From his early days on the comedy stage to playing lovable football fanatic, Hayden Fox, on the long running television sitcom Coach and Zeek Braverman on the dramatic television series, Parenthood to countless legendary big screen roles, actor Craig T. Nelson’s career has been as versatile as it is prolific.
Movie audiences have been loving his work for decades in popular films spanning just about every genre: Poltergeist, Stir Crazy, All The Right Moves, Silkwood, The Devil’s Advocate, The Family Stone and The Proposal. It was his voice work in the 2004 mega hit animated Disney Pixar movie, The Incredibles, that introduced Nelson to a younger audience. His voice is readily recognizable as the voice of Mr. Incredible, and as he tells it, the world stops spinning for a beat whenever a starstruck child hears him speak.
Nelson currently plays Mary Steenburgen’s husband in the upcoming romantic comedy, Book Club, out May 18th. He’s also resuming his role as Mr. Incredible in Incredibles 2, the long-awaited sequel to the 2004 blockbuster animated movie, The Incredibles, out June 15th.
Our conversation runs the gamut from overcoming the perils of aging in Hollywood, mid-life adventures, the secret to his long and happy marriage to wife, Doria Cook-Nelson, and the unique challenges of playing an animated icon for Disney Pixar.
Allison Kugel: With Book Club, there are so many celebrated actors in one movie. What does an ensemble piece allow you to do as an actor that carrying a film or television show on your own doesn’t allow for?
Craig T. Nelson: The opportunity to work with the different characters that are being played broadens what you can do as an actor. Oftentimes, the way people react differently to different people they meet, it’s that same dynamic and it can be something of an adventure. Although in Book Club, most of my scenes are with Mary [Steenburgen]. There are only one or two scenes where I’m with everyone, although I knew everybody. In this movie, although it’s an ensemble cast, the focus was my interaction with Mary’s character.
Allison Kugel: What was your initial impression of the Book Club script when you first read it?
Craig T. Nelson: Oh, I loved it! It spoke to something I was familiar with; that whole process of aging. You think you’re never going to get there, but eventually it just shows up and there it is. I thought the script was well thought out, cogent, specific, and each character was delineated. I wanted to do the movie right away, after reading the script.
Allison Kugel: This movie addresses that mid-to-later-life slump that people can slide into without even realizing it’s happening. As you said, you wake up and it’s just there. How do you think men experience this phase of life differently from the way women experience it?
Craig T. Nelson: I think we experience it in much the same way. Although, it depends upon societal pressures. Part of the confusion is the result of what society is demanding now, which is pretty much all youth-oriented. Cosmetically and pharmaceutically you’re supposed to be able to prolong your life, or at least the appearance of it. The reality is that you do age. Yes, we are living longer, but there’s more pressure associated with it. I suppose it’s how all of that manifests in each of us, which has to do with our own peculiar personality. That’s the interesting part about it; how each one of us deals with it. Generally speaking, your libido drops, physically you’re not as active and not able to do as much. All of that is pretty much the same in people, but very few people address it psychologically. There’s a lot of pressure to be young. But there is also a lot of pressure being old, not to get any older. I think that is so screwed up.
Allison Kugel: In Book Club, your wife, played by Mary Steenburgen, is upset because she feels your marriage has fallen into a slump. Do you think marriage should be able to go through its natural ebbs and flows romantically, sexually and emotionally?
Craig T. Nelson: If you’re married to your best friend, as I am, and I’m married thirty-four years now, then you have to realize you’re going to have ups and downs. You’re physically going to change, emotionally you’re going to change. You have to adapt and change, and be prepared for that stuff. That’s also part of the adventure. It seems like just yesterday I was talking to older actors about aging. I was a young working actor, and they were all telling me how difficult it was for them and how they were approaching a period in their life where they felt they weren’t working as much. I think they felt neglected and not as respected. I can remember a lot of guys talking about that. When it started happening to me, it was like, “Whoa! Wait a minute here.” But at least I have the tools. I think I was prepared for it to a certain degree.
