ight-time Grammy® Award-winning, multi-Platinum solo artist Fergie will serve as host of FOX’s new singing competition series, THE FOUR: BATTLE FOR STARDOM. The six-episode event premieres Thursday, Jan. 4 (8:00-10:00 PM ET/PT) on FOX.
“I am very excited and proud to be the host of THE FOUR: BATTLE FOR STARDOM,” said Fergie. “This is a unique and modern show format that I believe will set the standard for the next generation of singing competition series on TV. I am looking forward to being by the contestants’ sides during what could be the most important performances of their lives. Along with these amazing panelists whom I know and love, I hope my experiences as a solo artist and as a member of The Black Eyed Peas can help guide them in their quest to make it in the music industry.”
“Fergie is a genuine superstar,” said Rob Wade, President, Alternative Programming and Specials, Fox Broadcasting Company. “She’s fierce, she’s a force in her own right and she knows exactly what these singers are going through. So who better than her to help guide them as they fight their way to the finish.”
As previously announced, Grammy® Award-winning musician, record producer and songwriter Sean “Diddy” Combs, record-producing hit-maker DJ Khaled, Grammy-winning recording artist and songwriter Meghan Trainor and record label executive Charlie Walk will serve as the show’s panel of experts. These panelists are true star-makers and are responsible for some of the biggest hits and recording artists in the music industry today.
THE FOUR: BATTLE FOR STARDOM begins where the other shows end: With the best. These four top-notch singers, spanning all music genres, will fight each week to defend their coveted seats on the show, as determined newcomers challenge them and try to knock them out of the competition. The singer who is the last standing at the end of the competition will earn the ultimate prize: the panel of industry experts becomes key players on the winner’s team. This elite group of starmakers will guide the winner’s career to help make him or her a breakout star. To audition for THE FOUR: BATTLE FOR STARDOM, please visit thefourmusic.com.
As part of the grand prize, the winner will be named an iHeartRadio “On The Verge” artist. iHeartRadio’s On The Verge program provides artists with unparalleled national reach through on-air radio exposure, as well as digital and social support across iHeartMedia’s powerful range of music and entertainment platforms. FOX also has teamed up with iHeartMedia to support auditions, assist in the search for talent and boost the careers of artists throughout the run of the competition.
Influencing a generation of stars to follow, Fergie remains pop’s leading lady. On September 22, the eight-time Grammy® Award-winning multi-Platinum solo artist released her anxiously awaited visual experience and second full-length album, “Double Dutchess” – the first release for her own Dutchess Music, the label she founded in partnership with BMG this year. The Visual Experience quickly captured the No. 1 spot on iTunes, in addition to the album becoming the No. 1 pop album in the United States, hitting No. 1 on the Billboard Current Pop Albums Chart, No. 4 on the Top Independent Albums Chart and No. 9 on the Top Albums Chart. It became a runaway smash globally, going Top 10 on iTunes Overall in eight countries and Top 5 on the iTunes Pop Albums Charts in 11 countries. It’s gaining even more steam as she sets her sights on a 2018 world tour. This blockbuster follows up one of the most successful albums of this century, “The Dutchess,” which sold 7.2 million albums and 29 million tracks around the globe and yielded three No. 1 Billboard Hot 100 hits: “London Bridge,” “Glamorous” and “Big Girls Don’t Cry,” as well as Top 5 smashes “Fergalicious” and “Clumsy.” She also remains a driving force in The Black Eyed Peas, whose legacy eclipses sales of 35 million records and 60 million tracks over the course of four multi-Platinum offerings. Once again, she sets the pace for pop.
THE FOUR: BATTLE FOR STARDOM was created by Armoza Formats and is produced by ITV Entertainment in association with Armoza Formats. David George, Adam Sher, David Eilenberg, Becca Walker, David Friedman, Avi Armoza, Nehama Cohen and Moshiko Cohen are executive producers. Additionally, Sean “Diddy” Combs will serve as a producer on the series. “Like” THE FOUR: BATTLE FOR STARDOM on Facebook at facebook.com/TheFourOnFox. Follow the series on Twitter @TheFourOnFox and join the conversation using #TheFour. Check out photos and videos on Instagram @TheFourOnFox.
