Robert Downey Jr. and Bette Midler, along with such luminaries as Wing Chao, Jon Favreau, James Earl Jones, Kenny Ortega, Barnette Ricci, Robin Roberts, Diane Sawyer, Ming-Na Wen, and Hans Zimmer, will be honored as Disney Legends during D23 Expo 2019 for their extraordinary contributions to the Disney legacy. Hosted by Disney Chairman and CEO Bob Iger, the Disney Legends Awards ceremony will be held at 10 a.m. on Friday, August 23, in Hall D23 of the Anaheim Convention Center.
“The Disney Legends Award is the highest honor we can bestow; it’s a recognition of talent, a celebration of achievement, and an expression of profound gratitude to the remarkable men and women who have made an indelible mark on our company and our creative legacy,” said Iger, Chairman and Chief Executive Officer, The Walt Disney Company. “This year’s honorees have earned a place in our hearts and our history for their significant contributions in film, television, and our theme parks around the world.”
The Disney Legends Awards program is a 32-year tradition of The Walt Disney Company, and the first Disney Legend was Fred MacMurray (The Shaggy Dog, The Absent-Minded Professor, The Happiest Millionaire), who was honored in 1987. The award ceremony is just one of the dozens of spectacular events Disney fans can enjoy during the three-day D23 Expo.
The 2019 Disney Legends Award honorees (listed alphabetically) are:
WING CHAO For 37 years at Disney, Wing T. Chao played a vital role in designing and developing exceptional and inspirational projects, worth more than $12 billion, at Disney parks and resorts worldwide. Wing served as vice chairman of Walt Disney Parks and Resorts for Asia Pacific Development as well as executive vice president of Walt Disney Imagineering, where he oversaw master planning, architecture, and design. Wing directed development teams consisting of Disney Imagineers and many of the world’s most renowned architects and designers. He also developed and built projects, including resort hotels, parks, cruise ships, entertainment venues, water attractions, convention and exhibition centers, sports stadiums, restaurants, retail spaces, recreational complexes, office spaces, and two new-town communities, at The Walt Disney Company’s properties in California, Florida, Hawai‘i, Tokyo, Paris, Hong Kong, Shanghai, and other locations worldwide.
ROBERT DOWNEY JR. is a two-time Academy Award® nominee and Golden Globe® winner who has appeared in more than 80 films. Considered one of the industry’s most talented and respected actors, Robert has embraced both dramatic and comedic roles, including his Disney debut in the 2006 remake of The Shaggy Dog. After numerous standout performances, Robert then went on to help launch Marvel Studios with his celebrated performance as Tony Stark as Iron Man. His role has spearheaded the iconic blockbuster franchises Iron Man and Avengers, for which he’s starred in three Iron Man films, The Incredible Hulk (2008), Captain America: Civil War (2016), and Spider-Man: Homecoming (2017); and four Avengers films, including the most recent, Avengers: Endgame (2019), which shattered box office records and became the largest-ever film debut, bringing in $1.2 billion worldwide in its opening weekend. Robert will next star in the title role in 2020’s The Voyage of Doctor Dolittle and is in pre-production on the third installment of the successful Sherlock Holmes franchise.
JON FAVREAU started his career with appearances in film and television and has since become one of Hollywood’s most successful producers and directors. Jon’s first roles included appearances on TV shows such as Seinfeld and Friends, but his big break came with the Miramax indie film Swingers (1996), for which he wrote the screenplay, starred, and co-produced. His directing credits include Iron Man (2008), Iron Man 2 (2010), the live-action remake of The Jungle Book (2016), and this year’s reimagining of The Lion King. Jon also made appearances in several Marvel Cinematic Universe films as Tony Stark’s loyal bodyguard, Happy Hogan. As an executive producer for Marvel Studios, John holds credits on such films as Iron Man (2008), Iron Man 2 (2010), Iron Man 3 (2013), Marvel’s The Avengers (2012), Avengers: Age of Ultron (2015), and Avengers: Infinity War (2018). He has also voiced characters for Disney television shows and feature films, including Hercules (TV, 1999), Buzz Lightyear of Star Command (TV, 2000), G-Force (2009), Star Wars: The Clone Wars (TV, 2010–13), and Solo: A Star Wars Story (2018). Jon is writing and executive producing the live-action Star Wars series The Mandalorian for Disney+, which will premiere this November.
