The life of Damon Dash appears to be an epic triumph to some, a Shakespearean tragedy to others. It depends on where you’re standing when you look at him. After speaking with the hip hop mogul turned entrepreneur and filmmaker, I can tell you Dame Dash’s story is more nuanced and complex; and is still being written.
Dash hopes his new film, Honor Up, a semi-autobiographical story about the code of street honor, executive produced by Kanye West, and starring Dash, Nicholas Turturro, Michael Rispoli and Cam’ron; will give audiences an authentic portrait of who he is beyond the media’s checkered narrative. He tells me the unwavering code of honor depicted in the movie has informed every choice he’s made in his adult life.
A kid from Harlem, who lost his mother in his youth, Dash quickly took on a hustler’s mentality, adopting the OG street code which propelled him from promoting nightclubs and rap artists to reaching the apex of the music industry with the success of he and Jay-Z’s Rock-A-Fella records label, and the urban lifestyle brand, Roc-A-Wear. It was Dash’s unwavering vision and tenacity, and his loyalty to artists he believed in, that launched the careers of Jay-Z, Kevin Hart, Kanye West and his ex-wife, fashion designer, Rachel Roy.
Since splitting from Jay-Z and dissolving Roc-A-Fella records, he’s been painted by the entertainment industry as an incorrigible and unruly outsider; a man who wouldn’t drink the Kool-Aid or fall in line with Hollywood or music industry politics. As Dash made clear to me during out conversation, he refuses to ever bow down to corporate demands, and therefore chooses to self-fund his many projects, from film and art to fashion.
After years of personal and professional heartbreaks, Dash found an unwavering ally in longtime love and business partner, Raquel Horn. Horn is Dash’s creative muse and collaborator, while Dash is Horn’s mentor and idea facilitator. Together, the two have launched Dame Dash Studios, Dash Diabetes Network, their Poppington fashion line, and the beginnings of an independent movie studio. Damon Dash is a man in his creative renaissance…and in love.
TME: Tell me about the most influential people in your life…birth to present day?
Damon Dash: My mother was a big influence in my life. She passed away when I was fifteen. I would say Muhammad Ali was a big influence on my life, my OG Daniel (Dash’s childhood mentor, Daniel Jenkins, the inspiration behind Dash’s new film, Honor Up) is one of the most influential people in my life from when I was younger. That was one of the reasons why I made the movie, Honor Up.
TME: Your mom passing when you were fifteen, how did it impact who you became?
Damon Dash: It made me fearless. The one thing I was afraid of up until I was 15 was that my mother would die, and then she did. It made me very aware of my mind, in that, if you worry about something it usually realizes itself. I try not to worry about anything. Because my mother spoiled me, and she wasn’t there to spoil me anymore, it made me the business savage that I am. I wanted to maintain that lifestyle.
At the time, my pops wasn’t going to be able to give me that, so I had to do it myself. I think in a strange way, if my mom was still here I wouldn’t have made the history that I’ve made, because nothing would have felt so urgent. Someone can teach you how to survive, but you really don’t get those skills until you have to. [Her passing] made it where I had to, and she taught me well.
TME: You refuse to take a paycheck. You’re someone who has to have ownership in everything you do. Speaking for myself, I can say there was a time in my life when I asked myself if I was for sale, or if I was not for sale. Can you recall a defining moment when you asked yourself that same question, and determined that you were not for sale?
Damon Dash: I’ve been a street entrepreneur since I was very young, since my mother died, because I had no choice. I’ve never had a boss. I’m from Harlem and I think I’m cooler than everybody, so it would be hard for me to have someone telling me what to do. It’s not about working for somebody, because I always have equity. I have something, and then I may need to take it to another level, so there would be a business relationship or a partnership. But I would always walk away from certain partnerships, because I didn’t like the moral value of that person. It’s offensive when someone that I don’t respect presents me with an opportunity to work for them and tries to control me. I don’t even know what that means, working for someone else. It’s not a mathematical equation that makes sense to me.