Joy Ride Is An Extremely Raunchy And Hilarious Comedy
Joy Ride is an extremely raunchy and hilarious comedy that takes the mantle of ensemble risky
comedies that at times, leave your mouth on the floor. Joy Ride focuses on two best friends
Audrey and Lolo (Ashley Sullivan and Sherry Cola) end up getting roped up into a trip to Asia,
they end up on gals pal cross-continent trek to find Audrey’s long lost birth mother so she
doesn’t lose a huge business deal.
The chemistry in this movie is superb. Every character has their moment to shine and there’s
rarely a scene where you don’t get a belly laugh. I was shocked at how crazy and bold this
movie got, continually pushing the line to get a laugh. The movie does a good job of getting to
the point and getting to the scenes that really make you chuckle. There are some editing choices where the story flies by some stuff, and it feels a little incomplete, but never at the expense of really enjoying being around for the journey.
I thought that this was a sleeper for this year and certainly a movie worth watching with your
friends some weekend. It’s great to throw on if you want a laugh and really just enjoy some
great actors riffing off each other. The focus on culture was a nice touch and really elevated the movie to another level. While I would say if you’re easily offended, this movie is not for you – if you’re looking for a no holds barred comedy, Joy Ride is a trip worth taking.
Who Doesn’t Want To Wear The Ninja Suit Of Snake-Eyes Or Dress Like The Mandalorian?
Hasbro has had their pulse app out for a while now. It allows for access to items to buy, preorder, and a look into future projects and releases. It also allows for a very cool thing most nerds (a group of which I am a proud card-carrying member) have always wanted, the ability to make yourself into an action figure. I’ve contemplated making one for a time but, I finally got my chance to get my hands on one at Comic-Con this year. Now, of course, I had to wait in line as it was a pretty sought-after item. Who doesn’t want to have themselves wear the ninja suit of Snake-Eyes or dressed like a Mandalorian? I was approached by one of the booth staff as I was showing my nephew all the cool ways we could get him his own MIles Morales action figure with his face (as he’s a massive fan) and invited to take a seat and scan our faces into the Hasbro Pulse app with the help of their awesome team and make this dream a reality. My wife was with us, so of course she got in on the fun too. We scanned our faces in and it was very simple and quick. Then we all selected our figures to add our heads to. We all chose Power Rangers(Me as the Black Ranger, my wife chose the pink ranger and the nephew got the red ranger). Then we were told that we needed to wait about 4-6 weeks and we’d have our custom action figure team in our hands. This was a major part of our Comic-Con adventure and definitely, a memory my wife and nephew won’t forget (as it was both of their first Con ever). Thank you to Hasbro for being so generous(also getting me brownie points that home) and I highly suggest checking out Hasbro Pulse and all the cool stuff it has to offer.
The Last Voyage of the Demeter: Double-knock on wood!
Adapted and written largely from the Captain’s Log chapter of Bram Stoker’s magnum opus Dracula, The Last Voyage of the Demeter tells the story of Dracula’s journey by ship from Carpathia to London, and what happened to her crew in the interim.
So here we are in Bulgaria, middle of 1897, and Captain Eliot (Liam Cunningham) of the Russian schooner Demeter is here to take on some strange cargo from some unknown client and transport it to Carfax Abbey in London. In need of some extra hands, the Captain sends out his capable Second Wojchek (David Dastmalchian) to scout for some, and initially the roving black doctor and aspiring philosopher Clemens (Corey Hawkins) is passed over in favor of more work-roughened men. The adorable cabin boy of the Demeter, Toby (Woody Norman), narrowly misses being crushed by the mysterious dragon-marked crates being loaded onto the ship, saved by Clemens himself and switched out with the superstitious sailors running from the Demeter like they had been poisoned by the sign of Dracul. And now, armed with some nine or so crewmen, Doc Clemens, and Captain Eliot himself, the twenty-four strange what looks like coffins adorned with dragon signs brought mostly safely aboard, the Demeter can make for open water and the Hell that awaits them there.
