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Dr. Drew Pinsky Talks Mental Health and Gun Violence In America

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Dr. Drew Pinsky’s long running call-in show Loveline, with Adam Carolla, aired on MTV for 32 years and pioneered a pop culture adaptation of relationship and safe sex education.

The show, featuring an assortment of celebrity guest hosts, served as a lifeline to multiple generations. Dr. Drew’s Teen Mom franchise, also an MTV staple, opened the eyes of television viewers to the trials of teen pregnancy and teen parenthood where previous methods had fallen short. Dr. Drew’s critically acclaimed VH1 docu-series Celebrity Rehab with Dr. Drew and it spinoffs Sex Rehab with Dr. Drew and Sober House, allowed viewers an intimate look inside the causes of addiction and the arduous road to addiction recovery.

With his HLN show, Dr. Drew On Call, which aired from 2011 to 2016, he broadened his television audience, delving into the behavioral components behind the headlines of the day. Dr. Drew’s New York Times bestselling book, The Mirror Effect: How Celebrity Narcissism is Seducing America (Harper Collins), examines the widespread adoption of celebrity narcissism within our culture.

A true advocate who has spent decades bringing once-taboo health matters to the forefront of public discussion, he now hosts MTV’s Teen Mom OG, KABC’s Dr. Drew Midday Live and The Dr. Drew Podcast, the #1 health podcast on iTunes.

A health crisis that is gripping our nation is that of adolescent mental health and gun violence. This generation is dealing with a problem that goes far beyond typical teenage angst, as it deals with the frightening fallout from a broken healthcare system and gun control laws that have failed to address our societal landscape. These issues intersect at the corner of one of our biggest political and social quagmires. Unfortunately, gun violence is nothing new to young people from America’s poorer urban pockets who have been living under its threat for decades. Gun-related injuries and fatalities in school settings date back to the 18th century, with the first American school shooting on record taking place on July 26, 1764 in the town of Greencastle, Pennsylvania.

The epidemic of mass shootings in more affluent suburban enclaves entered the public’s consciousness on April 20, 1999 in Littleton, Colorado, at Columbine High School. The most recent school shooting that took place on February 14, 2018 at Marjory Stoneman Douglas High School in Parkland, Florida, has left an encouraging and unstoppable movement in its wake, reminiscent of the social and political mobilization of the 1960s and 1970s.

The courage, clarity, and strength the students from Marjory Stoneman Douglas have demonstrated in the face of unspeakable tragedy, and their ability to mobilize a nation, inspired me to sit down with Dr. Drew Pinsky for a frank discussion about the state of adolescent mental health and its intersection with gun violence in America.

TME: Why are school shootings a recent phenomenon over the last 19/20 years?

Dr. Drew Pinsky: There’s a multiplicity of factors and no simple answer. Obviously, it’s guns and the type of guns. But in addition, it’s the access that people have; people who have a proclivity towards self-harm or harming others (The Florida state Senate just passed a bill upping the legal age to purchase a fire arm from 18 to 21 and mandating a 3-day waiting period. It now falls on Florida state Congress to vote). We all know that adolescent males will complete suicide because of their use of fire arms. It’s not a far reach from feeling that your own life doesn’t have meaning to other people’s lives not having meaning. We’ve connected that bridge now.

TME: What leads a young man to get to the point where they no longer value their own life?

Dr. Drew Pinsky: Within adolescent depression it becomes a special case when they have this sort of magical thinking that this will solve their problems, and they’ll be around to see the solution after they’re gone. But we’re seeing this in young adults, not just adolescents. I happen to believe, and this is one man’s opinion and it’s hard to substantiate the data, but we’ve been through an epidemic staring in the 1960s of adverse childhood experience. Our families are unhealthy.