Allison Kugel: With the hit series Grace and Frankie, and with this movie, Book Club, it seems that Hollywood is now gaining a little more respect for stories about mature people.
Craig T. Nelson: I think this movie will help. It brings some awareness, which I think is good, but ageism has been prevalent in this business for a long time.
Allison Kugel: The Baby Boomer generation are such a huge segment of the population, they have tremendous spending power, and they want to see stories about themselves.
Craig T. Nelson: Right, but as you see in television, for example, you’ve got a specific demographic that’s usually being targeted. I have always argued, even back when I was doing Coach (the ABC sitcom Nelson starred in from 1989 to 1997), that it’s not necessarily accurate. I agree that a lot of buying power rests in the hands of people who are approaching retirement, and in their forties and fifties. It’s like with the glut of action movies we’re getting and have had for a while. What is that? It’s enough already. I would much rather see stories like Book Club, which I feel are specific, well written and truthful. I’m fine with animated movies about superheroes. Obviously, I don’t have a problem with that. I don’t have a problem with action films either, except that there is just so much of it, and what am I left with?
Allison Kugel: You began your career as a standup comedian, correct?
Craig T. Nelson: Barry Levinson and I did stand up [comedy] together for four years, and then another guy, Rudy DeLuca joined us. We wrote and performed comedy, and then we worked with Tim Conway, John Byner, and Alan King. That’s how I started.
Allison Kugel: How did you segue into film and television, and how does that early standup experience help you in the roles you play now?
Craig T. Nelson: I was never really interested in doing standup comedy. Barry Levinson and I were in the Oxford Theatre together, which was a theatre group in LA. We got to talking and Barry said, “Why don’t we do a standup act?” I had never done that and never even thought of it, but we put an act together. We went out and auditioned and started doing clubs. It was an intro into the business, and I met so many incredible people during that time. It does give me a different perspective. Comedy helped me to enlarge and be better at what I did. Another important thing is that you just get better as you get older. You realize what you’re doing more, and you don’t make as many mistakes. I’m so much more comfortable in a scene now than I ever was, because I know how to play it. Certainly, there are challenges, but your tool bag is filled up. There are so many experiences and so many people to draw on, and it’s a wonderful place to be.
Allison Kugel: This is not your first time playing Mary Steenburgen’s husband. You also played husband and wife in the 2009 movie, The Proposal, alongside Ryan Reynolds and Sandra Bullock. How was it playing her husband again in Book Club? This time around, was there a comfortable rapport already in place?
Craig T. Nelson: She’s so much fun to work with. She’s got this wonderful quirkiness to her that is so beautiful. It’s also very challenging, because you need to stay on top of your game with her, as with all the actresses in this film. I’ve worked with Diane [Keaton], I’ve worked with Jane [Fonda], I hadn’t met Candice [Bergen] until this film, so that was neat. I look forward to continuing to work with Mary. There is an understanding between me and Mary. You’re able to ask questions of each other or address problems in a scene together. There’s no wandering around, trying to get to the truth of something.
Allison Kugel: How is the book Fifty Shades of Grey a catalyst for the comedy that ensues in this movie
Craig T. Nelson: Fifty Shades of Grey wasn’t an important part of my story in the film. It’s part of the women’s story. I think you’re going to be surprised. The book is a catalyst in terms of Mary’s character becoming aware of how bad things have gotten [in our marriage]. That’s the only purpose the book serves. We’ve been having problems in our marriage and the book forces the issue to the surface.
Allison Kugel: Do you recall a moment in your own life when you realized you weren’t living your best life, or there were things still yet to be done?
Craig T. Nelson: I’ve had a number of them, and still they continue. One of the many things I felt the need to do was professional car racing, when I decided to go ahead and pursue it. Gradually I became better and better at it. It wasn’t a death wish (laughs); it was a life wish. It was doing something that is very risky and challenging, but something I’d always wanted to do and never had the opportunity before. And now I’m going, “Wow, this is something I really enjoy!” It requires an enormous amount of concentration and focus, which is another reason I really like it.
Allison Kugel: How does your real wife, Doria, feel about your race car driving?