TME: How do you define God?
Damon Dash: You can’t define God. That’s how I define it. It’s undefinable. I can’t fathom God; just one entity controlling everything. I have no idea, and the 90% of our brain that we can’t use or access, we can’t really fathom what that is. Maybe if I had access to more of my brain, I could begin to fathom that.
TME: You don’t have a sense of knowing, or belief about it?
Damon Dash: If there is a God, it’s a woman.
TME: And why do you say that?
Damon Dash: Why wouldn’t it be that way? Men are stupid. God could never be a man, because men are too insecure. There’s wars, we fight. It’s illogical and stupid. That’s all insecurity. I don’t think God would have those characteristics.
TME: What did you learn about love from your time with Aaliyah?
Damon Dash: I learned exactly how happy love can make a person. It was a feeling that I never knew existed before. What it did teach me is to recognize love, and to appreciate love. It also taught me never to mess with an artist, because they’re always on the road. You never see them. The more you love them, the more you miss them. It made me appreciate what I had in that moment, and it made me recognize love with my girl Raquel (Dash’s girlfriend and business partner, Raquel Horn). I knew that feeling. It was familiar to me, because I felt that with Aaliyah.
TME: Describe Aaliyah’s character; the person you knew her to be.
Damon Dash: Aaliyah loved life. She loved to laugh. She was color blind, a great soul, a ridiculous amount of swag and great taste. And those were the same exact qualities I saw in Raquel. For me, the greatest thing about Aaliyah was that we were both from somewhat of an extreme circumstance, you know, urban, in the hood. And we both had such a desire for things that were so unhood. But in those environments that were unhood, we would still have that hood swagger and we could laugh at things. Aaliyah and I used to spend a lot of time laughing at the corniness of life. We both found people’s insecurities very funny.
TME: Would you like to see a movie made about your beginnings, during the rise of Roc-A-Fella Records, and that time in your life?
Damon Dash: That’s inevitable, whether I make it or somebody else does. I am very aware and clear of what I have done, and my impact on this world. They’ve already made Aaliyah’s story, and I was in that. Let’s say they don’t do my story, everyone else’s story that I’ve been a part of, I’ll be in there. At the end of the day, I like to control my likeness, so I’ve already started that process. This movie, Honor Up, is about me and my ideals growing up.
TME: What is your opinion about how the media has cast you over the past decade? What have they gotten right, and what have they gotten wrong?
Damon Dash: I’ve been able to manipulate them exactly the way I’ve wanted to. I’m very aware that an independent person like me that does things on his own, that my success would mean other people’s failure. Everyone that’s getting robbed, and everyone that’s doing the robbing, would fail. I’m the guy that doesn’t rob and does everything honorably. If I can show that I can do things honorably, that would make other people need to do things honorably. The way they were portraying me in the newspapers, it wasn’t very intelligent.
TME: Do you think you’ve been caricaturized?
Damon Dash: They never showed Damon Dash the businessman; Damon Dash, the single father raising his son alone from the time he was eight years old; Damon Dash living with Type 1 Diabetes; or the man who’s running all these different companies.
TME: Where did the negative portrayals of your character come in?
Damon Dash: I didn’t want to do Rock-A-Fella anymore. I wasn’t trying to just do music. I didn’t want to be typecast. I wanted to do fashion. I wanted to do things that were multicultural, and I wanted to run around the world. And I knew walking away from Jay Z, that all Jay-Z fans were going to start with me and try to get at me. I know that controversy sells papers. I needed everybody to think I wasn’t doing well so nobody would ask me for anything. But all those years, I was owning Rachel Roy, a $75 million company. I was running around the world, I had galleries and things like that. But Dame was under the radar. And they left me alone. I always thought it was funny that they made me the underdog. I could have been nice. I could have worked with these people that have no morals and no values and spent their money instead of having to keep re-investing my own money.
