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FREEFORM BUILDS ON SUCCESS WITH NEW SERIES ANNOUNCEMENTS

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Freeform President Tom Ascheim and Executive Vice President of Programming and Development Karey Burke will unveil today the new and returning projects for The Walt Disney Company’s young adult cable network at the combined Disney|ABC Television’s presentation for the national advertising community at Lincoln Center’s David Geffen Hall.
Freeform continues to dominate the young adult landscape in cable with the No. 1 comedy (“grown-ish”) and the No. 1 new drama (“Siren”) with young women (18-34 and 12-34). Also claiming the title of No. 1 most social cable network for the 7th year in a row and the No. 1 network in digital viewing, Freeform is delivering on its new tagline “A Little Forward.”
The recently re-branded network continues to build its roster of quality programming that speaks to the young adult consumer who has embraced its authenticity, evident in recent multi-platform hits “grown-ish,” “Siren” and the critically acclaimed “The Bold Type.” In addition to strong female representation on-screen, the network champions and has built an impressive, inclusive roster behind the scenes. Half of Freeform’s episodic directors are female, diverse, or LGBTQ, 60% of series writers are female or diverse, and every original series on the network has a female producer. The network also boasts placement as No. 1 in digital viewing, No. 5 entertainment network and the most social cable network for the seventh year in a row.

“In the past year, our commitment to quality has been reflected back to us with a rousing chorus of critical and fan acclaim,” says Ascheim. “Our young adult audience is the most important and influential generation in America and we want to be right there with them every step of the way.” Adds Burke, “We like changing the narrative at Freeform and are proud that our original programming resonates so strongly with this audience. We are grateful to all of our series creators who share our focus on challenging the status quo and telling stories with meaning.”

NEW SERIES PROGRAMMING

“BESTIES”
“Besties,” a half-hour multi camera comedy from co-creators Kenya Barris and Ranada Shepard has been ordered to series by Freeform following the enormous success of Barris’s breakout coming-of-age show, “grown-ish,” the No. 1 cable comedy season-to-date (women 18-34.) This multi-cam sitcom explores friendship, identity, race, and class as two lifelong best friends use each other to get through some of the toughest challenges that they will ever face – figuring out who they are and who they want to be. Kenya Barris and Ranada Shepard are executive producers; the series is produced by ABC Signature Studios.

“PRETTY LITTLE LIARS: THE PERFECTIONISTS”
                                                                    
I. Marlene King will expand the universe of “Pretty Little Liars” for Freeform with a 10-episode series order for “Pretty Little Liars: The Perfectionists,” featuring returning fan favorites Sasha Pieterse as Alison and Janel Parrish as Mona and starring Sofia Carson (Disney’s “Descendants”) as Ava. The drama also welcomes Sydney Park (“The Walking Dead”) as Caitlin, newcomer Eli Brown as Dylan, Graeme Thomas King (“The Widow”) as Jeremy, Kelly Rutherford (“Gossip Girl”) as Claire, and Hayley Erin (“General Hospital”) in an undisclosed role. In Beacon Heights, a seemingly perfect town, a group of three college friends struggle with the stress of being overachievers. In the aftermath of the town’s first murder, each Perfectionist hides behind a secret, a lie and an alibi. Like its predecessor, “Pretty Little Liars,” which was No. 1 on the New York Times bestseller list, “The Perfectionists” is also based on a popular book series penned by Sara Shepard. “Pretty Little Liars: The Perfectionists” is produced by Alloy Entertainment and Long Lake Media, in association with Warner Horizon Scripted Television. I. Marlene King (“Pretty Little Liars,” “Famous in Love”) wrote the pilot and serves as executive producer on the series with Charlie Craig (“Pretty Little Liars,” “The 100”), Lisa Cochran-Neilan (“Pretty Little Liars,” “Famous in Love”), Leslie Morgenstein (“Pretty Little Liars,” “The Vampire Diaries”) and Gina Girolamo (“The 100,” “The Originals”). The pilot was directed and executive produced by Elizabeth Allen Rosenbaum (“Relationship Status”).

RETURNING SERIES PROGRAMMING

“SIREN”

Following the news of “Siren’s” premiere as the No.
1 new cable drama with young women (18-34 and 12-34), Freeform announced a second season pickup for the mermaid thriller, whose season one finale airs Thursday, May 24th. The network also added six more episodes to next season’s order, up from ten this season.  “Siren” is an epic tale about the coastal town of Bristol Cove, known for its legend of once being home to mermaids. The arrival of a mysterious girl, Ryn (Eline Powell), wreaks havoc on the small fishing town as she proves the folklore true. Using their resources, marine biologists Ben (Alex Roe) and Maddie (Fola Evans-Akingbola) must work together to find out who and what drove this primal hunter of the deep sea to land and if there are more like her. Xander (Ian Verdun) is a deep-sea fisherman looking to uncover the truth and Helen (Rena Owen), the town eccentric, knows more than she lets on. Eric Wald and Dean White co-created the story and serve as executive producers along with showrunner and executive producer Emily Whitesell. Brad Luff, Nate Hopper and RD Robb are also attached as executive producers.