My work in media has been almost exclusively dealing with people with addiction issues and addiction medicine; people with issues of physical abuse, sexual abuse and neglect in their childhood. These are profound injuries. Among those injured are people who don’t have the ability to regulate their emotions or really have any sense of empathy for others. We have a growing population of people who have difficulty with empathy and difficulty with emotional regulation… and a firearm. It’s a pretty potent combination. And we have drugs and alcohol; we have a massive problem with that. I’ve begun to think of it all as sort of this spiritual bankruptcy.

TME: When I am speaking with a physician, like yourself, I always wonder how you feel about the intangible factors, like a spiritual component.

Dr. Drew Pinsky: I am always challenged by my patients in that regard. They will tell me that their recovery from drug and alcohol addiction, that I turned them towards it, but really it’s the spiritual connection they make that actually leads them into a full recovery. I’m okay with that. Whatever gets them there! I think there can be a stigma with words like “soul” or “spiritual” because people tend to equate them with religion. But I think [spiritual] is a word people can understand without indoctrinating religion into it. Whatever it is, we need to feed our souls and feed our spiritual life in a much better way. It starts with our families and our relationships, and our communities.

TME: Do you think social media and being tied into this Matrix-like existence instead of being more community oriented like in generations past, do you feel it’s leading to a spiritual breakdown?

Dr. Drew Pinsky: I think it has accelerated the mob, and mob-like behavior. It gives people a sense of pseudo-intimacy, which is quasi-pathological. It’s not real. There is a sense of connection, with no real connection. It gratifies only the most basest of emotions – envy, aggression, arousal, and all of these addictive emotions. It doesn’t do anything for empathy, nurturing, service, making a difference. I don’t see it as the cause, but as an amplifier of these problems. When I wrote my book about narcissism years ago (The Mirror Effect), I wanted to include a chapter on previous moments in history where narcissism had prevailed and where childhood trauma has been prevalent. Wherever I found those trends, I found mob action, guillotines and mob aggression. We’re seeing it now, and it just happens to be in social media.

TME: What are your thoughts about how media chooses to cover these mass shootings and other large scale violent crimes?

Dr. Drew Pinsky: There’s contagion, not doubt about it. There’s contagion with things like suicide, all sorts of violent acts, and with pathological behaviors like cutting. All these things have contagion associated with them. I almost feel like it’s a double-edged sword. Yes, there’s contagion, but we also have to take a good hard look at the realities we face.

TME: And when you say “contagion” you’re talking about the copy-cat effect, just to clarify for people. Personally, I feel that releasing the person’s picture and their name, and analyzing their motives is playing into their pathological desire to gain attention for their act.

Dr. Drew Pinsky: There’s no doubt that the thinking of the perpetrator includes things like that, but not saying their name also gives it a kind of energy that I think is weird. I’d like to see the evidence that holding back the name somehow reduces the contagion effect. I just don’t see it.

TME: Let’s talk about you. When you were in high school and college, what coping skills did you cultivate to deal with things like anxiety, depression, stress and peer pressure?

Dr. Drew Pinsky: I had a problem with that. I had panic attacks. I’m still formally diagnosed with Generalized Anxiety Disorder. I was depressed when I was nineteen and there were no services for adolescents at that time. I think that’s what got me interested in helping that population with mental health, in general. I was so mishandled, it was egregious. I thought maybe I was having a seizure when I was having a panic attack; I wasn’t sure what it was. But I understood there was a mental health issue.

I went for help and I was told that I needed to get my act together, and I should take long walks in the woods. I would have happily gotten my act together (laughs)! And I was socially awkward, I was living in New England in college and didn’t know what I wanted to do with my life. What got me out of that was finding purpose. Finding medicine and science, getting turned on by that and getting into it, and feeling good about what I was doing. That’s what helped me climb out. And I had therapy, though the therapy I had in college wasn’t very good

TME: In the late seventies, wasn’t the field of mental health first really understanding what anxiety was, and first beginning to treat it?

Dr. Drew Pinsky: They knew what anxiety was. They didn’t really understand the developmental phenomenology and psychiatry of adolescents. That was poorly understood, and certainly what to do with it was even more poorly understood. My wife and I have triplets, and we’ve used mental health services all the way through in raising our family, every step of the way, and it’s yielded dividends. We used behavioral therapists when our kids were very young, and it’s always yielded results and been positive for us.

