Freeform President Tom Ascheim and Executive Vice President of Programming and Development Karey Burke will unveil today the new and returning projects for The Walt Disney Company’s young adult cable network at the combined Disney|ABC Television’s presentation for the national advertising community at Lincoln Center’s David Geffen Hall.
Freeform continues to dominate the young adult landscape in cable with the No. 1 comedy (“grown-ish”) and the No. 1 new drama (“Siren”) with young women (18-34 and 12-34). Also claiming the title of No. 1 most social cable network for the 7th year in a row and the No. 1 network in digital viewing, Freeform is delivering on its new tagline “A Little Forward.”
The recently re-branded network continues to build its roster of quality programming that speaks to the young adult consumer who has embraced its authenticity, evident in recent multi-platform hits “grown-ish,” “Siren” and the critically acclaimed “The Bold Type.” In addition to strong female representation on-screen, the network champions and has built an impressive, inclusive roster behind the scenes. Half of Freeform’s episodic directors are female, diverse, or LGBTQ, 60% of series writers are female or diverse, and every original series on the network has a female producer. The network also boasts placement as No. 1 in digital viewing, No. 5 entertainment network and the most social cable network for the seventh year in a row.
“In the past year, our commitment to quality has been reflected back to us with a rousing chorus of critical and fan acclaim,” says Ascheim. “Our young adult audience is the most important and influential generation in America and we want to be right there with them every step of the way.” Adds Burke, “We like changing the narrative at Freeform and are proud that our original programming resonates so strongly with this audience. We are grateful to all of our series creators who share our focus on challenging the status quo and telling stories with meaning.”
NEW SERIES PROGRAMMING
“BESTIES”
“Besties,” a half-hour multi camera comedy from co-creators Kenya Barris and Ranada Shepard has been ordered to series by Freeform following the enormous success of Barris’s breakout coming-of-age show, “grown-ish,” the No. 1 cable comedy season-to-date (women 18-34.) This multi-cam sitcom explores friendship, identity, race, and class as two lifelong best friends use each other to get through some of the toughest challenges that they will ever face – figuring out who they are and who they want to be. Kenya Barris and Ranada Shepard are executive producers; the series is produced by ABC Signature Studios.
“PRETTY LITTLE LIARS: THE PERFECTIONISTS”
I. Marlene King will expand the universe of “Pretty Little Liars” for Freeform with a 10-episode series order for “Pretty Little Liars: The Perfectionists,” featuring returning fan favorites Sasha Pieterse as Alison and Janel Parrish as Mona and starring Sofia Carson (Disney’s “Descendants”) as Ava. The drama also welcomes Sydney Park (“The Walking Dead”) as Caitlin, newcomer Eli Brown as Dylan, Graeme Thomas King (“The Widow”) as Jeremy, Kelly Rutherford (“Gossip Girl”) as Claire, and Hayley Erin (“General Hospital”) in an undisclosed role. In Beacon Heights, a seemingly perfect town, a group of three college friends struggle with the stress of being overachievers. In the aftermath of the town’s first murder, each Perfectionist hides behind a secret, a lie and an alibi. Like its predecessor, “Pretty Little Liars,” which was No. 1 on the New York Times bestseller list, “The Perfectionists” is also based on a popular book series penned by Sara Shepard. “Pretty Little Liars: The Perfectionists” is produced by Alloy Entertainment and Long Lake Media, in association with Warner Horizon Scripted Television. I. Marlene King (“Pretty Little Liars,” “Famous in Love”) wrote the pilot and serves as executive producer on the series with Charlie Craig (“Pretty Little Liars,” “The 100”), Lisa Cochran-Neilan (“Pretty Little Liars,” “Famous in Love”), Leslie Morgenstein (“Pretty Little Liars,” “The Vampire Diaries”) and Gina Girolamo (“The 100,” “The Originals”). The pilot was directed and executive produced by Elizabeth Allen Rosenbaum (“Relationship Status”).
RETURNING SERIES PROGRAMMING
“SIREN”
Following the news of “Siren’s” premiere as the No.
1 new cable drama with young women (18-34 and 12-34), Freeform announced a second season pickup for the mermaid thriller, whose season one finale airs Thursday, May 24th. The network also added six more episodes to next season’s order, up from ten this season. “Siren” is an epic tale about the coastal town of Bristol Cove, known for its legend of once being home to mermaids. The arrival of a mysterious girl, Ryn (Eline Powell), wreaks havoc on the small fishing town as she proves the folklore true. Using their resources, marine biologists Ben (Alex Roe) and Maddie (Fola Evans-Akingbola) must work together to find out who and what drove this primal hunter of the deep sea to land and if there are more like her. Xander (Ian Verdun) is a deep-sea fisherman looking to uncover the truth and Helen (Rena Owen), the town eccentric, knows more than she lets on. Eric Wald and Dean White co-created the story and serve as executive producers along with showrunner and executive producer Emily Whitesell. Brad Luff, Nate Hopper and RD Robb are also attached as executive producers.