TME: But you walked away.
Damon Dash: I decided freedom was priceless, happiness is priceless. I needed to raise my daughters. It wasn’t conducive for my daughters in a hip hop environment, because you have a bunch of young, insecure, aggressive men. I realized that with the internet there is no buffer, and I can tell the truth whenever I want. No one can stop me. Whoever wants me will come find me, and they’ll see the truth.
TME: Let’s talk about your new movie, Honor Up. You wrote and directed this movie, you play a central character, and you put up your own money to make it. How long has this story been in you, wanting to come out?
Damon Dash: I always knew I would tell this story, but what made me want to tell it now, and in this way, was a moment when I was hearing a lot of things about people I was close to from my past, that contradicted all our morals and values. It bugged me out, because these were the people I respected the most. I just couldn’t believe it, and it hurt. So I made a movie about it. I want people to understand my morals and principals, why I don’t look the other way and who taught me.
TME: This movie, Honor Up, will help people to better understand you and what makes you tick.
Damon Dash: I think people need to know the rules. Maybe people aren’t living by them now, and that’s the reason I kind of stay in my bubble. Maybe now people will understand why I don’t compromise, why I won’t bend over for a dollar. Because I was taught the right way by certain kind of people. With this movie, I want people to hear the voice that taught me, from the voice that taught me. When you see this movie, you’re going to see my real OG, the voice I heard when I was fifteen (Dash is referring to his childhood mentor, a man by the name of Daniel Jenkins).
TME: A big theme in Honor Up is the street code of not being a snitch, not talking to the police. Let’s set up a scenario. In December 1990, John Gotti was arrested by the FBI and NYPD. He was indicted on multiple counts of racketeering, extortion, jury tampering and murder. He strongly believed in the oath of silence he took as a “made man” with the Gambino family. He didn’t provide any information to the government; he didn’t strike a deal with prosecutors. John Gotti went away for life and he died in prison. Weighing everything: family, life, everything… had that been you, would you have stuck to the street code like he did, and gone away for life?
Damon Dash: If you’re gonna do the crime, do the time, period. Two people sign on to a contract, whether everybody else’s principals are different, you sign on to a contract, and you have to abide by it.
TME: You do know that a lot of guys don’t abide by it.
Damon Dash: That’s why I made the movie. That’s why I got out of the streets. I knew that at some point I would have to kill, or I’d have to go to jail and I would have to do the time.
TME: You would not make a deal or rat anybody out. You would go away for life.
Damon Dash: Yeah. If I did the crime? Yeah. That’s the game. You think I would be so low as to put one of my friends in jail? Someone that I hung out with, I know their kids, I know their girl? Just so I don’t go to jail, I put him in jail? Nah, I couldn’t live with myself. If you make a conscious choice to do something, you got to stand behind it. Now if you’re a civilian, and let’s say someone accused you of doing something you didn’t do, you never hustled and all that other stuff, you didn’t sign on to that game. That’s a different story. But for someone that signed on to the game, you know you’re not supposed to be doing that.
TME: Is there a spiritual component to your beliefs?
Damon Dash: I understand spirituality. I read The Seat of the Soul [by Gary Zukav]. That book changed my life. That was actually the connection between Aaliyah and me.
TME: Did you read that book together?
Damon Dash: All of those books, yes. And I made my whole crew read that book. Me and Aaliyah, that was our connection. We read all of those books. That book scares me, because when she died I had all those books around me. I had one book called, When You Lose Your Soulmate right on the bed. I was so into that, that I almost felt like it was to prepare me for her death. If I hadn’t read those books, I don’t think I would have dealt with it the same.
TME: Have you read, Many Lives, Many Masters by Dr. Brian Weiss? That’s my favorite one.
Damon Dash: Yes, I did. I read so many of those books. That’s what got me through [Aaliyah’s] death. But I had so many of those books scattered around my room. At every bed post I had something related to the soul and the evolution of it. I think I’m about at a deep purple right now.