TME: What kind of support system did you have around you in those early years?

Dr. Drew Pinsky: I had very limited support. I was connected, but not intimately connected, and I didn’t understand really what I was feeling, I didn’t have that insight. I remember reading a lot of material that really didn’t help. There was nowhere to turn at that time, and I’m angry about it to this day. But again, it’s what made me interested in mental health, and in adolescent mental health.

TME: Is that why you’ve cultivated this public platform? As Dr. Drew, you are very much looked up to by young people as a valuable source of information.

Dr. Drew Pinsky: It was actually more of a fortunate accident in my life. I’d always been interested in public speaking, and in my fourth year of medical school somebody asked me to give some commentary on a radio show. When I went in there I had this very powerful instinct that this was important. No one was talking to people about AIDS and safe sex. The term “safe sex” hadn’t been invented yet.

I couldn’t believe the lack of knowledge out there, and the lack of willingness to talk to adolescents. What I said at the time was that the whole sexual revolution had been perpetrated by adults without ever really thinking about what it was going to do to adolescents. I was twenty-four years old and I thought, “I know what seventeen and eighteen-year olds are up to, and they need to know about HIV and AIDS.” It wasn’t even HIV yet. They had just started calling it AIDS at the time. I was dealing with it in my [medical] training every day. People forget about that period of history. It motivated me to get out there and talk about it.

TME: How did you parlay this into Loveline for MTV?

Dr. Drew Pinsky: I was doing [radio] once a week. It was a great social outlet for me and it was late at night on a Sunday, so I could fit it into my schedule. I did that for ten years for free. I looked at it like I was doing community service. The week my wife got pregnant with triplets was the week that the radio powers-that-be decided they wanted to put the radio show on five nights a week. To which my wife said, “No more community service. If you’re not changing diapers, you’re getting paid!” I walked into the radio station hat-in-hand and asked for a job. It kept going from there and then these television guys showed up and we ended up doing Loveline on MTV. We would film six shows a week on Friday and Saturday, and the rest of the week I practiced medicine. I was a severe workaholic in those days. It really wasn’t until 2010 when I was doing HLN’s Dr. Drew On Call that I felt it was okay to officially say I’m on to my second career. That’s when I started dialing down my clinical material and started really focusing on creating media.

TME: What kind of impact do you feel you’ve had on young people?

Dr. Drew Pinsky: I hope I make them think. I’ve broadened the scope of who I want to influence. I’m not just trying to influence young people. I would like to influence all different age groups. Ultimately, particularly with young people, I’ve noticed that the most efficient way to affect their behavior is to give them a relatable source. If you remember, Loveline was about taking phone calls and then we would analyze the cases. With Teen Mom, it’s about looking at the consequences of teen pregnancy.

When they approached me about Teen Mom, I knew it would have a positive effect on teen pregnancy; I just knew it. And lo and behold, there is ample research now to show that it did (according to the CDC, teenage births have steadily declined, across all ethnicities, over the last ten years). For young people, I always like looking at the behavior, and then saying, “Here’s how to analyze that, here’s what this means.”

TME: I think you should do another television show for that same demographic, focusing on the importance of overall mental health.

Dr. Drew Pinsky: Well that’s what Teen Mom is. Teen pregnancy is a symptom of a mental health problem. Other people look at it as a social issue. I look at it as a symptom of somebody who has some mental health issues. And you can see, as these women grow up, there are significant issues there. But television is a strange beast. You can’t be overtly didactic. It has to be hidden in the story.

TME: Like you, I live with anxiety and panic disorder. I’ve always had to be pro-active about my mental health, like the way other people go to the gym to stay in shape. My concern is that the importance of staying on top of your mental health needs to be communicated to young people, in mass.

