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DISNEY/JERRY BRUCKHEIMER FILMS’ “PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES” BEGINS PRODUCTION IN QUEENSLAND, AUSTRALIA

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Production has commenced on location in Australia on Disney and Jerry Bruckheimer Films’ epic comedy adventure “Pirates of the Caribbean: Dead Men Tell No Tales,” directed by Espen Sandberg & Joachim Rønning (“Kon-Tiki”), the fifth entry in the blockbuster franchise inspired by the classic Disney Theme Parks attraction, which has reaped $3.7 billion in worldwide box office. “Pirates of the Caribbean: Dead Men Tell No Tales” will film entirely at Village Roadshow Studios and on locations within Queensland, Australia.

Johnny Depp returns to his iconic, Academy Award®-nominated role of Captain Jack Sparrow, one of the most beloved characters in motion picture history, newly joined by Oscar® winner Javier Bardem (“No Country for Old Men,” “Skyfall”), rising young stars Kaya Scodelario (“The Maze Runner,” British television’s “Skins”) and Brenton Thwaites (“Maleficent,” “The Giver”) and Golshifteh Farahani (“The Patience Stone,” “Exodus: Gods and Kings”). Rejoining the action are Academy Award winner Geoffrey Rush as Barbossa, Kevin R. McNally as Joshamee Gibbs and Stephen Graham as Scrum.

Thrust into an all-new adventure, a down-on-his-luck Captain Jack Sparrow finds the winds of ill-fortune blowing even more strongly when deadly ghost pirates led by his old nemesis, the terrifying Captain Salazar (Bardem), escape from the Devil’s Triangle, determined to kill every pirate at sea…including him. Captain Jack’s only hope of survival lies in seeking out the legendary Trident of Poseidon, a powerful artifact that bestows upon its possessor total control over the seas

“Pirates of the Caribbean: Dead Men Tell No Tales” is produced by Jerry Bruckheimer and written by Jeff Nathanson (“Catch Me If You Can,” “Indiana Jones and the Kingdom of the Crystal Skull”). The executive producers are Chad Oman, Joe Caracciolo, Jr. and Brigham Taylor.

Joining Bruckheimer, Sandberg & Rønning for the swashbuckling new voyage is a first-tier group of award-winning behind-the-scenes artists—many of them new to the “Pirates of the Caribbean” family—including director of photography Paul Cameron (“Gone in Sixty Seconds,” “Déjà Vu,” “Collateral”), production designer Nigel Phelps (“Pearl Harbor,” “Transformers: Revenge of the Fallen, “Transformers: Dark of the Moon,” “World War Z”), costume designer Penny Rose (all four “Pirates of the Caribbean” films), visual effects supervisor Gary Brozenich (“The Lone Ranger,” “Edge of Tomorrow”), Oscar®-winning special effects production consultant John Frazier (nine Jerry Bruckheimer films and dozens of others) and special effects supervisor Dan Oliver (“Mad Max: Fury Road,” “X-Men Origins: Wolverine”), supervising stunt coordinator R.A. Rondell (“The Hunger Games: Mockingjay Part 1”) and stunt coordinators Thomas Robinson Harper (“Guardians of the Galaxy,” “Captain America: The Winter Soldier”) and Kyle Gardiner (“San Andreas,” “Kingsman: The Secret Service”), Academy Award®-winning makeup and hair designer Peter Swords King (“The Lord of the Rings” and “The Hobbit” trilogies, “Into the Woods”) and film editors Joel Cox ( “Unforgiven,” “Million Dollar Baby,” “American Sniper”) and Gary D. Roach (“American Sniper”).