TME: (Laughs) Your crown chakra is fully activated.
Damon Dash: I’m floating.
TME: Kanye West executive produced your movie, Honor Up. The two of you go way back to when you launched his music career. What was different about working with Kanye on a film, versus musically?
Damon Dash: This time I’m the artist and he’s the businessman. Whereas, I used to showcase his art, he’s now showcasing mine. He used to play his records for me. Now, I was coming back and playing cuts of the film for him. It was a total role reversal. It was a great example of the OG being happy that someone younger than you can have more power than you with certain things, and can help you. You build people, so they can build you. I wasn’t expecting him to do all that he did. You never know what Kanye’s going to do, but I know that he’s inspired by art. It was the first time that, instead of me helping somebody, somebody was helping me. He gets it. Some people don’t understand that helping people makes you the happiest. The happiness that Kanye got from helping me, it was contagious.
TME: Can you see you and Kanye West forming an ongoing partnership with a film production company?
Damon Dash: We just started one, that’s what we’re doing! You know me; I don’t play. I hit you with flurries. I’m prepping to shoot my third movie right now. This film was the first time, to my knowledge, that I have ever seen Kanye put his name on something that he can’t control. The fact that he acknowledged my art in that way, shows that this is some real art. Kanye is not going to co-sign something corny. But the respect level was there, which is what I appreciated the most.
TME: What do you say to people who feel that a movie like Honor Up, which does depict street violence, is perpetuating a stereotype, or that it’s a negative influence on your younger fans?
Damon Dash: Any movie that’s about war, you have to show the war to learn from it. Whoever looks at it like that, isn’t from the street. They don’t understand. I’m not trying to preach to the converted. That was my reality, and that’s what I learned from. That’s what smartened me up. I hope that people can see every element in this movie. The story is authentic. There’s so many different artistic levels. It’s not just bullets. It’s about the message. It’s art, and I think anyone who really looks at it will recognize it as art.
TME: When you wake up in the morning and your feet hit the floor, which is foremost on your mind, making money or making art?
Damon Dash: Making art. Never making money. I think money is overrated. That’s why I spend so much of it. I don’t even want to hold it. It makes people go crazy. I wouldn’t do anything for money that I wouldn’t do for free.
TME: A lot of people may not know that you are a Type 1 Diabetic and have been since you were 15 years old.
Damon Dash: I made it public a long time ago, but people don’t talk about those kinds of things. I always thought it was important to bring awareness to it, because I’ve had it since I was fifteen and I have noticed all the misconceptions that come with it. It’s a 24-hour disease. And for me, as a diabetic, I always want to hear about another diabetic’s story. I know if they are winning, that I can win. And there are a lot of celebrities that have it, and they don’t want to talk about it. I’ve never understood that. They think it’s a weakness, whereas I think it’s a strength.
I want people to know that every great thing I’ve done, every time I’ve made history, it’s always been as a diabetic. We started a network called the Dash Diabetes Network. We talk about diet, working out, mental well-being and just being healthy, overall. When you’re a diabetic you have to live a healthy lifestyle. You have no choice. I’m a vegan. Well, let me say I eat a plant-based diet. I can’t say I’m completely vegan, because I still own a leather jacket or two and I have leather seats in my car. Rocky (Dash’s nickname for his girlfriend and business partner, Raquel) has created a vegan handbag as part of our Poppington fashion line.
TME: Let’s talk about your network, Dame Dash Studios. It features your films, your radio show, musical projects, your Poppington fashion line, Dash Diabetes Network and your personal travels around the world. It’s like a VIP ticket to all things Dame Dash. Tell me about the vision for this studio.