JAMES EARL JONES started his acting career with television and film roles, including appearances in As the World Turns (1966) and Dr. Strangelove (1964). But the Oscar®, Emmy®, and Tony® Award-winning actor is well known for his iconic voice acting, beginning with the role of Darth Vader in Star Wars: A New Hope (1977). This villainous vocal performance was reprised in subsequent Star Wars films, including most recently in Rogue One: A Star Wars Story (2016) and TV shows like Star Wars Rebels (2014–18). His voice can also be heard in Disney Parks around the globe, including recurring vocal performances as Darth Vader for Star Tours: The Adventures Continue. Other Disney credits include ABC’s Recess in 1998 as the voice of Santa Claus, narrator for the Disneynature film Earth (2009), segment host for Fantasia/2000 (2000), and as the celebrity narrator for the Candlelight Ceremony at Disneyland. Audiences also recognize the actor’s basso profundo as that of Mufasa in The Lion King (1994), a role James Earl would return to in The Lion King 2: Simba’s Pride (1998), The Lion Guard: Return of the Roar (2015), and this summer’s reimagining of The Lion King.
BETTE MIDLER When the Disney studio set out to expand the breadth of its film production with Touchstone Pictures, it was Emmy, Grammy®, Golden Globe, and Tony winner Bette Midler who helped lead the way to box office success for the new division. She appeared in a string of hit comedies, including Down and Out in Beverly Hills (1986), Ruthless People (1986), Outrageous Fortune (1987), and Big Business (1988). Touchstone’s 1988 drama Beaches not only proved to be a smash with audiences, but it also included Bette’s platinum-selling rendition of “Wind Beneath My Wings.” Other Disney films followed, including Stella (1990) and Scenes from a Mall (1991), as well as a memorable vocal performance as the spoiled poodle Georgette in Oliver & Company (1988). Bette is well known to Disney audiences for her role as the witchy Winifred in the perennial Halloween classic Hocus Pocus (1993). She also starred in The Lottery (1989), a short film produced for the Disney-MGM Studios Theme Park (now Disney’s Hollywood Studios) in Florida for guests of the park’s Backstage Studio Tour.
KENNY ORTEGA is a multi-award-winning director, choreographer, and producer. His first work with Disney was choreographing the TV special Disney’s Totally Minnie (1988), followed by Mickey’s 60th Birthday the same year, and he would go on to direct three episodes of Touchstone Television’s Hull High in 1990. In 1992, Kenny directed his first feature film, the beloved Disney musical Newsies, which was followed, in 1993, by the Halloween favorite Hocus Pocus. In 2006, he helmed the Disney Channel smash hit High School Musical, and the success of the first film would bring him back to direct—and choreograph—the sequels High School Musical 2 (2007) and High School Musical 3: Senior Year (2008). Kenny also produced and staged the High School Musical: The Concert tour, as well as the Miley Cyrus and Jonas Brothers Best of Both Worlds Tour. His other Disney credits include directing the 2014 short The Making of Frozen, The Cheetah Girls 2 (2006), and, most recently, the international phenomenon Descendants (2015), Descendants 2 (2017), and Descendants 3, which will be released this summer.