The exciting filmmaking team of Sandberg & Rønning directed “Kon-Tiki,” the critically acclaimed story of famed explorer Thor Heyerdahl, which was nominated for both an Academy Award® and a Golden Globe Award® for Best Foreign Language Film from their native Norway. Following their work as award-winning commercial and music video directors, Rønning and Sandberg directed the World War II action drama “Max Manus: Man of War” before taking on “Kon-Tiki.” Most recently Rønning and Sandberg served as executive producers and directed the first two episodes of Netflix’s big-scale mini-series “Marco Polo,” which they filmed on exotic locations in Malaysia, Kazakhstan and Venice. A second season was recently announced for “Marco Polo,” with Rønning and Sandberg continuing on as executive producers.

First in partnership with Don Simpson, and then as the chief of Jerry Bruckheimer Films, Bruckheimer has produced an unprecedented string of worldwide smashes, impacting not only the motion picture and television industries, but mass culture as well. His film and television productions have been honored with numerous awards and nominations, including six Academy Awards®. In addition to his prolific television credits, Bruckheimer’s films include “Top Gun,” “Beverly Hills Cop,” “American Gigolo,” “Flashdance,” “Bad Boys,” “The Rock,” “Armageddon,” “Remember the Titans,” “Pearl Harbor,” “Black Hawk Down,” “National Treasure,” “Prince of Persia: The Sands of Time,” “The Lone Ranger” and “Deliver Us From Evil.” He is the producer of all four previous “Pirates of the Caribbean” films.

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The electric state

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“The Electric State,” now streaming on Netflix, is a science fiction adventure directed by Anthony and Joe Russo. The screenplay, crafted by Christopher Markus and Stephen McFeely, is loosely based on Simon Stålenhag’s 2018 illustrated novel of the same name. The film boasts a star-studded cast, including Millie Bobby Brown as Michelle, Chris Pratt as Keats, and features voices from Anthony Mackie and Woody Harrelson. With a runtime of 128 minutes, the movie transports viewers to a retro-futuristic 1990s America, where a teenage girl embarks on a quest to find her missing brother amidst a landscape populated by sentient robots.

Despite its ambitious premise and substantial $320 million budget, “The Electric State” has garnered predominantly negative reviews from critics. Many have pointed out the film’s lack of emotional depth and coherence. For instance, The Guardian described it as a “bogglingly expensive dud,” criticizing its soulless storytelling and lack of artistic merit. Similarly, Vulture labeled the film a “$320 million piece of junk,” highlighting issues with direction, character development, and overall execution. 

The narrative follows Michelle, portrayed by Millie Bobby Brown, as she ventures into a dystopian version of the late 1990s, accompanied by Keats, a smuggler played by Chris Pratt. Their mission leads them into an exclusion zone inhabited by defeated robots, all in search of Michelle’s younger brother, Christopher. While the film’s special effects have been acknowledged for their quality, these visual achievements are overshadowed by a storyline that many found lacking in engagement and originality. 

Audience reactions have been mixed, with some viewers appreciating the visual spectacle and performances, while others echo the critics’ sentiments regarding the film’s shortcomings. On Rotten Tomatoes, the film holds a critic score of 17%, reflecting the overall negative critical reception. 

In conclusion, “The Electric State” presents a visually impressive but narratively deficient experience. Despite the high-profile cast and substantial investment, the film struggles to deliver a compelling and cohesive story. Based on the critical consensus and audience feedback, I would rate this film a 4 out of 10.

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Renfield; A Fangtastic Time

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Nicholas Cage is not the Dracula we deserve, but the Dracula we need!

With Nosferatu dominating the box offices with all its gothic, avant-garde glory you may need something a little more light-hearted to cleanse the palette. 2023’s Renfield is a fantastic recipe of dark comedy, satire, and not a small amount of heart (beating or otherwise). Renfield has recently been added to Netflix UK’s menu; for us all to feast upon! 

Both Nick (Hoult and Cage respectively) give fantastic performances as master and long-suffering servant, proving that toxic relationships take many forms. Renfield (Nicholas Hoult) has been in the service of Dracula (Nicolas Cage) for ninety years. Renfield does everything short of cleaning the count’s iconic cape (it’s dry-clean only apparently) and he’s quite frankly sick of it. 

