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D23 2019: Disney on Broadway is Coming to D23!

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Disney on Broadway is thrilled to return to D23 Expo, in Anaheim, California, to celebrate its 25th anniversary. Join Broadway’s brightest stars as they present an exclusive concert, Disney on Broadway: A 25th Anniversary Celebration, in Hall D23 on Saturday, August 24, at 3:30 p.m.
Hosted by Tony Award-nominee Gavin Lee (Mary Poppins, Beauty and the Beast), the 75-minute concert will feature Heidi Blickenstaff (Freaky Friday, The Little Mermaid), Ashley Brown (Mary Poppins, Beauty and the Beast, On The Record), Kissy Simmons (The Lion King), Josh Strickland (Tarzan) and Alton Fitzgerald White (The Lion King). A six-piece band, led by Jim Abbott, will accompany performers as they lead the audience through Disney on Broadway’s Tony Award-winning catalogue. The performance will feature songs from Beauty and the Beast, The Lion King, Aida, Tarzan, Mary Poppins, The Little Mermaid, Newsies, Aladdin, Freaky Friday and Frozen. (Talent is subject to change)

Disney on Broadway fans can also celebrate this milestone anniversary by visiting the VR (virtual reality) theatre on the D23 Expo floor. The brand-new VR experience puts you center stage in AladdinFrozen and The Lion King’s biggest Broadway production numbers, featuring Broadway’s Caissie Levy (Elsa), Major Attaway (Genie), Telly Leung (Aladdin) and Tshidi Manye (Rafiki).

About Disney on Broadway: A 25th Anniversary Celebration performers:
(Talent is subject to change)

Heidi Blickenstaff most recently created the body-swapping role(s) of Katherine (and Ellie) in Disney’s Freaky Friday for Disney Channel and Disney Theatrical Productions (Helen Hayes and Outer Critics nominations). On Broadway, Heidi was most recently seen as Bea Bottom in the 10-time Tony-nominated Something Rotten! (Outer Critics and Grammy nominations). Disney on Broadway audiences might remember Heidi as Ursula from Disney’s The Little Mermaid.  Other Broadway credits include The Addams Family (Alice Beineke), The Full Monty and Tony-nominated [title of show], the original Broadway musical Heidi and her friends made about four friends making an original Broadway musical. Some favorite regional shows include Next to Normal (Diana) at the Weston Playhouse and First You Dream: The Music of Kander & Ebb at the Kennedy Center, Signature Theatre and recorded for PBS. Heidi can be seen and heard on the DVDs of Freaky Friday and PBS’s First You Dream as well as on many Broadway and concert albums available wherever music and DVDs are sold. www.heidiblickenstaff.com

Ashley Brown originated the title role in Mary Poppins on Broadway for which she received Outer Critics, Drama League and Drama Desk nominations for “Best Actress.” Ms. Brown also starred as Mary Poppins in the national tour of Mary Poppins where she garnered a Garland Award for “Best Performance in a Musical.” Ms. Brown’s other Broadway credits include Belle in Beauty and the Beast, as well as starring in the national tours of Jack O’Brien’s The Sound of Music and Disney’s On the Record. Ms. Brown has starred in both Oklahoma! and Showboat at Chicago’s Lyric Opera and has performed with virtually all of the top orchestras in North America including the Boston Pops (twice), the New York Philharmonic, the Hollywood Bowl Orchestra at Disney Hall, the Pittsburgh Symphony, the New York Pops at Carnegie Hall (five times), Fort Worth Symphony, the Cincinnati Pops and Philadelphia Orchestra (twice). Ms. Brown’s PBS special called Ashley Brown: Call Me Irresponsible received a PBS Telly Award. Other television credits include NBC’s The Sound of Music. Ms. Brown is the voice of Disneyland celebrating its 60th anniversary singing the newly penned Richard Sherman song “A Kiss Goodnight.” Ms. Brown’s album of Broadway and American Songbook standards, Speak Low, and her newly recorded Christmas EP, The Secret of Christmas, are available on Ghostlight/Warner Brothers.

Gavin Lee just finished playing Lumière in Disney’s Beauty and the Beast. In New York, he most recently played the Grinch at Madison Square Garden. Before this, he originated the role of Squidward in SpongeBob SquarePants the Broadway Musical (Drama Desk Award and Tony Award nomination). Before that, he played Thenadier in the Broadway revival of Les Misérables. He originated the role of Bert in the West End and Broadway productions of Mary Poppins (Drama Desk and Theatre World Awards, Olivier and Tony Award nominations). Gavin has appeared at Carnegie Hall in Showboat and in the world premiere of Holiday Inn at Goodspeed Opera House. TV credits include Law and Order: SVU, The Good Wife and White Collar. His favorite London theatre credits include Top Hat, Crazy for You, Peggy Sue Got Married, Me and My Girl, Over My Shoulder, Oklahoma!, Contact and Singin’ in the Rain. Gavin has performed his solo cabaret in New York, Chicago and on Disney Cruise Line.