HOLIDAY PROGRAMMING
The network will expand its holiday dominance with over 1000 hours of themed programming kicking off with “31 Nights of Halloween” on Oct. 1, an increase of the annual “13 Nights of Halloween.” The network also introduced Freeform Santa (“Shadowhunters” star Isaiah Mustafa) and November’s “Kick Off to Christmas.” Then the iconic “25 Days of Christmas” returns to the entire Disney|ABC Television on DEC. 1, the only major media network to offer a unified holiday programming initiative. During last year’s “25 Days of Christmas,” Freeform led the television group with 80MM unique viewers, accounting for more than half of the 151MM total unique viewers across all channels.
From the executive producers of the “Disney’s Fairy Tale Weddings” series, Ann Lewis Roberts, Simon Lythgoe and Jenny Daly, “Decorating Disney: Halloween” will be part of “31 Days of Halloween.” This behind-the-scenes special will reveal all the tricks and treats behind the transformation of the Walt Disney World and Disneyland resorts into the scariest, yet still magical, places on Earth!
Freeform will continue the spooktacular festivities with a celebration for one of the most beloved Halloween movies with the “Hocus Pocus 25th Anniversary Extravaganza.”
Two Freeform original holiday films, “Life Size 2” and “Sleeping Together,” will also be part of the holiday lineup. In the former, Tyra Banks, who will also executive produce, reprises her iconic role as a doll that comes to life; but in the sequel, Eve has grown up. This time she’s magically awakened to help a young woman learn to live and love again. Along the way, Eve experiences the ups and downs of real life in an edgy, fun, modern Christmas movie.
“Sleeping Together” is an unexpected and whimsical holiday rom-com about two insomniac strangers plagued by exhaustion. After a brief meeting, they discover that they can only fall asleep if they are sleeping next to each other. What seems like an odd coincidence, and frankly a disruption to their lives, might be more meaningful than they’d like to admit.
PILOTS
Freeform also announced last week a pilot order for “Everything’s Gonna Be Okay,” from critically acclaimed writer and comedian Josh Thomas. The pilot introduces Nicholas, a typical 25-year-old still living at home with his single dad and two teenage half-sisters, who is not particularly helpful in raising his siblings, one of which has autism. However, when their dad becomes terminally ill, the girls have to cope not only with a devastating loss but with the realization that Nicholas is the one who will have to hold it all together. Thomas created the concept and wrote and stars in the pilot with David Martin, Jon Thoday, and Richard Allen-Turner serving as executive producers for Avalon Television. Stephanie Swedlove and Kevin Whyte also serve as executive producers. Produced by Avalon Television and Freeform Studios, it will be distributed internationally by Avalon Distribution

Movie
Review of “Good Bad Ugly”

Director: Adhik Ravichandran
Starring: Ajith Kumar, Arjun Das, Trisha, Simran
Genre: Action / Crime Drama
Rating: 4.5/5
“Good Bad Ugly” centers on Red Dragon (Ajith Kumar), a notorious gangster who chooses to surrender himself in the hopes of turning over a new leaf and reuniting with his estranged son. However, when unforeseen threats emerge, Red Dragon is forced to step back into the dangerous underworld to protect the only family he has left.
“Good Bad Ugly” plays to the strengths of Ajith Kumar, delivering a fan-pleasing portrayal of both his vintage villainy and his matured emotional depth. Ajith’s powerful screen presence, coupled with his iconic voice, shines against Arjun Das’s brooding and intense new-age antagonist, creating an electric old-school versus new-school dynamic. The nostalgic return of Simran is a clever nod to longtime fans, bringing heart and familiarity. Trisha brings a strong, grounded performance as the moral compass in Red Dragon’s life, helping move the emotional threads of the story. The film smartly balances action, comedy, and sentimental fan-service moments.
While the film delivers on fan expectations, its narrative could have benefited from tighter pacing and deeper character development for its supporting cast. Some plot conveniences and an overreliance on nostalgia may limit broader audience appeal beyond the fanbase. Certain dramatic beats felt rushed, leaving little time for emotional resonance to fully land.
The ambition to blend high-octane action with heavy emotional stakes sometimes leads to tonal inconsistencies. At moments, the shift from gritty underworld drama to lighter fan moments feels abrupt. Additionally, though Ajith Kumar’s effort to showcase his dancing skills is commendable and welcomed by fans, it slightly disrupts the otherwise darker tone the film establishes.
“Good Bad Ugly” is a tribute to Ajith Kumar’s enduring legacy, offering vintage thrills while teasing new dimensions to his craft. It’s a solid entertainer that successfully taps into fan nostalgia while hinting at an exciting evolution for AK. While not without its flaws, the film’s heart, energy, and performances make it a must-watch for fans and a compelling action-drama for broader audiences.
Streaming
Presence: A Horror Movie For People That Don’t Like Horror Movies

In these uncertain times, you can’t beat a good old-fashioned horror movie. Unfortunately, Presence is not an old-fashioned horror movie. Yet, as I discovered, this is a good thing!
When I heard about the premise of this movie, I was intrigued. The stylishly subtle trailer was, appropriately, haunting. And was that Lucy Liu? A haunted house movie from the perspective of the ghost? As a seasoned horror movie buff, I was all in!
