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Did Your Favorite Movie This Year Get Nominated Or Snubbed For An Oscars?

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Actor-comedian and Oscar®–nominated writer Kumail Nanjiani and actress–producer–director Tracee Ellis Ross announced the 91st Oscars® nominations today (January 22), live from the Academy’s headquarters in Beverly Hills via a global live stream on Oscar.com, Oscars.org, the Academy’s digital platforms, a satellite feed, and broadcast media.

Academy members from each of the 17 branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film and Foreign Language Film categories, nominees are selected by a vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees.

The 91st Oscars will be held on Sunday, February 24, 2019, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide

And The Nominees are.


 

Performance by an actor in a leading role

  • Christian Bale in “Vice”
  • Bradley Cooper in “A Star Is Born”
  • Willem Dafoe in “At Eternity’s Gate”
  • Rami Malek in “Bohemian Rhapsody”
  • Viggo Mortensen in “Green Book”

 

Performance by an actor in a supporting role

  • Mahershala Ali in “Green Book”
  • Adam Driver in “BlacKkKlansman”
  • Sam Elliott in “A Star Is Born”
  • Richard E. Grant in “Can You Ever Forgive Me?”
  • Sam Rockwell in “Vice”

 

Performance by an actress in a leading role

  • Yalitza Aparicio in “Roma”
  • Glenn Close in “The Wife”
  • Olivia Colman in “The Favourite”
  • Lady Gaga in “A Star Is Born”
  • Melissa McCarthy in “Can You Ever Forgive Me?”

 

Performance by an actress in a supporting role

  • Amy Adams in “Vice”
  • Marina de Tavira in “Roma”
  • Regina King in “If Beale Street Could Talk”
  • Emma Stone in “The Favourite”
  • Rachel Weisz in “The Favourite”

 

Best animated feature film of the year

  • “Incredibles 2” Brad Bird, John Walker and Nicole Paradis Grindle
  • “Isle of Dogs” Wes Anderson, Scott Rudin, Steven Rales and Jeremy Dawson
  • “Mirai” Mamoru Hosoda and Yuichiro Saito
  • “Ralph Breaks the Internet” Rich Moore, Phil Johnston and Clark Spencer
  • “Spider-Man: Into the Spider-Verse” Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord and Christopher Miller

 

Achievement in cinematography

  • “Cold War” Łukasz Żal
  • “The Favourite” Robbie Ryan
  • “Never Look Away” Caleb Deschanel
  • “Roma” Alfonso Cuarón
  • “A Star Is Born” Matthew Libatique

 

Achievement in costume design

  • “The Ballad of Buster Scruggs” Mary Zophres
  • “Black Panther” Ruth Carter
  • “The Favourite” Sandy Powell
  • “Mary Poppins Returns” Sandy Powell
  • “Mary Queen of Scots” Alexandra Byrne

 

Achievement in directing

  • “BlacKkKlansman” Spike Lee
  • “Cold War” Paweł Pawlikowski
  • “The Favourite” Yorgos Lanthimos
  • “Roma” Alfonso Cuarón
  • “Vice” Adam McKay

 

Best documentary feature

  • “Free Solo” Elizabeth Chai Vasarhelyi, Jimmy Chin, Evan Hayes and Shannon Dill
  • “Hale County This Morning, This Evening” RaMell Ross, Joslyn Barnes and Su Kim
  • “Minding the Gap” Bing Liu and Diane Quon
  • “Of Fathers and Sons” Talal Derki, Ansgar Frerich, Eva Kemme and Tobias N. Siebert
  • “RBG” Betsy West and Julie Cohen

 

Best documentary short subject

  • “Black Sheep” Ed Perkins and Jonathan Chinn
  • “End Game” Rob Epstein and Jeffrey Friedman
  • “Lifeboat” Skye Fitzgerald and Bryn Mooser
  • “A Night at The Garden” Marshall Curry
  • “Period. End of Sentence.” Rayka Zehtabchi and Melissa Berton

 

Achievement in film editing

  • “BlacKkKlansman” Barry Alexander Brown
  • “Bohemian Rhapsody” John Ottman
  • “The Favourite” Yorgos Mavropsaridis
  • “Green Book” Patrick J. Don Vito
  • “Vice” Hank Corwin

 

