Reviewed by Alicia Glass
It’s generally an accepted fact that high school, no matter what age you happen to hail from, is a kind of Hell. The disaffected movie from the 80’s, starring a young Winona Ryder and Christian Slater as a pair of high school kids who end up plotting to literally end the revolution of popular ‘Heathers’ girls at their school, is a black comedy usually found relatable to a lot of people. Take a selfie and dive into the revamped miniseries ‘Heathers’ from the Paramount Network!
So like any typical high school show, Westerburg High is ruled by the popular kids, in this case the three Heathers: Duke, the screamingly flamboyant male gay Heath-er; McNamara, the black self-proclaimed lesbian who has affairs with her teachers; and Chandler, the plus-size gangsta shark leader of the bunch. Veronica Sawyer, while not being named Heather, has been a friend of theirs for a long time, and dutifully follows the Heathers’ insistent instructions on how to remain rulers of the school. And then there’s JD, not part of any clique or club, and yet Veronica coins a morbid fascination for him.
The Heathers personify the absolute worst of today’s PC culture cliques one can think of, especially after Chandler’s miraculous death and resurrection and her determination to become the ‘face of suicide’. Really, girl? Heather Chandler (Melanie Field) stalks the school like Missy Elliot on bad rainbow acid, giving benevolent and saint-like touches with one hand and pointing the demanding accusatory do-it-NOW-or-I’ll GUT-you finger with the other. While it may be true Chandler’s home-life is far from exemplary and she is surrounded by enablers at school, her messianic complex has a tendency to get on my last nerve. And that is likely precisely the point.
Heather McNamara (Jasmine Mathews) is barely in the show, as she decides to be the ultimate trendy and be the first major girl to take her own life, at the end of the very first episode. The pretty little black self-proclaimed lesbian who happens to be having affairs with her considerably older, white male teachers is an interesting twist on a standard trope, but even that can’t infuse this Heather with a ton of personality. Heather Duke (Brendan Scannell) on the other hand, screams personality and demands to be seen and noticed with his utterly fabulous ways, darling, and yet his little drag-apalooza is often over-shadowed by the shallowness of his heart. Because your sexual orientation doesn’t matter when you’re truly an asshole, capable of anything and everything to get what you think you want. It doesn’t help that Heather Duke’s stepmother (Selma Blair) is the worst kind of trailer park noveau riche trash one can think of, too.
JD (James Scully) is of course the disaffected standoffish bastard like many of us, hating the rat race that is his high school experience, annoyed at his rich never-there father and his eternal parade of ever-younger girlfriends, the poor little rich rebel without a cause or a clue. The oppressed violence that seems to lurk in many teenagers these days is given license in JD, especially once he discovers Veronica not only shares his tastes, but can do him one better, too. It sure doesn’t help that JD’s missing mother, played in flashbacks by the redoubtable Shannon Doherty, encourages him to live freely in his dark impulses, like she did.
Annnnd, then there’s Veronica (Grace Victoria Cox) herself. She keeps the same strange affectations the original Veronica did – the monocle for writing in her ever-present diary, the bloodlust and bloodshed, the hormonal madness given whirling dervish form. She obsesses over the Heathers and her part in them, she righteously turns the tables on JD as far as crazy goes, and she all but gleefully goes tripping about committing murder. But in all honesty, the angst that the original Veronica suffered, even while she was happily joining JD in murder, was more realistic and enjoyable.
It’s a very brave move for the Paramount Network to not only remake the ‘Heathers’ movie into a TV series, given all the very real high school violence and suicide that happens these days. The show was originally scheduled to have a certain number of episodes, and an entire episode was scrapped from showing on TV due to the Sante Fe and Parkland school shootings. The show’s premiere was actually pushed back a few times due to school shootings, but eventually went ahead with it, to generally positive reviews. And there are still talks of a second season, which yeah, I would watch.
Check your privilege with the new ‘Heathers’, on the Paramount Network now!
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Review of Meiyazhagan on Netflix
Netflix’s Meiyazhagan is an evocative Indian drama that dives deep into themes of familial loyalty, personal ambition, and the cultural intricacies of rural Tamil Nadu. Directed by C. Prem Kumar, a promising filmmaker with an evident love for authentic storytelling, Meiyazhagan delivers a rich narrative that resonates with viewers on both an emotional and cultural level.
The story follows Meiyazhagan, a young man torn between his duties to his family and his aspirations to escape the confines of his small village. Set against the lush backdrop of Tamil Nadu’s countryside, the film masterfully intertwines his struggles with the region’s socio-economic challenges. The story explores timeless themes of tradition versus progress, community dynamics, and the consequences of breaking societal norms.
The cast is exceptional, with the titular role played by Karthi who captures Meiyazhagan’s internal conflict with raw vulnerability. His nuanced performance is matched by the supporting cast. The romantic subplot is tender yet grounded, providing an additional emotional layer without detracting from the main narrative.