Dr. Drew Pinsky: I certainly try. On HLN, almost every night I would chant, “Why do we treat medical conditions above the neck differently than medical conditions below the neck?” In other words, why are brain disorders special? Brain disorders are the same as pancreas disorders. It just happens to affect an organ that is associated with our concept of behavior. Just like you would treat your heart or your pancreas or your lungs, it’s medical matter. And treatment works. People need to stop associating it with stigma, or a moral failing, or as any different than any other medical issue. You and I also know it’s brushing past a larger issue, which we would call “spiritual.” It ties into mental health, and I feel that is a bigger social, psychological problem affecting our society. At its core, it’s about our relationships.

TME: We’re seeing a disturbing trend of young males and gun violence. What are we missing when it comes to male adolescent mental health?

Dr. Drew Pinsky: Adolescent males, when they have spiritual and psychological problems, become aggressive. And when they don’t have some sort of outlet that they are engaged in, any time there’s social unrest, there’s young males. That’s just the way we’re wired. Males need to be challenged. This sort of co-dependent helicopter parenting over the last twenty years has been about preventing children from experiencing discomfort.

I think there is a major deficiency right now. In addition to our spiritual emptiness, we have lost the ability to tolerate ordinary misery. Ordinary misery is good. And our children need to experience ordinary misery to learn how to regulate their emotions and overcome. Unless we are challenged we feel deficient. Because of our narcissism as parents we can’t tolerate seeing the child’s discomfort and disappointment, because it mobilizes our own internal misery, which we avoid. We use drugs and alcohol, and extreme sports, and all kinds of ways of avoiding. But when we include our children in making sure they don’t have those feelings as well, there’s a problem. I think that in some way, it is affecting the young male. It’s probably experienced differently from the young female.

TME: Yes, females internalize emotions.

Dr. Drew Pinsky: Women go in, men go out.

TME: I’m going to throw a scenario at you, and tell me what you think could be a viable solution: A single parent home with limited financial resources, and an under-supervised child who’s beginning to show signs of deteriorating mental health…

Dr. Drew Pinsky: I feel unworthy of the question you’re asking me, except to say, like we’ve been discussing, make sure there is access to mental health services and that there is no stigma associated with that. But there are other solutions which goes under the heading of Mutual Aid, whether it’s a church or a community. I’m thinking about that book, Bowling Alone (Simon & Schuster). Have you read that book? It’s about the decline of club membership in the United States.

I think we’re all bowling alone (laughs). And you can’t do it; you can’t do it by yourself! But you also can’t do it with perfunctory supervision. There has to be real, intimate contact and I’m not sure we know how to do that. That’s why where there are resources out there, we need to deploy it and amplify it, and build community around it. Many people are not good at it and don’t even tolerate closeness anymore, mostly because many people have been neglected or abused. When you’ve been hurt as a result of close relation, guess what you want to avoid in the future. We must overcome that.

TME: What are your thoughts on the students from Marjorie Stoneman Douglas High School and the #NeverAgain movement?

Dr. Drew Pinsky: Like the rest of us, I am so impressed with their poise, and their willingness to make change. They’re taking action. They’re being vulnerable and present. It’s inspirational. What I see gives me great hope.

Visit http://drdrew.com/get-help/ for assistance in finding mental health support services. For help with anxiety and depression, visit https://adaa.org/finding-help/treatment. Tune in to The Dr. Drew Podcast and Dr. Drew Midday Live.

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The Double: Ghostly vengeance upon you! 

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After the daughter of county magistrate is betrayed by those she trusted the most, she takes on a new identity and returns to the capital to mete out her own brand of justice!  

Quite a bit is said about Jiang Li, the daughter of the Minister of the Central Secretariat, and how she suffered at the Temple her father sent her to after a blowout at home, with not a single person coming to visit her, or send any kind of letter, in more than ten years. But I think the banked rage of Xue Fang Fei, our heroine who takes Jiang Li’s place, is also entirely worth exploring. And so, prepare your best drugged tea for the Spoilers about to follow! 