 

HOLIDAY PROGRAMMING

The network will expand its holiday dominance with over 1000 hours of themed programming kicking off with “31 Nights of Halloween” on Oct. 1, an increase of the annual “13 Nights of Halloween.” The network also introduced Freeform Santa (“Shadowhunters” star Isaiah Mustafa) and November’s “Kick Off to Christmas.” Then the iconic “25 Days of Christmas” returns to the entire Disney|ABC Television on DEC. 1, the only major media network to offer a unified holiday programming initiative. During last year’s “25 Days of Christmas,” Freeform led the television group with 80MM unique viewers, accounting for more than half of the 151MM total unique viewers across all channels.

 

From the executive producers of the “Disney’s Fairy Tale Weddings” series, Ann Lewis Roberts, Simon Lythgoe and Jenny Daly, “Decorating Disney: Halloween” will be part of “31 Days of Halloween.” This behind-the-scenes special will reveal all the tricks and treats behind the transformation of the Walt Disney World and Disneyland resorts into the scariest, yet still magical, places on Earth!

Freeform will continue the spooktacular festivities with a celebration for one of the most beloved Halloween movies with the “Hocus Pocus 25th Anniversary Extravaganza.”
Two Freeform original holiday films, “Life Size 2” and “Sleeping Together,” will also be part of the holiday lineup. In the former, Tyra Banks, who will also executive produce, reprises her iconic role as a doll that comes to life; but in the sequel, Eve has grown up. This time she’s magically awakened to help a young woman learn to live and love again. Along the way, Eve experiences the ups and downs of real life in an edgy, fun, modern Christmas movie.

“Sleeping Together” is an unexpected and whimsical holiday rom-com about two insomniac strangers plagued by exhaustion. After a brief meeting, they discover that they can only fall asleep if they are sleeping next to each other. What seems like an odd coincidence, and frankly a disruption to their lives, might be more meaningful than they’d like to admit.

PILOTS

Freeform also announced last week a pilot order for “Everything’s Gonna Be Okay,” from critically acclaimed writer and comedian Josh Thomas. The pilot introduces Nicholas, a typical 25-year-old still living at home with his single dad and two teenage half-sisters, who is not particularly helpful in raising his siblings, one of which has autism. However, when their dad becomes terminally ill, the girls have to cope not only with a devastating loss but with the realization that Nicholas is the one who will have to hold it all together. Thomas created the concept and wrote and stars in the pilot with David Martin, Jon Thoday, and Richard Allen-Turner serving as executive producers for Avalon Television. Stephanie Swedlove and Kevin Whyte also serve as executive producers. Produced by Avalon Television and Freeform Studios, it will be distributed internationally by Avalon Distribution

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Dune Part Two: The Lisan Al Gaib comes for you!

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Welcome back to our struggle for control of the known universe already in progress, the continuation of the journey of Paul Atreides from exile to Emperor, Dune Part Two

So when we last left our intrepid if dubious heroes, House Atreides had been betrayed and virtually destroyed, by a combination of House Harkonnens surprise attacks and the added treachery of Emperor Shaddam and his Sardaukar. Paul Atreides (Timothee Chalamet), the last surviving heir (so far) of House Atreides and his mother Jessica, have taken refuge on the desert planet of Arrakis amongst the indigenous Fremen, and as far as most are aware, the other remnants of House Atreides are dead as well. And here is where we catch up with everyone, as the struggle for Atreides emergence and dominance begins in earnest! 

The Emperor’s daughter Princess Irulan (Florence Pugh) is known for her many skills, but her copious note-taking and writings on the large events shaping her world come to the forefront as she takes counsel with her father amidst games of chance on their homeworld. Her life is one of luxury and privilege but alas, Irulan is a trained Bene Gesserit and is well aware that in all likelihood, she will be used as a pawn in the marriage games empires have to go through. Bet she never imagined it could be to a House everyone swore had been utterly destroyed. 

Meanwhile, on Arrakis, Paul is trying to integrate himself into the Fremen way of life, which is admittedly far different from the life he led back on the Atreides homeworld of Caladan. (If nothing else, Caladan has vast oceans.) The Fremen are fiercely independent, gloriously strong fighters, survivors who dare to ride and revere the giant sandworms that inhabit their planet that they call Shai-Hulud, and rightfully distrustful of outsiders. After all, the previous stewardship of Arrakis belonged to House Harkonnen, known for their cruelty and glee at hunting Fremen and torturing their victims, sometimes for weeks at a time. But Paul won his and Jessicas way into the Fremen by fair combat against Jamis, and if nothing else, the Fremen are firm in their beliefs of the old ways. 