The duty of showing Clemens around the ship falls to a cheerful Toby, who proudly shows him the living areas, the Captain’s quarters, the very-large cargo hold, the galley and kitchen where the overly-devout Joseph (Jon Jon Briones) cooks the crews meals, the various above decks, even the sails, and the rigging are all at least touched on, and the livestock pens that Toby himself is in charge of, including the handsome good-boy doggy Huckleberry, or just Huck. We the audience get a very clear feeling of what it’s like to actually be aboard the Demeter, just how large she really is, and what living on a ship for months at sea is really like, the reality and practicality and the dangers of it.
Everyone more or less settles in for a hopefully uneventful voyage, taking mess around the common table and exchanging ideas or aspirations for when they arrive in London early thanks to the fair winds, and receive a handsome bonus for their troubles. But that involves being alive and making it to London to spend said bonus and pay, and the coffin crates spilling dark soil from the motherland and disgorging all sorts of other nasty secrets, have some serious plans to the contrary.
First, it’s the livestock, innocent and shrieking in their locked pens as a monster takes great furious bites out of their necks, and of course, the creature just straight up ruins poor doggy Huck. Then there’s the fully grown girl that gets dislodged from an open coffin-crate, covered in bite scars and as pale as death, she eventually starts interacting and talking after several blood transfusions from Doc Clemens, Toby learns her name is Anna (Aisling Franciosi). And then, as the weather turns foul and the winds begin to be a serious problem, the attacks turn toward the remaining humans onboard the Demeter.
Most people these days are familiar with Dracula, that gorgeous cunning vampire Elder who can supposedly transform into a bat or a wolf, seducing women to voluntarily offer up their veins like an unholy sacrament, a being at once beautiful and powerful, but also horrific and murderous if given half a heartbeat to smell your blood. This is not Dracula.
Instead, the creature that hunts the humans occupying the Demeter is an absolute monster, not a single human feature left to it, barely even recognizable as humanoid-shaped, instead boasting not just full-length bat wings but an entire exo-skin of bat membranes that can be used for feeding, a mouth full of needle-like teeth akin to a predator of the deepest darkest parts of the ocean, those yellowed Nosferatu eyes that will not tolerate light in any way, and of course giant pointy bat-ears. This is a thing, a grotesque straight from the depths of Hell, and no amount of glamor magic can make this Dracula (Javier Botet) seem like anything other than what he, is – a parasitic demon who only wants your blood. There is no reasoning with it, no trapping it, not even really any talking to it (kinda hard to talk when your throat has been ripped out), and, like the much more frightening Dracula stories of old, no amount of pure faith behind a symbol does anything other than give false hope.
Coming face to face with an actual abomination does different things to different people. The formerly delightfully foul-mouthed Abrams (Chris Walley) dissolves into a blubbering mess; poor Larsen (Martin Furulund) didn’t even get to see his own death coming; and it turns out Olgaren (Stefan Kapicic) wants to live so badly, he’ll suffer becoming a blank-eyed Renfield if that’s what it takes. All of Cook Joseph’s purported pure faith didn’t stop him from trying to take the coward’s way out and didn’t save him anyway when the sound of unnatural bat wings descended on him. I find that kind of irony delicious. Dear Anna, resigned to her fate to be eternal food for the horror that terrorized her village, nevertheless wants to try and save whoever is left of the Demeter with her own sacrifice, and there aren’t many. Wojchek of course wants to kill Dracula, but for all his logic and solid practical nature, has no experience whatsoever with this sort of thing, and sure doesn’t want to sacrifice the Demeter, the beloved ship he called home that was promised to him by Captain Eliot himself, in order to destroy that demon. Even poor sweet Toby isn’t safe from the creature’s clutches, and what happens to the cabin boy of the Demeter is what finally sends Captain Eliot over the blooming edge. And who could blame him? For this sort of thing to happen during the last voyage of such a proud, solid ship as the Demeter, is some serious bullsh*t.
To leave such a film open for a potential sequel, especially when called the last voyage of something, was a pretty hefty ask, and somehow the filmmakers managed it. I personally think a different version of Van Helsing, the infamous vampire hunter, teaming up with a certain black doctor who nurses a serious grudge against Dracula, could be a kickass sequel. Until then, experience the doomed final journey of the Demeter and her poor crew in all it’s bloodstained glory, in theaters now!