We begin more or less, on a stormy night with a hole dug in the ground, a garbled confession that mentions a woman in power who could crush them both like ants apparently and a knockout shot via shovel, all at the hands of her own beloved husband Shen Yurong, that culminates in the death of Xue Fang Fei (Jinyan Wu). Except, she didn’t die. Betrayed by the one person she gave up like everything for, Xue Fang Fei escapes and washes up on the shore, to be found by Jiang Li and her faithful friend and servant Tong’er (Ai Mi). 

Jiang Li (also Jinyan Wu), despite being the neglected daughter of the Minister of the Central Secretariat Chancellor Jiang (Su Ke), or perhaps because her stepmother is one jealous horrific hag but we’ll get to that later, is not well treated at all at the Temple. And when that mistreatment finally manages to culminate in her actual death, it provides an opportunity for the newly-resurrected Xue Fang Fei. The new Jiang Li wins the loyalty of her lifelong friend Tong’er, the silence of the Abbess of the Temple, and the attention of a very powerful man, Duke Su, all in the space of like a few days. She even gets the silent approval of the ghost of the real Jiang Li, and willingly takes on the mission of her spirit – to avenge the real Jiang Li, to set right the things in her life that were wrong, that lead to her accidental death far from home, alone with none of her blood family to save her. Since this is a Chinese show, we know that is a mountainous burden to take on. 

First, we have to get out of the Temple. And the arrival of Duke Su (Wang Xing Yue) and his men, investigating a salt smuggling scandal along with other sordid things the Temple is accused of, is the perfect vehicle to do it, even if Jiang Li has to get arrested for it. Then we have to get back to the household of her father, the Minister of the Central Secretariat or Chancellor Jiang, and the hell of stepmother Ji Shu Ran and stepsister Jiang Ruo Yao’s bickering, backbiting both hidden and blatant, with only the impotent Grandma as a friend. Oh, and also, to get embroiled in palace drama, royal guard investigations, a pretty forbidden romance with a certain very stoic-seeming commander, and mete out plans, and justice, of her very own. 

The show does an excellent job at showcasing strong women in various forms of power, exercising it in very different ways, and more often than not, the pain and suffering they deliberately cause to those around them. That’s not to say that they each don’t have their reasons, justifiable or not, but the power they wield is often only tolerated if not outright ignored by the men around them. The new Jiang Li defies these conventions, with a mind like a steel trap and the sheer fortitude to power through whatever the current test is – a qin performance that leaves her fingers bleeding and her audience weeping; whether or not she allergy-poisoned her stepsister, come on; allegations from the Emperor himself – Jiang Li makes careful, detailed plans, and carries them out with the patience and cunning of a spider, calm and deadly. 

The shows villains are mostly women, come to think of it, with Elder Princess Wanning being at the foremost of the pack, she likes torturing her playtoys, and some time ago she decided Shen Yurong was going to be one of them. Which actually kicked off this whole mess, of conspiracies and deaths and cover-ups, all because Xue Fang Fei’s ex husband has no balls whatsoever. Or perhaps he’s the Empires biggest hidden masochist, who knows. Even Shen Yurong’s actual attempts at true villainy towards the end were poorly planned, badly executed, and almost lackluster, despite his purported desperation to win for once. 

Whereas, the smiling tyranny of Ji Shu Ran back at the Prime Ministers household, using her children as weapons against Jiang Li, the love and hey guilt of her father to gently nudge him the “right” way towards getting Jiang Li out of the house by means fair or foul, is all to be expected. Her stepmother had been doing very bad things since Jiang Li was a very little girl, and the hidden knowledge of one of those atrocities in particular, is what led to tiny Jiang Li being maligned, punished, and sent away to the Temple. So of course taking care of the wicked stepmother, or rather, allowing her to fall into the self-same trap of her own making from so long ago, is high on the list of stuff in Jiang Li’s life that needs addressing. 