Or rather, the elder Fremen are, most particularly the famed Fedaykin fighter and Naib (leader) of Sietch Tabr Stilgar (Javier Bardem) is adamant in his unshakable belief that Paul is the foretold Lisan Al Gaib, the Voice from the Outer World, that will lead the Fremen to peace and paradise. Stilgar’s steadfast belief in Paul’s potential only grows, and he manages with just that to convince a great many of the other Fremen elders. The younger generation of Fremen however, of which Paul’s beloved Chani (Zendaya) is a part, generally scoff at the legends of otherworldly prophets and Arrakis as a fabled green, wet heaven. In the beginning, Paul himself swears he doesn’t want to be the Messiah, only a Fremen fighter amongst the rest of them, hundreds of years of the Missionaria Protectiva, the Bene Gesserit practice of spreading useful religious propaganda as seeds on various planets, is working double-time against him. It doesn’t help that Paul’s mother Jessica (Rebecca Ferguson) is expounding on that myth as much as she possibly can. 

And why would she do that? Survival yes, but also, Jessica is a thoroughly trained Bene Gesserit and knows of plans within plans within plans. Jessica also has many secrets of her own, and one very important one happens to be that she’s pregnant with Paul’s sister. The Bene Gesserit bodily control may be something out of legend, but even Jessica, possibly Reverend Mother Mohiam’s best and most fractious student, will have trouble with the trial the Fremen are insisting she go through to become truly one of them. The Reverend Mother equivalent of Sietch Tabr, known as their Sayyadina, is old and dying, and the Fremen have to have a Reverend Mother. Jessica tells Paul this much and explains that each culture is different in their trial to become a Reverend Mother, so she honestly doesn’t know what to expect. The reality happens to be worse than she could’ve imagined – Jessica must drink the Water of Life, a deadly poison that comes from Shai-Hulud (sort of), and come out the other side of it. And Jessica manages to do it, barely, with almost all of the consequences going to the poor fetus in her womb, the girl that will grow to become Alia Atreides, an insane legend in her own right. But for now, the unnamed fetus is awake and aware and full of the memories of generations of Bene Gesserit women that came before her – before she was even born

Paul participates in razzia raids amongst the Fremen as they work to take out the spice mining operations of the Harkonnens, immerses himself in the vastly different desert culture of his chosen people, and perhaps most importantly, his romance with his beloved Chani only grows stronger. After declaring his desire to join the fierce fighter elites amongst the Fremen known as Fedaykin, Paul is told by Stilgar that he must summon and ride one of the giant sandworms, the embodiment of Shai-Hulud where the Fremen get their terrible tooth Crysknives from. And after much sendup, in a glorious scene of blinding sand and huge monstrous killer worm-riding, Paul is triumphant and riding atop the sacred creature, his Maker hooks set properly to control the great beast, waving at great distance to his fellow Fremen as Chani looks on in bemusement. 

But that’s all external, and inside Paul is beginning to become divided on what he wants to do. As Jessica pushes the Protectiva hard amongst the women and priestesses of the Fremen, she is also pushing her son to become much larger than he ever wanted to be, if nothing else a conqueror can take revenge for the destruction of House Atreides and the death of her beloved Duke Leto. Paul may have earned his place amongst the Fremen and been given new names – Usul, meaning the strength of the base of the pillar, as his private name within the Sietch; and Muad’Dib, from the small mouse survivor of the desert, well versed in desert ways, called ‘Instructor-of-Boys’ in Fremen legend, as his open-use name – but now everyone wants Paul to be something greater, and potentially more destructive, than what he currently is. It only gets worse when Paul begins to suffer prophetic dreams, and visions when he’s awake, prodding him further to his destiny as an epic conqueror of worlds. Nothing can be done for it, Paul convinces himself that he must take the Water of Life himself, to awaken the sleeping prophet inside himself, and allow him to hopefully See a path through the future. 

The problem with that plan, is that Bene Gesserit are almost exclusively all women, and only they are supposed to know how to transmute poisons internally, along with all sorts of other “witchcraft”. But Jessica has been training Paul in forbidden Bene Gesserit ways all his life, and as much as Paul might rail and even quail against it, there is no denying his incoming destiny, crushing any resistance he may have with all the force of a giant sandworm hunting a spice blow. And even when Paul has finally given in and taken the cursed substance almost mockingly called the Water of Life, it falls to another strong and prophetic in her right female in his life, his beloved Chani, to save him from himself. But even Chani can’t stop Paul’s destructive destiny as the conqueror of the known worlds, guilty of slaying millions upon millions of people in his quest for vengeance, thinly disguised as peace. 

