance Jury Prize Winner for Advantageous), Aki Aleong (General Hospital, Beverly Hills 90210, JAG), Ren Aranda (The Bachelorette, Night Mistress), Justin Shenkarow (Z Nation, The Fresh Prince of Bel Air, Picket Fences), Toneey Acevedo (Triple Frontier, NCIS), Preity Upala (Miss India International 2012), Jennifer Sharp (Director, Winner Grand Jury Prize Ricon International Film Festival), Megan Foley Marra (Casting Director), Deana Molle (Container Wars TV Personality, Ms America 2004, Mrs Latina USA 2019), Shelita Burke (Grammy nominated singer, songwriter), Dawna Lee Heising (Eye on Entertainment, Ms Universe), Leslie Brown (Casting Director), Renee Garcia (Casting Director) and Summer Helene (Former Executive VP of Howard Hughes original company California Pictures) are among the celebrities and industry VIPs who already confirmed attendance.

Manu Intiraymi, known internationally for his role in Star Trek: Voyager and Star Trek: Renegades and as Billy, the villain, in One Tree Hill, is to host the Award Ceremony.  Award-winning actress and former Miss Universe Dawna Lee Heising will be the Festival Queen who will present awards at the Ceremony. The list of honorees is to be revealed as the night unfolds.

Acclaimed designer Sue Wong, the Winner of Metropolitan Fashion Week 2019 Designer of The Year Award, is bringing stunning goddess models to the Award Ceremony at the Hollywood Silver Screen Festival 2019.  The models will showcase Sue Wong glamorous Hollywood gowns and requisite headpieces in exquisite designs that are influenced by the 1920s and 1930s. Known as the Empress of Style, Sue Wong has dressed countless celebrities including Anne Hathaway, Jessica Biel, Minnie Driver, Tyra Banks, and Taylor Swift.

The magical night is to be filled with glamor, music, and entertainment.  Hailing from Nebraska, rock band The Rewind will be performing live on the stage.  The Rewind is known for providing audiences with an authentic rock experience and has garnered praise from rock legends including Tom Petty, Peter Frampton, and members of Cheap Trick.

LA-based soul/pop outfit, HEЯITAGE is to perform 2 of their latest singles.  This powerhouse duo is known to interweave their infectious sounds of seasoned soul, topped with invigorating pop.  HEЯITAGE recently partnered with the Arbonne Charitable Foundation® to use their single “Red Lips” to inspire confidence inside and out with the #ThoseRedLips Campaign.

New York Second Lems Jewelry Designer is bringing a runway showcase of a collection of gorgeous statement necklace designs.  The night will also include a performance by students from Jurupa Hills High School, directed by veteran theatrical director James Griffin.

The Award Ceremony will honor artists and their achievements in the film industry.  Award-winning actress and former Miss Universe, Dawna Lee Heising, is the festival queen who will be the award presenter.  The list of honorees is to be revealed at the ceremony.

Known as the film industry accolade event, the Hollywood Silver Screen Festival is an annual festival with live film screenings, guest speakers, workshops, structured networking sessions, live music performances, and art. This year, the festival will open with 2019 Academy Award winner Skin.

The Executive Producer of Hollywood Silver Screen Festival is the award-winning film director and actress, Dr. Petra Deeter. Her recent movie, Reborn, a narrative drama about domestic violence, has received many awards and honors and has been screened in theaters around the world, including the legendary Chinese Theaters in Hollywood.

Dr. Deeter comments “Visual storytelling has the power to influence, teach, inspire and enrich our lives. It can bring hope, clarity and understanding. It breaks boundaries and forges connections between people, between people and dreams, ideas and visions. The Hollywood Silver Screen Festival is all about recognizing and celebrating the artists who dedicate their lives and passion to the art of visual storytelling.”

The Warner Grand Theatre is a facility of the City of Los Angeles Department of Cultural Affairs.

More information on the Hollywood Silver Screen Festival can be found at   Tickets to the festival program and the award ceremony can be purchased here:

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Midnight Mass: The Blood of Life



The isolated island community of Crockett receives a mysterious new head priest, full of secrets and a brand new testament under a very unusual Messenger of God. 

Meet poor Riley Flynn (Zach Gilford), freshly released from prison and wracked with guilt over what got him there, a stupid drinking accident that caused the death of his ex-girlfriend. The last thing he wants to do is go back to Crockett and the judgment of the mostly religious community there, his disappointed family, and the nightmares of his ex’s death that plague him. But where else would have him? Resignedly on the ferry, he goes. 

