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Comic-Con Revolution 2019: Samurai Jack

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Comic-Con Revolution Ontario once again blasted its way to the Inland Empire last weekend. With an impressive slue of guests including some of Hollywood’s best voiceover talent, to legends of the comic book industry, this convention was not to be missed. Kicking off this astounding convention was a panel showcasing one of the most seminal animated series of our time, Samurai Jack.

Featured on the panel were the show’s two leads, Phil LaMarr (Jack) and Greg Baldwin (the second voice of Aku). When asked what it was like meeting Jack for the first time, LaMarr said, “For me it began with the original audition. They may have had a character drawing; not much of a description. I just remember Genndy Tartakovsky (series creator) and Collette Sunderman (voice director) were there and we were just sort of “massaging” the voice. I knew the character was from Japan, but they really didn’t want much of an accent. They kept telling me to dial it back.” LaMarr continued, “Eventually we sort of stumbled onto what I like to call “a young, Asian Clint Eastwood voice.”

Unlike LaMarr, Baldwin had come into the series when it was revived for its fifth and final season. He replaced the legendary actor Mako, who had created the role of the villainous Aku. This is not the first time Baldwin has had to step into Mako’s shoes; he had previously taken over Mako’s role as Iroh in Avatar: The Last Airbender shortly after Mako’s passing in 2006. “I was a fan,” said Baldwin, “My Son and I would watch the show everyday when he got home from school and it was something we both enjoyed. I was sad to see it go and elated when I got the call to do the last season.”

The actors also touched upon the fact that while the show has a ton of action, that wasn’t necessarily the driving force of the series. “You realize it doesn’t mean anything if it isn’t grounded in a story, in a reason, in a character,” said LaMarr.

The two were also asked how they felt about high-profile celebrity talent getting roles in animation, citing Robin Williams in Aladdin as example. LaMarr said of this “Disney took away the wrong lesson from that film. Instead of continuing to cast actors that were like Robin Williams, that actually brought life to a character, they thought to themselves “Stars! We need more stars!”. Baldwin added, “It made sense for Robin to play the Genie, who else would’ve voiced that? However Mel Gibson didn’t need to voice John Smith. I understand why he did, but he didn’t need to.”

In closing, the two were asked what it was like to interact with their fans and if Samurai Jack fans were different in any way. “I think every fandom is different because each show is different,” said LaMarr, “What we want us to give you something different.” Baldwin added, “Iroh has surprised me a little bit. I always thought Iroh was a very well written character, but it wasn’t until I started coming to these cons when I realized this character had an impact. Time after time, I would come to realize Iroh was a father figure in many ways.”

Samurai Jack is now available to stream in its entirety on adultswim.com.

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Thatsmye Interviews: Les Weiler on Henchin’: the Series

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The 8 Episode Series Tries To Encompass A Lot Leaving Fans In A Cliffhanger.

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The 2010 “Avatar: The Last Airbender” movie by M. Night Shyamalan faced criticism for its deviations from the beloved animated series. The film struggled with pacing, casting, and a lackluster script, disappointing fans who cherished the source material. In contrast, the 2024 Netflix series has generated positive buzz for its commitment to diverse casting, adherence to the original storyline, and improved character development. The series seems poised to capture the essence of the animated show, offering a fresh and faithful adaptation that resonates with both new and existing fans.

Even though the Netflix series comes closer to the core ideals of the animated series, I feel it lacks heart. Many scenes barely scratch the surface of the relationships between the characters and the push-and-pull relationship between Aang and Zuko. I will admit the CG versions of Momo and Appa are just so gosh darn cute.

The 8 episode series tries to encompass a lot leaving fans in a cliffhanger. It’s worth a watch and I am hanging on for the next season to be announced.

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Caesar’s Reign Comes To The Big Screen With New Trailer For Kingdom Of The Planet Of The Apes

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Director Wes Ball breathes new life into the global, epic franchise set several generations in the future following Caesar’s reign, in which apes are the dominant species living harmoniously and humans have been reduced to living in the shadows. As a new tyrannical ape leader builds his empire, one young ape undertakes a harrowing journey that will cause him to question all that he has known about the past and to make choices that will define a future for apes and humans alike. “Kingdom of the Planet of the Apes” is directed by Wes Ball (the “Maze Runner” trilogy) and stars Owen Teague (“IT”), Freya Allan (“The Witcher”), Kevin Durand (“Locke & Key”), Peter Macon (“Shameless”), and William H. Macy (“Fargo”). The screenplay is by Josh Friedman (“War of the Worlds”) and Rick Jaffa & Amanda Silver (“Avatar: The Way of Water”) and Patrick Aison (“Prey”), based on characters created by Rick Jaffa & Amanda Silver, and the producers are Wes Ball, Joe Hartwick, Jr., p.g.a. (“The Maze Runner”), Rick Jaffa, p.g.a., Amanda Silver, p.g.a., Jason Reed, p.g.a. (“Mulan”), with Peter Chernin (the “Planet of the Apes” trilogy) and Jenno Topping (“Ford v. Ferrari”) serving as executive producers.

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