Over on the Harkonnen homeworld of Geidi Prime, “Beast” Rabban (Dave Bautista) is disgusted and enraged at the continuing Fremen raids against the Harkonnens on Arrakis, and terrified of what his uncle the notoriously cruel Baron Harkonnen (Stellan Skarsgard), will do to him in response. The Baron’s nephew Feyd-Rautha (Austin Butler), heir apparent or na-Baron to House Harkonnen, demonstrates his blood-inborn savagery in a slaughter of the remnants of House Atreides gladiator-style, as his birthday celebration. Pleased with the spectacle, the Baron commands Feyd-Rautha to take control of the fight against this Fremen rebel known as Muad’dib, as Rabban is proving himself more and more useless. And any tool or toy that the Baron finds broken or unusable, is destroyed before being discarded. 

As the legend of Muad’dib grows off Arrakis and circulates among the Imperial worlds, the Emperor grinds his teeth in frustration and the Bene Gesserit, led by Reverend Mother Mohiam (Charlotte Rampling) as the Emperor’s Truthsayer, begin pushing forward their plots and machinations. Lady Margot Fenring (Lea Seydoux), a criminally underused character in this respect, demonstrates her willingness to be a pawn in Bene Gesserit machinations, but never forget, strong Bene Gesserit women have been breaking their own rules for generations. Just look at what Jessica did. 

As the raids and rebellion on Arrakis continue, both the Emperor and the Baron become more and more desperate, sending in mercenaries and smugglers in the hopes they might have more luck. And aboard one of those smuggler’s vessels happens to be an old hand at being a smuggler himself, the warrior troubadour with the scarred face given him by “Beast” Rabban himself, Gurney Halleck (Josh Brolin). Reunited with his beloved Duke’s only son, Gurney finds himself swept up in the legend of Muad’dib in the making along with everyone else, though at least from Gurney’s point of view, Paul is using the messianic angle to take revenge for House Atreides. 

Finally, in an act of what could be considered the ultimate in arrogance, Emperor Shaddam Corrino himself comes to Arrakis, along with Princess Irulan and many others of his Court, the Baron, and Feyd-Rautha in tow as well, to crush this upstart Muad’dib and his Fremen warriors. Sadly for all that the powerhouse actor Christopher Walken plays him, Emperor Shaddam Corrino is shown as a doddering old man, cowed in the face of Muad’dib’s overwhelming vitality and growing-ever-stronger legend. And there is where we will end the review, for the final confrontation between all key players in the Known Universe is full of spoilers and derivations from the original opus of Frank Herbert’s novel Dune

For those of you who stuck around long enough to get to the end, after all, Dune Part Two is almost three hours long itself, if you are fans of the original novel and the zany Lynchian masterpiece that was the first Dune film, you may be disappointed or even angered at the changes made to the story for the climactic end scenes. Director Villenuve has an eye for making grand epic scenes like Paul’s sandworm ride but can be a bit scattered when it comes to piecing the story together with all the key players needing to be involved in a way that can be understood by any layman. Dune in any form is a rich, vast universe of storytelling, and even an almost three-hour-long sequel simply can’t cover every last bit that’s in the novels. But if nothing else, the film is an overwhelming feast for the eyes and should bring a whole new legion of fans to the many worlds contained within Dune

If you want to dive further into the Dune-iverse, do yourself a favor and read the Dune prequel books written by Herbert Jr. and Kevin J. Anderson. Until then, dive into the sands of Arrakis along with Shai-Hulud and scream vengeance to the skies with Paul Muad’dib Atreides in Dune Part Two, in theaters now! 

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The 8 Episode Series Tries To Encompass A Lot Leaving Fans In A Cliffhanger.

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The 2010 “Avatar: The Last Airbender” movie by M. Night Shyamalan faced criticism for its deviations from the beloved animated series. The film struggled with pacing, casting, and a lackluster script, disappointing fans who cherished the source material. In contrast, the 2024 Netflix series has generated positive buzz for its commitment to diverse casting, adherence to the original storyline, and improved character development. The series seems poised to capture the essence of the animated show, offering a fresh and faithful adaptation that resonates with both new and existing fans.

Even though the Netflix series comes closer to the core ideals of the animated series, I feel it lacks heart. Many scenes barely scratch the surface of the relationships between the characters and the push-and-pull relationship between Aang and Zuko. I will admit the CG versions of Momo and Appa are just so gosh darn cute.

The 8 episode series tries to encompass a lot leaving fans in a cliffhanger. It’s worth a watch and I am hanging on for the next season to be announced.

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