BARNETTE RICCI started her career with The Walt Disney Company as a choreographer at Disneyland. In the late 1960s, Barnette created and directed Kids of the Kingdom before going on to choreograph and direct many parades, including Christmas parades, America on Parade, and the Main Street Electrical Parade. She worked on the grand openings of Walt Disney World, EPCOT Center, and Tokyo Disneyland and directed popular stage shows such as Golden Horseshoe Revue at Disneyland and the Diamond Horseshoe Revue in the Magic Kingdom at Walt Disney World Resort. Perhaps her biggest project to date is the creation of Fantasmic! Debuting at Disneyland in 1992, the production combines state-of-the-art special effects with live performers along the Rivers of America. The show continues a successful run at Disneyland, Disney’s Hollywood Studios at Walt Disney World, and now Tokyo DisneySea. Following Fantasmic!, Barnette moved to The Walt Disney Studios as the vice president/show director of Special Events. After more than 40 years with The Walt Disney Company, Barnette retired in 2013.
ROBIN ROBERTS In 1990, Robin joined ESPN and would quickly become a frequent contributor to the network’s programming. In her 15 years at ESPN, she contributed to NFL Primetime and hosted SportsCenter and In the Game with Robin Roberts. Robin began making appearances on ABC’s Good Morning America (GMA) in 1995, and in 2005 left ESPN to join the show full-time as co-anchor. Since joining GMA, the show has won four Emmys for Outstanding Morning Program. For ABC, Robin has hosted In the Spotlight with Robin Roberts: All Access Nashville, as well as ABC’s red carpet coverage of the Academy Awards, and has created original broadcast and digital programming for the network through her production company, Rock’n Robin Productions. In 2007, Hyperion publishing released Robin’s first book, From the Heart: Seven Rules to Live By. Among Robin’s many awards are the Walter Cronkite Award for Excellence in Journalism, membership in the Broadcasting & Cable Hall of Fame, and being named one of Glamour‘s Women of the Year.
DIANE SAWYER is an ABC News anchor, tackling some of the biggest issues of our time with original reporting, primetime specials, long-form interviews, and in-depth investigations. One of the most respected journalists in the world, she has traveled the globe delivering breaking news reports, and has conducted interviews with almost every major newsmaker of our time. Her primetime documentaries have won critical acclaim for shedding light on difficult and previously under-reported topics, including her reporting on the realities of poverty in America. Diane’s reporting has been recognized with numerous awards, including duPonts; Emmys; Peabodys; the grand prize of the premier Investigative Reporters and Editors Association; an IRTS Lifetime Achievement Award; and the USC Distinguished Achievement in Journalism Award. In 1997 she was inducted into the Television Academy Hall of Fame. After more than a decade in television news, Sawyer joined ABC News in February 1989 as co-anchor of Primetime. She was named co-anchor of Good Morning America in January 1999, and held the post until taking over the World News anchor chair in December 2009.
MING-NA WEN can currently be found saving the day as Agent Melinda May, aka “The Cavalry,” on the ABC series Marvel’s Agents of S.H.I.E.L.D. Ming-Na is also known for her seven years playing Jing-Mei Chen on ER. She found success on the big screen when she appeared in the acclaimed Hollywood Pictures adaptation of Amy Tan’s The Joy Luck Club. Five years later, she would find animation immortality as the title star of the Disney classic Mulan, a role for which she would receive an Annie Award. Ming-Na returned to the role of heroic Fa Mulan in a slew of projects, including an animated sequel, video games Kingdom Hearts II and Disney Infinity, on television’s House of Mouse and Sofia the First, and in the Walt Disney Animation Studios film Ralph Breaks the Internet (2018). Ming-Na has been well known to audiences for her television projects, including her voice work in Disney Channel’s Phineas and Ferb, Disney XD’s Guardians of the Galaxy and Milo Murphy’s Law, the six-part digital short Marvel Rising: Secret Warriors, and a recurring role in ABC’s Fresh Off the Boat.
