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Check Out The “Incredibles 2” Voice Cast

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Everyone’s favorite family of superheroes is back in “Incredibles 2” – but this time Helen (voice of Holly Hunter) is in the spotlight, leaving Bob (voice of Craig T. Nelson) at home with Violet (voice of Sarah Vowell) and Dash (voice of Huck Milner) to navigate the day-to-day heroics of “normal” life. It’s a tough transition for everyone, made tougher by the fact that the family is still unaware of baby Jack-Jack’s emerging superpowers. When a new villain hatches a brilliant and dangerous plot, the family and Frozone (voice of Samuel L. Jackson) must find a way to work together again—which is easier said than done, even when they’re all Incredible. Directed by Brad Bird (“Iron Giant,” “The Incredibles”) and produced by John Walker (“The Incredibles”) and Nicole Grindle (“Sanjay’s Super Team” short, “Toy Story 3” associate producer), “Incredibles 2” busts into theaters on June 15, 2018.

HELEN PARR (voice of Holly Hunter), known in the Superworld as Elastigirl, hung up her Supersuit to raise the family with husband Bob, leaving their crime-fighting days behind them. But when she’s tapped to lead a campaign to bring the Supers back into the spotlight, she finds she can still bend, stretch and twist herself into any shape needed to solve the trickiest of mysteries. In short, she’s still got it. That’s good news, too, because a new villain is emerging—unlike any they’ve ever seen before.

BOB PARR (voice of Craig T. Nelson) cherishes his days as Mr. Incredible—a popular Super with mega-strength and the power to singlehandedly take out the bad guys. Ever since Supers were outlawed, Bob’s been mostly lying low, raising the family alongside his wife Helen. But when she’s called on to stretch her Super skills and hopefully change the public perception of Supers for the better, Bob must manage the household on his own, which calls for a completely different set of super powers.

VIOLET PARR (voice of Sarah Vowell), the firstborn of the Parr clan, is an introverted and intelligent 14-year-old teen that doesn’t quite fit in with the normal crowd. Socially awkward, outspoken and sarcastic, Violet plays her teenager role to perfection—all while secretly mastering her superpowers of invisibility and creating force fields. A Super at heart, Violet can’t help her urge to fight crime alongside her family.

 

DASHIELL PARR (voice of Huckleberry “Huck” Milner) is a 10-year-old boy—restless, relentless, curious—though his remarkable power of Super speed certainly sets him apart. Dash sports a hearty sense of adventure and a boundless supply of energy. He’d love nothing more than to show off his special skills and fight a few bad guys along the way—and doesn’t understand why he has to keep his powers a secret.

JACK-JACK PARR, the baby of the family, likes to sit back with a bottle and a good story. Well-versed in gibberish with a penchant for throwing food, Jack-Jack may seem like a typical toddler, but he just might turn out to be the most powerful Parr in the household—if only his family had a clue of what this kid can really do.  

LUCIUS BEST (voice of Samuel L. Jackson) is not only Bob’s best friend, he’s a fellow-former Super who’s so chill, he can make ice with the point of a finger. But even when he’s not fighting crime as Frozone, Lucius is all about style. He has a quick wit and a cool, can-do attitude—and he wouldn’t think twice about breaking out his Supersuit if it could help bring Supers out of hiding.

 

EDNA “E” MODE (voice of Brad Bird) possesses impeccable design sense, a keen understanding of cutting-edge technology and an unmatched skillset. A creative visionary, she longs for the return of Supers so she can once again create functional yet edgy Supersuits. The petite and powerful fashionista treats her clients like family, dahling, but sticks firmly to her long-held assertion: No capes!

 

WINSTON DEAVOR (voice of Bob Odenkirk) leads a world-class telecommunications company alongside his genius sister, Evelyn. Ultra-wealthy, savvy and suave, Winston goes big in everything he does—including his infatuation with Supers. He has been a supporter of Supers returning—all he needs is a hero (or three) to help him change public perception and bring them back into the sunlight.

 

EVELYN DEAVOR (voice of Catherine Keener), the brilliant brainchild behind her brother Winston’s telecommunications company, knows her way around tech. She loves tinkering with tech, and has never met a problem she can’t solve.

 

 

RICK DICKER (voice of Jonathan Banks) heads up the official Super Relocation Program, helping the Parr family keep their Super identities secret—that’s no easy feat with this family. But Rick takes his job very seriously—at least until his division is shuttered, leaving the Parrs all on their own.