Craig T. Nelson: It was something that my wife really suggested I do. She’s very strong. She’s a martial artist and she competes in Tai Chi Kwan all over the world in competitions. She said, “[Car racing] is something you should try.” And once I got into it, she encouraged me to continue doing it.
Allison Kugel: Let’s switch gears and discuss another upcoming movie you’re in, the much-anticipated Incredibles 2! Why the fourteen-year gap between the release of The Incredibles and Incredibles 2?
Craig T. Nelson: I don’t know for sure, but I can tell you that [Incredibles writer and director] Brad Bird was busy with other things. He wanted to do some live action projects and then he made Ratatouille right after The Incredibles. He was very busy in his career.
Allison Kugel: In the first movie, The Incredibles, your character, Mr. Incredible is struggling with living life as a civilian. He’s dying to be a superhero again and to use his powers. Holly Hunter’s character, Elastigirl, wanted a normal, low key family life. In Incredibles 2, it’s reversed. She’s out being a superhero and you’re the stay at home dad. How does that go for Mr. Incredible?
Craig T. Nelson: He doesn’t quite understand it and is feeling rejected, like, “Why don’t they want me out there?” He now has to take a back seat and for him that’s difficult. He makes the sacrifice for his wife. He’s got a resentment going on, but as you watch him at home you get to know these kids in a way that’s fun and interesting. And you get to see a guy have to adapt and get to know his children in a way that he hasn’t. That was neat for me to play.
Allison Kugel: When you’re voicing an animated character like Mr. Incredible, are you in the recording booth with any other cast members, or is it just you in there?
Craig T. Nelson: You’re not with the other cast members. You’re with Brad, who’s in every session. He’s directing what you’re responding to, and you go off that. Usually we’ll do a session every three weeks, for four hours at a time. Then they’ll put that into rough animation, so you can see what you’ve got. I’ve only done one session with another actor, and it was with Samuel L. Jackson who plays Frozone.
Allison Kugel: How do you get into character when you’re voicing Mr. Incredible?
Craig T. Nelson: You prepare ahead of time in the session, especially vocally because there are a lot of different ranges you have to get to. There are scenes when you’re doing a lot of yelling and shouting. And it’s a long and involved process that’s complexly different from regular acting.
Allison Kugel: I’m sure you’ve watched the first movie, The Incredibles, with your grandchildren. What do they think of you playing Mr. Incredible?
Craig T. Nelson: They don’t relate the two. They still don’t believe it (laughs). I have to do lines from the film, so they can hear me do the voice, and then it’s, “Oh yeah, that’s him.”
Allison Kugel: When you’re out, are you ever stopped by kids who know you’re Mr. Incredible?
Craig T. Nelson: The other day my older son was visiting, and somebody overheard me talking to him and they turned around and said, “My God! Are you Mr. Incredible?!” They’ll recognize the voice, it’s interesting. And then you have to convince this kid that you are! And you feel like an idiot trying to get a seven-year-old to believe you (laughs). They look at you with this wonder, yet at the same time disbelief. It gets confusing even for me.
Allison Kugel: My nine-year-old and I will be there on opening night, for sure. He’s been waiting for this sequel, no joke, for years! What will kids and families get to experience with Incredibles 2 that they didn’t with the first movie?
Craig T. Nelson: The special FX are extraordinary. Since 2004 when the original movie was out, they’ve developed a whole new range of different processes that have gone into this movie, including its color enrichment. For me, the exciting thing about the second movie is that the character Jack Jack, the baby, really comes alive and that’s going to be so much fun for people to see. What’s so great about this movie is that it’s a family deal. You can take your family to this movie and have a great time. And same with Book Club. It’s two movies I’m proud to let my family watch.
Book Club Photo Credits: Peter Iovino/Paramount Pictures, Melinda Sue Gordon/Paramount Picture
Incredibles 2 Photo Credits: Disney Pixar
Book Club is in theatres May 18th and Incredibles 2 is in theatres June 15th.