HANS ZIMMER has scored more than 160 projects which, combined, have grossed more than $28 billion worldwide. Hans has been honored with an Academy Award®, two Golden Globes, three Grammys, an American Music Award, and a Tony Award. In addition to his long list of credits, including notable projects such as Gladiator and The Dark Knight trilogy, Hans has had a great history with The Walt Disney Company. His early work for them includes additional music for White Fang (1991) and co-writing music for Cool Runnings (1993). His groundbreaking, Academy Award-winning instrumental score for The Lion King (1994) was followed by many memorable projects, including Crimson Tide (1995), Muppet Treasure Island (1996), The Rock (1996), Pearl Harbor (2001), King Arthur (2004), and Iron Man (2008). Hans is the guiding force behind the music of the Pirates of the Caribbean franchise, serving in various composing, editing, and producing capacities for The Curse of the Black Pearl (2003), Dead Man’s Chest (2006), At World’s End (2007), and On Stranger Tides (2011). Hans composed the music for this summer’s reimagining of The Lion King.
Honorees receive a two-foot-tall bronze Disney Legends sculpture that signifies the imagination, creativity, and magic they have brought to the Company. Disney Legends Award recipients will also participate in a handprint ceremony at the end of the event, and their bronzed prints will be displayed in the Disney Legends Plaza at the Company’s Burbank headquarters.
Admission to the ceremony will be on a first-come, first-served basis and is included in the price of a ticket to D23 Expo 2019.
Including this year’s honorees, a total of 289 Disney Legends have been named. Past Disney Legends include Tim Allen, Julie Andrews, Beatrice Arthur, Howard Ashman, Annette Funicello, Whoopi Goldberg, Peter Jennings, Sir Elton John, Angela Lansbury, George Lucas, Steve Martin, Alan Menken, Hayley Mills, Fess Parker, Regis Philbin, Marty Sklar, Dick Van Dyke, Barbara Walters, Betty White, and Robin Williams. Beginning with the inaugural D23 Expo in 2009, thousands of Disney fans have been able to enjoy the Disney Legends Awards ceremony live.
Tickets for D23 Expo 2019 are available for $89 for one-day adult admission and $69 for children 3–9. Gold Members of D23: The Official Disney Fan Club can purchase tickets for $77 for a one-day adult admission and $59 for children 3–9. For more information on tickets and D23 Expo 2019, visit D23Expo.com.
The isolated island community of Crockett receives a mysterious new head priest, full of secrets and a brand new testament under a very unusual Messenger of God.
Meet poor Riley Flynn (Zach Gilford), freshly released from prison and wracked with guilt over what got him there, a stupid drinking accident that caused the death of his ex-girlfriend. The last thing he wants to do is go back to Crockett and the judgment of the mostly religious community there, his disappointed family, and the nightmares of his ex’s death that plague him. But where else would have him? Resignedly on the ferry, he goes.
Riley’s dad Ed (Henry Thomas) isn’t the kind of man who talks very much at all, much less about his feelings, or his very real disappointment in his elder son. Riley’s teen brother Warren (Igby Rigney) has no idea what to say to him either, and just generally keeps mum. Riley’s mom Annie (Kristin Lehman) is accepting and loving, hesitant in how to help her eldest son but never wavering in her faith in the help of our lord Jesus. Mom seems to think a good heaping dose of the Church would set Riley right but is surprised to learn that the old priest of the Parish, Pruitt, has taken an extended leave of absence from the island, and his newcomer replacement Father Paul (Hamish Linklater) is young, charismatic, and bursting at the seams to tell the whole island about the gifts he brought them, most especially what he claims as a new testament under a messenger of God.
We’ll get back to that whole ball of issues in a moment, the other interesting characters of Crockett Island. Bev Keane (Samantha Sloyan) is the nightmarish overly polite and gently, almost lovingly condescending neighbor Christian woman you’ve ever loathed, the kind of person who explains away every last thing her Church may do wrong or contradictory because, after all, God works in mysterious ways. Pfft. Of course, Bev immediately ingratiates herself as the second to the new Father Paul in their services and is the first to start covering up his transgressions as they become more rampant.