The best male performance inevitably come from the lead love interest, Duke Su Xiao Heng, though his two main men, Lu Ji and Wen Ji, come as a close and often comedic second, and the emotions invoked from Jiang Li’s fathers acceptance  of her return run the whole gamut of spectrum – especially when her father finally reveals that yes, he knew that the Jiang Li that returned wasn’t the one he originally left, that Xue Fang Fei managed to take vengeance for his beloved daughter and in doing so, finally actually become her, once and for all. 

It’s long and complicated and fraught with excitement and danger, featuring an absolutely ruthless female lead who lets nothing not even family ghosts stand in her way, and a perfect story to enjoy the 2024 spooky season to! Cheer on The Double on Netflix now! 

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‘Speak No Evil’: Chop-chop-CHOP

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A struggling couple with their young daughter are invited to spend an idyllic weekend at a newly made friend’s country house, that hides a whole bunch of nasty secrets! 

Normally, a review consists of a few paragraphs of expounding on the movie and then the ranted opinion itself, closing with a recommendation as to whether or not Moxie recommends going to see said film. Speak No Evil is a very weird exception, for there is very little in the way of plot to follow, and the would-be horror devolves into cheap scares and dumbassery for us to laugh at. When the theater audience has cat-callers hooting and calling out the protagonist dad figure of the film and there is no censure from anyone else, you’re doing something wrong. But, let’s attempt a dive anyway! 

So Ben (Scoot McNairy) and Louise (Mackenzie Davis) Dalton are struggling, with life, with career and money trouble of course, and perhaps most importantly but less often spoken of, with each-other. Whilst trying to hide it all from their sensitive bunny-stricken daughter Agnes (Alix West Lefler) too, of course. They somehow took a vacation runaway of sorts to Tuscany of all places, where they stay in a villa with a few other vacationers, bonding over the one annoying couple no-one else likes with new friends Paddy (James McAvoy) and Ciara (Aisling Fraciosi) and their apparently nonverbal kid Anthony or Ant (Dan Hough). Later, after a reminder postcard with the extended offer of a weekend stay at their country home is again extended to the Daltons, the two parental units decide it would be a good idea to run away some more and off they go, with Agnes and Hoppy in tow! 

It’s amazing that the Dalton parents know so little about Paddy and Ciara and still decide to spend a weekend with them at their run-down country house. And just as soon as they do finally find the place, Paddy goes from the amiable fellow-dad to sympathize and bro-mance with, to an opinionated antagonistic competitor, who has to have his way about absolutely everything. It begins with the named goose he cooked for their first dinner there, despite being well aware Louise is vegan, and escalates to trying to instigate Ben into being more manly and take-charge, to serious disagreements in the way Paddy tries to raise his not-quite-mute kid, and finally the Dalton parents begin to realize perhaps this wasn’t such a good idea. 

It’s often the children in these stories who provide the horrific reveal of what the villain, or villains, have been up to, and Speak No Evil is no different in this regard. Little Dan Hough gives a striking and ghastly performance as Ant, chop-chop-chopping his way through a silent explanation of what actually happened to his poor tongue. The brilliant way Agnes gets her parents alone to inform them of Ant’s new information is one of the few bright, smart spots of the entire movie. And after the Daltons have finally understood the true nightmare of their situation and their very real need to escape, the film basically degenerates into a kind of reverse home invasion horror flick, as the Daltons try to hide amidst the country house of our baddies trying to hunt them down! 

None of it is enough. No reason was ever given as to why Paddy the purported former doctor is like this, why he needs to OCD his trophies to the point of an incriminating evidence locker, why Ant was the one to finally find the courage to fight back, why the hell Ben is such a freaking milquetoast of a human one can’t even consider him the head of the Dalton family, why Louise is still putting up with all this nonsense over the safety of her beloved daughter, and why hasn’t the authorities or the families of other victims kicked up any kind of ruckus by now? Why is the neighboring handyman type Mike (Kris Hitchen) in league with our villainous couple to the point where he takes to hunting the Daltons with shotgun in tow, too? The film is apparently a remake of a 2022 Danish film of the same name, and we have to ask, why did anyone think the film market needed such a thing? Well, whatever. 