Damon Dash: At the end of the day, the direct to consumer relationship is the new wave, and it keeps me independent. I can stay uncensored and I can say what I want; can’t nobody fire me. I can do whatever I want, and above and beyond anything, I can pass it down to my children. I can pass it on to my wife. Raquel is wifey for lifey. She is the one who inspired me to embrace my artistic nature after watching me make everybody else famous. Falling in love, embracing art, that’s why I say that I’m purple right now (referring to the color associated with spirituality), because I’m elated. I’m happy. I just love the fact that I’m being artistic, that I’m being unapologetic about my point of view and fearless about speaking on my art.
Damon Dash’s movie, Honor Up, hits select theatres and VOD February 16, 2018.
Dune Part Two: The Lisan Al Gaib comes for you!
Welcome back to our struggle for control of the known universe already in progress, the continuation of the journey of Paul Atreides from exile to Emperor, Dune Part Two!
So when we last left our intrepid if dubious heroes, House Atreides had been betrayed and virtually destroyed, by a combination of House Harkonnens surprise attacks and the added treachery of Emperor Shaddam and his Sardaukar. Paul Atreides (Timothee Chalamet), the last surviving heir (so far) of House Atreides and his mother Jessica, have taken refuge on the desert planet of Arrakis amongst the indigenous Fremen, and as far as most are aware, the other remnants of House Atreides are dead as well. And here is where we catch up with everyone, as the struggle for Atreides emergence and dominance begins in earnest!
The Emperor’s daughter Princess Irulan (Florence Pugh) is known for her many skills, but her copious note-taking and writings on the large events shaping her world come to the forefront as she takes counsel with her father amidst games of chance on their homeworld. Her life is one of luxury and privilege but alas, Irulan is a trained Bene Gesserit and is well aware that in all likelihood, she will be used as a pawn in the marriage games empires have to go through. Bet she never imagined it could be to a House everyone swore had been utterly destroyed.
Meanwhile, on Arrakis, Paul is trying to integrate himself into the Fremen way of life, which is admittedly far different from the life he led back on the Atreides homeworld of Caladan. (If nothing else, Caladan has vast oceans.) The Fremen are fiercely independent, gloriously strong fighters, survivors who dare to ride and revere the giant sandworms that inhabit their planet that they call Shai-Hulud, and rightfully distrustful of outsiders. After all, the previous stewardship of Arrakis belonged to House Harkonnen, known for their cruelty and glee at hunting Fremen and torturing their victims, sometimes for weeks at a time. But Paul won his and Jessicas way into the Fremen by fair combat against Jamis, and if nothing else, the Fremen are firm in their beliefs of the old ways.
Or rather, the elder Fremen are, most particularly the famed Fedaykin fighter and Naib (leader) of Sietch Tabr Stilgar (Javier Bardem) is adamant in his unshakable belief that Paul is the foretold Lisan Al Gaib, the Voice from the Outer World, that will lead the Fremen to peace and paradise. Stilgar’s steadfast belief in Paul’s potential only grows, and he manages with just that to convince a great many of the other Fremen elders. The younger generation of Fremen however, of which Paul’s beloved Chani (Zendaya) is a part, generally scoff at the legends of otherworldly prophets and Arrakis as a fabled green, wet heaven. In the beginning, Paul himself swears he doesn’t want to be the Messiah, only a Fremen fighter amongst the rest of them, hundreds of years of the Missionaria Protectiva, the Bene Gesserit practice of spreading useful religious propaganda as seeds on various planets, is working double-time against him. It doesn’t help that Paul’s mother Jessica (Rebecca Ferguson) is expounding on that myth as much as she possibly can.