Best foreign language film of the year

  • “Capernaum” Lebanon
  • “Cold War” Poland
  • “Never Look Away” Germany
  • “Roma” Mexico
  • “Shoplifters” Japan

 

Achievement in makeup and hairstyling

  • “Border” Göran Lundström and Pamela Goldammer
  • “Mary Queen of Scots” Jenny Shircore, Marc Pilcher and Jessica Brooks
  • “Vice” Greg Cannom, Kate Biscoe and Patricia DeHaney

 

Achievement in music written for motion pictures (Original score)

  • “Black Panther” Ludwig Goransson
  • “BlacKkKlansman” Terence Blanchard
  • “If Beale Street Could Talk” Nicholas Britell
  • “Isle of Dogs” Alexandre Desplat
  • “Mary Poppins Returns” Marc Shaiman

 

Achievement in music written for motion pictures (Original song)

  • “All The Stars” from “Black Panther”
    Music by Mark Spears, Kendrick Lamar Duckworth and Anthony Tiffith; Lyric by Kendrick Lamar Duckworth, Anthony Tiffith and Solana Rowe
  • “I’ll Fight” from “RBG”
    Music and Lyric by Diane Warren
  • “The Place Where Lost Things Go” from “Mary Poppins Returns”
    Music by Marc Shaiman; Lyric by Scott Wittman and Marc Shaiman
  • “Shallow” from “A Star Is Born”
    Music and Lyric by Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt
  • “When A Cowboy Trades His Spurs For Wings” from “The Ballad of Buster Scruggs”
    Music and Lyric by David Rawlings and Gillian Welch

 

Best motion picture of the year

  • “Black Panther” Kevin Feige, Producer
  • “BlacKkKlansman” Sean McKittrick, Jason Blum, Raymond Mansfield, Jordan Peele and Spike Lee, Producers
  • “Bohemian Rhapsody” Graham King, Producer
  • “The Favourite” Ceci Dempsey, Ed Guiney, Lee Magiday and Yorgos Lanthimos, Producers
  • “Green Book” Jim Burke, Charles B. Wessler, Brian Currie, Peter Farrelly and Nick Vallelonga, Producers
  • “Roma” Gabriela Rodríguez and Alfonso Cuarón, Producers
  • “A Star Is Born” Bill Gerber, Bradley Cooper and Lynette Howell Taylor, Producers
  • “Vice” Dede Gardner, Jeremy Kleiner, Adam McKay and Kevin Messick, Producers

 

Achievement in production design

  • “Black Panther” Production Design: Hannah Beachler; Set Decoration: Jay Hart
  • “The Favourite” Production Design: Fiona Crombie; Set Decoration: Alice Felton
  • “First Man” Production Design: Nathan Crowley; Set Decoration: Kathy Lucas
  • “Mary Poppins Returns” Production Design: John Myhre; Set Decoration: Gordon Sim
  • “Roma” Production Design: Eugenio Caballero; Set Decoration: Bárbara Enríquez

 

Best animated short film

  • “Animal Behaviour” Alison Snowden and David Fine
  • “Bao” Domee Shi and Becky Neiman-Cobb
  • “Late Afternoon” Louise Bagnall and Nuria González Blanco
  • “One Small Step” Andrew Chesworth and Bobby Pontillas
  • “Weekends” Trevor Jimenez

 

Best live action short film

  • “Detainment” Vincent Lambe and Darren Mahon
  • “Fauve” Jeremy Comte and Maria Gracia Turgeon
  • “Marguerite” Marianne Farley and Marie-Hélène Panisset
  • “Mother” Rodrigo Sorogoyen and María del Puy Alvarado
  • “Skin” Guy Nattiv and Jaime Ray Newman

 

Achievement in sound editing

  • “Black Panther” Benjamin A. Burtt and Steve Boeddeker
  • “Bohemian Rhapsody” John Warhurst and Nina Hartstone
  • “First Man” Ai-Ling Lee and Mildred Iatrou Morgan
  • “A Quiet Place” Ethan Van der Ryn and Erik Aadahl
  • “Roma” Sergio Díaz and Skip Lievsay

 