Newcomers to Crockett Sheriff Hassan (Rahul Kohli) and his son Ali (Rahul Abburi) present a burgeoning problem to the plans of Father Paul and his shadowy companion, for they are both practicing Muslims. The practical side of investigating these so-called ‘miracles’ and strange happenings falls on Hassan’s shoulders, as he already struggles with barely-concealed racism and suspicion from his fellow islanders, and of course his son is being wooed away from him by the promise of actual, tangible miracles, but from a different whole faith and God. Father Paul definitely does not practice a traditional Christian faith and relies far too much on making use of the eucharist, the ceremony of the blood and flesh of Jesus Christ turning into bread and wine and, well, consumed.
Wade (Michael Trucco) and his wife Dolly (Crystal Balint) are lifers of the island and both in general interested in one thing, the advancement of their own family, specifically their daughter Leeza (Annarah Cymone), who happens to be in a wheelchair. And that happens to be the canny Father Paul’s first real miracle-with-a-cost that he demonstrates to the astonishment of the parishioners, after a heartfelt and rousing sermon, Father Paul commands Leeza to rise, to stand, and to walk. And lo, she does. What parents wouldn’t wholly dedicate themselves to a cause after seeing this happen to their beloved precious daughter? The fringe benefits of healing, and power, the ones that come at a mighty, currently unnamed, cost, are simply a nice bonus.
Joe Collie (Robert Longstreet) is the town drunk, and while his reasons for drowning his sorrows in the sauce might be understandable, absolution wears a very different face when it comes from Father Paul. While Leeza might be willing to forgive Joe, and even as Joe begins attending the newly-formed Al-Anon meetings on the island of course hosted by Father Paul, redemption might’ve been better sought from medical professionals, and not this newfound method of religious worship.
Dr. Sarah Gunning (Annabeth Gish) is the islands’ kind of all-around medic, and this is how she and Riley’s old friend Erin (Kate Siegel), also newly returned to the island, a few months pregnant but traveling quietly alone, met when Erin comes to the Doc for obstetrics. Sarah’s older mother Mildred Gunning (Alexandra Essoe) has many medical and mental issues, and Sarah struggles in their shared home, to take care of her addled mom and balance her own life. Then Father Paul takes it upon himself to visit one of his oldest parishioners, bringing the sacred host and wine with him to give directly to Mildred, who starts looking and acting so much better under his loving care.
The show is very much a slow slow burn, with a lot of the actual action taking place in the last two episodes. Much of the beginning and middle episodes feature two people just sitting alone, having quiet and seriously in-depth conversations about heavy subjects – grief and repentance, what happens when we die, the disasters that come as a result of addictions, how our actions’ consequences reverberate to those we love around us, faith and the foibles of man, and of course, the giving of oneself over to a higher power, for strength, and guidance, and love.
Except, for the higher power that Father Paul brought back with him, to share with his beloved flock of Crockett Island, while it may be extremely powerful and full of what could be considered miraculous magic, everything comes at some kind of a cost. And when the Messenger of God is finally revealed to the shocked denizens of Crockett at Easter Mass, with Father Paul rapturing on about rebirth as the bloody massacre begins in earnest, it’s faith, not in any kind of God or religion, but faith in each other, that may save a few hardy souls.
Question the wisdom of your religious leaders along with the rest of us in a fine slow-burn addition to the Flanaverse, Midnight Mass is on Netflix now!
Legendary executioner Jigsaw returns to exact revenge on a cadre of scam artists who promised him a bogus cure for his cancer!
First off, be aware, that this is what I call an interleaved sequel, a movie set between previous films in the franchise. In this case, Saw X occurs after the events of the very first Saw film, and before Saw II. Everybody got where we are? Good! Into the madness, we dive!