Riley’s dad Ed (Henry Thomas) isn’t the kind of man who talks very much at all, much less about his feelings, or his very real disappointment in his elder son. Riley’s teen brother Warren (Igby Rigney) has no idea what to say to him either, and just generally keeps mum. Riley’s mom Annie (Kristin Lehman) is accepting and loving, hesitant in how to help her eldest son but never wavering in her faith in the help of our lord Jesus. Mom seems to think a good heaping dose of the Church would set Riley right but is surprised to learn that the old priest of the Parish, Pruitt, has taken an extended leave of absence from the island, and his newcomer replacement Father Paul (Hamish Linklater) is young, charismatic, and bursting at the seams to tell the whole island about the gifts he brought them, most especially what he claims as a new testament under a messenger of God. 

We’ll get back to that whole ball of issues in a moment, the other interesting characters of Crockett Island. Bev Keane (Samantha Sloyan) is the nightmarish overly polite and gently, almost lovingly condescending neighbor Christian woman you’ve ever loathed, the kind of person who explains away every last thing her Church may do wrong or contradictory because, after all, God works in mysterious ways. Pfft. Of course, Bev immediately ingratiates herself as the second to the new Father Paul in their services and is the first to start covering up his transgressions as they become more rampant. 

Newcomers to Crockett Sheriff Hassan (Rahul Kohli) and his son Ali (Rahul Abburi) present a burgeoning problem to the plans of Father Paul and his shadowy companion, for they are both practicing Muslims. The practical side of investigating these so-called ‘miracles’ and strange happenings falls on Hassan’s shoulders, as he already struggles with barely-concealed racism and suspicion from his fellow islanders, and of course his son is being wooed away from him by the promise of actual, tangible miracles, but from a different whole faith and God. Father Paul definitely does not practice a traditional Christian faith and relies far too much on making use of the eucharist, the ceremony of the blood and flesh of Jesus Christ turning into bread and wine and, well, consumed. 

Wade (Michael Trucco) and his wife Dolly (Crystal Balint) are lifers of the island and both in general interested in one thing, the advancement of their own family, specifically their daughter Leeza (Annarah Cymone), who happens to be in a wheelchair. And that happens to be the canny Father Paul’s first real miracle-with-a-cost that he demonstrates to the astonishment of the parishioners, after a heartfelt and rousing sermon, Father Paul commands Leeza to rise, to stand, and to walk. And lo, she does. What parents wouldn’t wholly dedicate themselves to a cause after seeing this happen to their beloved precious daughter? The fringe benefits of healing, and power, the ones that come at a mighty, currently unnamed, cost, are simply a nice bonus. 

Joe Collie (Robert Longstreet) is the town drunk, and while his reasons for drowning his sorrows in the sauce might be understandable, absolution wears a very different face when it comes from Father Paul. While Leeza might be willing to forgive Joe, and even as Joe begins attending the newly-formed Al-Anon meetings on the island of course hosted by Father Paul, redemption might’ve been better sought from medical professionals, and not this newfound method of religious worship. 

Dr. Sarah Gunning (Annabeth Gish) is the islands’ kind of all-around medic, and this is how she and Riley’s old friend Erin (Kate Siegel), also newly returned to the island, a few months pregnant but traveling quietly alone, met when Erin comes to the Doc for obstetrics. Sarah’s older mother Mildred Gunning (Alexandra Essoe) has many medical and mental issues, and Sarah struggles in their shared home, to take care of her addled mom and balance her own life. Then Father Paul takes it upon himself to visit one of his oldest parishioners, bringing the sacred host and wine with him to give directly to Mildred, who starts looking and acting so much better under his loving care. 

The show is very much a slow slow burn, with a lot of the actual action taking place in the last two episodes. Much of the beginning and middle episodes feature two people just sitting alone, having quiet and seriously in-depth conversations about heavy subjects – grief and repentance, what happens when we die, the disasters that come as a result of addictions, how our actions’ consequences reverberate to those we love around us, faith and the foibles of man, and of course, the giving of oneself over to a higher power, for strength, and guidance, and love. 

Except, for the higher power that Father Paul brought back with him, to share with his beloved flock of Crockett Island, while it may be extremely powerful and full of what could be considered miraculous magic, everything comes at some kind of a cost. And when the Messenger of God is finally revealed to the shocked denizens of Crockett at Easter Mass, with Father Paul rapturing on about rebirth as the bloody massacre begins in earnest, it’s faith, not in any kind of God or religion, but faith in each other, that may save a few hardy souls. 

Question the wisdom of your religious leaders along with the rest of us in a fine slow-burn addition to the Flanaverse, Midnight Mass is on Netflix now! 