Like the majority of people I missed the films brief theatrical release. Luckily I was able to catch it on streaming. Visually the film is easy to enjoy from your own home, as it’s rather cosy looking. I never thought I’d be describing a horror movie as ‘cosy’ looking but it’s true! This is not a James Wan type creepy, dusty, decrepit house harbouring a haunting. No, this is a 100 year old jewel toned, oak finished colonial style home.
Despite this the story follows the beats we are all familiar with: troubled family of four move into a new house. The big deviation from the trope is we, the audience, are seeing events unfold from the POV of the ghost or presence.
Director Steven Soderbergh (Ocean’s Eleven) chose to film the entire piece using a small (14mm) hand-held digital camera. Soderbergh himself acted as the ‘presence’ following the actors around. From the audiences perspective it is like watching the family through a barrier or pane of glass. Cleverly, windows and mirrors are hugely prominent and integral throughout.
The presence mainly follows and tries to interact with the daughter of the family, Chloe (Callina Liang), who has recently suffered the trauma of her best friend dying suddenly. Through Soderbergh’s experimental filming, we feel the dysphoria and frustration the ‘ghost’ is feeling at trying to affect the world around it, particularly during the anxiety-inducing final scene!
However, in what could be yet another mismarketing of a film, the trailer promised to be the ‘scariest movie you will see this year’ and ‘terrifying’; instead, they delivered this subversive, character-driven, family drama. If you are expecting jump scares and dramatic music stings, this is not your movie. I could understand if someone was disappointed that the only seemingly scary thing is the mother’s and son’s relationship, right up until the gut-punch of the final scene.
Presence is definitely a slow burn, tension building until the final scene, and the unveiling of the ‘presence’ giving us a new understanding of the whole story. The ending is disturbing and stays with you as you re-analyse earlier scenes.
My one complaint is that the character Ryan (West Mulholland) with his Chesney Hawkes hair, perhaps needed more subtlety. The rest of the cast was completely solid and believable as a family with so many unspoken issues.
I wouldn’t recommend this film for everybody but maybe be as so bold to say it’s a horror movie for people that don’t like horror movies. It’s well-lit and cerebral with realistically flawed characters.
Presence is available to stream.
Three and a half stars.
Streaming
Anime Review: Fog Hill of the Five Elements (Wu Shan Wu Xing)

Genre: Action, Fantasy, Martial Arts, Historical
Runtime: Each episode runs approximately 20-30 minutes
Director: Lin Hun (also the Creator)
Studio: Samsara Animation Studio
Main Voice Actors (Chinese Cast):Liu Zhi Shi as Wen Ren Yu Xuan Zhou Qi as Shen Nong Fang Yuan as Xuan
Overview
Fog Hill of the Five Elements is a breathtaking Chinese anime (donghua) that merges traditional Chinese ink-painting aesthetics with high-intensity martial arts action. Created and directed by Lin Hun, this series delivers a spellbinding visual experience that rivals, and in many ways surpasses, mainstream Japanese anime. Produced by Samsara Animation Studio, the anime is a labor of love, known for its hand-drawn animation and meticulous detail.
Set in a mythological world where elemental beasts roam free, the series follows the Five Elemental Envoys tasked with protecting humanity. The story focuses on Wen Ren Yu Xuan, the Fire Envoy, whose actions set off a chain of events threatening the delicate balance between humans and beasts. The tale is steeped in Chinese folklore and myth, weaving a complex narrative of duty, power, and sacrifice.
Without question, Fog Hill of the Five Elements is one of the most visually stunning animated series in recent memory. The blend of traditional Chinese ink wash painting with modern dynamic action scenes is masterful. Every frame looks like a moving scroll painting, with fluid character movements and kinetic fight choreography that puts many mainstream series to shame.
The characters are deeply tied to traditional archetypes found in Chinese legends but are fleshed out with emotional depth and conflict. Voice acting by Liu Zhi Shi, Zhou Qi, and Fang Yuan brings authenticity and gravitas to their respective roles. The dialogue is steeped in poetic language, enhancing the mythic feel of the story.
The soundtrack complements the epic visuals with traditional Chinese instrumentation mixed with modern elements. The sound design heightens the impact of every battle and emotional moment.
Rating: 9/10
Fog Hill of the Five Elements earns a 9 out of 10 for its groundbreaking animation style, deep mythological storytelling, and heart-pounding action. The only downside is its limited number of episodes and slow release schedule, which leaves fans craving more.
Pros
- Unparalleled hand-drawn animation
- Unique art direction inspired by traditional Chinese painting
- Rich mythological lore
- Epic fight choreography
Cons
- Sparse episode release
- Story pacing can be uneven at times
Final Verdict 9/10
If you’re an anime enthusiast or a fan of animation artistry, Fog Hill of the Five Elements is a must-watch. Its fusion of stunning visuals, martial arts action, and mythological storytelling makes it one of the standout titles in modern animation. Whether you’re into Japanese anime or Chinese donghua, this series deserves a spot on your watchlist.