Movie
Review: Game Changer
Review By: Raja V. Deva
Genre: Political Action Thriller
Runtime: Approximately 165 minutes
Director: S. Shankar
Writer: Story by Karthik Subbaraj; Screenplay by S. Shankar, Vivek, and Venkatesan
Cast: Ram Charan, Kiara Advani, Anjali, S. J. Suryah, Srikanth, Sunil, Jayaram, Samuthirakani
Music Composer: Thaman S
“Game Changer” marks S. Shankar’s foray into Telugu cinema with a political action thriller designed to be grand in scale and ambition. The film features Ram Charan in dual roles: Appanna, a shrewd political leader, and his son, Ram Nandan, an upright IAS officer determined to clean up a corrupt system. However, despite the actor’s valiant efforts, the story doesn’t fully work with Ram Charan in the lead.
Originally conceptualized for another actor, the film’s narrative feels like it was tailored for someone with real-life political aspirations. While Ram Charan brings his star power and intensity to the roles, the weighty political undertones and the narrative’s structure don’t align well with his on-screen persona. His dual performance showcases his range, but the emotional depth and conviction required to anchor such a politically charged film seem misaligned with his strengths.
The supporting cast provides decent performances, with Kiara Advani and Anjali making their presence felt, though their characters lack depth. S. J. Suryah stands out as a formidable antagonist, adding gravitas to the film. Thaman S’s background score enhances the mood, though the songs occasionally disrupt the flow of the narrative.
Visually, the film boasts stunning production values and large-scale set pieces, typical of Shankar’s style. However, even the grandeur and intricate action sequences can’t mask the disjointed storytelling. The screenplay struggles to balance its political commentary with its action-oriented approach, leaving neither element fully realized.
Ultimately, “Game Changer” feels like a project that missed its mark. The story might resonate with audiences interested in political drama or those with a penchant for larger-than-life narratives, but it doesn’t do justice to Ram Charan’s abilities or his established image.
Rating: 6/10
For fans of Ram Charan or political thrillers, it might be worth a watch, but “Game Changer” feels like an opportunity lost to deliver a truly compelling cinematic experience.
Streaming
Seven Re-Review
No Spoilers
“Apathy is the solution. I mean, it’s easier to lose yourself in drugs than it is to cope with life. It’s easier to steal what you want than it is to earn it. It’s easier to beat a child than it is to raise it. Hell, love costs: it takes effort and work.”
It may come as a shock to many but director David Fincher’s seminal thriller: Seven turns 30 years old this year. Released in 1995 (the math is math-ing) it was the first film Fincher and 90’s heart throb Brad Pitt worked together. It was the film that proved Fincher’s directorial prowess as well as proving Pitt wasn’t just a pretty face but an actor to be lauded. Seven’s neo-noir style was fresh; wonderfully eerie, and befitting the gruesome tone.
I was way too young to see the debut of Seven and admittedly I knew most of the twists through cultural osmosis but I still wanted to see this juggernaut of a murder mystery on the big screen for its anniversary cinematic re-release.
Initially Denzel Washington was tapped to star. Fincher recently admitted that Washington did not like the script which had to be rewritten 10 or 11 times to suit the actor (Fincher, 2025). Despite these reviews Washington ultimately turned down the role but Washington’s loss was Morgan Freeman’s (and our!) gain.
Freeman plays Detective Lt William Somerset who is 7 days away from retirement. Unsurprisingly the number 7 also plays a big role in the film. For his last assignment Somerset is given the case of killer who is artfully killing their victims using the guise of the 7 (see!) Deadly Sins.
Beginning with the sin of ‘Gluttony’ the killer forced a morbidly obese man to literally eat himself to death at gunpoint. This is where we enter the movie and it only gets more disturbing from here!
Brad Pitt’s character; Detective David Mills is new to this unnamed gloomy city accompanied by his wife (Gwyneth Paltrow). The city seems to be its own biosphere where it rains constantly. Not only does this add a sense of foreboding but it could also be a nod to the biblical flood, punishing the characters for their supposed sins. Seven has many religious undertones.
Detective Mills is assigned to the case with Somerset whom he has to remind that despite his youthful appearance, Mills is no ‘rookie’ and has worked on many disturbing cases.