After ninety years the duo’s options, and bank account, have become quite limited. This is why they are holed in an abandoned hospital in New Orleans. Renfield leaves most evenings to supply the ancient vampire with victims to drain blood, preferably of the pure variety. Hoult’s Renfield is a charming soft boy, a 6 ft 2 soft boy, who has some reservations about killing innocent people. He cleverly gets around this moral quandary by joining a support group for the victims of narcissistic abuse held in a local church and eh…dispatching the group members’ abusers to bring to his master. This works well until one night he gets tangled up with the criminal underworld on a ‘routine’ dispatching.

Awkwafina plays the pint-sized police officer with a foul mouth and a strict(ish) moral compass; Rebecca Quincy. Rebecca and Renfield cross paths and it’s up to them to save the city from both criminal and supernatural corruption. This results in many impressively choreographed fight scenes and not a small amount of blood, gore, and sarcasm! It’s strangely heartwarming to watch Renfield try to break the cycle of Dracula’s narcissistic abuse and create a place for himself in the world. As Rebecca states: sometimes you just fall under the thrall of a vampire for a few decades!

Nicholas Cage is every bit as fabulous and camp as you’d expect of a truly iconic Dracula performance. His delivery is as cutting and precise as his debonair velvet suits. One of the best things about the film is you can tell the cast is having fun with their characters, particularly Cage, I would bet my own soul that a lot of his lines were ad-libbed. Special shout-out goes to Brandon Scott Jones who played the painfully sincere narcissistic survivor group leader. Jones proves there is no part too small to make an impact!

Renfield takes the usual Dracula tropes and puts a hilarious spin on them. Asking the real questions like; do vampires need a verbal invite or will a ‘welcome’ mat suffice to enter a home? Quick someone page Buffy! 

Even with the gratuitous gore and violence Renfield manages to be touching at times and ironically breathes fresh life into the reanimated corpses of both Dracula and Renfield.

Three and a half stars.

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Nandamuri Kalyan Ram’s Upcoming Film Builds Massive Hype

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The much-anticipated film Arjun S/O Vyjayanthi, produced by NTR Arts and Ashoka Creations, is all set to unveil its official teaser on March 17, 2025. Featuring Nandamuri Kalyan Ram in the lead role and veteran actress Vijayashanthi making a powerful comeback, the film is expected to deliver a gripping action-packed family drama.

The Arjun S/O Vyjayanthi teaser launch event is scheduled for:

Date: March 17, 2025

Time: 10:00 AM IST

Venue: AAA Cinemas (Screen 1), Hyderabad, India

Fans who cannot attend in person can watch the teaser across YouTube, Twitter (X), and other social media platforms, as it will be released online simultaneously.

Pre-Teaser Hints at High-Octane Action

Ahead of the teaser launch, the makers released a gripping pre-teaser, which showcased Kalyan Ram in an intense look—seated on a boat, shirt bloodied, signaling an impending storm of action. Complemented by Ajaneesh Loknath’s electrifying background score, the clip has already generated significant buzz online.

Directed by Pradeep Chilukuri, Arjun S/O Vyjayanthi promises to blend action, family drama, and strong emotional elements, making it a highly awaited release for Telugu cinema fans. With Vijayashanthi portraying a powerful IPS officer, the film is expected to bring a strong narrative backed by stellar performances.

Nandamuri Kalyan Ram’s New Action Avatar Vijayashanthi’s Comeback in a Fierce Role High-Quality Production Backed by NTR Arts Intense Pre-Teaser That Has Raised Expectations

Stay Updated on Arjun S/O Vyjayanthi For the latest updates, teasers, trailers, and exclusive insights into Arjun S/O Vyjayanthi, follow NTR Arts’ official pages and stay tuned for March 17!

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