Kissy Simmons is a native of Floral City, Florida, and graduated from the University of South Florida with a B.A. in Speech Communications. She was also a NCAA Division 1 Track and Field athlete. Kissy grew up playing the keyboard and singing in church, and was a State Champion high jumper at Citrus High School. After graduating from the University of South Florida, she got her professional theatre debut at the David A. Straz, Jr. Center for the Performing Arts where she was seen in Little Shop of Horrors (Ronnette), Jacques Brel and other seasonal cabaret shows. Broadway credits include: The Lion King (Nala). First national tour: The Lion King (Nala). Las Vegas: The Lion King (Nala). TV credits include Smash, Hope & Faith, 30 Rock, 6 Degrees and many commercials, voiceovers and print. Thank you, God for your grace and to my biggest fans Anthony and Sadie!

Josh Strickland is a native of Charleston, South Carolina. In 2006, Strickland created the leading role of Tarzan in Disney’s musical Tarzan® on Broadway. In 2009, he made his starring Las Vegas debut in Peepshow at Planet Hollywood Casino & Resort while concurrently co-starring in the hit E! reality show Holly’s World. Strickland debuted his first single “Report to the Floor,” which skyrocketed to the top five on the iTunes Dance Charts the first week of its release, followed by “Last Dance.” In 2013, Strickland joined the cast of Vegas! The Show at the Planet Hollywood Casino & Resort in Las Vegas in a starring role. Strickland has also appeared internationally with the all-star cast of Disney’s Broadway Hits, including the Emmy -winning concert at Royal Albert Hall in London, England. He most recently reprised his role as Tarzan in Disney’s musical Tarzan® in Oberhausen, Germany at the Stage Metronom Theatre. Twitter & Instagram: @joshuajstrick

Alton Fitzgerald White performed a record-breaking 4,308 performances as King Mufasa in The Lion King on Broadway. Alton recently added author and keynote speaker to his list of titles. His book, My Pride: Mastering the Challenge of Daily Performance, filled with secrets to fulfillment and joy in work and life, was recently published by Disney Editions. Other Broadway starring roles include Mister in The Color Purple, Coalhouse Walker Jr. in Ragtime, Ken in Smokey Joe’s Cafe, John in Miss Saigon and The Hawker in The Who’s Tommy. Alton has performed concert dates all over the world. His best-selling CD Disney My Way!, along with autographed copies of his Disney book, are available at www.altonfitzgeraldwhite.com. Alton has had guest star roles on the hit TV series Law & Order, Bull, The Blacklist, The Good Fight, Code Black, Elementary, Mindhunter and Madam Secretary. He was most recently featured in the Pulitzer Prize-winning production of Rent which was performed live on Fox television. Please join him on his Facebook fan page, @WhiteAlton on Twitter, and @Alton2459 on Instagram.

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Top Ten Times Willow was the Worst

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With all the discourse surrounding the much anticipated Buffy the Vampire Slayer reboot, not
to mention Sarah Michelle Gellar’s and Alyson Hannigan’s joint interview on the Today show
discussing the show’s legacy! Many fans have revised their opinions on some of the
original show’s titular characters. One such character is Hannigan’s own, Willow Rosenberg. Once seen as the shy, lovable, nerdy sidekick, now her image is less than rosy. Manipulative? Petty? And maybe worst of all: a bad friend.

10. Easing us in with a somewhat annoying one. In Season 6, Episode 11, ‘Gone’, it is
morning in the Summers household. After throwing out most of Willow’s magical stash as
the fallen wiccan tries to go cold turkey with her magic addiction (more on that later). Buffy
is post-traumatic-resurrection trying to keep it all together after a night of hot,
passionate…fighting with a vampire. Willow appears to be living in the Summers’ home rent-free and is cooking Dawn (Michelle Trachtenberg) an apology omelette. She is making a
mess while cooking, as one does, but leaves her traumatised friend to clean up after her! Poor
Buffy (you’ll hear that a lot) was just lambasting herself for not noticing Willow’s self-
inflicted downfall. Buffy is literally chopping off her own hair in distress, and no one notices!
The audacity!

9. In Season 3, Episode 2, ‘Dead Man’s Party’, Buffy has returned to Sunnydale after her
secondment in LA. After a traumatic year, Buffy clearly just wants to hang out with her
friends like a regular teenager. Willow agrees to meet Buffy in town to re-bond over
shopping. Yes, Willow did say earlier in the episode that she had school work that she would
have to rearrange, which is fair enough, but at least cancel instead of leaving poor Buffy
(see?) sitting alone waiting for you!