As the sins are counted off the killers methods become more and more sadistic. This leads to a climax that even today, thirty years later, is still shocking and widely quoted.
Seven is a classic due to its many components working together seamlessly. The artful direction, the moody set design, and the atmospheric score composed by Howard Shore, who also scored The Silence of the Lambs. It is amazing to experience the score with cinematic surround sound, particularly the groundbreaking opening credits punctuated by Nine Inch Nails song ‘Closer’.
The two leads are predictably fantastic but the relatively small cast all give memorable performance. R. Lee Ermey (Full Metal Jacket) brings his authoritative charm to the grizzled police captain. John C McGinley (Platoon) gives his usual energetic performance heading the movies SWAT team as ‘California’ (unclear whether this is a code name or his actual name). Interestingly Fincher sourced McGinley’s talent for adlibbing as most of his scenes are adlibbed.
In one of the most iconic scenes in the film and arguably one of the most famous jump scares in cinematic history. The actors (including Freeman, McGinley, and Pitt) were not told to expect this particular scare. So the reactions of the characters are the genuine reactions of the actors. See if you can spot which scene!
Some may be tempted to dismiss Seven as just another popcorn thriller but, for me, there are several lines that are so well written they stay with you. In one scene an unnamed doctor is speaking about the death of a character; “He’s experienced about as much pain and suffering as anyone I’ve encountered, give or take, and he still has hell to look forward to.” This line is powerful on many levels as it is said with the casualness and dark humour of a doctor who is numbed to treating the evils of this world. It perfectly encapsulates the dark inevitability of the film.
It is clear why Seven is considered a classic. For any millennials (such as myself) or Gen Z’s or indeed anyone who wants to relive the creeping tension, I highly recommend catching it on the big screen!
Movie
Movie Review: Katamarayudu
Directed by: Kishore Kumar Pardasani
Written by: Siva
Studio: North Star Entertainment
Runtime: 149 minutes
Genre: Action, Drama
Cast:
Pawan Kalyan as Katamarayudu
Shruti Haasan as Avanthika
Siva Balaji as Katamarayudu’s younger brother
Ajay, Kamal Kamaraju, Chaitanya Krishna in supporting roles
Katamarayudu is a Telugu-language remake of the Tamil film Veeram. This movie blends family drama with high-octane action sequences, delivering a narrative that is quintessentially rooted in southern Indian cinema’s flair for heroism and larger-than-life characters.
The story revolves around Katamarayudu, a righteous and fiercely protective elder brother who has dedicated his life to looking after his younger siblings. Known for his aversion to marriage, his life takes a turn when Avanthika, a poised and graceful woman, enters his life. The movie skillfully combines lighthearted romance, brotherly camaraderie, and intense action sequences, creating an engaging watch for the masses.
Kishore Kumar Pardasani delivers a visually grand spectacle while staying true to the essence of its Tamil original. While the screenplay lacks novelty, it compensates with fast-paced action and emotional beats. The dialogues, although simple, hit the right chords when it comes to showcasing family bonds and love.
Pawan Kalyan is the heart of the film. His screen presence and charismatic portrayal of Katamarayudu dominate every frame. Shruti Haasan offers a refreshing on-screen presence, and her chemistry with Pawan Kalyan adds charm to the narrative. The supporting cast, especially the actors playing the brothers, do justice to their roles, adding depth to the storyline.
The film boasts meticulously choreographed fight scenes, which are a visual treat for action lovers. Anup Rubens’ background score and songs elevate the emotional and action-packed moments. His mass appeal and command over action and emotion anchor the movie effectively.
The film adheres to a conventional template, leaving little room for surprises. At 149 minutes, the film feels stretched, especially in the second half.
Katamarayudu is a feast for fans of Pawan Kalyan and action-packed family dramas. It carries the essence of mass entertainment but doesn’t break new ground. While it caters to the sensibilities of Telugu cinema audiences, others might find its predictability a drawback.
Rating: 8/10 Fans of Pawan Kalyan and high-energy action films will undoubtedly enjoy this one, but those looking for a novel story might find it wanting.