And why would she do that? Survival yes, but also, Jessica is a thoroughly trained Bene Gesserit and knows of plans within plans within plans. Jessica also has many secrets of her own, and one very important one happens to be that she’s pregnant with Paul’s sister. The Bene Gesserit bodily control may be something out of legend, but even Jessica, possibly Reverend Mother Mohiam’s best and most fractious student, will have trouble with the trial the Fremen are insisting she go through to become truly one of them. The Reverend Mother equivalent of Sietch Tabr, known as their Sayyadina, is old and dying, and the Fremen have to have a Reverend Mother. Jessica tells Paul this much and explains that each culture is different in their trial to become a Reverend Mother, so she honestly doesn’t know what to expect. The reality happens to be worse than she could’ve imagined – Jessica must drink the Water of Life, a deadly poison that comes from Shai-Hulud (sort of), and come out the other side of it. And Jessica manages to do it, barely, with almost all of the consequences going to the poor fetus in her womb, the girl that will grow to become Alia Atreides, an insane legend in her own right. But for now, the unnamed fetus is awake and aware and full of the memories of generations of Bene Gesserit women that came before her – before she was even born.
Paul participates in razzia raids amongst the Fremen as they work to take out the spice mining operations of the Harkonnens, immerses himself in the vastly different desert culture of his chosen people, and perhaps most importantly, his romance with his beloved Chani only grows stronger. After declaring his desire to join the fierce fighter elites amongst the Fremen known as Fedaykin, Paul is told by Stilgar that he must summon and ride one of the giant sandworms, the embodiment of Shai-Hulud where the Fremen get their terrible tooth Crysknives from. And after much sendup, in a glorious scene of blinding sand and huge monstrous killer worm-riding, Paul is triumphant and riding atop the sacred creature, his Maker hooks set properly to control the great beast, waving at great distance to his fellow Fremen as Chani looks on in bemusement.
But that’s all external, and inside Paul is beginning to become divided on what he wants to do. As Jessica pushes the Protectiva hard amongst the women and priestesses of the Fremen, she is also pushing her son to become much larger than he ever wanted to be, if nothing else a conqueror can take revenge for the destruction of House Atreides and the death of her beloved Duke Leto. Paul may have earned his place amongst the Fremen and been given new names – Usul, meaning the strength of the base of the pillar, as his private name within the Sietch; and Muad’Dib, from the small mouse survivor of the desert, well versed in desert ways, called ‘Instructor-of-Boys’ in Fremen legend, as his open-use name – but now everyone wants Paul to be something greater, and potentially more destructive, than what he currently is. It only gets worse when Paul begins to suffer prophetic dreams, and visions when he’s awake, prodding him further to his destiny as an epic conqueror of worlds. Nothing can be done for it, Paul convinces himself that he must take the Water of Life himself, to awaken the sleeping prophet inside himself, and allow him to hopefully See a path through the future.
The problem with that plan, is that Bene Gesserit are almost exclusively all women, and only they are supposed to know how to transmute poisons internally, along with all sorts of other “witchcraft”. But Jessica has been training Paul in forbidden Bene Gesserit ways all his life, and as much as Paul might rail and even quail against it, there is no denying his incoming destiny, crushing any resistance he may have with all the force of a giant sandworm hunting a spice blow. And even when Paul has finally given in and taken the cursed substance almost mockingly called the Water of Life, it falls to another strong and prophetic in her right female in his life, his beloved Chani, to save him from himself. But even Chani can’t stop Paul’s destructive destiny as the conqueror of the known worlds, guilty of slaying millions upon millions of people in his quest for vengeance, thinly disguised as peace.
Over on the Harkonnen homeworld of Geidi Prime, “Beast” Rabban (Dave Bautista) is disgusted and enraged at the continuing Fremen raids against the Harkonnens on Arrakis, and terrified of what his uncle the notoriously cruel Baron Harkonnen (Stellan Skarsgard), will do to him in response. The Baron’s nephew Feyd-Rautha (Austin Butler), heir apparent or na-Baron to House Harkonnen, demonstrates his blood-inborn savagery in a slaughter of the remnants of House Atreides gladiator-style, as his birthday celebration. Pleased with the spectacle, the Baron commands Feyd-Rautha to take control of the fight against this Fremen rebel known as Muad’dib, as Rabban is proving himself more and more useless. And any tool or toy that the Baron finds broken or unusable, is destroyed before being discarded.