 

 

VOYD (voice of Sophia Bush) is a young, overeager “wannabe” Super and a mega-fan of Elastigirl. Her superpower is the ability to divert and manipulate objects around her by creating voids that allow the objects to appear and disappear, and shift in space.

 

 

 

The Supers find an advocate in a dignified foreign AMBASSADOR (voice of Isabella Rossellini) who is committed to the support and legalization of Superheroes.

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Movie

Joy Ride Is An Extremely Raunchy And Hilarious Comedy

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Joy Ride is an extremely raunchy and hilarious comedy that takes the mantle of ensemble risky
comedies that at times, leave your mouth on the floor. Joy Ride focuses on two best friends
Audrey and Lolo (Ashley Sullivan and Sherry Cola) end up getting roped up into a trip to Asia,
they end up on gals pal cross-continent trek to find Audrey’s long lost birth mother so she
doesn’t lose a huge business deal.

The chemistry in this movie is superb. Every character has their moment to shine and there’s
rarely a scene where you don’t get a belly laugh. I was shocked at how crazy and bold this
movie got, continually pushing the line to get a laugh. The movie does a good job of getting to
the point and getting to the scenes that really make you chuckle. There are some editing choices where the story flies by some stuff, and it feels a little incomplete, but never at the expense of really enjoying being around for the journey.

I thought that this was a sleeper for this year and certainly a movie worth watching with your
friends some weekend. It’s great to throw on if you want a laugh and really just enjoy some
great actors riffing off each other. The focus on culture was a nice touch and really elevated the movie to another level. While I would say if you’re easily offended, this movie is not for you – if you’re looking for a no holds barred comedy, Joy Ride is a trip worth taking.

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Who Doesn’t Want To Wear The Ninja Suit Of Snake-Eyes Or Dress Like The Mandalorian?

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Hasbro has had their pulse app out for a while now. It allows for access to items to buy, preorder, and a look into future projects and releases. It also allows for a very cool thing most nerds (a group of which I am a proud card-carrying member) have always wanted, the ability to make yourself into an action figure. I’ve contemplated making one for a time but, I finally got my chance to get my hands on one at Comic-Con this year. Now, of course, I had to wait in line as it was a pretty sought-after item. Who doesn’t want to have themselves wear the ninja suit of Snake-Eyes or dressed like a Mandalorian? I was approached by one of the booth staff as I was showing my nephew all the cool ways we could get him his own MIles Morales action figure with his face (as he’s a massive fan) and invited to take a seat and scan our faces into the Hasbro Pulse app with the help of their awesome team and make this dream a reality. My wife was with us, so of course she got in on the fun too. We scanned our faces in and it was very simple and quick. Then we all selected our figures to add our heads to. We all chose Power Rangers(Me as the Black Ranger, my wife chose the pink ranger and the nephew got the red ranger). Then we were told that we needed to wait about 4-6 weeks and we’d have our custom action figure team in our hands. This was a major part of our Comic-Con adventure and definitely, a memory my wife and nephew won’t forget (as it was both of their first Con ever). Thank you to Hasbro for being so generous(also getting me brownie points that home) and I highly suggest checking out Hasbro Pulse and all the cool stuff it has to offer.

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The Last Voyage of the Demeter: Double-knock on wood!  

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Adapted and written largely from the Captain’s Log chapter of Bram Stoker’s magnum opus Dracula, The Last Voyage of the Demeter tells the story of Dracula’s journey by ship from Carpathia to London, and what happened to her crew in the interim.

So here we are in Bulgaria, middle of 1897, and Captain Eliot (Liam Cunningham) of the Russian schooner Demeter is here to take on some strange cargo from some unknown client and transport it to Carfax Abbey in London. In need of some extra hands, the Captain sends out his capable Second Wojchek (David Dastmalchian) to scout for some, and initially the roving black doctor and aspiring philosopher Clemens (Corey Hawkins) is passed over in favor of more work-roughened men. The adorable cabin boy of the Demeter, Toby (Woody Norman), narrowly misses being crushed by the mysterious dragon-marked crates being loaded onto the ship, saved by Clemens himself and switched out with the superstitious sailors running from the Demeter like they had been poisoned by the sign of Dracul. And now, armed with some nine or so crewmen, Doc Clemens, and Captain Eliot himself, the twenty-four strange what looks like coffins adorned with dragon signs brought mostly safely aboard, the Demeter can make for open water and the Hell that awaits them there.