Achievement in sound mixing

  • “Black Panther” Steve Boeddeker, Brandon Proctor and Peter Devlin
  • “Bohemian Rhapsody” Paul Massey, Tim Cavagin and John Casali
  • “First Man” Jon Taylor, Frank A. Montaño, Ai-Ling Lee and Mary H. Ellis
  • “Roma” Skip Lievsay, Craig Henighan and José Antonio García
  • “A Star Is Born” Tom Ozanich, Dean Zupancic, Jason Ruder and Steve Morrow

 

Achievement in visual effects

  • “Avengers: Infinity War” Dan DeLeeuw, Kelly Port, Russell Earl and Dan Sudick
  • “Christopher Robin” Christopher Lawrence, Michael Eames, Theo Jones and Chris Corbould
  • “First Man” Paul Lambert, Ian Hunter, Tristan Myles and J.D. Schwalm
  • “Ready Player One” Roger Guyett, Grady Cofer, Matthew E. Butler and David Shirk
  • “Solo: A Star Wars Story” Rob Bredow, Patrick Tubach, Neal Scanlan and Dominic Tuohy

 

Adapted screenplay

  • “The Ballad of Buster Scruggs” Written by Joel Coen & Ethan Coen
  • “BlacKkKlansman” Written by Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee
  • “Can You Ever Forgive Me?” Screenplay by Nicole Holofcener and Jeff Whitty
  • “If Beale Street Could Talk” Written for the screen by Barry Jenkins
  • “A Star Is Born” Screenplay by Eric Roth and Bradley Cooper & Will Fetters

 

Original screenplay

  • “The Favourite” Written by Deborah Davis and Tony McNamara
  • “First Reformed” Written by Paul Schrader
  • “Green Book” Written by Nick Vallelonga, Brian Currie, Peter Farrelly
  • “Roma” Written by Alfonso Cuarón
  • “Vice” Written by Adam McKay
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KGF chapter 1 – A Gritty Saga of Power, Poverty, and Redemption

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Indian cinema has a long-standing tradition of delivering grand narratives that are equal parts spectacle and soul. KGF: Chapter 1 (Kolar Gold Fields), directed by Prashanth Neel, is a prime example. This gripping action-drama chronicles the meteoric rise of Rocky, a man driven by a promise and fueled by his hunger for power. Released to critical acclaim, KGF has redefined the boundaries of storytelling in Indian cinema.

Set in the 1970s, KGF follows the journey of Rocky (Yash), a young boy born into poverty in the slums of Mumbai. From a tender age, Rocky is shaped by two forces: his mother’s dying wish for him to rise above his circumstances and his unyielding ambition to command respect and fear.

His journey takes him to the gold mines of Kolar, a lawless land ruled by brutal oppressors. The film tracks Rocky’s transformation from a street-smart hustler to a feared force who challenges an empire built on blood and exploitation.

The strength of KGF lies in its compelling protagonist. Yash delivers a magnetic performance as Rocky, embodying both his raw charisma and ruthless determination. The film paints a vivid picture of a man who thrives in adversity, using every setback as fuel for his ascent. Rocky is not a mere vigilante but a strategist, whose ability to inspire loyalty and strike fear sets him apart.

The movie captures his internal conflict beautifully — while he climbs the ladder of power, he never loses sight of his mother’s dream for him. This duality makes Rocky more than just a hero; he is a symbol of rebellion, resilience, and redemption.

At its core, KGF is a commentary on systemic oppression and the human spirit’s ability to rise against all odds. The stark contrast between the opulence of the gold fields’ rulers and the crushing poverty of its workers sets the stage for Rocky’s rebellion. His fight isn’t just personal; it’s for the voiceless, the oppressed, and the forgotten.

The film doesn’t shy away from showcasing the brutal realities of poverty and exploitation, making Rocky’s triumph all the more satisfying.

Prashanth Neel’s direction is nothing short of masterful. Every frame of KGF is meticulously crafted, from the sweeping vistas of the Kolar gold fields to the grimy underbelly of Mumbai’s streets. The gritty visuals are complemented by an electrifying background score that enhances the film’s larger-than-life moments.

The nonlinear narrative, interspersed with a journalist’s account of Rocky’s rise, keeps viewers engaged and adds layers to the storytelling.

The action sequences in KGF are a visual feast. Yash’s larger-than-life persona is amplified by choreographed fights that are brutal, balletic, and breathtaking. Each confrontation feels earned, showcasing Rocky’s ingenuity and brute strength. The climax, set against the backdrop of the Kolar gold mines, is particularly unforgettable.