As the legend of Muad’dib grows off Arrakis and circulates among the Imperial worlds, the Emperor grinds his teeth in frustration and the Bene Gesserit, led by Reverend Mother Mohiam (Charlotte Rampling) as the Emperor’s Truthsayer, begin pushing forward their plots and machinations. Lady Margot Fenring (Lea Seydoux), a criminally underused character in this respect, demonstrates her willingness to be a pawn in Bene Gesserit machinations, but never forget, strong Bene Gesserit women have been breaking their own rules for generations. Just look at what Jessica did.
As the raids and rebellion on Arrakis continue, both the Emperor and the Baron become more and more desperate, sending in mercenaries and smugglers in the hopes they might have more luck. And aboard one of those smuggler’s vessels happens to be an old hand at being a smuggler himself, the warrior troubadour with the scarred face given him by “Beast” Rabban himself, Gurney Halleck (Josh Brolin). Reunited with his beloved Duke’s only son, Gurney finds himself swept up in the legend of Muad’dib in the making along with everyone else, though at least from Gurney’s point of view, Paul is using the messianic angle to take revenge for House Atreides.
Finally, in an act of what could be considered the ultimate in arrogance, Emperor Shaddam Corrino himself comes to Arrakis, along with Princess Irulan and many others of his Court, the Baron, and Feyd-Rautha in tow as well, to crush this upstart Muad’dib and his Fremen warriors. Sadly for all that the powerhouse actor Christopher Walken plays him, Emperor Shaddam Corrino is shown as a doddering old man, cowed in the face of Muad’dib’s overwhelming vitality and growing-ever-stronger legend. And there is where we will end the review, for the final confrontation between all key players in the Known Universe is full of spoilers and derivations from the original opus of Frank Herbert’s novel Dune.
For those of you who stuck around long enough to get to the end, after all, Dune Part Two is almost three hours long itself, if you are fans of the original novel and the zany Lynchian masterpiece that was the first Dune film, you may be disappointed or even angered at the changes made to the story for the climactic end scenes. Director Villenuve has an eye for making grand epic scenes like Paul’s sandworm ride but can be a bit scattered when it comes to piecing the story together with all the key players needing to be involved in a way that can be understood by any layman. Dune in any form is a rich, vast universe of storytelling, and even an almost three-hour-long sequel simply can’t cover every last bit that’s in the novels. But if nothing else, the film is an overwhelming feast for the eyes and should bring a whole new legion of fans to the many worlds contained within Dune.
If you want to dive further into the Dune-iverse, do yourself a favor and read the Dune prequel books written by Herbert Jr. and Kevin J. Anderson. Until then, dive into the sands of Arrakis along with Shai-Hulud and scream vengeance to the skies with Paul Muad’dib Atreides in Dune Part Two, in theaters now!
Thatsmye Interviews: Les Weiler on Henchin’: the Series
The 8 Episode Series Tries To Encompass A Lot Leaving Fans In A Cliffhanger.
The 2010 “Avatar: The Last Airbender” movie by M. Night Shyamalan faced criticism for its deviations from the beloved animated series. The film struggled with pacing, casting, and a lackluster script, disappointing fans who cherished the source material. In contrast, the 2024 Netflix series has generated positive buzz for its commitment to diverse casting, adherence to the original storyline, and improved character development. The series seems poised to capture the essence of the animated show, offering a fresh and faithful adaptation that resonates with both new and existing fans.
Even though the Netflix series comes closer to the core ideals of the animated series, I feel it lacks heart. Many scenes barely scratch the surface of the relationships between the characters and the push-and-pull relationship between Aang and Zuko. I will admit the CG versions of Momo and Appa are just so gosh darn cute.
The 8 episode series tries to encompass a lot leaving fans in a cliffhanger. It’s worth a watch and I am hanging on for the next season to be announced.