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Captain Fantastic. What’s in a name? In this case…everything!

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Release date:July 8, 2016
(limited)
Studio:Bleecker Street

Director:Matt Ross

MPAA Rating:N/A

Screenwriter:Matt Ross

Starring:Viggo Mortensen, Frank Langella, George MacKay, Samantha Isler, Annalise Basso, Nicholas Hamilton, Shree Crooks, Charlie Shotwell , Ann Dowd, Erin Moriarty, Missi Pyle, Kathryn Hahn, Steve Zahn

Genre:Drama, Comedy

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The film starts strong and finishes the same way. From the opening scenes to the very last one, this film has something to say! During the course of this film we are shown an amazingly cohesive unit. We are introduced to a father solely dedicated to the nurturing of his family. In fact, in the very beginning of this film we see something that I believe is definitely lacking in our modern society; The Rite of Passage. We see the family out for the hunt come out looking for food for the evening meal. It is the son, however, who makes the kill, and we are voyuered into this moment of the father honoring the son and welcoming him into manhood.

Ben, played by Viggo Mortenson, it’s shown to be a very loving and devoted father/husband throughout this movie, giving instruction a well as cultivating strong minds and strong bodies. He achieves by living almost completely off the grid. They light their world with fire, they feed their minds with books, they strengthen their bodies with exercise and feed their character by responsibility and accountability.

Now before you think this is some story about Utopia, let me dispel that right now. One of the foundations of this story is that Ben’s wife revealed, early on, to be quite ill, and is in the city receiving treatments for her ailment which is an ongoing challenge for everything in this family.

In the beginning it is not revealed what the story is with the wife, but it doesn’t take very long for it to be shown forth. There’s a good amount of time spent in developing how much Ben loves his wife. Even to the point of fighting/arguing with his father-in-law over certain particulars. There’s a lot of development in the beginning of the film, which I appreciated. Different personalities different strengths different weaknesses are all shown in each of the children as well as Ben. Rather early in the film it is revealed that Ben’s wife dies. Ben now has the daunting task informing his children about her death. The beauty of this scene is that he allows them to freely express themselves, to express their grief. Some huddle together, others express their grief by being alone, and still others lash out violently, but the fantastic thing about this is that he allows them that moment, that very necessary moment.

We see early on that there is no great love from his father in law, as his father in law blames Ben for all the tribulations that his daughter had gone through. Ben, however, is quick to point out that ALL of the decisions they made were made together. She wanted to be with him, she wanted to live off the grid, she also wanted to raise their family away from rotten schools, cheap capitalism, and wanted to try to make it so that they would actually learn something. 

Ben gets forbidden from attending his wife’s funeral by his father-in-law, and even though he is very upset over this mandate, initially opting not to attend, he decides, with some coercion from his children, to go ahead and attend anyway. Now this is where the real fun begins!

They come down off of their mountain fortress and descend into “the pit”, or civilization, if you will. Here the children are introduced to things like shopping malls, restaurant food and rampant materialism. This situation brings about its own set of troubles in that the children have never been exposed to this kind of environment and so it raises questions, desires, things of that nature which Ben has to address. This is awkward for him because it’s brand-new for his children, and even though he had some experience with this it’s been a very long time since he’s had to deal with it. The situation is handled…awkwardly, but not terribly.

In that same humor vein they make a stop at his sister’s house where she attempts to make the point that his children need more structure and that they need to be in school and things of that nature. There’s also a dramatic contrast between the brutal honesty of Ben with his family and the euphemistic way that his sister explains things to her children. The humor comes into play when the sister’s explaining how going to public school is so fantastic and then Ben calls her children down from upstairs and ask them about the Bill of Rights. Her children bumble through a ridiculous attempt at explaining what they think it is, by saying something along the lines of “isn’t that the bill that gives you the right to buy stuff?”, while his own eight-year-old is not only to recite the Bill of Rights, but is also able to explain it in her own words, which of course puts his sister’s children and herself to shame. I think I especially like this scene because it was a testimony of how things are in many public schools today. There’s a level of apathy towards history and general education which I believe will hurt our future if it does not change.

Anyway, back to the movie. Eventually they arrive at the funeral and this is where things get very interesting. The family arrives, in what could be considered, by some, to be rather garish clothing. There are many bright colors and clothes that are from an entirely different era. Around them, of course, we see the traditional garb of a funeral and so naturally they stand out. It is in scenes like this where we see Frank Langella, who plays the father in law Jack, bring some amazing and subtle weight to this character. In later scenes we see more of the root of Jack’s frustration, and why he blames Ben for his daughter’s death. Ben, however, makes it abundantly clearto him, yet again, that he and his wife made all of their decisions together. It is in this chapter of the scenes that follow where we see a new element get brought to light and that is that Jack wants to take the children from Ben. For Ben this is a thermonuclear Shockwave that nearly cracks his foundation. Naturally, he fights for his family, but this is one of the heavier parts of the movie. There’s a lot of desperation shown forth on the part of Ben and that has its own consequences. It is in the scenes after this where Ben has to make sure the most difficult choices of his life and that makes this section of the film challenging to watch, being a father myself.