Cover your mouth to keep from yelling common-sense advice to the deplorably naïve characters on the screen and catch Speak No Evil in theaters now! 

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And The Emmy Goes To

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Here’s a full list of last night’s Primetime Emmy Awards winners.

Outstanding comedy series

WINNER: “Hacks”

“Abbott Elementary”

“The Bear”

“Curb Your Enthusiasm”

“Only Murders in the Building”

“Palm Royale”

“Reservation Dogs”

“What We Do in the Shadows”

Outstanding drama series

WINNER: “Shōgun”

“The Crown”

“Fallout”

“The Gilded Age”

“The Morning Show”

“Mr. & Mrs. Smith”

“Slow Horses”

“3 Body Problem”

Outstanding lead actress in a drama series

WINNER: Anna Sawai, “Shōgun”

Jennifer Aniston, “The Morning Show”

Carrie Coon, “The Gilded Age”

Maya Erskine, “Mr. & Mrs. Smith”

Imelda Staunton, “The Crown”

Reese Witherspoon, “The Morning Show”

Outstanding lead actor in a drama series

WINNER: Hiroyuki Sanada, “Shōgun”

Idris Elba, “Hijack”

Donald Glover, “Mr. & Mrs. Smith”

Walton Goggins, “Fallout”

Gary Oldman, “Slow Horses”

Dominic West, “The Crown”

Outstanding limited or anthology series

WINNER: “Baby Reindeer”

“Fargo”

“Lessons in Chemistry”

“Ripley”

“True Detective: Night Country”

Outstanding lead actress in a limited anthology series or movie

WINNER: Jodie Foster, “True Detective: Night Country”

Brie Larson, “Lessons in Chemistry”

Juno Temple, “Fargo”

Sofia Vergara, “Griselda”

Naomi Watts, “Feud: Capote vs. the Swans”

Outstanding lead actor in a limited anthology series or movie

WINNER: Richard Gadd, “Baby Reindeer”

Matt Bomer, “Fellow Travelers”

Jon Hamm, “Fargo”

Tom Hollander, “Feud: Capote vs. the Swans”

Andrew Scott, “Ripley”

Best directing for a drama

WINNER: Frederick E.O. Toye, “Shо̄gun”

Stephen Daldry, “The Crown”

Mimi Leder, “The Morning Show”

Hiro Murai, “Mr. & Mrs. Smith” “First Date”

Saul Metzstein, “Slow Horses”

Salli Richardson-Whitfield, “Winning Time: The Rise of the Lakers Dynasty”

Governors award

WINNER: Greg Berlanti

Best directing for a comedy series

WINNER: Christopher Storer, “The Bear”

Randall Einhorn, “Abbott Elementary”

Ramy Youssef, “The Bear”

Guy Ritchie, “The Gentlemen”

Lucia Aniello, “Hacks”

Mary Lou Belli, “The Ms. Pat Show”

Best writing for a limited series or TV movies

WINNER: Richard Gadd, “Baby Reindeer”

Charlie Brooker, “Black Mirror”

Noah Hawley, “Fargo”

Ron Nyswaner, “Fellow Travelers”

Steven Zaillian, “Ripley”

Issa López, “True Detective: Night Country”

Best writing for a drama series

WINNER: Will Smith, “Slow Horses”

Peter Morgan and Meriel Sheibani-Clare, “The Crown”

Graham Wagner and Geneva Robertson-Dworet, “Fallout”

Francesca Sloane and Donald Glover, “Mr. and Mrs. Smith”

Rachel Kondo, Justin Marks, “Shōgun”

Rachel Kondo, Caillin Puente, “Shōgun”

Supporting actor in a limited or anthology series

WINNER: Lamorne Morris, “Fargo”

Jonathan Bailey, “Fellow Travelers”

Robert Downey Jr., “The Sympathizer”

Tom Goodman-Hill, “Baby Reindeer”

John Hawkes, “True Detective: Night Country”

Lewis Pullman, “Lessons In Chemistry”

Treat Williams, “Feud: Capote vs. The Swans”

Best talk series

WINNER: “The Daily Show”

“Jimmy Kimmel Live!”