8. Anya (Emma Caulfield), the ex-vengeance demon, was treated pretty coolly by the
Scoobies. Willow was clearly jealous of Anya’s relationship with Xander (Nicholas
Brendon), taking Xander’s attention from her. Throughout the final seasons, Willow treated
Anya like an annoyance at best and undermined her with cruel remarks at worst. In no
episode was this more obvious than Season 5, Episode 11, ‘Triangle’. Willow is brazenly
stealing spell ingredients from Anya’s and Giles’s (her friends) small business. Willow even
says herself she is not “stealing”, she is “…just taking things without paying for them. In what
twisted dictionary is that stealing?”.
Willow comes off as a bully throughout this episode, cruelly mimicking Anya and trying to
make Xander choose between his childhood best friend and his girlfriend. I want to mention
that not only is Willow gay, but has her own girlfriend at this point. So her possessiveness of
Xander comes off as particularly childish.

7. Willow’s irresponsibility with magic becomes a large feature of the series. Even her most
ardent fans can’t explain what she was thinking in Season 5, Episode 17, ‘Forever’ when she
draws Dawn’s attention to a dark spell book. This book encourages 15-year-old Dawn to raise
her mother from the dead. Culminating in what is, in my opinion, one of the creepiest scenes
in Buffy: the shadow of zombie Joyce walking past Summer’s curtained window, returning
home. Presumably, Willow knew the dangers but was fine with a child dabbling in dark
magic.

6. Back to Season 3, Episode 2 ‘Dead Man’s Party’. After not being satisfied standing Buffy
up, she also wants to rant at a clearly distressed Buffy that Willow’s now got a boyfriend and is
practicing witchcraft, AND had no one to talk to about it when Buffy ran away. Bear in mind
that Buffy had to stab her boyfriend through the heart and send him to Hell after months of
his evil alter ego psychologically torturing her. But Willow needs her gal pal.
Very similar to Season 7, Episode 19 ‘Empty Places’ when Willow joined the group pile on,
blaming poor Buffy (and again) for everything that’s gone wrong. And then throwing Buffy
out of her own house (you know the one she pays for?)! In the words of one Buffy fan ‘Y’all
hate her so much, why did you resurrect her?’

5. Going to my personal favourite season, Season 6 (I’m not arguing about it), Episode 10
‘Wrecked’. Willow is caught in the throes of magic addiction. Within the Buffy universe,
magic was a metaphor for lesbian sex, but the metaphor changes in Season 6 to substance
abuse. Willow takes Dawn to what is essentially a magical drug den and leaves her waiting
there for over an hour. Then, high on magic, he proceeds to not take Dawn home, instead
offering to teleport her back home. Willow then gets behind the wheel of a car with Dawn
while high and crashes the car.
Buffy was known to tackle social issues, and its handling of substance abuse was surprisingly
Realistic, mainly due to Alyson Hannigan’s amazing acting!

4. In Season 4, Episode 6, ‘Wild at Heart,’ we get to see the true darkness that appears to live
inside Willow. After being cheated on by her long-time boyfriend Oz (Seth Green), Willow
takes it upon herself to hex both Oz and his cheating partner, Veruca. She casts ‘in the name
of Hell’ wanting to break both their hearts and find no peace or solace…harsh. To be fair to
her, she does stop herself, but Willow, I appreciate you got cheated on, but we can’t just go
about hexing people.

3. And now to one of the best episodes ever! Season 6, Episode 8 ‘Tabula Rasa’ delivers
some serious comic gold, but the premise of the episode is rather disturbing. Despite
promising Tara (Amber Benson), her long-term partner, that she would give up magic for a
week, Willow casts a spell. Tara is understandably upset that the woman she loves cast a
memory spell on her to make her forget their arguments. Willow’s answer to this is to cast yet

another memory spell to make Tara forget the first memory spell (stay with me). Willow also tries to cast a spell on Buffy (you know her friend suffering from depression) to make her forget being in Heaven. As is a staple in the Buffy universe, the spell goes awry, making the whole gang forget who they are, leading to hilarious hijinks.
Yes, it’s one of the funniest Buffy episodes, but if the spell hadn’t accidentally been broken, then they all could have been stuck like that.

2. For such a trailblazing relationship, Willow and Tara have a lot of problems when
scrutinised. Almost everything stems from Willow’s overuse of magic. The relationship
gets darker the more you examine it. As Tara said in ‘Tabula Rasa’, Willow violated her
mind. Some fans have pointed out; not only was the flower Willow used to cast the forgetting
spell (Season 6, Episode 6) is in an oddly convenient place in their bedroom. This begs the
question: how many times has Willow cast these spells? Fans have also pointed out that if
Tara had sex with Willow after any spell was cast on her, she wouldn’t be consenting.