The cinematography is a visual feast, with every frame highlighting the vibrant landscapes of Tamil Nadu. From bustling village markets to serene agricultural fields, the film immerses the audience in its setting. Traditional Tamil folk music underscores key moments, enhancing the authenticity and emotional weight of the scenes.
For international audiences, Meiyazhagan is available with subtitles and a dubbed version. While the subtitles capture the essence of the dialogue, purists will appreciate watching the film in its original Tamil language for its linguistic nuances. The dubbing is serviceable, though it loses some of the emotive depth conveyed by the actors’ voices.
Meiyazhagan is more than just a coming-of-age story; it’s a poignant reflection on the importance of cultural identity in a rapidly modernizing world. The film doesn’t shy away from portraying the harsh realities of rural life but balances this with moments of hope and humor, leaving the audience both moved and inspired.
At times, the pacing lags, particularly in the second act, where certain subplots feel unnecessarily prolonged. Additionally, while the cultural depth is commendable, some viewers unfamiliar with Tamil traditions might find themselves longing for more context.
Meiyazhagan is a heartfelt drama that offers a compelling narrative, exceptional performances, and an authentic portrayal of Tamil Nadu’s cultural richness. Despite minor pacing issues, it is a must-watch for fans of Indian cinema and those seeking stories that bridge the gap between tradition and modernity.
Final Rating: ★★★★☆ (4/5) Whether you’re a seasoned fan of Indian movies or a newcomer to Tamil cinema, Meiyazhagan on Netflix is a cinematic journey worth embarking on.
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Review: Arcane Season 2
The long-anticipated second season of Netflix’s Arcane continues to push the boundaries of animation and storytelling. Following the explosive events of Season 1, tensions escalate between the affluent city of Piltover and the struggling undercity of Zaun. The narrative focuses heavily on the strained relationship between Vi (Hailee Steinfeld) and her volatile sister, Jinx (Ella Purnell). Their dynamic remains the emotional core of the series, with both actresses delivering compelling performances that heighten the show’s drama.
The animation remains a standout, blending 3D elements with hand-drawn aesthetics and experimenting with styles like sketch-like pencil work and chromatic watercolors during emotional or metaphysical sequences. This fusion of mediums elevates the viewing experience.The show delves into complex themes of power, vengeance, and loss. While it occasionally leans into heavy-handedness, these moments are offset by its gripping character arcs and poignant emotional beats.
Music Integration: The soundtrack plays a significant role, with original songs enhancing both action-packed and introspective scenes. While some sequences verge on being overproduced, others strike a perfect balance, deepening the narrative impact.
Season 2 is divided into three acts, with Act II providing a slower, more contemplative pace that allows for richer character development. The fast-paced action sequences are breathtaking, though they can sometimes feel overwhelming.
Arcane’s second season solidifies its position as one of the most ambitious animated series of its time. It successfully combines striking visuals, compelling storytelling, and emotional depth, making it a must-watch for both fans of the original and newcomers. While not every moment lands perfectly, the series’ bold approach to animation and narrative ensures its lasting impact.
Rating: 9/10
Sources: Empire Online, Polygon, and Forbes reviews.
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Review of Black and White Spoon on Netflix
Netflix’s Black and White Spoon is a Korean culinary competition series that seamlessly blends artistry, culture, and high-stakes drama into an unforgettable viewing experience. From its sleek production values to its deeply emotional storytelling, this show offers more than just tantalizing dishes—it serves a heartfelt exploration of culinary passion and perseverance.
The series pits contestants against each other in a dual-themed format where they must create dishes inspired by opposing concepts—light versus dark, sweet versus savory, or tradition versus innovation. This premise challenges the chefs’ creativity while providing viewers with visually stunning plates and fascinating backstories about Korean cuisine and its global influences.
The judges are a mix of culinary experts, celebrity chefs, and cultural critics, each bringing a unique perspective. Their feedback is sharp, insightful, and, at times, surprisingly emotional, further heightening the tension.
What sets Black and White Spoon apart is its emphasis on storytelling through food. Each episode dives deep into Korean culinary heritage, intertwining it with personal anecdotes from the contestants. Dishes are not merely judged on technical precision but also on the emotional resonance they evoke. For instance, a simple kimchi stew becomes a tribute to family ties, while a modern take on bibimbap showcases the fusion of tradition and innovation.
The cinematography deserves special mention. Every shot of sizzling grills, delicately plated meals, and reactions from the judges feels like an art piece. The pacing, however, can sometimes feel uneven. While the personal stories add emotional weight, they occasionally overshadow the cooking itself, leaving food enthusiasts craving more behind-the-scenes action in the kitchen.
Black and White Spoon is an inspiring and visually rich series that celebrates the art of cooking and the complexities of Korean cuisine. Its emotional depth and cultural insight make it a standout in the crowded genre of food competition shows, though slightly better pacing could elevate it further.
This is a must-watch for foodies, fans of Korean culture, and anyone who loves the blend of artistry and competition in culinary storytelling.
Final Rating: ★★★★☆ (4.5/5)