“Late Night with Seth Meyers”

“The Late Show with Stephen Colbert” 

Writing in a comedy series

WINNER: Lucia Aniello, Paul W. Downs, Jen Statsky, “Hacks”

Quinta Brunson, Abbott Elementary”

Joanna Calo, Christopher Storer, “The Bear”

Meredith Scardino, Sam Means, “Girls5eva”

Chris Kelly, Sarah Schneider, “The Other Two”

Directing limited series or TV movie

WINNER: Steven Zaillian, “Ripley”

Weronika Tofilska, “Baby Reindeer”

Noah Hawley, “Fargo”

Gus Van Sant, “Feud: Capote vs. the Swans“

Millicent Shelton, “Lessons in Chemistry”

Issa López, “True Detective: Night Country”

Outstanding writing for a variety special

WINNER: Alex Edelman, “Alex Edelman: Just For Us”

Jacqueline Novak, “Jacqueline Novak: Get On Your Knees”

John Early, “John Early: Now More Than Ever”

Mike Birbiglia, “Mike Birbiglia: The Old Man And The Pool”

“The Oscars”

Best scripted variety series

WINNER: “Last Week Tonight with John Oliver”

“Saturday Night Live”

Supporting actress in a limited or anthology series

WINNER: Jessica Gunning, “Baby Reindeer”

Dakota Fanning, “Ripley”

Lily Gladstone, “Under The Bridge”

Aja Naomi King, “Lessons In Chemistry”

Diane Lane, “Feud: Capote vs. The Swans”

Nava Mau, “Baby Reindeer”

Kali Reis, “True Detective: Night Country”

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Outstanding reality competition program

WINNER: “The Traitors”

“The Amazing Race”

“RuPaul’s Drag Race”

“Top Chef”

“The Voice”

Outstanding lead actress in a comedy series

WINNER: Jean Smart, “Hacks”

Quinta Brunson, “Abbott Elementary”

Ayo Edebiri, “The Bear”

Selena Gomez, “Only Murders in the Building”

Maya Rudolph, “Loot”

Kristen Wiig, “Palm Royale”

Supporting actress in a drama series

WINNER: Elizabeth Debicki, “The Crown Netflix”

Christine Baranski, “The Gilded Age”

Nicole Beharie, “The Morning Show”

Greta Lee, “The Morning Show”

Lesley Manville, “The Crown”

Karen Pittman, “The Morning Show”

Holland Taylor, “The Morning Show”

Supporting actress in a comedy series

WINNER: Liza Colón-Zayas, “The Bear”

Carol Burnett, “Palm Royale”

Hannah Einbinder, “Hacks”

Janelle James, “Abbott Elementary”

Sheryl Lee Ralph, “Abbott Elementary”

Meryl Streep, “Only Murders In The Building”

Outstanding lead actor in a comedy series

WINNER: Jeremy Allen White, “The Bear”

Matt Berry, “What We Do in the Shadows”

Larry David, “Curb Your Enthusiasm”

Steve Martin, “Only Murders in the Building”

Martin Short, “Only Murders in the Building”

D’Pharaoh Woon-A-Tai, “Reservation Dogs”

Supporting actor in a drama series

WINNER: Billy Crudup, “The Morning Show”

Tadanobu Asano, “Shōgun”

Mark Duplass, “The Morning Show”

Jon Hamm, “The Morning Show”

Takehiro Hira, “Shōgun”

Jack Lowden, “Slow Horses”

Jonathan Pryce, “The Crown”

Supporting actor in a comedy series

WINNER: Ebon Moss-Bachrach, “The Bear”

Lionel Boyce, “The Bear”

Paul W. Downs, “Hacks”

Paul Rudd, “Only Murders In The Building”

Tyler James Williams, “Abbott Elementary”

Bowen Yang, “Saturday Night Live”

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