1. As a surprise to literally no one, the number one time Willow was a bad friend on top of
being completely irresponsible, resurrecting one Miss Buffy Summers. Now, many may
argue that after the finale of Season 5, ‘The Gift’, it would be understandable that Willow
would think Buffy was trapped in some Hell dimension.

Ok, let’s stay with that logic. Willow is aware that resurrection spells are extremely volatile,
presumably why the Scoobies have been planning it for weeks. Xander voices it perfectly, in
Season 6, Episode 1 ‘Bargaining Pt 1’, Buffy may try to “eat our brains”. Willow even
comments (Season 6, Episode 3) on how messed up Angel was when he came back from Hell.
Willow could have caused an emotional and physical catastrophe for them all by bringing
back a ‘wrong’ Buffy who still possesses super-strength and super-speed. Spike (James
Marsters) declares in the same episode that he shut down any idea Willow had about bringing
Buffy, back in case it went so badly, they would have to “get rid of what came back”. It’s bad
when the soulless vampire is more mature than you, isn’t it?

Willow Rosenberg is indeed a very complex character played expertly by Alyson Hannigan. Willow has her flaws, but it is those flaws that make her such a compelling character. I, for one, am very interested to see what they do with the character in the reboot.

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Review: From the World of John Wick: Ballerina

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From the World of John Wick: Ballerina is a stylish and brutal addition to the ever-expanding John Wick universe. Set between the explosive events of John Wick: Chapter 3 – Parabellum and Chapter 4, the film seamlessly slots into the timeline without feeling like a stopgap. Instead, it builds something fresh, introducing a new protagonist on a vengeful journey of her own.

Ana de Armas delivers a fierce and emotionally layered performance as Eve Macarro, a ballerina-trained assassin seeking justice for her family. While her motivations mirror Wick’s, the film avoids repetition by diving deeper into the Ruska Roma and High Table lore. It’s a testament to the world-building that this spin-off doesn’t just feel justified—it feels essential.

As expected, the fight choreography is at its peak—gritty, inventive, and ruthlessly beautiful. Every action set-piece hits with a kinetic energy that’s both thrilling and brutal. This franchise continues to prove that when it comes to stunt work and direction, it’s in a league of its own. Can the John Wick series really disappoint? So far, no.

The story is tight, the pacing brisk, and each supporting performance, especially the cameos from familiar faces, adds weight and continuity to the narrative. Ballerina proves that this universe is more than just one man’s war; it’s a whole underworld waiting to be explored.

With compelling characters, rich mythology, and jaw-dropping action, Ballerina is a strong 9/10—one of the best spin-offs in recent memory.

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The Top 5 Movies of James Gunn — A Symphony of Heart, Humor, and Heroism

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Few directors in the modern cinematic landscape have reshaped genre filmmaking quite like James Gunn. Known for blending irreverent humor with profound emotional depth, Gunn has left an indelible mark on both indie horror and superhero franchises. As he transitions into leading DC Studios, it’s the perfect time to revisit his five finest works—each a statement of his unique voice in an often formulaic industry.

1. Guardians of the Galaxy Vol. 2 (2017)

Rating: 9.5/10

A rare sequel that deepens its characters rather than merely expanding its universe, Vol. 2 is Gunn at his most personal. The film wrestles with the pain of abandonment, the search for belonging, and the complexity of father-son dynamics—cloaked in vibrant visuals and a killer soundtrack. Yondu’s “He may have been your father, boy, but he wasn’t your daddy” line alone secures its legacy.

2. The Suicide Squad (2021)

Rating: 9/10

Chaotic, gory, and gleefully anarchic, The Suicide Squad is a wild remix of the superhero genre. Gunn injects pathos into misfits like Ratcatcher 2 and Polka-Dot Man, proving his unmatched talent for humanizing the bizarre. It’s a subversive spectacle that doubles as an anti-war allegory—with a giant alien starfish to boot.

3. Guardians of the Galaxy (2014)

Rating: 8.8/10

The film that redefined Marvel’s creative boundaries, Guardians took a gang of obscure comic-book characters and turned them into pop culture icons. With its perfect balance of humor, heart, and ‘70s mixtape vibes, it’s the origin story of Gunn’s mainstream rise and one of the MCU’s most beloved entries.

4. Slither (2006)

Rating: 8/10

Before superheroes and intergalactic misfits, Gunn gave us Slither—a grotesque and hilarious horror-comedy with serious B-movie charm. This film showcases his roots: practical effects, quotable dialogue, and an affection for the genre’s oddballs. It’s disgusting, delightful, and distinctly Gunn.

5. Guardians of the Galaxy Vol. 3 (2023)

Rating: 8/10

An emotionally charged finale to the Guardians trilogy, *Vol

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