The duty of showing Clemens around the ship falls to a cheerful Toby, who proudly shows him the living areas, the Captain’s quarters, the very-large cargo hold, the galley and kitchen where the overly-devout Joseph (Jon Jon Briones) cooks the crews meals, the various above decks, even the sails, and the rigging are all at least touched on, and the livestock pens that Toby himself is in charge of, including the handsome good-boy doggy Huckleberry, or just Huck. We the audience get a very clear feeling of what it’s like to actually be aboard the Demeter, just how large she really is, and what living on a ship for months at sea is really like, the reality and practicality and the dangers of it.

Everyone more or less settles in for a hopefully uneventful voyage, taking mess around the common table and exchanging ideas or aspirations for when they arrive in London early thanks to the fair winds, and receive a handsome bonus for their troubles. But that involves being alive and making it to London to spend said bonus and pay, and the coffin crates spilling dark soil from the motherland and disgorging all sorts of other nasty secrets, have some serious plans to the contrary.

First, it’s the livestock, innocent and shrieking in their locked pens as a monster takes great furious bites out of their necks, and of course, the creature just straight up ruins poor doggy Huck. Then there’s the fully grown girl that gets dislodged from an open coffin-crate, covered in bite scars and as pale as death, she eventually starts interacting and talking after several blood transfusions from Doc Clemens, Toby learns her name is Anna (Aisling Franciosi). And then, as the weather turns foul and the winds begin to be a serious problem, the attacks turn toward the remaining humans onboard the Demeter.

Most people these days are familiar with Dracula, that gorgeous cunning vampire Elder who can supposedly transform into a bat or a wolf, seducing women to voluntarily offer up their veins like an unholy sacrament, a being at once beautiful and powerful, but also horrific and murderous if given half a heartbeat to smell your blood. This is not Dracula.

Instead, the creature that hunts the humans occupying the Demeter is an absolute monster, not a single human feature left to it, barely even recognizable as humanoid-shaped, instead boasting not just full-length bat wings but an entire exo-skin of bat membranes that can be used for feeding, a mouth full of needle-like teeth akin to a predator of the deepest darkest parts of the ocean, those yellowed Nosferatu eyes that will not tolerate light in any way, and of course giant pointy bat-ears. This is a thing, a grotesque straight from the depths of Hell, and no amount of glamor magic can make this Dracula (Javier Botet) seem like anything other than what he, is – a parasitic demon who only wants your blood. There is no reasoning with it, no trapping it, not even really any talking to it (kinda hard to talk when your throat has been ripped out), and, like the much more frightening Dracula stories of old, no amount of pure faith behind a symbol does anything other than give false hope.

Coming face to face with an actual abomination does different things to different people. The formerly delightfully foul-mouthed Abrams (Chris Walley) dissolves into a blubbering mess; poor Larsen (Martin Furulund) didn’t even get to see his own death coming; and it turns out Olgaren (Stefan Kapicic) wants to live so badly, he’ll suffer becoming a blank-eyed Renfield if that’s what it takes. All of Cook Joseph’s purported pure faith didn’t stop him from trying to take the coward’s way out and didn’t save him anyway when the sound of unnatural bat wings descended on him. I find that kind of irony delicious. Dear Anna, resigned to her fate to be eternal food for the horror that terrorized her village, nevertheless wants to try and save whoever is left of the Demeter with her own sacrifice, and there aren’t many. Wojchek of course wants to kill Dracula, but for all his logic and solid practical nature, has no experience whatsoever with this sort of thing, and sure doesn’t want to sacrifice the Demeter, the beloved ship he called home that was promised to him by Captain Eliot himself, in order to destroy that demon. Even poor sweet Toby isn’t safe from the creature’s clutches, and what happens to the cabin boy of the Demeter is what finally sends Captain Eliot over the blooming edge. And who could blame him? For this sort of thing to happen during the last voyage of such a proud, solid ship as the Demeter, is some serious bullsh*t.

To leave such a film open for a potential sequel, especially when called the last voyage of something, was a pretty hefty ask, and somehow the filmmakers managed it. I personally think a different version of Van Helsing, the infamous vampire hunter, teaming up with a certain black doctor who nurses a serious grudge against Dracula, could be a kickass sequel. Until then, experience the doomed final journey of the Demeter and her poor crew in all it’s bloodstained glory, in theaters now!

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