In the end, however, we see the family bond together through this, and the end has very nice element of closure. Overall I would highly recommend this movie! It is filled with laughter, challenges, and real life family situations.

 

 

 

 

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Paramount+ Reveals Official Main Title Sequence for the Upcoming Series TALES OF THE TEENAGE MUTANT NINJA TURTLES

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During the TALES OF THE TEENAGE MUTANT NINJA TURTLES panel earlier today at San Diego Comic Con, Paramount+ revealed the official main title sequence for the series. The sequence is composed by EMMY® nominee, Matt Mahaffey, known for his work on Sanjay and Craig, Rise of the Teenage Mutant Ninja Turtles, and Rise of the Teenage Mutant Ninja Turtles: The Movie and much more. 

From the studios of the Mutant Mayhem film, the all-new Paramount+ original series TALES OF THE TEENAGE MUTANT NINJA TURTLES explores the adventures of everyone’s favorite pizza-loving heroes as they emerge from the sewers onto the streets of NYC. Leo, Raph, Donnie and Mikey are faced with new threats and team up with old allies to survive both teenage life and villains lurking in the shadows of the Big Apple. The series is produced by Nickelodeon Animation and Point Grey Pictures.

TALES OF THE TEENAGE MUTANT NINJA TURTLES is executive produced by Chris Yost (The Mandalorian, Thor: Ragnarok) and Alan Wan (Blue Eye Samurai, Rise of the Teenage Mutant Ninja Turtles, Teenage Mutant Ninja Turtles [2012 Series]). Production is overseen for Nickelodeon by Claudia Spinelli, Senior Vice President, TV Series Animation, Nickelodeon, and Nikki Price, Director of Development and Executive in Charge of Production.

In addition to the upcoming new series, stream all things Turtles on Paramount+.

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Comic-Con 2024: Those About to Die Activation

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DISNEY+ CASTS DANIEL DIEMER AS FAN-FAVORITE ‘TYSON’IN SEASON TWO OF “PERCY JACKSON AND THE OLYMPIANS”

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 in Hall H at San Diego Comic-Con, Rick Riordan and Disney+ revealed that Daniel Diemer (“Under the Bridge”) will star as fan-favorite cyclops “Tyson” in the epic adventure series “Percy Jackson and the Olympians.” Diemer joins Walker Scobell (Percy Jackson), Leah Sava Jeffries (Annabeth Chase) and Aryan Simhadri (Grover Underwood) as a series regular. The Disney+ Original series from Disney Branded Television and 20th Television will start filming its second season next week in Vancouver.

Season two of “Percy Jackson and the Olympians” is based on the second installment of Disney Hyperion’s best-selling book series titled “The Sea of Monsters” by award-winning author Rick Riordan. In the new season, Percy Jackson returns to Camp Half-Blood one year later to find his world turned upside down. His friendship with Annabeth is changing, he learns he has a cyclops for a brother, Grover has gone missing, and camp is under siege from the forces of Kronos. Percy’s journey to set things right will take him off the map and into the deadly Sea of Monsters, where a secret fate awaits the son of Poseidon.

Diemer stars as Tyson – a young Cyclops who grew up all alone on the streets, and finds it difficult to survive in the human world.  Shy and awkward, with a heart almost as big as he is, Tyson soon discovers that Poseidon is his father, which means Percy Jackson is his half-brother… and that Tyson may have finally found a home. 

Diemer recently starred in the Hulu limited series “Under the Bridge” based off the critically acclaimed book of the same name and a tragic true story of a missing teen girl in Vancouver in 1997. He will next star in the indie “Thug” opposite Liam Neeson and Ron Perlman for director Hans Petter Moland. Daniel was recently seen as the lead in the indie “Supercell” opposite Alec Baldwin and Skeet Ulrich and the lead in the film “Little Brother” opposite Phil Ettinger and JK Simmons. Daniel can also be seen in the Netflix series “The Midnight Club” and recently starred as the male lead in the breakout hit Netflix feature “The Half Of It” from producer Anthony Bregman and director Alice Wu. He is a graduate of Victoria Academy of Dramatic Arts in Vancouver.

Created by Rick Riordan and Jonathan E. Steinberg, season two of “Percy Jackson and the Olympians” is executive produced by Steinberg and Dan Shotz alongside Rick Riordan, Rebecca Riordan, Craig Silverstein, The Gotham Group’s Ellen Goldsmith-Vein, Bert Salke, The Gotham Group’s Jeremy Bell and D.J. Goldberg, James Bobin, Jim Rowe, Albert Kim, Jason Ensler and Sarah Watson.

The first season of “Percy Jackson and the Olympians” is available on Disney+

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