KGF: Chapter 1 is a cinematic triumph that combines raw emotion, relentless action, and a protagonist you can’t help but root for. Yash’s performance and Prashanth Neel’s vision elevate the film to a league of its own, making it a benchmark in Indian cinema.

KGF is more than a film; it’s an experience. It’s a story of ambition, sacrifice, and the indomitable human spirit. Rocky’s climb from the depths of poverty to the pinnacle of power is not just inspiring — it’s electrifying.

Whether you’re a fan of action-packed dramas or epic tales of rebellion, KGF delivers on every front. With its gripping narrative and unforgettable performances, it’s a must-watch for anyone who loves a good underdog story.

Rating: 4.8/5 As Rocky says in the film, “Powerful people make places powerful.” By the end of KGF, you’ll realize that Rocky is one of them — and so is this film

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Movie Review: Jailer

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Director: Nelson Dilipkumar
Starring: Rajinikanth, Mohanlal, Jackie Shroff, Ramya Krishnan, Shiva Rajkumar
Genre: Action/Drama
Release Date: August 10, 2023
Rating: ★★★★☆ (4/5)


Rajinikanth is Back with a Bang in Jailer: A High-Octane Blend of Style and Emotion When Rajinikanth takes center stage, audiences expect grandeur, charisma, and larger-than-life storytelling. Jailer does not disappoint. Directed by Nelson Dilipkumar, this action-packed entertainer delivers a well-crafted narrative that combines thrilling action sequences with moments of emotional depth. The film also benefits from a strong supporting cast, stylish direction, and a standout performance from the Superstar himself.

Jailer follows the story of Muthuvel Pandian (Rajinikanth), a retired prison warden who lives a quiet life with his family until a tragic event forces him to confront his past. When his son, an upright police officer, is killed while investigating a powerful criminal syndicate, Pandian embarks on a quest for justice. What sets this story apart is its layered exploration of a father’s grief, his thirst for vengeance, and the moral dilemmas he faces.

The narrative is a fine balance of emotional stakes and action-driven storytelling. Nelson’s direction ensures the pace rarely dips, keeping audiences hooked with unexpected twists and a perfect dose of humor.

Rajinikanth proves once again why he’s revered as one of India’s most iconic actors. His portrayal of Muthuvel Pandian is nuanced, blending vulnerability with raw intensity. At 73, Rajinikanth shows no signs of slowing down, delivering electrifying fight scenes, commanding screen presence, and a performance laced with his trademark style.

In quieter moments, Rajinikanth brings emotional weight to the character, making the audience empathize with Pandian’s pain and determination. This balance of action hero and grieving father reminds us of his versatility as an actor.

While Rajinikanth is undoubtedly the centerpiece, Jailer benefits from a strong ensemble cast:

Mohanlal (special appearance): Mohanlal’s cameo is brief but impactful, adding gravitas to the film. His scenes with Rajinikanth are a treat for fans of both legends.

Jackie Shroff: Playing a calculating antagonist, Shroff brings his trademark menace to the role. His dynamic with Rajinikanth adds tension and drama to the story.

Shiva Rajkumar: His performance as a pivotal character is intense and memorable, showcasing his ability to match Rajinikanth’s screen presence.

Ramya Krishnan: As Pandian’s wife, Ramya delivers a grounded and heartfelt performance, adding emotional depth to the narrative.

Nelson Dilipkumar crafts a tightly woven script with moments of dark humor, intense action, and emotional resonance. The film’s pacing is a strength, as it rarely allows for a dull moment. Nelson’s direction ensures that each character, even those with limited screen time, leaves a lasting impression.

The screenplay does falter slightly in the second half, with a few predictable turns. However, the action sequences and Rajinikanth’s performance more than compensate for these minor shortcomings.

Cinematography: Vijay Kartik Kannan captures the film’s action and emotional moments with flair. The dynamic framing of fight sequences enhances their impact, while the quieter moments are shot with subtlety.

Music: Anirudh Ravichander’s pulsating score elevates the film’s intensity, while the songs complement the narrative without feeling forced. Tracks like “Hukum” have already become chartbusters.

Editing: R. Nirmal ensures crisp editing, particularly during the action scenes, maintaining a high level of engagement throughout the runtime.