So, as we all know, John Kramer’s been diagnosed with cancer, very aggressive brain cancer, and likely doesn’t have much time left. And he’s tried everything under the sun, doing a ton of meticulous research, we’d expect nothing less from our master of the art of murder, and not one thing has worked. Yet one man from the support group for cancer sufferers, Henry (Michael Beach), offers an off-the-books supposed miracle cure, and John jumps at the chance.
Why does this nonsense always sound too good to be true? Because it is. Deleted scenes from the first Deadpool movie already told us why traveling to Mexico for any kind of medical cure is a sublimely stupid move, but Kramer is desperate. And while he might be sick and dying, John Kramer has never been what anyone could call stupid. So the villa out in the Mexican countryside, the affable cab driver Diego (Joshua Okamoto) professes surprise at Kramer being highjacked for his good, the nervous muttering from assistant Valentina (Paulette Hernandez), the side-eyeing from little housekeep Gabriela (Renata Vaca) and her tequila, and most especially the smooth and smarming reassurances of head “doctor” Cecilia Pederson (Synnove Macody Lund), all leave a kind of sour taste in John’s mouth.
The whole cluex4 scene is done in the style that the Saw films are known for, where we the audience are treated to cut-together explanatory scenes in a flip-flash fashion of usually about two minutes, for poor John when he realizes he’s been hoodwinked and just how badly, seems a little contrived. But then it’s entirely possible that we the audience truly expected our genius mastermind of the infamous Jigsaw murders to have realized what was happening sooner, and got enraged along with Kramer. And cheered as he prepared to take his bloody and ultra-violent revenge!
First up in our grand guignol of executions is the return of Jigsaw’s first protégé, Amanda (Shawnee Smith). And despite her avowed reverence for Jigsaw and his proven “therapy”, Amanda does waver a bit when the scammers are put through the paces of their specially-made Saw traps, and they shriek and blubber and bleed out. The appearance of the ringer of the bunch, Parker (Steven Brand), doesn’t even slow our beloved engineer of the damned down, because we knew Jigsaw would have his other apprentice waiting just off stage, the deliciously vicious Detective Hoffman (Costas Mandylor). Even the monkeywrench of involving little-boy soccer fan Carlos (Jorge Briseno) in the traps, is just another cog in the machine that is the brilliantly plotting mind of John Kramer.
A fine addition to the Saw legends, showcasing a return to the beloved style and panache of the original Tobin Bell-starring Jigsaw films, Saw X is splashing gore and gallons of blood in theaters now!
“Scott Pilgrim Takes Off,” Netflix’s latest series, is a rollicking journey through the world of video game culture, blending nostalgic references with a fresh narrative twist. Centered around Scott Pilgrim, portrayed with magnetic charisma by Michael Cera, the show skillfully integrates gaming elements into its storytelling, creating a delightful homage to the video game subculture.
The series cleverly employs pixelated graphics, power-up animations, and game-like sound effects to bring the virtual world to life. These visual cues, reminiscent of classic video games, enhance the storytelling and resonate with audiences familiar with the gaming landscape. The attention to detail in recreating iconic gaming moments is commendable, creating a visual and auditory treat for enthusiasts.
The exploration of video game culture goes beyond mere aesthetics; it becomes an integral part of the characters’ identities and interactions. The script intelligently weaves gaming terminology and tropes into the dialogue, effectively blending the real and virtual worlds. The series navigates the challenges and triumphs of the characters through the lens of gaming, making it a unique and engaging experience for both gamers and general audiences.
The ensemble cast, including standout performances from Mary Elizabeth Winstead, Ellen Wong, and Chris Evans embraces the gaming theme with infectious enthusiasm. The chemistry between the characters is palpable, adding emotional depth to the series.
“Scott Pilgrim Takes Off” successfully taps into the zeitgeist of video game culture, offering a nostalgic yet contemporary take on the gaming phenomenon. It’s a must-watch for those who cherish the pixelated roots of the gaming world while providing an accessible and entertaining narrative for a broader audience. The series takes off not only in its title but also in its ability to soar within the ever-expanding realm of Netflix originals.
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