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Saw X: It ain’t brain surgery!



Legendary executioner Jigsaw returns to exact revenge on a cadre of scam artists who promised him a bogus cure for his cancer! 

First off, be aware, that this is what I call an interleaved sequel, a movie set between previous films in the franchise. In this case, Saw X occurs after the events of the very first Saw film, and before Saw II. Everybody got where we are? Good! Into the madness, we dive! 

So, as we all know, John Kramer’s been diagnosed with cancer, very aggressive brain cancer, and likely doesn’t have much time left. And he’s tried everything under the sun, doing a ton of meticulous research, we’d expect nothing less from our master of the art of murder, and not one thing has worked. Yet one man from the support group for cancer sufferers, Henry (Michael Beach), offers an off-the-books supposed miracle cure, and John jumps at the chance. 

Why does this nonsense always sound too good to be true? Because it is. Deleted scenes from the first Deadpool movie already told us why traveling to Mexico for any kind of medical cure is a sublimely stupid move, but Kramer is desperate. And while he might be sick and dying, John Kramer has never been what anyone could call stupid. So the villa out in the Mexican countryside, the affable cab driver Diego (Joshua Okamoto) professes surprise at Kramer being highjacked for his good, the nervous muttering from assistant Valentina (Paulette Hernandez), the side-eyeing from little housekeep Gabriela (Renata Vaca) and her tequila, and most especially the smooth and smarming reassurances of head “doctor” Cecilia Pederson (Synnove Macody Lund), all leave a kind of sour taste in John’s mouth. 

The whole cluex4 scene is done in the style that the Saw films are known for, where we the audience are treated to cut-together explanatory scenes in a flip-flash fashion of usually about two minutes, for poor John when he realizes he’s been hoodwinked and just how badly, seems a little contrived. But then it’s entirely possible that we the audience truly expected our genius mastermind of the infamous Jigsaw murders to have realized what was happening sooner, and got enraged along with Kramer. And cheered as he prepared to take his bloody and ultra-violent revenge! 

First up in our grand guignol of executions is the return of Jigsaw’s first protégé, Amanda (Shawnee Smith). And despite her avowed reverence for Jigsaw and his proven “therapy”, Amanda does waver a bit when the scammers are put through the paces of their specially-made Saw traps, and they shriek and blubber and bleed out. The appearance of the ringer of the bunch, Parker (Steven Brand), doesn’t even slow our beloved engineer of the damned down, because we knew Jigsaw would have his other apprentice waiting just off stage, the deliciously vicious Detective Hoffman (Costas Mandylor). Even the monkeywrench of involving little-boy soccer fan Carlos (Jorge Briseno) in the traps, is just another cog in the machine that is the brilliantly plotting mind of John Kramer. 

A fine addition to the Saw legends, showcasing a return to the beloved style and panache of the original Tobin Bell-starring Jigsaw films, Saw X is splashing gore and gallons of blood in theaters now! 

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Scott Pilgrim Takes Off



“Scott Pilgrim Takes Off,” Netflix’s latest series, is a rollicking journey through the world of video game culture, blending nostalgic references with a fresh narrative twist. Centered around Scott Pilgrim, portrayed with magnetic charisma by Michael Cera, the show skillfully integrates gaming elements into its storytelling, creating a delightful homage to the video game subculture.

The series cleverly employs pixelated graphics, power-up animations, and game-like sound effects to bring the virtual world to life. These visual cues, reminiscent of classic video games, enhance the storytelling and resonate with audiences familiar with the gaming landscape. The attention to detail in recreating iconic gaming moments is commendable, creating a visual and auditory treat for enthusiasts.

The exploration of video game culture goes beyond mere aesthetics; it becomes an integral part of the characters’ identities and interactions. The script intelligently weaves gaming terminology and tropes into the dialogue, effectively blending the real and virtual worlds. The series navigates the challenges and triumphs of the characters through the lens of gaming, making it a unique and engaging experience for both gamers and general audiences.

The ensemble cast, including standout performances from Mary Elizabeth Winstead, Ellen Wong, and Chris Evans embraces the gaming theme with infectious enthusiasm. The chemistry between the characters is palpable, adding emotional depth to the series.

“Scott Pilgrim Takes Off” successfully taps into the zeitgeist of video game culture, offering a nostalgic yet contemporary take on the gaming phenomenon. It’s a must-watch for those who cherish the pixelated roots of the gaming world while providing an accessible and entertaining narrative for a broader audience. The series takes off not only in its title but also in its ability to soar within the ever-expanding realm of Netflix originals.

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