At its core, Jailer is more than just an action film. It explores themes of justice, family, and the consequences of revenge. Muthuvel Pandian’s journey is not only about defeating his enemies but also confronting his own vulnerabilities and responsibilities as a father and husband.

The film also delves into the psychological toll of violence, making it more layered than the average revenge drama.

Rajinikanth’s Performance: Charismatic, powerful, and deeply emotional.

Action Sequences: Well-choreographed and exhilarating, with Rajinikanth at his best.

Supporting Cast: Exceptional performances from Mohanlal, Jackie Shroff, and Shiva Rajkumar.

Direction: Nelson Dilipkumar’s deft handling of the narrative keeps it engaging.

While Jailer delivers on most fronts, the second half occasionally leans on familiar tropes. Some supporting characters, despite strong performances, could have been given more depth.

Jailer is a fitting showcase for Rajinikanth’s enduring star power and Nelson Dilipkumar’s storytelling finesse. With its blend of action, emotion, and style, the film is a worthy addition to the Superstar’s illustrious career. Fans of Rajinikanth will leave the theater satisfied, and newcomers will understand why he’s a legend.

Final Rating: ★★★★☆ (4/5) Jailer is a must-watch for action lovers and Rajinikanth fans alike.

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Kill on Amazon Prime – A Heart-Stopping Tale of Love and Heroism

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Indian cinema often delivers stories that resonate on both emotional and visceral levels. Kill, a gripping action-romance now streaming on Amazon Prime, is no exception. Directed by Nikhil Nagesh Bhat, this high-octane thriller blends heart-wrenching emotion with relentless action, leaving viewers at the edge of their seats.

Set aboard a speeding train, Kill tells the story of Amrit (Lakshya), a loyal soldier returning home with a promise to reunite with his childhood love, Tulika (Tanya Maniktala). The couple’s tender, budding romance is the heart of the narrative, with scenes of their innocent exchanges juxtaposed against the chaos that soon engulfs them.

Their journey takes a dark turn when a gang of ruthless dacoits hijacks the train, intent on robbing and killing its passengers. What unfolds is a gripping battle for survival as Amrit transforms from a man in love to a one-man army, determined to protect Tulika and the innocent lives aboard.

The romance in Kill is as compelling as its action sequences. Amrit and Tulika’s relationship is characterized by a delicate vulnerability. Lakshya and Tanya Maniktala’s chemistry brings authenticity to their roles, making their love story feel real and raw. Their shared dreams of a future together contrast painfully with the brutal violence surrounding them, intensifying the emotional stakes.

The heartbreak lies in Amrit’s constant struggle to protect Tulika while confronting the fragility of their dreams in the face of overwhelming odds. The film poignantly captures how love can endure, even amidst devastation.

Lakshya delivers a career-defining performance as Amrit. Initially portrayed as a soft-spoken and unassuming soldier, his transformation into a relentless protector is both believable and inspiring. The action sequences are brutal and stylized, reminiscent of martial arts thrillers, but with a distinctly Indian flair. Amrit’s fight scenes are raw and unrelenting, embodying the desperation of a man with everything to lose.

The narrative subtly highlights themes of duty, sacrifice, and the lengths to which love can push a person. Amrit’s journey from a lover to a savior is as emotional as it is exhilarating, making him a hero worth rooting for.

The confined setting of a train amplifies the film’s tension, with claustrophobic corridors and dimly lit compartments serving as the perfect backdrop for the story’s chaos. Nikhil Nagesh Bhat’s direction ensures that every shot is purposeful, oscillating between tender romantic moments and pulse-pounding action. The cinematography and sound design heighten the stakes, immersing viewers in the characters’ perilous journey.

Kill masterfully balances romance and action, offering a visceral experience that tugs at the heartstrings while delivering adrenaline-pumping sequences. Lakshya’s standout performance and the film’s emotional depth make it a must-watch for fans of Indian cinema and action-thrillers alike.

Kill is more than just an action movie; it’s a testament to the power of love and the resilience of the human spirit. While its unflinching violence might not be for everyone, those willing to embrace its intensity will find a story that stays with them long after the credits roll. This film firmly establishes Nikhil Nagesh Bhat as a director to watch and leaves audiences eagerly anticipating what’s next for its talented cast.

Rating: 4.5/5 If you’re looking for a film that combines action, romance, and heart-pounding thrills, Kill is the perfect pick.

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